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1972 Rock & Indie 8 Items

Rock & Indie 8 Indierock | Alternative 7 Punk | Hardcore 1 Pop 1
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Reset all Filters No Used Vinyl 1972
The Sea Urchins - Stardust Black Vinyl Edition
The Sea Urchins
Stardust Black Vinyl Edition
LP | 1992 | US | Reissue (1972)
26,99 €*
Release: 1992 / US – Reissue
Genre: Rock & Indie
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Felt - Bubblegum Perfume Black Vinyl Edition
Felt
Bubblegum Perfume Black Vinyl Edition
LP | 1990 | US | Reissue (1972)
26,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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Felt - Bubblegum Perfume Pink Vinyl Edition
Felt
Bubblegum Perfume Pink Vinyl Edition
LP | 1990 | US | Reissue (1972)
26,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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Felt - Gold Mine Trash Brown Vinyl Edition
Felt
Gold Mine Trash Brown Vinyl Edition
LP | 1987 | US | Reissue (1972)
26,99 €*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes.

"In evidence throughout is Troth’s penchant for capturing and collecting sounds from their environments, transforming field recordings, organic and non-organic sonic sources into textures of a palette that they then compose and improvise with. There’s a virtuosity of sampling and sound manipulation. The recurrent sounds from Besseny and Bowman’s intrepid field and bush explorations often verge on an indistinguishability between the synthesised and the concrete-organic. Permutated hand percussion or the throbbing of a waterfall; xylophonic melody or the tape loop of a bird call. The clank and tings of unidentified objects, matter itself writhing in the veggie garden. An environment starts speaking from iron gates in a paddock anywhere, close to the damp leaf and loam of a forest floor far below unseen birds and their cacophony of song and chatter. Tracks often collapse into a grey zone stretched between composition and improvisation." - Chris Colla

Digipack in an edition of 500 copies including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt. Fördämning Arkiv 10.
Felt - Bubblegum Perfume
Felt
Bubblegum Perfume
LP | 1990 | EU | Reissue (1972)
40,99 €*
Release: 1990 / EU – Reissue
Genre: Rock & Indie
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Following a run with Cherry Red Records that featured a potential major label jump, guitarist Maurice Deebank quitting and rejoining multiple times, several pop stardom carrots just out of reach, mixing battles with Robin Guthrie, and a shocking entry into the record charts, Lawrence (just “Lawrence”, like “Cher” or “Madonna” thank you very much) knew he would be making a change with his band Felt. He would be seeing out his plan of ten albums and ten singles in ten years alongside a new partner in Creation Records. This compilation beautifully captures those years. Creation was beginning a rapid ascent at the time, with Alan McGee serving as its hyperactive mouthpiece and focal point. McGee was all in on the band. “Lawrence achieved pop perfection, a breathless rush of sensitivity and intelligence. It was too understated to be commercial, too art to go pop, too pop to go art—in other words it was a perfect combination of all the music I loved at the time.” McGee was thrilled to have what he considered a real star on the label, and Lawrence was equally thrilled to have such an enthusiastic cheerleader. He funneled that enthusiasm into some of the most focused songwriting of his career, as well as some of his wildest experiments, all of which are on display here.
The Gordons - The Gordons + Future Shock
The Gordons
The Gordons + Future Shock
LP+7" | 2021 | US | Original (1972)
27,54 €* 28,99 € -5%
Release: 2021 / US – Original
Genre: Rock & Indie
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The Gordons crashed upon the do-it-yourself scene of early 1980s Christchurch with torrential force, self-releasing two foundational planks of the vibrant New Zealand underground. Future Shock, a three-song 7-inch released in 1980, is a wild-eyed rampage, as staggering as any feedback-addled punk then being recorded at Southern Studios. The Gordons LP, which followed in 1981, matches the abandon with motorik churn and livewire dissonance, evoking New Zealand antecedents as divergent as This Kind Of Punishment and the Dead C. Brought together on this release, they’re a noise-rock landmark anticipating fans such as Sonic Youth. Flying Nun Records, the storied Christchurch label and symbol of the island nation’s rich independent music scene, re-released The Gordons and Future Shock together in 1988 following the formation of Gordons outgrowth Bailter Space, which frontman Alister Parker founded with Clean drummer Hamish Kilgour. Bailter Space, which would also come to include founding Gordons members Brent McLachlan and John Halvorsen, settled on a droning shoegaze sound, drawing comparisons to Dinosaur Jr. and the Pixies. The Gordons and Future Shock, however, represent the trio’s unreformed id, as startling today as upon release.
Arab Strap - Philophobia
Arab Strap
Philophobia
2LP | 2020 | US | Original (1972)
39,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Philophobia, Arab Strap’s sophomore slam dunk released in the spring of 1998, begins with one of the most memorable opening lines in all of indie rock: “It was the biggest cock you’d ever seen, but you’ve no idea where that cock has been.” So begins an album that, while picking up thematically where the duo’s debut album The Week Never Starts Round Here left off, promises from its very first seconds a renewed sense of purpose: the narratives are more streamlined, the music more confident and mature. Gone are the sketches and doodles that unquestionably distinguished 1996’s The Week Never Starts Round Here as the work of first timers, replaced with a consistent, almost conceptual, musical framework. On Philophobia, singer and lyricist Aidan Moffat’s realism is more profane, gritty and poignant, while multi-instrumentalist Malcolm Middleton’s honeyed orchestrations increasingly provide clinics in subtlety and restraint.
Part of the appeal of Arab Strap’s post-everything music is the way the group’s songs make every listener feel like either a voyeur or a trusted confidante. The ever-present humanity in future sex advice columnist Moffat’s first person tales of debauchery and regret is a through-line running through each of these frank and vivid songs: the same narrator who confesses to sniffing his fingers after a sexual encounter and boasts about the size of his penis also yearns to “hug” a lover to death, finds himself crying on the bus, and wonders idly—but hopefully—whether or not he’s truly in love with the woman he’s just slept with. It is this duality, complemented by Middleton’s imaginative and deeply sensitive accompaniment, that makes Philophobia one of the most original and most enduring front-to-back albums in the canon of modern indie rock; over two decades later, it still sounds warm to the touch.
Arab Strap - The Week Never Starts Round Here
Arab Strap
The Week Never Starts Round Here
LP | 2019 | US | Original (1972)
28,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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