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45 Years Vinyl, CD & Tape 4 Items

Vinyl, CD & Tape 4 Organic Grooves 2 Rock & Indie 1 Pop 2
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45 Years
Yusef Lateef / Cannoball Adderley Sextet - Love Theme From Spartacus / Brother John
Yusef Lateef / Cannoball Adderley Sextet
Love Theme From Spartacus / Brother John
7" | 2020 | UK | Original (45 Years)
12,99 €*
Release: 2020 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
BGP’s contribution to Ace’s 45th Anniversary are these two perfect examples of modal jazz in their super-rare 7-inch versions, both fine examples of the genius of saxophone great Yusef Lateef.

First up is his incredible arrangement of Alex North’s ‘Love Theme From Spartacus’. Released on his “Eastern Sounds” album, it has long been a favourite of collectors and DJs. The rare 7-inch edit is incredibly expensive to buy on original release and is reissued here for the first time.

Equally difficult to track down is the studio version of Lateef’s ‘Brother John’, which he recorded whilst he was a member of the Cannonball Adderley Quintet and which was only released as the B-side of the single ‘Tengo Tango’. Lateef’s own version from his live LP for Impulse is a jazz dance classic; this version is an under-appreciated gem.
Brute Force - Nobody Knows / King Of Fuh
Brute Force
Nobody Knows / King Of Fuh
7" | 2020 | UK | Original (45 Years)
12,99 €*
Release: 2020 / UK – Original
Genre: Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Brute Force is the pseudonym of Stephen Friedland, an American singer and songwriter. In 1964, while in New York City as a young adult, he met the producers Hugo and Luigi, who co-wrote the Elvis Presley hit ‘Can’t Help Falling In Love’. They introduced Friedland to the Tokens, known for their hit ‘The Lion Sleeps Tonight’. Not only was Friedland hired as a songwriter for the Tokens’ music publishing company, he also became the group’s keyboardist.

Side A is Brute Force’s version of his song “Nobody Knows What’s Going On My Mind But Me’, better known as a hit for the Chiffons.

In 1967, Friedland recorded as Brute Force with the album “I, Brute Force, Confections of Love”, which was produced by John Simon, later renowned for his work with the Band. In late 1968, Brute Force recorded his song ‘King of Fuh’ which is the story of a mythical king who ruled the kingdom of Fuh. The music and lyrics begin innocuously until they get to these lines: “I said the Fuh King—he went to wherever he wanted to go/Mighty mighty Fuh King/All hail the Fuh King.”

After the song was recorded, a friend of Friedland, Tommy Dawes of the Cyrkle, forwarded it to his manager, Nat Weiss, who knew Beatles manager Brian Epstein. According to Friedland, George Harrison was very receptive to the song and said so in a phone call. But EMI, Apple’s distributor, refused even to press the record, much less distribute it. Eventually, Apple privately issued the single for UK release, planning to stock mail order outlets and selected record shops. The distribution plan never really caught on and the record quickly disappeared.
Brunetta / Rita Pavone - Baluba Shake / Il Gegehege
Brunetta / Rita Pavone
Baluba Shake / Il Gegehege
7" | 2020 | UK | Original (45 Years)
12,99 €*
Release: 2020 / UK – Original
Genre: Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Connoisseurs of 1960s she-pop have been very well served by Ace Records, particularly those with a predilection for American and British artists. But good music, of course, is not exclusive to the English-speaking world, as those familiar with our collections devoted to the female vocalists of Italy will be aware (not to mention similar projects focusing on Japan, France, Sweden, Hungary and Spain). In a country renowned for its song festivals, most notably the prestigious event held annually in Sanremo, highly orchestrated ballads have always been especially popular in Italy. For this celebratory single, however, we present exemplary uptempo decks by Brunetta and Rita Pavone.

Brunetta was one of the first Italian singers to record rock’n’roll. Among her early releases were the appropriately titled “The Explosive Brunetta” and “Ciclone Brunetta” EPs and the frantic ‘Precipito’, which she performed with wild abandon in the film Urlatori Alla Sbarra. New stars Mina and Adriano Celentano also appeared in the movie, so she was in very good company. Fast forward a few lower-profile years, she released the record for which she would become best remembered. Backed by the Balubas combo, she performed the somewhat non-PC ‘Baluba Shake’ at the Pesaro Song Festival in 1966, scooping top prize. These days, the track is an underground dancefloor favourite, original copies of which change hands for a pretty penny.
Roy Brown / Lloyd Price - Boogie At Midnight (Take 1) / Lawdy Miss Clawdy (Take 1)
Roy Brown / Lloyd Price
Boogie At Midnight (Take 1) / Lawdy Miss Clawdy (Take 1)
7" | 2020 | UK | Original (45 Years)
11,99 €*
Release: 2020 / UK – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ace’s 45th anniversary 7-inch selection continues this month by taking us back to our roots, and bringing you incredible previously unreleased alternate takes of two all-time classics of rockin’ 1950s rhythm & blues.

R&B lovers will need no introduction to either Roy Brown’s ‘Boogie At Midnight’ or Lloyd Price’s ‘Lawdy Miss Clawdy’, but these recently discovered ‘Take One’s put whole new perspectives on two proven classics. The fast and furious ‘Boogie’ makes the issued 1951 master sound like a lullaby in comparison, while ‘Clawdy’ has an alternate opening line that would have guaranteed no airplay would have been forthcoming back in 1952.

Both tracks are taken from new transfers of the original acetate and tape sources, and both play loud and proud. Each side of the 45 offers a representation of the original label design that would have been used, had they been issued at the time of recording.

No self-respecting R&B singles collector will want to be without a copy of this essential commemorative single, featuring two of the greatest names in 1950s black American music.
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