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A-Ton Vinyl, CD & Tape 8 Items

Vinyl, CD & Tape 8 Electronic & Dance 8 Soundtracks 1 Used Vinyl 4
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A-Ton
Function - Recompiled II/II
Function
Recompiled II/II
2x12" | 2017 | DE | Original (A-Ton)
70,99 €*
Release: 2017 / DE – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. Tiny wear.
V.A. - Bonking Berlin Bastards
V.A.
Bonking Berlin Bastards
2LP | 2021 | EU | Original (A-Ton)
24,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance, Soundtracks
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First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.
Inland & Julian Charriere - An Invitation To Disappear
Inland & Julian Charriere
An Invitation To Disappear
2x12" | 2018 | DE | Original (A-Ton)
24,99 €*
Release: 2018 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed!
Phillip Sollmann (Efdemin) - Monophonie
Phillip Sollmann (Efdemin)
Monophonie
2LP | 2020 | EU | Original (A-Ton)
22,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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Following 2019’s New Atlantis LP under his experimental techno alias Efdemin, Phillip Sollmann’s Monophonie is a project dedicated to uniting different strands of utopian music. His approach: combining and recontextualizing rare historical instruments of sonic research of Hermann von Helmholtz (19th century) with the self-designed, microtonal instruments of Harry Partch and metal sound sculptures of Harry Bertoia. The result is a psychedelic investigation into just intonation – alternative tuning systems that create unique sets of harmonics not found in conventional scales. Monophonie recasts these sounds into new rhythmic environments where epic kosmische, polyrhythms, acoustic techno and microtonal glow are interwoven into a rare music. Over nine tracks, the album explores multiple forms of minimalism, from unwavering repetition to paired-down chords and sparse sonic environments. But it also seeks to expand the sound spectrum of Partch’s custom built organs and melodic percussion instruments as well as Bertoia’s sonambient singing metal rods into a atmospheric otherworldliness. Monophonie was first composed in 2016 and premiered at Berlin’s Volksbühne theatre in 2017, before it went on to the renowned Ruhrtriennale and Kampnagel in Hamburg. It was performed by one of Germany’s premier neue musik collectives Ensemble Musikfabrik together with Sollmann himself on von Helmholtz’s original double siren, with set design by Michael Kleine and wardrobe by Peter Kisur of Honeysuckle Company.
V.A. - Dialogue
V.A.
Dialogue
2LP | 2021 | EU | Original (A-Ton)
20,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Phillip Sollmann - Monophonie
Phillip Sollmann
Monophonie
2LP | 2020 | DE | Original (A-Ton)
20,99 €*
Release: 2020 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
V.A. - Dialogue
V.A.
Dialogue
2LP | 2021 | EU | Original (A-Ton)
13,79 €* 22,99 € -40%
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Dialogue was conceived as a series of musical letters written back and forth between Luke Slater, Anthony Child (aka Surgeon), Kmru, Lady Starlight, Speedy J and harpist Tom Moth (of Florence + the Machine) at the height of the pandemic between 2020 and early 2021. Using the common language of rhythmic ambient electronics, each Dialogue features three actors in a sonic conversation of longform improvisation between 15 and 25 minutes in length, with Luke Slater the common denominator. The results are a brooding, psychedelic exchange of melody, texture, bass, oscillation, key changes and volume swells, which organically merge into complete compositions. It’s music that both reflects and transcends the artists' common reality of isolation – a meditative, consciousness-expanding conversion of musical ideas born from necessity. Cosmic but not escapist. And very much of its time.
Oren Ambarchi, Konrad Sprenger & Phillip Sollmann - Panama / Suez
Oren Ambarchi, Konrad Sprenger & Phillip Sollmann
Panama / Suez
12" | 2018 | EU | Original (A-Ton)
10,99 €*
Release: 2018 / EU – Original
Genre: Electronic & Dance
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A-TON is proud to announce Panama / Suez, the first EP by trio Oren Ambarchi, Konrad Sprenger and Phillip Sollmann (aka Efdemin). The three multi-instrumentalists collaborated with the goal of creating subtly shifting musical passageways: sonic routes that run between continents of musical category. The results are two variations of kraut-y, groove-based post-techno that unfurl through mutating polyrhythms and chiming, ethereal guitar play – a rare moment of guitar and techno in deep embrace. With a potential to sustain energy on experimental dancefloors, Panama / Suez lives from Ambarchi, Sprenger and Sollmann’s diverse input while reflecting a common penchant for both pop and the hypnotic.
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