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Hip Hop 1 Organic Grooves 29 Rock & Indie 27 Electronic & Dance 2 Pop 15 1960s 9 2010s 2
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V.A. - Toujours Chic! More French Girl Singers
V.A.
Toujours Chic! More French Girl Singers
LP | 2015 | UK | Original (Ace)
23,99 €*
Release: 2015 / UK – Original
Genre: Pop
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Experience the hip sounds of 1960s France with “Toujours Chic!”, the latest in our series of groovy Gallic girl-pop. The collection is available on 24-track CD and 12-track LP formats.

Star of the show is series debutante Laura Ulmer, who graces the cover of the CD version and contributes three pure pop tracks in the France Gall mode. Fabienne, Zouzou, Charlotte Walters, Stone, are all also new to the series.
This LP version, features a gorgeous cover photo of Françoise Hardy, is pressed on 180g lavender vinyl and comes with a fully illustrated inner bag.
V.A. - Ciao Bella! Italian Girl Singers Of The 60s
V.A.
Ciao Bella! Italian Girl Singers Of The 60s
LP | 2015 | UK | Original (Ace)
24,99 €*
Release: 2015 / UK – Original
Genre: Pop
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The 12-track Colored Vinyl LP format opens with Brunetta’s prized dancefloor-filler ‘Baluba Shake’ and closes with ‘Pà Diglielo A Mà’, a dramatic ballad by big-voiced Nada. The prolific Mina - queen bee of Italy’s female singers - gets two tracks: folk rock nugget ‘No’ and ‘Se Telefonando’, a sophisto-pop epic courtesy of maestro Ennio Morricone.

Other highlights include the sitar-embellished ‘Il Mio Posto Qual’È’ by Ornella Vanoni, a convincing cover of ‘Baby Please Don’t Go’ by beat girl Caterina Caselli, the pounding ‘Il Geghegè’ by petite dynamo Rita Pavone and breathy-voiced actress Catherine Spaak’s bossa-imbued ‘La Notte È Fatta Per Rubare’.
Goldie And The Gingerbreads - Thinking About The Good Times 1964-1966
Goldie And The Gingerbreads
Thinking About The Good Times 1964-1966
LP | 2021 | UK | Original (Ace)
23,99 €*
Release: 2021 / UK – Original
Genre: Pop
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In that enticing, enthralling school of 1960s “girls with guitars”, Goldie & the Gingerbreads are top of the class. Self-contained and accomplished as instrumentalists, with an eminently soulful vocal prowess, the Gingerbreads remain true pioneers of women in rock’n’roll, and with a fascinating history to boot.

Born in the discotheques of Gotham, Goldie & the Gingerbreads were a popular club act with a handful of recordings under their belt when an admiring Animals caught them on a NYC visit in late 1964. “Imported” into the UK, the group scored a hit with ‘Can’t You Hear My Heartbeat’ and went on to tour with the Rolling Stones, Kinks and others, as well as maintaining a high visibility in the UK on their own. They made several more worthy if unsuccessful discs with producer Shel Talmy before splitting in 1967.

“Thinking About The Good Times” is the first-ever Goldie & the Gingerbreads collection, and it’s a fine testament to their undoubted abilities. Gathering together their sessions for Scepter, Decca and Atlantic, the versatility of the group is quite apparent on tracks that range from chunky beat and R&B (‘Look For Me Baby’, ‘Think About The Good Times’) through dramatic soul balladry (‘That’s Why I Love You’, ‘Little Boy’) to classic girl group sounds (‘Sailor Boy’, ‘Something Beautiful’).
V.A. - Tres Chic! More French Girl Singers Of The 1960s
V.A.
Tres Chic! More French Girl Singers Of The 1960s
LP | 2013 | UK | Original (Ace)
24,99 €*
Release: 2013 / UK – Original
Genre: Organic Grooves, Rock & Indie, Pop
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180g Colored Vinyl! Hand-picked titles by Françoise Hardy, France Gall. Annie Philippe, Elsa, Violaine, Pussy Cat, Brigitte Bardot, Delphine and Liz Brady!
V.A. - C’est Chic! French Girl Singers Of The 1960s
V.A.
C’est Chic! French Girl Singers Of The 1960s
LP | 2013 | UK | Original (Ace)
24,99 €*
Release: 2013 / UK – Original
Genre: Pop
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Colored 180 gram wax!
V.A. - Fantastic Voyage: New Sounds For The European Canon 1977-1981
V.A.
Fantastic Voyage: New Sounds For The European Canon 1977-1981
2LP | 2024 | UK | Original (Ace)
30,99 €*
Release: 2024 / UK – Original
Genre: Pop
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This is the thrilling, adventurous sound of European music before the watershed moment when Bowie would abandon art-pop for America and the emerging world of MTV with “Let’s Dance” in 1983. “Fantastic Voyage” soundtracks the few brief years when the echo chamber of Bowie, his inspirations, and his followers created an exciting, borderless music that was ready to challenge Anglo American influences.
The Missfits - Meet The Missfits
The Missfits
Meet The Missfits
7" | 2023 | UK | Original (Ace)
12,99 €*
Release: 2023 / UK – Original
Genre: Pop
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It was standard practice in the 1960s for British beat groups to pepper their repertoires with American R&B songs. Formed by five music-loving schools from Blackpool, the Missfits were no exception. Although they group released no records during their time together, for two brief years they were the toast of Blackpool clubland. They played at the same veues as local bands such as the Rockin’ Vickers, including some gigs at the famous Oasis Club in Manchester and at the short-lived Blackpool branch of the Twisted Wheel.

In February 1964, they won a recording test in a talent competition and travelled to London that summer to commit some of their favourite songs to tape. The tape reel was soon forgotten and thought lost but Janet had thankfully kept it safe, enabling the appearance of the four tracks on this 60s-style vinyl EP. Drummer Janet Baily provides lead vocals on their version of John Lee Hooker’s ‘Dimples’, and bass player Pauline Moran sang lead on Bo Diddley’s ‘You Can’t Judge A Book By The Cover’, Chuck Berry’s ‘I’m Talking About You’ and Ray Charles’ ‘What’d I Say’, with guitarists Andrea Hine, Carola Daish and Liz Hall joining in on backing vocals.
Bob Stanley • Pete Wiggs - Paris In The Spring
Bob Stanley • Pete Wiggs
Paris In The Spring
2LP | 2018 | UK | Original (Ace)
22,99 €*
Release: 2018 / UK – Original
Genre: Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
White Blue vinyl has a few tiny pressing bumps. Cover has tiny wear.
V.A. - Live It Up! Bayswater Beat Girls 1964-1967
V.A.
Live It Up! Bayswater Beat Girls 1964-1967
CD | 2019 | EU | Original (Ace)
15,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves, Pop
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Hand-picked 60s she-pop from UK Philips, Fontana and Mercury, including many titles new to CD.
V.A. - Bob Stanley & Pete Wiggs present Three Day Week - When The Lights went Out 1972-1975
V.A.
Bob Stanley & Pete Wiggs present Three Day Week - When The Lights went Out 1972-1975
2LP | 2019 | EU | Original (Ace)
31,99 €*
Release: 2019 / EU – Original
Genre: Pop
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"Britain wasn’t on its own in having a thoroughly miserable 1973: O Lucky Man! and Badlands both found a great year to premiere, while Watergate brought America to a new low. But America didn’t still have back-to-backs and outside bogs. Tens of thousands of Britons remained housed in wartime pre-fabs and sub-standard dwellings. The bright new colours of the post-war Festival of Britain and Harold Wilson’s talk in the 60s of the “white heat of technology” now seemed very distant as strikes, inflation, and food and oil shortages laid Britain low. What had gone wrong? And what did pop music have to say about it?

With perfect timing this album soundtracks Britain on the brink of chaos. It includes lost masterpieces (Phil Cordell’s ‘Londonderry’), gritty singles by the new names of the early 70s (Mungo Jerry’s ‘Open Up’, David Essex’s ‘Stardust’) and forgotten gems by some of the biggest names of the previous decade, now struggling to make themselves heard (the Kinks’ ‘When Work Is Over’, the Troggs’ ‘I’m On Fire’).

Sometimes the approach was tongue-in-cheek (the Strawbs’ ‘Part Of The Union’), other times it was the sound of sheer frustration (Mike McGear’s ‘Kill’), and occasionally it was angry enough to incur the wrath of special branch (Hawkwind’s banned ‘Urban Guerilla’). Mostly the sound of these records evokes the feeling of nights in with only candles to light the house and TV closing down at 10pm: the empty spaces of Adam Faith’s ‘In Your Life’; the fuzz guitar minimalism of Ricky Wilde’s ‘Hertfordshire Rock’; Climax Chicago’s alternative lifestyle-musing ‘Mole On The Dole’.

Compiled by Bob Stanley and Pete Wiggs, “Three Day Week” follows on from their highly acclaimed “English Weather”, “Paris In The Spring” and “State Of The Union” compilations. It amplifies the noise of a country which was still unable to forget the war, even as it watched the progressive post-war consensus disintegrating. We hear shrugs and cynicism, laughter through gritted teeth, melancholy, and a real anger that would rise to the surface with punk a few years later.

This 180g clear vinyl LP with deluxe gatefold sleeve features two extra tracks."
V.A. - Bob Stanley & Pete Wiggs present State Of The Union - The American Dream In Crisis 1967-1973
V.A.
Bob Stanley & Pete Wiggs present State Of The Union - The American Dream In Crisis 1967-1973
2LP | 2018 | UK | Original (Ace)
32,99 €*
Release: 2018 / UK – Original
Genre: Pop
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By mid-1968 there was a growing consensus that something had gone horribly wrong with the American dream. The nation’s youth had loudly made their feelings clear, but now the older, pre-Beatles generations began to look at the country – with urban riots, Vietnam, and the assassinations of Martin Luther King and Bobby Kennedy – and wonder what the hell was happening.

This album includes rare classics (The Beach Boys’ ‘Fourth Of July’), lost masterpieces (Roy Orbison’s seven-minute ‘Southbound Jericho Parkway’), and forgotten gems by some of the biggest names in the business (Elvis Presley’s ‘Clean Up Your Own Back Yard’).

Reactions to America’s existential crisis ranged in subject matter from divorce (Frank Sinatra’s ‘The Train’) and the break-up of the nuclear family (The Four Seasons’ ‘Saturday’s Father’), to eulogies for fallen heroes (Dion’s ‘Abraham Martin and John’), sympathy for Vietnam vets (Johnny Tillotson’s ‘Welfare Hero’), the church’s institutional racism (Eartha Kitt’s intense ‘Paint Me Black Angels’), and even questioning the ethics of the space programme (Bing Crosby’s terrific ‘What Do We Do With The World’).

Compiled by Bob Stanley and Pete Wiggs, State Of The Union follows on from their highly acclaimed English Weather and Paris In The Spring compilations. With clear parallels between today's fractured country and the USA fifty years ago, this is a fascinating condensation of what Americans were thinking when they turned on the TV, or the radio, or simply walked down Main Street in 1968.
V.A. - Bob Stanley & Pete Wiggs Present Paris In The Spring Colored Vinyl Edition
V.A.
Bob Stanley & Pete Wiggs Present Paris In The Spring Colored Vinyl Edition
2LP | 2018 | EU | Original (Ace)
32,99 €*
Release: 2018 / EU – Original
Genre: Pop
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"The events of May ’68 are seen as a turning point in France’s social history - pictures of the barricades are still potent images. Lines were drawn politically, culturally, socially, and pop music was not exempt.

“Paris In The Spring” is a collection of the new music, put together by Saint Etienne’s Bob Stanley and Pete Wiggs, that emerged from France between 1968 and the mid-70s, an extraordinary blend of several previously independent strains – French chanson and yé-yé, American jazz and funk, British chamber pop – shot through with the era’s underlying mixture of optimism, uncertainty and darkness. This is the first collection of its kind, released on the 50th anniversary of the Paris uprising.

Serge Gainsbourg – a jazz pianist with a chanson past and a pop present – was in a position to play a key role in soundtracking France in flux over the next five years. His “Histoire de Melody Nelson”, with its heavily atmospheric arrangements by Jean-Claude Vannier, was the acme of this new, unsettling French sound. “Paris In The Spring” includes other equally dazzling Vannier arrangements (for Léonie) and Gainsbourg compositions (for Jane Birkin and Mireille Darc).

Prior to 1968, 60s French pop had been dominated by yé-yé, the country’s unique brand of upbeat pop, a world of primary colours, mini-jupes and discothèques (a French invention, after all). Its stars either faded fast after May ’68 or adapted to the new era: Jacques Dutronc (‘Le Métaphore’) and France Gall (‘Chanson Pour Que Tu M’aimes un Peu’) discovered a moody side they had previously kept hidden, while Françoise Hardy released the Brazilian-influenced, after-hours classic “La Question”, from which we have picked ‘Viens’.

New bands like Triangle emerged, influenced by Soft Machine and Gong who became regulars on the Paris club scene. French library music from Janko Nilovic and film soundtracks (François De Roubaix, Karl-Heinz Schäfer) reflected the era’s edginess. All are represented on “Paris In The Spring”, making it a continental cousin to Stanley and Wiggs’s hugely popular 2017 Ace compilation “English Weather”..
"
V.A. - Love Hit Me! - Decca beat Girls 1963-1970
V.A.
Love Hit Me! - Decca beat Girls 1963-1970
LP | 2016 | UK | Original (Ace)
26,99 €*
Release: 2016 / UK – Original
Genre: Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Yellow vinyl!
Bob Stanley & Pete Wiggs - Three Day Week (When The Lights Went Out 1972-1975)
Bob Stanley & Pete Wiggs
Three Day Week (When The Lights Went Out 1972-1975)
2LP | 2019 | UK | Original (Ace)
27,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Clear vinyl. Cover has tiny corner wear.
Karen Verros - You Just Gotta Know My Mind / Karen's Theme
Karen Verros
You Just Gotta Know My Mind / Karen's Theme
7" | 1965 | UK | Reissue (Ace)
12,99 €*
Release: 1965 / UK – Reissue
Genre: Pop
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First issued on the Dot label in 1965, Karen Verros’ recording of ‘You Just Gotta Know My Mind’ is one of the most popular and in-demand tracks ever to appear on Ace Records’ “Girls With Guitars” compilation series. Pressings of the hopelessly rare original exist in two variants, one 20 or so seconds shorter than the other.

This new Ace release features the longer of the two versions. ‘Karen’s Theme’ on the B-side is the ‘You Just Gotta Know My Mind’ backing track, with added freakbeat guitar in place of Karen’s vocal.

An original copy, in the unlikely event one should become available for sale, is likely to carry a hefty asking price. Designed to resemble a small-run mid-60s acetate pressing, rather than a replica Dot label, this very welcome addition to Ace’s catalogue of 7-inch vinyl singles should set punters back about the cost of a bottle of cheap plonk.
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