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Acid Jazz Electronic & Dance 8 Items

Hip Hop 1 Organic Grooves 63 Rock & Indie 12 Electronic & Dance 8 Downbeat | Electronica | Leftfield 3 Nu-Jazz | Broken Beat 3 Reggae & Dancehall 8
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Acid Jazz
Matt Berry - Music For Insomniacs
Matt Berry
Music For Insomniacs
LP | 2014 | UK | Reissue (Acid Jazz)
28,99 €*
Release: 2014 / UK – Reissue
Genre: Electronic & Dance
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The Brand New Heavies - Original Flava White Vinyl Edition
The Brand New Heavies
Original Flava White Vinyl Edition
LP | 1994 | UK | Reissue (Acid Jazz)
28,99 €*
Release: 1994 / UK – Reissue
Genre: Electronic & Dance
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Matt Berry - Kill The Wolf 10th Anniversary Edition
Matt Berry
Kill The Wolf 10th Anniversary Edition
2LP | 2023 | UK | Original (Acid Jazz)
31,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Mother Earth - Stoned Woman Colored Vinyl Edition
Mother Earth
Stoned Woman Colored Vinyl Edition
LP | 1992 | UK | Reissue (Acid Jazz)
28,99 €*
Release: 1992 / UK – Reissue
Genre: Electronic & Dance
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Eddie Piller & Dean Rudland present - Acid Jazz (Not Jazz)
Eddie Piller & Dean Rudland present
Acid Jazz (Not Jazz)
12" | 2022 | UK | Original (Acid Jazz)
31,34 €* 32,99 € -5%
Release: 2022 / UK – Original
Genre: Electronic & Dance
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Eddie Piller & Dean Rudland present Acid Jazz (Not Jazz)

Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.

Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.

These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!
The Aloof - This Constant Chase For Thrills
The Aloof
This Constant Chase For Thrills
2LP | 1999 | UK | Reissue (Acid Jazz)
28,99 €*
Release: 1999 / UK – Reissue
Genre: Electronic & Dance
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The Aloof formed in 1990 and forged a reputation as one of the hardest working bands around. While other acts incorporated an electronica into a general rock sound in the early ‘90s, The Aloof were always a pioneering electronic act. Touring alongside the likes of Massive Attack and Leftfield, they released three albums with Warner’s EastWest label: Cover The Crime (1994), Sinking (1996) and Seeking Pleasure (1998). After parting ways with Warner, they were in charge of their own destiny, and formed their own ‘Screaming Target’ label as they set about making a new record.

The resultant album ‘This Constant Chase For Thrills’ has established a reputation as a cult classic, but internal struggles and the wider pressure of the industry meant it didn’t get the coverage it deserved. Despite this, ‘So Good’ became a radio hit after featuring on the US version of Queer As Folk, and remains a fan-favourite. In anticipation of the release, it has finally issued as a single, setting the tone for the full reissue of the LP on Acid Jazz Records.

Defined by a positive DIY spirit as the band moved on their own, This Constant Chase For Thrills, has an Ibiza and Balearic feel, alongside its dark, moody and atmospheric moments. Aside from ‘So Good’ – described as ‘a dark cloud being lifted’ by founding member Dean Thatcher – there is the late night intensity of ‘Doing It For Money’, describing the need to make ends meet in difficult circumstances, which gained attraction when first released. Meanwhile, closing tune ‘Painted Face’ is arguably the album’s standout, infused with wide-eyed psychadelia and open adventure.

“I think ‘Constant Chase For Thrills’ was a return to form for The Aloof and I’m really chuffed this album is going to see the light of day properly and finally get the exposure it deserves” - Dean Thatcher, The Aloof.
Raw Stylus - Use Me
Raw Stylus
Use Me
12" | 1993 | UK | Original (Acid Jazz)
4,99 €*
Release: 1993 / UK – Original
Genre: Hip Hop, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Original UK pressing.
X-Press 2 - Thee
X-Press 2
Thee
LP | 2023 | UK | Original (Acid Jazz)
31,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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