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Fela Kuti & The Africa 70 - Afrodisiac
Fela Kuti & The Africa 70
Afrodisiac
LP | 1973 | UK | Reissue (Knitting Factory)
23,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Fela Kuti & The Africa 70 - Coffin For Head Of State
Fela Kuti & The Africa 70
Coffin For Head Of State
LP | 1981 | UK | Reissue (Knitting Factory)
24,29 €* 26,99 € -10%
Release: 1981 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Fela Kuti & The Africa 70 - Gentleman
Fela Kuti & The Africa 70
Gentleman
LP | 1973 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - International Thief Thief (I.T.T.)
Fela Kuti & The Africa 70
International Thief Thief (I.T.T.)
LP | 1979 | UK | Reissue (Knitting Factory)
23,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - Johnny Just Drop (J.J.D.)
Fela Kuti & The Africa 70
Johnny Just Drop (J.J.D.)
LP | 1977 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1977 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Fela Kuti & The Africa 70 - No Agreement
Fela Kuti & The Africa 70
No Agreement
LP | 1977 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1977 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Fela Kuti & The Africa 70 - Shakara
Fela Kuti & The Africa 70
Shakara
LP | 1972 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1972 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - Underground System
Fela Kuti & The Africa 70
Underground System
LP | 1992 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1992 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - Upside Down
Fela Kuti & The Africa 70
Upside Down
LP | 1976 | UK | Reissue (Knitting Factory)
23,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - V.I.P. (Vagabonds In Power)
Fela Kuti & The Africa 70
V.I.P. (Vagabonds In Power)
LP | 1979 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - Yellow Fever
Fela Kuti & The Africa 70
Yellow Fever
LP | 1976 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - Zombie
Fela Kuti & The Africa 70
Zombie
LP | 1976 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti Vs. De La Soul - Fela Soul Purple Vinyl Edition
Fela Kuti Vs. De La Soul
Fela Soul Purple Vinyl Edition
LP | 2015 | US (Fela Soul)
31,99 €*
Release: 2015 / US
Genre: Hip Hop, Organic Grooves, Electronic & Dance
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The classic is back! Limited edition for Record Store Day 2015! Gummy Soul's Amerigo Gazaway mashes up Afrobeat legend Fela Kuti with acapellas from De La Soul to killer effect! A fantasic journey into the "world of afrobeat rhythms, funky horn riffs & classic hip-hop gems". Bonus track added, now on colored vinyl in a full color picture sleeve!
Fela Kuti - Why Black Man Dey Suffer Transparent Yellow Vinyl Edition
Fela Kuti
Why Black Man Dey Suffer Transparent Yellow Vinyl Edition
LP | 1971 | UK | Reissue (Knitting Factory)
25,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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Fela Ransome-Kuti & The Highlife Rakers - Fela's Special
Fela Ransome-Kuti & The Highlife Rakers
Fela's Special
7" | 2017 | EU | Original (Soundway)
10,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Soundway Records presents Fela's Special 7" single, the first recorded tracks from the great Fela Kuti.
This item usually comes with the extensive Highlife On The Move 3xLP compilation, but due to an accidental over-pressing we have a small number of these 45’s for sale individually.
Very limited stock available.
Femi Kuti / Made Kuti - Legacy +
Femi Kuti / Made Kuti
Legacy +
2LP | 2021 | UK | Original (Partisan)
29,99 €*
Release: 2021 / UK – Original
Genre: Organic Grooves
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Fermin Muguruza Kontrabanda - Fermin Muguruza Kontrabanda
Fermin Muguruza Kontrabanda
Fermin Muguruza Kontrabanda
2LP | 2024 | Original
36,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Ferry DJimmy - Rhythm Revolution
Ferry DJimmy
Rhythm Revolution
2LP | 1971 | UK | Reissue (Acid Jazz)
42,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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Acid Jazz presents one of Afrobeat’s most mysterious and rare records by a former schoolteacher, boxer, Jacques Chirac's bodyguard, and Beninese musical visionary: Ferry Djimmy - Rhythm Revolution.

The album was originally recorded in the mid-1970s in support of Benin’s revolutionary leader Mathieu Kérékou. Rumour has it that less than two hundred copies survived a late-‘70s fire.

Ferry Djimmy’s life story is one of the most extraordinary you’re ever likely to hear. Born in 1939, Jean Maurille Ogoudjobi (the nickname Ferry comes from ‘ferry djimmy’ being short for ‘please forgive me’ in Yoruba as he was a very smart but unruly kid), Ferry had 43 siblings. By the late 1950s, he started a career as a schoolteacher. As a tall and imposing young man, Ferry also started a parallel career as a boxer. When he wasn’t teaching or fighting, he also caught up with the emerging night scene in the city of Cotonou, where local folklore, Congolese rumba, highlife and Cuban adaptations were favoured by local audiences as well as some blues, jazz and rhythm’n’blues.
Ferry DJimmy - Rhythm Revolution Colored Vinyl Edition
Ferry DJimmy
Rhythm Revolution Colored Vinyl Edition
LP | 2023 | UK | Original (Acid Jazz)
28,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves
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Acid Jazz presents one of Afrobeat’s most mysterious and rare records by a former schoolteacher, boxer, Jacques Chirac's bodyguard, and Beninese musical visionary: Ferry Djimmy - Rhythm Revolution.

The album was originally recorded in the mid-1970s in support of Benin’s revolutionary leader Mathieu Kérékou. Rumour has it that less than two hundred copies survived a late-‘70s fire.
Feso Trombone - Freedom Train Record Store Day 2024 Edition
Feso Trombone
Freedom Train Record Store Day 2024 Edition
LP | 1984 | EU | Reissue (Lantern)
24,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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A necessary groundbreaking album, originally released on Belgian label Antler in 1984. Fesobi Olawaiye debut is finally been re-issued, showcasing the incredible talent of the African musician, a longtime Fela Kuti associate in the legendary Afrika 70. Ander the moniker Feso Trombone he just prove an authentically brilliance, moving forward the afro-beat dogma while providing incredible white funk harmonies and contagious rare groove. Remastered from the original tapes!
Feven Yoseph - Gize Blue Vinyl Edition
Feven Yoseph
Gize Blue Vinyl Edition
LP | 2024 | EU | Original (Blue Pearls)
27,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Preorder shipping from 2024-06-28
Five Day Week Straw People - Five Day Week Straw People
Five Day Week Straw People
Five Day Week Straw People
LP | 2018 | EU | Reissue (Morgan Blue Town)
30,99 €*
Release: 2018 / EU – Reissue
Genre: Organic Grooves
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Flammer Dance Band - Mer / Holder Rytme
Flammer Dance Band
Mer / Holder Rytme
7" | 2020 | UK | Reissue (Lyskestrekk)
13,99 €*
Release: 2020 / UK – Reissue
Genre: Organic Grooves
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Flammer Dance Band back with two new hip-shaking garage funk tunes! 2023 Repress edition in different sleeve artwork colourway Another essential from Lyskestrekk Records.
FLEE - Issue No. 1 - Benga Music (A Signature Genre From Kenya)
FLEE
Issue No. 1 - Benga Music (A Signature Genre From Kenya)
LP | 2017 | EU | Original (FLEE)
34,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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6 rare and almost forgotten benga tracks from Kenya including edits by Nik Weston, Jaakko Eino Kalevi and Africaine 808!

Inculding a 16 page printed silkscreen magazine!

FLEE is a collective of dedicated afro-diggers, driven by the enthusiasm to find and preserve semi-forgotten genres. For their first release they focused on an old Kenyan music genre called “Benga”. The record will be completed by a printed silkscreen magazine retracing the history of the genre, which will feature original archive pictures, great authors from the region, such as Emmanuel Mwenda, as well as the writer and singer of the eclectic Kenyan Band, Yellow Light Machine, Ondiso Madete. This vinyl compiles six rare and for some unreleased benga tracks, edited by contemporary artists (Nik Weston aka Mukat, Jaakko Eino Kalevi and Africaine 808), with the aim of approaching this genre with an innovative perspective, transcending simple nostalgia.

Only 200 copies of this first issue!
Florence Adooni & Erobique - Mam Tola
Florence Adooni & Erobique
Mam Tola
7" | 2023 | EU | Original (Philophon)
11,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Hamburg maestro Erobique, known for his improvisational spirit and irresistible disco anthems, visited drummer/producer Max Weissenfeldt at his Joy Sound Studios in Ghana. Together with Philophon artist Florence Adooni, he created the swinging catchy tune 'Mam Tola' there, which she sings in her mother tongue Frafra, a prime example of Afro-Soul. On 'Bach In Afrika', Erobique transforms a deep Kumasi-style drum'n'bass jam into a frenetic baroque ceremony by masterfully operating the Hammond 'Extra Voice' in a J.S. Bach-like manner.
Florence Adooni - Mam Pe'ela Su'ure
Florence Adooni
Mam Pe'ela Su'ure
7" | 2021 | EU | Original (Philophon)
13,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Florence Adooni shares a long history with Philophon. Being part of Guy One's group she is the voice on his radio hit "Estre". Furthermore, she is a member of Alogte Oho's Sounds of Joy and can be heard on his smasher "Mam Yinne Wa". Last but not least, Jimi Tenor chose her to sing on his instant club classic "Vocalize My Luv". In addition to all these cooperations, Florence has locally released a series of albums under her own name and with no doubt she can called the queen of Frafra-Gospel.

"Mam Pe'ela Su'ure" is a typical Frafra-Gospel Hymn, sung during Sunday services accompanied only with shakers and hand clapping. Our version here is backed up by Kumasi's finest High Life players, who transform the song into a massive wave of groove. "Naba Aferda" is a homage to the Chief of Zuarungu, Florence's home village, which was also the home village of the legendary Christy Azuma, who became the first international Frafra-Star in the 70s. Christy was always a big inspiration for Florence and makes her proud to be from a small village called Zuarungu.
Fonseca Et Ses Anges Noirs - Fonseca Et Ses Anges Noirs
Fonseca Et Ses Anges Noirs
Fonseca Et Ses Anges Noirs
LP | 1966 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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180 gram audiophile vinyl
Includes insert
Debut album from 1966 by "The King Of Afro-Cuban Rhythm"
Limited edition of 500 individually numbered copies on translucent red coloured vinyl

Fonseca is the son of a Senegalese mother and a father from Cape Verde. Hence the Portuguese sounding name: Louis Vera Da Fonseca.

In the 1950s, he founded the group Les Anges Noirs (The Black Angels) in Brussels, named after the Brussels club in the Boomkwekerijstraat, which quickly became very popular in Belgium, Africa, and the West Indies. The famous Manu Dibango was even musical director and pianist there for a period. Manu Dibango would later become one of the emblematic figures of African music. Soon Fonseca was nicknamed “the King of Afro-Cuban rhythm”.

After several great successes from the early sixties to 1968, Fonseca suddenly disappeared from the music scene in the late 60's. Whether he died in 1970, as can be read on some sites, cannot be said with certainty.

The self-titled album Fonseca Et Ses Anges Noirs is available as a limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes an insert.
Forward Kwenda - Chawapiwa Deluxe Edition
Forward Kwenda
Chawapiwa Deluxe Edition
12" | 2020 | EU | Original (Nyami Nyam)
47,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves
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Forward Kwenda was born in the Buhera area of Manicaland, Zimbabwe. This area is known for its fierce resistance to colonial rulers and respect for Shona tradition. Forward Kwenda has always played Mbira, for the spirits, the ancestors, the land of Zimbabwe and the world around it. An undisputed master of this eminently spiritual instrument, he has developed a complex and unique melodic technique that has led him to perform and teach in the United States, Europe and Japan.
The EP Chawapiwa is the result of a collaboration with two of his students: Yann Dubois and Shiho Manabe.
The B-Side of this 12” is a remix and a loving tribute to Zimbabwe by Dj Oil, a french producer and dj, and a true veteran of the underground music and party scene in his native Marseille, Lionel Corsini, aka DJ Oil released his well-received solo debut as recently as 2012 (Black Notes for French label Discograph) but is probably better known as one part of The Troublemakers, who had the (probably unique?) distinction of being signed to both the legendary ‘90s house label Guidance and the most famous of all jazz labels, Blue Note.
The cover artwork is taken from Georgina Maxim's work: "Letters I wasn't supposed to read". Presented as textile sculptures like a diary made from second-hand clothes, the pieces bear the history and memory of the ghost corps that once wore them. Georgina Maxim lives and works in Zimbabwe where she founded the artistic collective, Village Unhu.
The visual adaptation and screen-printing was done by Vivien Le Jeune Durhin from PPP studio, Paris. This is a screenprinted limited edition release of 100 copies.
Fourth Street Orchestra - Ah Who Seh? Go-Deh!
Fourth Street Orchestra
Ah Who Seh? Go-Deh!
LP | 2023 | EU | Original (Music On Vinyl)
28,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Fra Fra - Funeral Songs
Fra Fra
Funeral Songs
2LP | 2020 | EU | Original (Glitterbeat)
23,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves
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Francis Bebey - Psychedelic Sanza 1982-1984
Francis Bebey
Psychedelic Sanza 1982-1984
2LP | 2014 | EU | Original (Born Bad)
26,99 €*
Release: 2014 / EU – Original
Genre: Organic Grooves
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Special compilation from Parisian re-issue kings, Born Bad, of the late Cameroonian master musician, Francis Bebey. This is the material we were hoping would follow the excellent comp from last year. Amazing 'universal' music currently only available on expensive originals. Double album with printed innersleeve.
Francis The Great - Ravissante Baby
Francis The Great
Ravissante Baby
LP | 1977 | EU | Reissue (Hot Casa)
22,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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Rare funk & Avant-Garde soul from a seven years old kid singer featuring the best of French and Cameroonian musicians diaspora, recorded in Paris in 1977.
Francis The Great - Ravissante Baby
Francis The Great
Ravissante Baby
LP | 1977 | EU | Reissue (Hot Casa)
24,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: Near Mint
Franck Biyong - Anywhere Trouble Feat. Cristina Violle
Franck Biyong
Anywhere Trouble Feat. Cristina Violle
12" | 2020 | EU | Original (Hot Casa)
21,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves
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After a few other successful projects, Franck Biyong, French-Cameroonian Afrobeat composer, guitar player and singer is back on Hot Casa with a hot futuristic Afro-Brazilian club anthem.
The similarities and filiations between traditional West-African drumming and Afro-Brazilian religious musical rites are many: under colonial rule African people and African slaves outwardly practiced Christianity but secretly prayed to their own God, Gods, or Ancestor spirits. So we aimed at keeping the gritty urban menacing sound and poetry of Afrobeat with the percussive mass rumble of Batucada and poignant beauty of Carioca. We then got in touch with Cristina Violle, the first lady of “Samba de Roda” in Paris who graced us with a startling inspired and heartfelt melody. The first completed version of the song then briefly went on alternative radio, we also made plans to release a vinyl version, but for one way or another we shelved the project, without thinking we would get back to it again…until a few months ago.
We went back to the studio last summer and started ironing the song again from scratch. That same initial spirit and energy caught hold of us again from the day we started and we worked relentlessly to create a balanced but experimental track, showcasing rootsy sound, pop instrumentation, tight world beat drumming, song structure, jazzy horns, spacey synthesizers, choral-like vocal harmonies with call and response figurative vocals.
We now proudly present this brand new record; Like our predecessors years ago, we subconsciously did our best to keep alive a longtime tradition of cultural tradition of African Artistic Renaissance, pushing further musical themes of contemporary African sound. To be continued…
Fred Locks Meets The Creators - Love And Harmony
Fred Locks Meets The Creators
Love And Harmony
LP | 2024 | UK | Original (Burning Sounds)
26,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves
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Preorder shipping from 2024-06-07
Freddie McGregor - Freddie
Freddie McGregor
Freddie
LP | 2022 | UK | Original (Burning Sounds)
25,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
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Free Youth - We Can Move
Free Youth
We Can Move
12" | 1985 | EU | Reissue (Soundway)
14,99 €*
Release: 1985 / EU – Reissue
Genre: Organic Grooves
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Soundway Records reissues Free Youth’s long sought-after 1985 single “We Can Move”, their only release - fully restored, remastered and available for the first time on digital and 12” vinyl. “We Can Move” is the first known iteration of Ghanaian hip hop, emerging at the dawn of ‘hip-life’ (hip hop meets highlife).
Free Youth comprised three main members: Terry “Sir Robot” Bright, Lenny “Nii Addy” Dimple, and Abednego “King Abed” Ayim Bright. In the early 80s they began performing in clubs and parties across Accra, with friends and other dancers occasionally joining them on stage – including Reggie Rockstone, who later went on to find commercial success.
In 1985, the band were approached by a producer and invited to record at a local studio. Without having written down any music, Terry, Lenny and Abed sang the parts and beatboxed the rhythms to the session musicians prior to recording. Out of this session came “We Can Move”, a blend of hip-hop and Afro-funk with a proto disco-boogie beat, punchy trumpet riffs and melodic rapping.
Included in the Soundway reissue is an exclusive instrumental cover version of “We Can Move” from Welsh ensemble Drymbago. This replaces the original B side track “Freedom Video Centre”, which was an advertising jingle for a business associated with their former producer. Soundway Records is pleased to deliver Free Youth the release that they were after, 34 years later.
Friimen Musik Company - We Can Get It On
Friimen Musik Company
We Can Get It On
LP | 1978 | EU | Reissue (PMG)
21,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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By the mid 1970s in Nigeria, the Biafran War was a distant memory and the music scene in the eastern city of Aba was booming again. Bands such as The Funkees, The Wings and The Apostles grabbed the headlines, but the more interesting stuff was coming from smaller groups like the Friimen. The Friimen, or the Friimen Musik Company to use their official name, were influenced as much by pre-'Saturday Night Fever' Bee Gees as Jimi Hendrix and James Brown. Their album 'We Can Get it On' is a hybrid of West Coast ballads and dancefloor chuggers.
Friimen Muzik Company - Free Man Violet Vinyl Edition
Friimen Muzik Company
Free Man Violet Vinyl Edition
LP | 1976 | EU | Reissue (Tidal Waves Music)
14,84 €* 32,99 € -55%
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Limited to 100 copies on violet vinyl,THE Friimen Muzik Company (also known as Friimen) was formed after the Biafran war in 1973-1974 in the town of ABA in the eastern part of Nigeria. Aba was the Number 1 Music Hub in the entire Eastern Region of Nigeria. While bands and artists like ‘Ofege’ and ‘Fela Kuti’ ruled the Lagos scene, bands like ‘Friimen’ and ‘The Apostles’ were ruling the ABA scene.

Before forming the band, most of its members were already working together as freelance session musicians backing up solo artists on several recordings and concerts (or were playing in military bands that gradually became civilian bands because the war had just ended). Friimen members’ credits were numerous and they played, wrote or performed on recordings from well-known acts like The Funkees, The Jets, The Apostles…and countless others.

When they started concentrating on writing their own songs, the group instantly took off and became an overnight hit that resulted in them doing multiple successful nationwide tours. Friimen would go on to record three albums: Free Man (1976), We Can Get It On (1978) and Merry Man (1979). All three albums were released on the Aba based label Anodisc Records (the key label to be on if you wanted your music heard and out there), Anodisc also released hit records by ‘Sweet Unit’ and ‘Voice Of The Cross’ but The Friimen Muzik Company was the label’s signature band.

The Friimen Muzik Company was so solid that every new group or artist wanted the Friimen to back them up in the recording studio. As a result, Anodisc Records received tons of demo cassettes from aspiring artists…the label would then first consult the Friimen members to see if these new acts were worthy of giving a chance to record and release an album for Anodisc. Over the course of the years the band went through several line-up changes…but in 1980 the band finally broke up and their story came to an end.

The album we are presenting you today (Free Man from 1976) was recorded at the famous Decca Studios in Lagos and comes swinging right out of the gate with a set of no less than Eight monster tunes. Expect nothing less than crazy afrobeat and over the top melodic funk influenced by a wide array of artists (both local and international). Mesmerizing solos, captivating grooves, impeccable sequences that turned many heads…everything you need to get a dancehall into a complete uproar. The musicians’ skills are just plain incredible! Free MAN is a quintessential record that every serious collector or fan needs to have in his/her collection.

Originally released in 1976 on Anodisc Records Nigeria, Tidal Waves Music now proudly presents the first official reissue of this seminal Afrobeat/Afrofunk album. This is also the first time the album is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition with obi strip and featuring the original artwork. This reissue also comes with an insert featuring pictures of the band and extensive liner notes from band-member Arthur Freds. Limited to 100 copies 180g Violet Color Vinyl Exclusively FOR HHV
Fulu Kolektiv - Lualaba
Fulu Kolektiv
Lualaba
LP | 2022 | US | Original (Broken Clover)
30,99 €*
Release: 2022 / US – Original
Genre: Organic Grooves
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Fulu Kolektiv, is a sister initiative to the Fulu Miziki based in the capital city of the Democratic Republic of Congo. The Kolektiv was cemented during the Covid pandemic. Fulu’s artists have always been used to working outdoors, but when the pandemic hit everyone, things changed. We found ourselves with very limited access to open spaces, so the whole collective decided to look for an alternative way of making music (ie: turning into computers) and have managed to put together this music being released on this album (Lualaba). This Kolektiv is not only formed with band members of Fulu Miziki, but it’s open to everyone who has healing music and values the environment. For most of us, this was just a ‘’waoouuu’ moment when we discovered this unlimited way of making music from a computer. Many of us never knew about this music software and the amount of sounds you can get out of it. We took this opportunity to bring you these sounds. We hope you enjoy and love them, and you’ll listen to them with a fresh ear and that you experience the same effect we had when we discovered them. We are all inspired by the traditional Congolese music heritage. Congolese churches are loud and electric with their own energy, and we wanted to transmit these traditional vibes by our new/modern ways of producing music. There is a mixture of diverse sounds, and there is an ancestorial sentiment to the album. The deep songs of exorcism nuance from El Mopepe brings this vibe to life.
Gaisha - Ana Aïcha
Gaisha
Ana Aïcha
LP | 2023 | EU | Original (Zephyrus)
23,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Galaxy - Galaxy
Galaxy
Galaxy
LP | 1981 | EU | Reissue (Mondo Groove)
23,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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One of the best boogie records of Nigeria repressed for the first time. Produced in 1981 by Jake Sollo and performed by himself flanked by the outstanding funky bass by Randy Taylor and the great vocal performances from the Galaxy girls. Recorded and produced in England but originally released only in Nigeria
Gene Clark & Carla Olsen - So Rebellious A Lover
Gene Clark & Carla Olsen
So Rebellious A Lover
2LP | 2023 | EU | Original (Sunset Blvd)
31,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Geraldo Pino & The Heartbeats - Afro Soco Soul Live
Geraldo Pino & The Heartbeats
Afro Soco Soul Live
LP | 1972 | EU | Reissue (Oom Dooby Dochas)
19,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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He was born in Sierra Leone in the 1930s. Fact is that Gerald Pine was son to a lawyer working in Nigeria, lost his mother and sister at a very young age and found relief in music. He played social clubs by the early 60s with his newly founded band THE HEARTBEATS delivering cover-versions of American hits and Congolese rumba tunes that were then utterly popular in the West Africa area. Due to the influence of Congolese popular musicians Franco and Dr. Nico he adopted the more exotic sounding stage name of Geraldo Pino and he moved on from there. THE HEARTBEATS literally played until their fingers bled in popular night clubs in Sierra Leone, became one of the highest earning bands of Western Africa and were even able to put up their own television show after television had been introduced in Sierra Leone in 1962. All those developments put Geraldo Pino and his band in the position as leading figures in the African popular music that even a legend such as Nigerian cult musician Fela Kuti, who is often credited with originally creating the so called “Afro Beat” style stated Geraldo Pino and THE HEARTBEATS as major influence which even made him setting sail to the USA to introduce his musical vision over there for he could not match with Geraldo Pino concerning popularity in Africa. This of course is a whole different story. Geraldo Pino lived and played in his area, Sierra Leone, Ghana, Nigeria and created some of the hottest funky sounds with sophisticated sound gear, outstanding clothing and songs that made your blood boil. After a few 7” releases throughout the 1960s the first real album of GERALDO PINO & THE HEARTBEATS hit the scene in 1972. “Afro soco soul live” is as the title suggests an album that has been recorded at a concert and Geraldo Pino often communicates with the utterly enthusiastic audience, gives longer announcements between the songs or introduces his lead guitarist before he starts a simmering solo. All songs here have an average length of six minutes and despite their composed parts they show this free jammy flow. The basic style is funk with soulful vocals which gets mixed up with traditional African percussion grooves. This album swallows you with its mesmerizing rhythms. It's afro funk at best with a frantic atmosphere whirling up from the ever flashing percussive arrangements. The funky Hammond B – 3 organ is omnipresent on all the tracks and duels with the wild and completely unleashed lead guitar from time to time. Repetative chord progressions and harmonies decorate the solid rhythmmical base and deprive you of your senses while you get deeper and deeper into a trance like state moving and floating along on the dancefloor. Due to the crisp and clear sound this record gives you the feeling of being right at the scene, everything sounds and feels so vivid, even after more than four decades. So it is no wonder that this record is a popular gem in Western Africa but how is the reception from the European and American fans of furious funk music? Well, Geraldo Pino has become a legend in his home area but just a short time before his death in 2008 people from the Western World really discovered him and his amazing band. Original copies of this album go for several hundred USD if they ever turn up. So a reissue of this sacred gem of African funk music from the early 70s has been long overdue. A record that is made to let dancefloors smoke and tremble and the musicianship is sheer amazing!
Gerhard Heinz - The Pussycat Syndrome
Gerhard Heinz
The Pussycat Syndrome
LP | 2015 | AT | Original (Vagienna)
49,99 €*
Release: 2015 / AT – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop, Soundtracks
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
100 copies on black vinyl with poster.
Gerry Cinnamon - Live At Hampden Park
Gerry Cinnamon
Live At Hampden Park
2LP | 2023 | EU | Original (Little Runaway)
34,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Giant Panda Guerilla Dub Squad - Love In Time
Giant Panda Guerilla Dub Squad
Love In Time
LP | 2023 | EU | Original (Easy Star)
26,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Gibraltar Drakus - Hommage A Zanzibar
Gibraltar Drakus
Hommage A Zanzibar
Tape | 2023 | US | Original (Awesome Tapes From Africa)
13,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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No shortage of colorful characters emerged from Cameroon's bikutsi scene in the 1980's and early 90's. Gibraltar Drakus is one of the most enduring and enigmatic of the artists who helped transform bikutsi into a beautifully endless fabric of triplet rhythms that eventually reached ears around the world. Following the advent of Cameroon Radio Television in 1987, bikutsi began to supplant makossa and soukous for domination of the local airwaves and the attention of cosmopolitan, thrill-seeking residents of Cameroon's capitalYaoundé and beyond. Biktusi perfectly fused Beti traditional music and increasingly electronic, highly rhythmic guitar-based bikutsi. Mimicking the sound of village-based xylophone music by rigging a mute to electric guitar strings, bikutsi artists provided a relentlessly energetic dance format for those with a taste for music steeped in their hometown sensibility (countering the popular makossa that many felt sounded less indigenous). By the early 1990's, Les Tetes Brûlées were indisputably the most famous and influential artists in bikutsi, due in part to the innovations of their incendiary guitarist Théodore Zanzibar Epeme. Following their first European tour in 1987, the ba...
Gibraltar Drakus - Hommage A Zanzibar
Gibraltar Drakus
Hommage A Zanzibar
LP | 2023 | US | Original (Awesome Tapes From Africa)
27,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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No shortage of colorful characters emerged from Cameroon's bikutsi scene in the 1980's and early 90's. Gibraltar Drakus is one of the most enduring and enigmatic of the artists who helped transform bikutsi into a beautifully endless fabric of triplet rhythms that eventually reached ears around the world. Following the advent of Cameroon Radio Television in 1987, bikutsi began to supplant makossa and soukous for domination of the local airwaves and the attention of cosmopolitan, thrill-seeking residents of Cameroon's capitalYaoundé and beyond. Biktusi perfectly fused Beti traditional music and increasingly electronic, highly rhythmic guitar-based bikutsi. Mimicking the sound of village-based xylophone music by rigging a mute to electric guitar strings, bikutsi artists provided a relentlessly energetic dance format for those with a taste for music steeped in their hometown sensibility (countering the popular makossa that many felt sounded less indigenous). By the early 1990's, Les Tetes Brûlées were indisputably the most famous and influential artists in bikutsi, due in part to the innovations of their incendiary guitarist Théodore Zanzibar Epeme. Following their first European tour in 1987, the band b...
Gin Tonic Orchestra - Stefania EP
Gin Tonic Orchestra
Stefania EP
12" | 2019 | UK | Original (Mother Tongue)
13,99 €*
Release: 2019 / UK – Original
Genre: Organic Grooves
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Gin Tonic Orchestra, a brand new band out of St. Etienne (France), debuts
on Mother Tongue Records with a lush soulful tribute to their native city.
Afro-latin grooves, juxtaposed elements of funk and ethereal flute solos
backed by a stunning remix by UK legend Kaidi Tatham.
Gino Conte - Nell’Anno Della Luna
Gino Conte
Nell’Anno Della Luna
LP+CD | 2017 | EU | Original (Schema)
19,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ensemble I 4+4, led by Nora Orlandi) represent a more adventurous side of this soundtrack.
Gipsy Kings - Renaissance
Gipsy Kings
Renaissance
LP | 2023 | EU | Original (Wienerworld)
31,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Giuliano Sorgini - Mad Town / Ultima Caccia
Giuliano Sorgini
Mad Town / Ultima Caccia
7" | 2022 | EU | Original (Four Flies)
13,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Four Flies is delighted to present a super juicy treat for all 7-inch vinyl devotees: the first 45 ever to feature tracks from Giuliano Sorgini’s masterpiece ZOO Folle. To ensure maximum DJing pleasure, we’ve picked two of the grooviest tracks from the original recording session, never before released in this format. The psychedelic funk number “Mad Town”, on Side A, drags you in with its infectious drum breaks and the rapid yet hypnotic flute of Nino Rapicavoli. “Ultima Caccia”, on Side B, is sheer afro-tribal bliss, with drums by Sorgini himself and massive funky percussion by legendary session player Enzo Restuccia. If you want an ace up your DJing sleeve, look no further
Gnawa Music Of Marrakesh - Night Spirit Masters
Gnawa Music Of Marrakesh
Night Spirit Masters
LP | 1990 | EU | Reissue (Zehra)
22,99 €*
Release: 1990 / EU – Reissue
Genre: Organic Grooves
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Remastered vinyl reissue of this 1990 Bill Laswell / Richard Horowitz production of local Gnawa musicians, recorded in the Medina of Marrakesh. According to Allmusic.com „a must for fans of both African and Middle Eastern music” and voted one of the „10 essential Gnawa albums” by Songlines.

The Gnawa are an ethnic minorityin today’s Morocco, descendents of slaves from West Africa who were brought to Morocco in the 16th century and who (although they quickly converted to Islam) nevertheless brought with them remnants of their animistic practices.

The Gnawa perform a complex ceremony (called lila or derdeba) that over the duration of several hours recreates the genesis of the universe by the evocation of the seven main manifestations of the divine, represented by seven colours. Those ceremonies, led by a master or „maleem“, are still taking place today privately while Gnawa music in general has clearly been modernizing and thus become more profane, but witnessing a performance is still an astonishing experience.

With the exception of a handful of recordings by Paul Bowles and Philip Schuyler (more ethnographic documents in a field recordings style), Gnawa music was barely heard outside of Morocco before 1990 – one of the first westerners to come and record the music was Bill Laswell, back then running his Axiom label that portrayed a wide range of ethnic music and musicians like The Master Musicians Of Jajouka or Maleem Mahmoud Ghania, to
name just two. „Night Spirit Masters“, recorded in the Medina of Marrakech, delivers soulful tracks of lead and group singers in call/ response mode, fired by sentirs, drums, hand clapping, and qrakechs, while others are drum features or sentir/ vocal pieces.

Over 30 years after its initial release, this essential Gnawa album is finally available again - remastered and on 180gr audiophile vinyl! „Gnawa, bottom heavy trance music of North Africa. Repetitive bass lines, generated by the gimbri or sintir with metal clappers, hand drums and voice. Seven trances, seven colors, seven scents, Gnawa not only moves, it can remove.“
Bill Laswell
Hell's Kitchen, NYC, May 2022
Good Lovelies - Evergreen
Good Lovelies
Evergreen
LP | 2019 | Original (Goodlovelies)
29,99 €*
Release: 2019 / Original
Genre: Organic Grooves
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Good Lovelies - Shapeshifters
Good Lovelies
Shapeshifters
LP | 2018 | Original (Goodlovelies)
29,99 €*
Release: 2018 / Original
Genre: Organic Grooves
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Good Lovelies - Under The Mistletoe
Good Lovelies
Under The Mistletoe
LP | 2023 | EU | Original (Good Lovelies)
29,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Gordon Koang - Community
Gordon Koang
Community
LP | 2022 | UK | Original (Music In Exile)
25,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
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First, we had Unity. Now, South Sudan’s undisputed ‘King of Music’, the Juba-via-Melbourne eccentric outsider Gordon Koang, returns with his second full-length of original material since emigrating to Australia, the masterly titled follow-up, Community.

Eight tracks recorded in Melbourne with a cast of the city’s finest musical minds, including Zak Olsen, Jesse Williams, David “Daff” Gravolin and Jack Kong, the record draws upon Gordon’s pitch-perfect pop sensibility and compulsion for composing irresistibly catchy melodies. Add to this brew the extensive creditienals of his collaborators, who are known for their work with Trafik Island, ORB, Leah Senior and more, and you have yourself a perfect blend of East African pop and vintage psychedelia that is surely one of the most interesting records of the year, outstripping it’s Australian counterparts both in songwriting, production value and downright good energy.

After seeking asylum in Australia in 2012, Gordon Koang, along with his cousin, collaborator and bandmate Paul Biel, has gone on to become something of a darling in the Melbourne music community, delighting audiences year round with high energy shows and an irresistible enthusiasm. The pair have settled in the city’s outer suburb of Frankston, where Koang sits in isolation at home while Biel goes out to work each day; he was born blind, and has never seen neither his homeland in the Upper Nile Valley of South Sudan nor his new home on the streets of Melbourne.

This has done little to stop Koang channeling his creativity energy into music; he writes incessantly, and Community marks the twelfth full-length album of his career and his second since arriving in Australia (the previous ten currently lost to the streets of Juba in CD and cassette form - sure to be unearthed one day by Western tastemakers!)

His years of waiting for permanent residency in Australia, and prior to that of Civil War and unrest at home, have done little to dull the bright point of Koang’s positivity. He is without a doubt the man with the biggest smile in the room. A few short minutes with Koang will leave the listener walking away in a daze, his trademark phrases and bouncing laughter echoing for weeks. Community does for listeners what Koang can’t do himself - it reaches out to thousands around the world, providing him with a platform to personally greet and smile at each individual, to share a few words of encouragement and a quick observation about the warmth of the sun, or pleasure in simply being in company. If there is a silver lining to be found, chances are Gordon has already written an album about it.

The record is warm, fuzzy, catchy, lighthearted, and it packs a punch. It rocks hard with the best of them, Olsen’s beautiful production value drawing out the best in Koang’s eccentric and spiralling melodies, the band grinding themselves into an endless groove before bursting into some new impossible melody. Somewhere between William Onyeabor and King Gizzard, this is surely the soundtrack to round out what has been an incredible year of music post-pandemic.

Community is out everywhere Friday, November 11 via Music in Exile / Above Board (uk/eu) / Polyvinyl/Dispatch Dept. (North America).

Music in Exile is a not-for-profit record label and artist services company based in Melbourne, Australia, championing stories of culturally and linguistically diverse musicians and striving for a music industry that fairly represents all in our society.
Grift - Dolt Land
Grift
Dolt Land
LP | 2023 | EU | Original (Nordvis)
27,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Group Doueh & Cheveu - Dakhla Sahara Sessions
Group Doueh & Cheveu
Dakhla Sahara Sessions
LP | 2017 | EU | Original (Born Bad)
18,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Groupe RTD - The Dancing Devils Of Djibouti
Groupe RTD
The Dancing Devils Of Djibouti
LP | 2020 | US | Original (Ostinato)
29,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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The first ever international album from Djibouti and Ostinato's first studio recorded album. This ain't a compilation or reissue!

A stunning collision of Indian Bollywood, Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk, and the haunting and joyous synthesizer melodies of the Red Sea by Groupe RTD, one of East Africa’s best kept secrets.

Recorded in three days -- as per the strict limit set by Djibouti's national radio authorities -- with a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

A portion of Bandcamp sales will be donated in equal parts to:

• The Djiboutian Embassy in Germany to purchase masks and other essential supplies for Djibouti.

• Amref Health Africa Covid-19 Fund (amref.org/donations/covid19/)

-------------

More than one news report refers to Djibouti as “a place where nothing ever happened” that “would not register significantly in the global consciousness except for its strategic location in East Africa."

These deeply ill-informed observations could not be further from the truth.

While the music of Somalia is widely celebrated, its neighbor, the Republic of Djibouti, formerly known as French Somaliland, is home to an equally deep reservoir of its own unique Somali music.

The small but culturally grand country on the mouth of Red Sea remains one of the few places in the world where music is still entirely the domain of the state. Since independence in 1977, one-party rule brought most music under its wing, with almost every band a national enterprise.

No foreign entities have been permitted to work with Djibouti’s rich roster of music — until now.

In 2016, Ostinato Records met with senior officials of Radiodiffusion-Télévision Djibouti (rtd), a.k.a. the national radio, to discuss a vision for lifting the shroud on Djiboutian music as the young country of less than a million people increasingly opens up to the world. Three years later, in 2019, Ostinato became the first label granted full authorization to access the national radio’s archives, one of the largest and best preserved in Africa, home to thousands of reels of Somali and Afar music.

But just next door, in RTD’s recording studio, a world class band entirely unknown outside the country, whose songs are a living embodiment of the archives, lay in waiting. Composed of sensational new, young talent backed by old masters, the band — Groupe RTD — is the national ceremony outfit. By day, they perform for presidential and national events and welcome foreign dignitaries.

By night, when no longer on official duty, Groupe RTD is clearly one of East Africa’s best kept secrets.

Helmed by Mohamed Abdi Alto, possibly the most unheralded saxophone virtuoso in all of Africa, a Djiboutian national treasure, and the horn maestro on track 8 of our Grammy-nominated Sweet As Broken Dates compilation, and mentored by Abdirazak Hagi Sufi, originally from Mogadishu and composer of track 9 on the same compilation, Groupe RTD is the finest expression of Djibouti’s cosmopolitan music style.

Situated on the Bab El Mandeb (Gate of Tears) strait, a historic corridor of global trade connecting the Suez Canal and the Red Sea with the Indian Ocean, Djibouti is blessed with influences from East Asia, the Arabian peninsula, India, and even more distant sounds.

Djiboutian music, particularly the addictive brand wielded by Groupe RTD, is, by their own admission, the juncture where Indian Bollywood vocal styles, offbeat licks of Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk and the haunting and joyous synthesizer melodies of the Red Sea collide.

Sax player Mohamed Abdi Alto — so talented that they added “Alto” to his legal name — honed his trade from a steady diet of John Coltrane and Charlie Parker. Abdirazak’s guitar style draws heavily from his love affair with Jamaican music. Young singers Asma Omar, who won a youth talent contest to join the band, and Hassan Omar Houssein are fluent in the classic hits of Bollywood and Indian music. Synth player Moussa Aden Ainan brings a distinctly dexterous Somali touch, reminiscent of the exceptional keys work of Somalia’s Iftin and Waaberi Band. Their sound is kept afloat by measured Tadjouran rhythms, courtesy of drummer Omar Farah Houssein and dumbek player Salem Mohamed Ahmed’s perfect interplay.

But recording this album was Ostinato’s biggest challenge yet. A web of bureaucracy and strict rules had to be navigated. Djibouti’s authorities gave us only three days to record the entire set, with no extension. Up for the task and eager to deliver, the musicians promptly tore down the “no smoking or chewing khat” sign in RTD’s recording studio and began a heated, three-day, khat-fueled devilish feast of music amid a smokey haze, unleashing the very reason the band was founded: to strut Djibouti’s majestic music on the world stage when the opportunity arrived.

The recording equipment in the radio had not been upgraded in decades and technical neglect meant we had to devise a novel approach to ensure the highest quality recording possible. With the help of Djibouti’s head of customs, we flew in a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

This game-changing setup, a far cry from the old days of field recordings, is Ostinato’s vision for the future: to capture the contemporary sounds of Africa and the world flawlessly, in any environment or circumstance.

We proudly present Ostinato’s premier studio recorded album and the first ever international album to emerge from Djibouti — Groupe RTD: The Dancing Devils of Djibouti.

This album, if listened to at an inappropriate volume, should firmly register Djibouti in the global consciousness, shifting its image from a strategic outpost of geopolitical games to cultural powerhouse.
Grupo Ébano - Grupo Ébano
Grupo Ébano
Grupo Ébano
2LP | 2024 | EU | Original (BBE Music)
35,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Guts - Estrellas Remixes EP GUTS x HHV Exclusive Black Vinyl Edition
Guts
Estrellas Remixes EP GUTS x HHV Exclusive Black Vinyl Edition
2x12" | 2024 | EU | Original (Heavenly Sweetness)
23,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Limited to 1000 copies worldwide, only available with GUTS and HHV.

In 2022, Guts brought together his musical family for his ‘Estrellas’ album. An ambitious project that brought together musicians from: Franc, Cuba and various African countries. For a journey that was as rich artistically as it was humanly. The list of superlatives was almost endless, "Formidable", "incredible", "unforgettable" and "magical" all thrown into the pot, during these magical moments in the Dakar studio. From the seventeen tracks heard on the original album, three have been entrusted to the expert and inventive hands of four producers, who have come up with new interpretations bringing Africa and the Caribbean together for a modern dancefloor.

‘Por Que Ou Ka Fe Sa’ (Poirier Remix)

From his studio in Montreal, Canadian Poirier has opted for a strong groove and relentless bass drum to keep out intruders, putting vocalists David Walters and Brenda Navarrete in a rhythmic cocoon. Accompanied in a slightly moody bassline that adds some driving muscle to the track. The hooky guitar line eventually gives way to the saxophone that emerges from the mix to parade around the front line. The original electric piano is replaced by a synth pad that loops and spins driving the track to its conclusion.

‘Por Que Ou Ka Fe Sa’ (David Walters Remix)

Before recording this track, David Walters and Brenda Navarette didn't even know each other. So in the magic of the moment that brought them together is a genuine and sincere artistic bond. It is no longer Guts but David who is at the musical helm, and before they too can savour the connection between the two artists, the dancers will have to pass through an overheated corridor where a Caribbean rhythm resonates with percussion. Digital and woodwind swirl and clash until the vocal encounter with the artists. It's a moment of respite that's as suspended as it is life-saving, because the exit is also via the famous corridor.

‘San Lazaro’ (Bosq Remix)

On Bosq’s mix, he’s opted to maintain things focused on the dancefloor, keeping the percussion persistent for the unleashed bodies of the dancers to smile. It's once again the walking bass line rises to the forefront of the groove, softening the shocks of the relentless kick drum. Roberto Valdes's timeless piano has disappeared, while guitars float and add to the atmosphere. The track is no longer awash in cigar smoke. Under Akemis's powerful vocals the low ceiling has disappeared, and the open roof is more a brass-lit spectacle. That doesn't make things any less overheated though, this one is sweaty until the end.

‘Medewui’ (Captain Planet Remix)

Captain Planet brings the dancer’s attention to the Afrobeat flavored jam that rocked the original, highlighting the Pat Kalla & Assane Mboup duet. Despite the track remaining mid tempo, laying back is no longer the order of the day as this mix really develops. The drums are more present jolting along with the organ in the first half. Once all the storytellers have taken their microphones, the rhythmic beats are doubled and the track is carried towards a frenzy of Afro-Latin dancing. Fired up by the brass and percussion, it’s this almost switch up that takes hold of the second part of the tune, with some righteous authority and relentless piano and trumpet.
Guy One - Everything You Do, You Do For Yourself
Guy One
Everything You Do, You Do For Yourself
7" | 2017 | EU | Original (Philophon)
10,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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With the single "Everything You Do, You Do For Yourself" North-Ghanaian Kologo master Guy One opens the door to his first international release #1, which will be available end of January 2018. Guy One promises what his name is saying: he is the number one artist of Frafra music, named after his people: the Frafra.
"Everything You Do, You Do For Yourself" is his only song having a phrase in English. Here he is following the example of his collegue and friend King Ayisoba, who introduced the use of English into Frafra music a few years ago. The beat is a driving Highlife rhythm. That's the kind of groove we all love Ghana for!
On "Estre" we have special guest Florence Adooni, one of the leading voices of Frafra-Gospel. She is interweaving perfectly with the horn arrangements by Max Weissenfeldt, as well the drummer of the song, and gives after her part the lead to Mr. Guy One - yeah, the number one!
Guy One - So La Ma La
Guy One
So La Ma La
7" | 2021 | EU | Original (Philophon)
12,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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After his international debut #1 in 2018, the north Ghanaian Kologo (a two stringed proto-banjo) master Guy One is back with his brand new band, consisting of Kumasi's finest young talents, plus Florence Adooni and Tenni Akagam as his choir voices.
So La Ma La has a straight forward Highlife rhythm which melts together with some funky articulated afrobeat-a-like bass line. To Kale Na'nabala is instead in the traditional Kete rhythm, a bouncy poly-rhythm in 12/8. But both songs are mostly defined through Guy One's Kologo lines and his soulful interpretation of the typical north-ghanaian vocal style.
Guy Warren - Afro-Jazz Clear Yellow Vinyl Edtion
Guy Warren
Afro-Jazz Clear Yellow Vinyl Edtion
LP | 2019 | US | Reissue (Return To Analog)
21,99 €*
Release: 2019 / US – Reissue
Genre: Organic Grooves
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Gyedu-Blay Ambolley - Ambolley
Gyedu-Blay Ambolley
Ambolley
LP | 1982 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Extremely hard-to-obtain LP from the Ghanaian master composer, producer and musician. Originally released in 1982 by the WEA International label and then again in Germany in 1985 by Ambolley himself; this is one of his finest albums in our opinion.
Ambolley’ fuses Highlife, disco and boogie sonics perfectly and features the anthemic club cut, ‘Highlife’, that we have spinning for a while – always does the job!
Gyedu Blay Ambolley is still actively touring today, keeping these vibes alive – he will be touring Europe throughout 2019.
Official Mr Bongo reissue. Licensed from Gyedu-Blay Ambolley.
Gyedu Blay Ambolley - Simigwa
Gyedu Blay Ambolley
Simigwa
LP | 2018 | UK | Reissue (Mr Bongo)
22,99 €*
Release: 2018 / UK – Reissue
Genre: Organic Grooves
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Legendary Ghanain album – with one of the music iconic covers ever! – that fuses Highlife, afrobeat, folk and funk. Ambolleys debut solo album originally released in 1975, written and produced with Ebo Taylor. Ambolley grew up during the peak of Highlife in Ghana and was a key figure in its fusion with soul and funk influences from the USA. He played in many bands including Houghas Extraordinaires, Meridians Of Tema, Ghana Broadcasting Band and the Uhuru Dance Band, for which he was recruited by his friend, Ebo Taylor. The group went to Nigeria in 1973 to play with Fela at his legendary Shrine spot. ‘Simigwa’ was a chance for Ambolley to release his own productions and to experiment to a certain extent. A main inspiration for this album was the work of the mighty Mr. James Brown, something that is evident from the rhythm section, horns, vocal stabs and percussion breaks throughout the record. Official Mr Bongo reissue, replica original artwork. Licensed from Essiebons.
Gyedu Blay Ambolley - Walk For Ground / I See Myself To Blame
Gyedu Blay Ambolley
Walk For Ground / I See Myself To Blame
12" | 2024 | UK | Original (Mukatsuku)
14,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves
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Preorder shipping from 2024-06-07
Mukatsuku back on the Afro funk vibe with two exclusive instrumental tracks from legendary Ghanian artist Gyedu Blay Ambolley .Both tracks originally appeared in vocal form from the Austrian label Agogo 'Ketan' album from 2017 .
A couple of timeless & exclusive infectious afro funk instrumentals that work just aswell with lashings of organ and brass stabs with hypnotic driving rhythm guitar. Only 300 hand numbered & pressed on 180 gram wax.
Gyedu Blay Ambolley & Zantoda Mark III - Control
Gyedu Blay Ambolley & Zantoda Mark III
Control
LP | 1980 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1980 / EU – Reissue
Genre: Organic Grooves
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H.B. Nielsen - Fromhome
H.B. Nielsen
Fromhome
LP | 2022 | EU | Original (Gamlestans Grammofonbolag)
25,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Habib Koite - Kharifa
Habib Koite
Kharifa
LP | 2019 | EU | Original (Contre Jour)
19,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Hack-Poets Guild - Blackletter Garland
Hack-Poets Guild
Blackletter Garland
2LP | 2023 | EU | Original (One Little Independent)
25,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Hailu Mergia & Dahlak Band - Wede Harer Guzo
Hailu Mergia & Dahlak Band
Wede Harer Guzo
Tape | 2022 | US | Original (Awesome Tapes From Africa)
13,99 €*
Release: 2022 / US – Original
Genre: Organic Grooves
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Hailu Mergia & DahlakBand's Wede Harer Guzois the third release onAwesome Tapes FromAfrica for Ethiopiankeyboard and accordionmaestro. In the yearssince Shemonmuanaye,Mergia has revamped histouring career, playingfestivals and clubsworldwide, including arecent tour supportingBeirut. By 1978, AddisAbaba's nightlife wasfacing challenges. Theruling Derg regime imposed curfews, banning citizens from thestreets after midnight until 6:00 am. But that didn't stop some peoplefrom dancing and partying through the night. Bands would play fromevening until daybreak and people would stay at the clubs untilcurfew was lifted in the morning.One key denizen of Addis' musical golden age, Hailu Mergia, waspreparing a follow-up to his seminal Tche Belew LP with the famedWalias Band. It was the band's only full-length record and it had beena success. But his Hilton house band colleagues were a bit tied uprecording cassettes with different vocalists. Still Mergia, amidstrecording and gigs with the Walias, was also eager to make anotherrecording of his instrumental-focused arrangements. So he went tothe nearby Ghion Hotel, another upmarket outpost with a popularnightclub. Dahlak Band was the house band at Ghion at the time.Together they made this tape Wede Harer Guzo right there in theclub during the band's afternoon rehearsal meetings, with sessionslasting three days.Dahlak Band catered to a slightly more youthful, local audience, whileMergia's main gig with the Walias at Addis' swankiest hotel had amixed audience that included wealthy Ethiopians, foreign diplomatsand older folks from abroad. Therefore, their sets featured lighter fareduring dinnertime and a less rollicking selection of jazz and r&b.Meanwhile, Dahlak was known more for the mainly soul and Amharicjams they served up for hours two nights a week to a younger crowd.Mergia released Wede Harer Guzo ("Journey to Harer," a city ineastern Ethiopia) with Sheba Music Shop, which was located in...
Hailu Mergia - Hailu Mergia & Classical Instrument: Shemonmuanaye
Hailu Mergia
Hailu Mergia & Classical Instrument: Shemonmuanaye
2LP | 2013 | US | Original (Awesome Tapes From Africa)
26,99 €*
Release: 2013 / US – Original
Genre: Organic Grooves
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This remastered reissue of Mergia's 1985 solo cassette features the multi-instrumentalist handling accordion, analog synth, rhodes piano and drum machine. The all-instrumental album has a distinctly futuristic (circa mid-80s) approach to classic Ethiopian songs and modes.
Hailu Mergia - Lala Belu
Hailu Mergia
Lala Belu
LP | 2018 | US | Original (Awesome Tapes From Africa)
21,99 €*
Release: 2018 / US – Original
Genre: Organic Grooves
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Hailu Mergia & The Walias Band - Tezeta
Hailu Mergia & The Walias Band
Tezeta
LP | 2021 | US | Original (Awesome Tapes From Africa)
24,99 €*
Release: 2021 / US – Original
Genre: Organic Grooves
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Unknown recording outside Ethiopia which documents Mergia Hailu & The Walias legendary early period. Beautifully-rendered instrumentals of classic Ethiopian standards, "Tezeta"is the follow-up reissue of the hugely popular seminal Ethiopian instrumentals LP "Tche Belew" (atfa012). It was a Cassette-only release in 1975 on the band's in-house label, to fund their record store. From their genesis as members of the Venus club in-house band in the early 70s, Hailu Mergia and the Walias Band were at the forefront of the musical revolution during an era where modern instruments and foreign styles superseded the traditional fare to become the staple sound of Ethiopia. No one would argue that the Walias were the trailblazing powerhouse of modern Ethiopian music. They were the first band to form independently without affiliation to a theatre house, a club or a hotel; unprecedented and risky as they had to raise all funding for expenses by themselves including buying equipment. They were the first to release full instrumental albums, considered to be commercially unviable at the time. They opened their own recording studio, with band members Melake Gebre and Mahmoud Aman doubling as technical buffs during sessions. They were also the first independent band to tour abroad. In short, they were the pioneers every band tried to emulate; some more successfully than others. Odds are, any Ethiopian over the age of 35 who had access to TV or radio by the early 90s, will instantly recognize the sound of Walias. What is not a given is, how many would actually identify the band itself. Barely a day went by without hearing the Walias either in the background on radio or as an accompaniment to various programs on TV. This Tezeta album, the band's second recording, released in 1975, is one of those that have been impossible to find for nearly three decades. Sourced by Awesome Tapes From Africa and expertly remastered by Jessica Thompson, its unique and funky renditions of standards and popular songs of the day are so quintessentially Walias, flavorful and evocative. Hailu's melodic organ, unashamedly front and center in every track, makes even the complex pieces accessible. Profoundly engaging; it's an immersive trip down memory lane for those of us getting reacquainted with it, while also an enthralling and gratifying experience for fresh ears.
Hailu Mergia & The Walias - Tche Belew
Hailu Mergia & The Walias
Tche Belew
LP | 1997 | US | Reissue (Awesome Tapes From Africa)
22,99 €*
Release: 1997 / US – Reissue
Genre: Organic Grooves
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The album will be released by Awesome Tapes From Africa for the first time outside Ethiopia, with its original track sequence and album art along with exclusive period photos from Mergia’s personal scrapbook.
Hailu Mergia & Wallias Band - Tezeta
Hailu Mergia & Wallias Band
Tezeta
LP | 1976 | US | Reissue (Awesome Tapes From Africa)
19,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Original inner sleeve. With insert. 2021 reissue.
Hailu Mergia - Yene Mircha
Hailu Mergia
Yene Mircha
Tape | 2020 | US | Original (Awesome Tapes From Africa)
12,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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Hailu Mergia - Yene Mircha
Hailu Mergia
Yene Mircha
LP | 2020 | US | Original (Awesome Tapes From Africa)
22,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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It's been a long, winding road to Hailu Mergia's sixth decade of musical activity. From a young musician in the 60's starting out in Addis Ababa to the 70's golden age of dance bands to the new hope as an emigre in America to the drier period of the 90s and 2000s when he mainly played keyboard in his taxi while waiting in the airport queue or at home with friends. More recently, with reissue of his classic works and a re-assessment of his role in Ethiopian music history, Mergia has played to audiences big and small in some of the most cherished venues around the world. With 2018's critical breakthrough "Lala Belu" Mergia championed himself and consolidated his legacy, producing the album on his own and connecting with listeners through the sheer creative power of his version of modern Ethiopian music. His subsequent performances revealed an artist who is in no way stuck in the nostalgia for the "golden age" sound. The press agreed, including the New York Times, BBC and Pitchfork, calling his music "triumphantly in the present" in its Best 200 Albums of the 2010's list. Mergia's new album "Yene Mircha" ("My Choice" in Amharic) encapsulates many of the things that make the keyboardist, accordionist and composer-arranger remarkable_elements that have persisted to maintain his vitality all these years, through the ebb and flow of his career. The rock solid trio with whom he has toured the world most recently, DC-based Alemseged Kebede (bass) and Ken Joseph (drums), forms the nucleus around which an expanded band makes a potent response to the contemporary jazz future "Lala Belu" promised. "Yene Mircha" calcifies Mergia's prolific stream of creativity and his philosophy that there is a multitude of Ethiopian musical approaches, not just one sound. Enlisting the help of master mesenqo (traditional stringed instrument) player Setegn Atenaw, celebrated vocalist Tsehay Kassa and legendary saxophone player Moges Habte from his 70's outfit Walias Band, Mergia enhances his bright, electric band on this recording with an expanded line up on some songs. Mergia produced the album which features several of his original compositions along with songs by Asnakesh Worku and Teddy Afro. An artist still reinventing his sound every night on stage during his marathon live sets, this 74-year-old icon refuses to make the same album twice. The album feels as urgent and risky as his concerts can be, pushing the band to the outer limits of group improvisation and back with chord extensions during his exploratory solos. "Yene Mircha" captures this live experience and fosters an expansive view of what else could be in store for this tireless practitioner of Ethiopian music.
Hal Singer Jazz Quartet - Soweto To Harlem HHV Exclusive Record Store Day 2024 Yellow Vinyl Edition
Hal Singer Jazz Quartet
Soweto To Harlem HHV Exclusive Record Store Day 2024 Yellow Vinyl Edition
LP | 1976 | EU | Reissue (Afrodelic)
26,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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HHV exclusive vinyl edition on yellow vinyl, limited to 100 copies. Only available at hhv.de!

When the U.S. State Department announced in the mid-1970s that they were sponsoring a South African tour for the Oklahoma-born, Paris-based saxophonist Hal Singer, producer Rashid Vally took note. Even though his nascent record label As-Shams/The Sun (established in 1974) was making waves on the local scene, the idea of commissioning a recording from an international artist was a ballsy idea. With a discography that stretched back to the 1950s, Hal Singer was already somewhat of a legacy artist by 1976. Vally was well-versed on Singer’s accomplishments and specifically enamoured by his composition “Blue Stompin’,” which appeared on a Prestige album from 1959 that had struck a chord in South Africa. With his irresistible charm, Vally managed to coax Singer into a studio in Johannesburg, South Africa, to record a new version of “Blue Stompin’” with South African sax star Kippie Moeketsi, which became the title track of a 1977 album by Moeketsi. The recording session also yielded an album’s worth of new material by Hal Singer and his quartet that took its name from a track inspired by Singer’s trip to South Africa entitled “Soweto to Harlem.” Released in 1976 and only available in South Africa, Soweto to Harlem captures a laid-back, cheeky and nostalgic rhythm and blues set from the Hal Singer Quartet that is unlikely to have emerged for a different target market. With her irresistible charm, Vally was able to convince Singer to enter a Johannesburg studio. The recording session produced this album of new material by Hal Singer and his quartet named after a song inspired by Singer's trip to South Africa, entitled "Soweto to Harlem." Released in 1976 and available only in South Africa, "Soweto to Harlem" captures a laid-back, unabashed and nostalgic rhythm and blues of Hal Singer's quartet that would hardly have been born for a different market. Cinedelic’s 2024 edition of this rare album is sourced from the original tape masters and presents it on vinyl internationally for the very first time. The reissue follows Singer’s passing at the 100 in August 2020 as we contemplate and celebrate his extraordinary contribution to jazz in the United States and beyond.
Hal Singer Jazz Quartet - Soweto To Harlem Record Store Day 2024 Black Vinyl Edition
Hal Singer Jazz Quartet
Soweto To Harlem Record Store Day 2024 Black Vinyl Edition
LP | 1976 | EU | Reissue (Afrodelic)
23,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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When the U.S. State Department announced in the mid-1970s that they were sponsoring a South African tour for the Oklahoma-born, Paris-based saxophonist Hal Singer, producer Rashid Vally took note. Even though his nascent record label As-Shams/The Sun (established in 1974) was making waves on the local scene, the idea of commissioning a recording from an international artist was a ballsy idea. With a discography that stretched back to the 1950s, Hal Singer was already somewhat of a legacy artist by 1976. Vally was well-versed on Singer’s accomplishments and specifically enamoured by his composition “Blue Stompin’,” which appeared on a Prestige album from 1959 that had struck a chord in South Africa. With his irresistible charm, Vally managed to coax Singer into a studio in Johannesburg, South Africa, to record a new version of “Blue Stompin’” with South African sax star Kippie Moeketsi, which became the title track of a 1977 album by Moeketsi. The recording session also yielded an album’s worth of new material by Hal Singer and his quartet that took its name from a track inspired by Singer’s trip to South Africa entitled “Soweto to Harlem.” Released in 1976 and only available in South Africa, Soweto to Harlem captures a laid-back, cheeky and nostalgic rhythm and blues set from the Hal Singer Quartet that is unlikely to have emerged for a different target market. With her irresistible charm, Vally was able to convince Singer to enter a Johannesburg studio. The recording session produced this album of new material by Hal Singer and his quartet named after a song inspired by Singer's trip to South Africa, entitled "Soweto to Harlem." Released in 1976 and available only in South Africa, "Soweto to Harlem" captures a laid-back, unabashed and nostalgic rhythm and blues of Hal Singer's quartet that would hardly have been born for a different market. Cinedelic’s 2024 edition of this rare album is sourced from the original tape masters and presents it on vinyl internationally for the very first time. The reissue follows Singer’s passing at the 100 in August 2020 as we contemplate and celebrate his extraordinary contribution to jazz in the United States and beyond.
Hallelujah Chicken Run Band - Take One
Hallelujah Chicken Run Band
Take One
LP | 2020 | EU | Original (Analog Africa)
27,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves
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In 1972, the country of Rhodesia – as Zimbabwe was then known – was in the middle of a long-simmering struggle for independence from British colonial rule. In the hotels and nightclubs of the capital, bands could make a living playing a mix of Afro-Rock, Cha-Cha-Cha and Congolese Rumba. But as the desire for independence grew stronger, a number of Zimbabwean musicians began to look to their own culture for inspiration. They began to emulate the staccato sound and looping melodies of the mbira (thumb piano) on their electric guitars, and to replicate the insistent shaker rhythms on the hi-hat; they also started to sing in the Shona language and to add overtly political messages to their lyrics (safe in the knowledge that the predominantly white minority government wouldn’t understand them). From this collision of electric instruments and indigenous traditions, a new style of Zimbabwean popular music – later known as Chimurenga, from the Shona word for ‘struggle’ – was born. And there were few bands more essential to the development of this music than the Hallelujah Chicken Run Band.
Hama - Houmeissa
Hama
Houmeissa
LP | 2019 | EU | Original (Sahel Sounds)
26,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Nigerian composer Hama presents a groundbreaking album of traditional electronic desert folk songs, hovering somewhere between early 90s techno and synthwave. Nomadic herding ballads, ancient caravan songs, and ceremonial wedding chants are all re-imagined into
pieces seemingly lifted from a Saharan 1980s sci-fi soundtrack or score to a Tuareg video game. With a deep love and respect, Hama effortlessly takes back and re-appropriates fourth-world ethnoambient music.
Hamza El Din - Al Oud
Hamza El Din
Al Oud
LP | 2023 | EU | Original (Real Gone Music)
38,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Limited clear vinyl LP pressing. It's fair to say that what Ravi Shankar did for the sitar, Hamza el Din did for the oud (the short-necked Arabian lute): bringing a little-known instrument to the attention of the West and popularizing it. Indeed, he ended up playing oud with everybody from the Grateful Dead to the Kronos Quartet to his one-time roommate Sandy Bull. But El Din's gifts went beyond that of an oud virtuoso; he was also an accomplished singer and composer, and you will hear all of those talents on full display on this seminal album, released on Vanguard in 1965 soon after his star-making appearance at the 1964 Newport Folk Festival that attracted the attention of Bob Dylan and Joan Baez. Meditative, mesmerizing, and haunting, Al Oud features nine original compositions based on Nubian folk traditions; at first it's the exotic sound of the oud that draws you in, but it's the rhythmic pulse of the music and the expressive quality of El Din's voice that keeps you riveted. Our first-ever American LP reissue of this classic record comes in a clear vinyl pressing limited to 900 copies, complete with original artwork featuring liner notes by Jamal Mohammed Ahmed, at the time Sudan's Ambassador to the United Nations. A richly rewarding listen.
Hanna Enlof - Solitude
Hanna Enlof
Solitude
LP | 2023 | EU | Original (GG)
25,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Harari (The Beaters) - Rufaro
Harari (The Beaters)
Rufaro
LP | 1976 | UK | Reissue (Matsuli Music)
24,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Top reissue of their in demand 1976 LP by the super group. Includes the long jam ''Oya Kai'', keeps on going.. Also holds their known tune ''Musikana'', killer groove. Alec Khaoli, Selby Ntuli and Sipho Mabuse with their first album as Harari made a great debut channeling a raw energie following up their LP as the beaters. The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).
Harmonious Thelonious - International Dance Record
Harmonious Thelonious
International Dance Record
LP | 2016 | EU | Original (Italic)
24,99 €*
Release: 2016 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Brighter than the sun of Africa and hotter than the desert wind Scirocco: Harmonious Thelonious returns with his fourth album. It comes with the enticing title “International Dance Record” and as always, much of it revolves around the vertical component of music: Harmony. The Düsseldorf producer has been exploring the infinite possibilities of electronic music production under pseudonyms like Antonelli Electr. since the late 1990s. He has produced contemporary voodoo art as part of the trio The Durian Brothers. Yet the new album is not a standard procedure. Rather, he shifts the harmonies of African music and juxtaposes them by a whole tone, generating simple harmonic changes with a magical effect. His unusual tonal game runs through half of his album, yet is not its major theme. That, rather, is hypnosis. All of his new tracks run through without detailed arrangements, have heavily infectious melodic passages and create a repetitive pull of mythical power.

Overall, his music today is airier and more receptive than anything he has presented to the world to date as Harmonious Thelonious. The brute force beats his previous albums “Talking”, “Listen” and “Santos” have been replaced by simple rhythm box grooves. They are repeatedly joined by short highlife guitar themes, bright flute melodies and feathery keyboard hooks. Africa is also only partially a reference for this unclassifiable and cheerful dance sound, which is entitled “International Dance Record” for good reasons. Because this time the priority is on immediate movement and pieces like “Talking About” or the remake of “Muziek”, still crude on his 2012 EP “Ting Tong”, both nod to House without directly being that. A longplayer between worlds that creates its very own – and despite all its exoticism, somehow remains absolutely grounded.
Harry Mosco - Peace & Harmony
Harry Mosco
Peace & Harmony
LP | 1979 | EU | Reissue (Isle Of Jura)
19,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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Official LP reissue of 'Peace & Harmony' by Nigerian funk royalty Harry Mosco, Originally released in 1979. Incl the big tracks ''Sexy Dancer'', ''Step On'' and ''Do It Together'' Isle Of Jura digs deep going back 40 years for the reissue of Harry's 1979 album which is something of an undiscovered gem that touches upon Disco, Funk, Boogie, Soul and Dub. Harry passed away in 2012 and we’ve worked closely with his son on the reissue.
Harry Mosco is best known as the founder of legendary 1970s Nigerian Afro-Funk band The Funkees. Originating as an Army band after the Nigerian Civil War they lead the wave of upbeat music produced by young artists in Nigeria in response to the darkness of the recently concluded civil conflict. Following a notable hit single ‘Akula Owu Onyeara’ the band split in 1977 and Harry pursued a solo career.
‘Peace & Harmony’ was Harry’s third LP continuing the rich vein of form found in previous albums ‘Country Boy’ and ‘Funkees’ (For You Specially). He was a visionary who wrote, arranged and produced each song on the LP assisted by Mark Lusari on engineering duties (P.I.L, Jah Wobble & Prince I), whose Reggae and Dub influence can be felt on title track ‘Peace & Harmony’ and ‘Peaceful Dub’. The LP contains two certified floorfillers of Studio 54 era Disco Funk in the shape of ‘Sexy Dancer’ & ‘Step On’ and two slow jams, the soulful ballad ‘She’s Gone’ and horn lead album closer ‘Do It Together’. Mr Funkees was printed on the cover to help record buyers make the connection between Mosco and his former band
Hayden Pedigo - Happiest Times I Ever Ignored
Hayden Pedigo
Happiest Times I Ever Ignored
LP | 2023 | CZ | Original (Mexican Summer)
27,99 €*
Release: 2023 / CZ – Original
Genre: Organic Grooves
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Hazmat Modine - Bonfire
Hazmat Modine
Bonfire
LP | 2023 | Original
27,99 €*
Release: 2023 / Original
Genre: Organic Grooves
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Hazmat Modine - Hazmat Modine
Hazmat Modine
Hazmat Modine
LP | 2013 | Original
23,99 €*
Release: 2013 / Original
Genre: Organic Grooves
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Hector Rivera - At The Party / Do It To Me
Hector Rivera
At The Party / Do It To Me
7" | 2023 | UK | Original (Demon)
24,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves
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Helen Nkume & Here Young Timers Band - Helen Nkune & Here Young Timers Band
Helen Nkume & Here Young Timers Band
Helen Nkune & Here Young Timers Band
LP | 1978 | UK | Reissue (Dig This Way)
23,99 €*
Release: 1978 / UK – Reissue
Genre: Organic Grooves
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Helene Blum & Harald Haugaard Band - Den Store Sommer
Helene Blum & Harald Haugaard Band
Den Store Sommer
LP | 2024 | Original
30,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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