Aguirre Electronic & Dance 18 Items

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Timelash is the freshly erupted synthesizer & SFX duet of Embassador Dulgoon (Nonlocal Research) and Corum (Psychic Sounds / Million Brazilians). Together they reveal new sound forms by playing with primeval motifs contrasted sharply against unfolding futuristic developments. The result is a simultaneous listening experience of ancient and alien settings told through their unique rhythm of language by mood-driven atmospheres, exotic tones, and electrifying sci-fi Cumbia jolt.

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Nina Harker

Amelia Cuni, Werner Durand & Uli Hohmann

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Freeform, pigeon-hole dodging, stylistic merry-go-round, restless, weird and addictive - the long anticipated return of Nina Harker!

Three years in the works since their self-titled 2020 debut, we’re just about ready. Similar in vein to its polyglot predecessor, we’re deep into an extremely skewed trip to the unknown. The duo’s chameleon-like musical world never misses an opportunity to shred it’s skin and reappear as something totally unexpected. Apolline’s beautifully exposed, day-dreaming vocals on opener ‘Le Pont à Voiles’ cut deep, setting up a false sense of security before things take a dive into the underneath - stuttering synths and garbled vocals brace an eerie up-right piano solo and agitated spoken / electronics piece. The sheer lack of cohesion and total disregard for an attempt at *flow* adds a tangible sense of surrealism. But it’s no amateurish prank or way of disguising technical flaws - it’s clear these musicians can play, and there’s a strong feeling of intent.

The folkier moments, when they do decide to glisten through the gunk, are captivating and otherworldly, whereas the indifferent vocals and brittle drum machine tilt of ‘Hin Und Her’ or quivering electronics of ‘ë’ could easily be misplaced for an 80’s tape piece from Vox Populi!. Add in a drop of the unhinged weirdness of early Beate Bartel / CHBB, or scratchy Siltbreeze almost-songs and the collage-aesthetic of Enhet För Fri Musik and it’s clear we have something special in our hands. In an age of unashamed pastiche, it’s so nice, almost REFRESHING, to be properly tangled up in something so genuinely other and intoxicating. No one does it better. (Tom, All Night Flight)

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Clearing

Feral Lands & Forbidden Cities

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In addition to the unique musical proposals and the large body of work that they have developed separately, Amelia Cuni and Werner Durand have been performing together as a duo as well as in collaborations (Tonaliens, Born of Six) for more than 20 years. Fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach, they have expanded the reach of their soundworlds as well as proposed new paths for contemporary music.In this occasion, Uli Hohmann joins them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar. Durand's various self-made wind instruments, soprano sax, and blown kalimba shine along with Cuni's astounding vocals, which are sometimes sung through a mirliton (a medieval type of kazoo). Clearing is the trio's first published recording.

Seconds of Thirst, recorded in one session at Uli´s studio in Bavaria in early 2014, is truly a conjuring where distinctive balances come to gather. A deep drone unfolds patiently in a hypnotic manner, comprised by Werner's characteristic PVC clarinets, a hammered guitar played by Hohmann, and subtle electronic tones. Above all, Amelia's singing voice, filtered through the mirliton, drifts buzzing along the gradually shifting harmonic waves, meandering through serpentine melodic lines and microtonality.

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Timelash

12" | 2017 | EU | Reissue (Aguirre)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Recorded in Brussels in 2019, Feral Lands and Forbidden Cities is Timelash's second delivery of a 4 album projected series. In their debut, A Morphology of Wonders (Aguirre Records, 2021), the duet formed by Embassador Dulgoon (Nonlocal Society, Archimboldos) and Corum (Psychic Sounds) revealed a unique musical journey that unfolds and expands like a cluster of organic matters and mechanical dialogues lit by iridescent fluorescences. Timelash's musical proposal is firmly rooted in retrofuturism, reminding us of exotic and library music artists such as Martin Denny, Egisto Macchi, Bernard Fèvre, and Eric Vann, reaching up to Mark Dwane's cinematic soundscapes, or Constance Demby's Novus Magnificat.

Feral Lands and Forbidden Cities digs precisely into what the title indicates: civilizations not yet explored, untraceable ruins, and the unknown. Digital synthesizers, samplers, flutes, percussion pads, and effects are assembled as stirring sprouts of life and evolutionary dream cycles. Spacecraft bustles, strange body noises, tolling bells, plasticine murmurs, and boiling potions ring under harmonic synth soulful crescendos, building up a sense of both machinery and wonder; the emotional significance that the mechanical contains.

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Enhet För Fri Musik

Inom Dig, Inom Mig

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Folk unit originated in the Swedish underground Enhet för Fri Musik -- featuring members of Sewer Election, Ättestupa, Neutral, Makthaverskan, and Blod - continually re-inventing what music is about through free improvisation and lengthy folk meanderings.

Embedded in the ever exciting Swedish underground scene Enhet För Fri Musik continues the quest for innovation numerous legendary Swedish bands started during the 70s, Pärson Sound, Trad Gras Och Stenar, Arbete Och Fritid. Taking the ideas of communal music craft and experimentation, on this album the group comes to a unique combination of Jandek-like atonal guitar, organ, tape effects, field recordings, saxophone and Sofie Herner’s amazing loner voice running over it. Adding another inspiring document to the world of open-minded music.

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Le Diable Degoutant

Fleur De Chagrin

LP | 2022 | EU | Original (Aguirre)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Pauline Marx, formerly of the fantastic duo La Fureur de Vouivre, seems like a being from another time and place; namely, an escaped marauder lurking in the forests of a Bruegel painting and integrating the surreal flora and fauna of a Boschian creation into the scenery and lore of deep Brittany. Her invented mythology is loaded with murky rituals and contorted mantras, backed by the surprising sounds and textures of terrains so earthly and so unreal.

The Devil at the Crossroads

Where do you think you come from? Where do you think you're going? Lasciate ogni speranza, voi ch’entrate: you, with the noodle to the four winds, who pass the threshold of this disc, you better leave all hope there, and glide in the poisonous footstep of the devil your guide.

Where do you think you come from? The mountain is no longer just the mountain; after your passage, it will no longer even be a mountain. Like the whole landscape, it will have been eaten, sauced by invisible leeches. Your nostalgia for the ground and your thirst to find the source will have only discovered a forest of vain words and foul water. Where do you think you're going? At the crossroads, the world is consumed in the previous future. Only the devil will know how to make you overcome the disgust of traditions, and only the love for the devil will give you enough vim to reach your goal: a village, perhaps, but which belongs to no one, a haven to your excessiveness .

The dark tradition to which this game of ternary trampling belongs, like the rhythm of a heart in tune with the inverted world, has no country and no assigned time. Rather a topology of Eve awakened after a thousand-year sleep, an idiosyncratic and possessed reading of our common humus, made up of stories composted in the limbo of the past, of songs captured in extremis vitae and rebus in the privatized antechambers of death.

What does she tell us about? Of our automobile and in love roamings, of the porosity of the membranes that separate beings and things, of the constant inversion of signs. The seventeen stages of this short journey, where intertwine the throbbing of objects, blown horns and rubbed horsehair, form the map of a country never to be found, ours, where only the voice of an old child and the disgusting devil's poisonous charm can guide us.

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Blod

Knutna Nävar

23,99 €*

LP | 2022 | EU | Original (Aguirre)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.

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Blod

Leendet Fran Helvetet

23,99 €*

LP | 2022 | EU | Original (Aguirre)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.

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Enhet För Fri Musik

Dokument I

22,79 €* 23,99 € -5%

2LP | 2022 | EU | Original (Aguirre)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Edition of 500. Includes large poster.

In dark times of geopolitical powerplay and war mongering, artistic counter attacks are often shaped as quests for openness and liberation. No troupe within the current musical underground embodies this urge like the Gothenburg sound dwellers of Enhet För Fri Musik. With spiritual roots in the candour of the 1960s free jazz and the raw aethestics of early 2000s free folk, Enhet started delving into different forms of (semi) improvised musical expression around 2015. ‘Fri Musik’ is a very apt generalisation of previous liberating endeavours in music history, since the Enhet does not approach the freedom trope from a genre bound perspective, they are as much folk as they are ambient or lofi cassette experiment. At times times they sound like an indigenous tribe from some undefined part of the world, then again like hazy mutterings from a long forgotten utopian hippy commune.

In an interview with Keith Knox For Jazz Monthly in 1967 American jazz trumpeter Don Cherry noted: ‘’[E]veryone should be interested in trying to bring some kind of music that they have in their bodies out of them. That’s what music was here for. People used to fight over food, but they would get together and play music in their homes’. It might not come as a surprise that Cherry was settling in Sweden when he developed his ideas about organic music, a collective expression rather than a market driven cultural product.

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Ignatz

I Live In A Utopia

28,99 €*

The Healing Music Of Rana Volume 3

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Double album in gatefold sleeve with artwork by Zully Adler. In co-production with House Rules & released in an edition of 500.

This sprawling collection by Belgian loner blues savant Bram Devens aka Ignatz encapsulates the mystery, murk, and melancholy of his uncanny craft at its most windswept and wayward. Originally issued via Goaty Tapes in September of 2015, this long-anticipated vinyl edition expands the saga with an additional 17 minutes of archival material. Deven’s palette remains constant throughout: feathery fingerpicking, modal loops, and intuitive six-string navigations interspersed with candlelit passages of mournful voice, alternately whispered, mumbled, moaned. His is an aesthetic of embers and resin, cracked masks and distant lights, of what’s left behind and what lingers on.

I Live In A Utopia was recorded following a relocation from his longtime base of Brussels to Landen, with a second child due soon: “I remember the weather being nice and having just bought a hammock.” The change of scenery seeded a promise of slower days and lighter times – no utopia perhaps, but a sense of faint hope glowing on the horizon. The songs slide between loose acoustic spirituals and smoky basement ragas, late afternoon haze and midnight moons, a seesawing restlessness reflected in the titles (“I Have Found True Love,” “Time Does Not Bring Relief,” “We Used To Smoke Inside”). The fidelity is grainy but vivid, refracted by tape warp and Flemish dust.

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Randall McClellan

LP | 2021 | EU | Original (Aguirre)

20,99 €*

Two Tales Of Lost Witness Marks

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Crazy Doberman

LP | 2021 | EU | Original (Aguirre)

18,99 €*

Roy Montgomery & Emma Johnston

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tim Gick's already-warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A-side; kicked off with the familiar sound of the Dobes' synth throb and Love-cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat top of the record's b-side. Ringing modular synth sirens evoke alarmingly huge Southern watersnakes swimming on top of Oconee river. Total trip zone across two sides: brownouts in the sequence of events, dubby fadeouts, and bright jump cuts in space. Teases of cartoon barrlehouse tickling on the keys of a farmhouse piano and tape melt psychedelia. The recording session in Athens, Georgia was a total "chugfest" recalls Frank Hurricane, the Appalachian juggalo folkie king, who joined the session with the Lafayette, Indiana crew. The presence of Hurricane's own "Life is Spiritual" mirth bulworks the record with a muddy, barefoot hippy hopefullness, steadying the log flume through the notcturnal psychic murk toward the holy morning dew. (J. Russ)

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After Nietzsche

LP | 2019 | EU | Original (Aguirre)

20,99 €*

2LP | 2018 | EU | Original (Aguirre)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After Nietzsche is a response to Nietzsche's assertion in Twilight of the Idols that “Without music, life would be a mistake”. Roy Montgomery and Emma Johnston recast this as “Life is a mistake set to music” and they take issue with one of Nietzsche's principal tenets concerning fate. After Nietzsche is in a way the sister-album to last year’s Suffuse, where Montgomery composes songs for guest vocalists. Only this time it’s in close partnership with Emma Johnston. Montgomery's distinctive, interweaving guitar play is set as background for Emma Johnston’s angelic vocals & experimentations. Swimming through the four tracks of the album, it’s surprising to notice how different they are. The opening track could have been plucked from one of Montgomery’s 80s projects, while the rest of the a-side takes us into more shadowy territory, Realm Of The Senses with it’s slow strumming and echoing vocals evokes Grouper (who points to Montgomery as being an influence of her work) and the title track After Nietzsche with dramatic vocals and strings, cleverly builds up to a climax that never happens. The last song clocking in at 21:10 is a post-postmodern duet between the two musicians in a dark philosophical mood.

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New Dreams Ltd.

Sleepline

25,99 €*

2LP | 2018 | EU | Original (Aguirre)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Sleepline (released as New Dreams Ltd.), plays in the liminal space between states of consciousness, inducing a hazy, deteriorating quality that stands in contrast to Shader Complete's mostly hi-definition aesthetics. It was written in winter 2013-2014, but it didn't see an official release until 2016. Originally conceived as a Sacred Tapestry sequel called Transcontinent, the album saw Xavier returning to her plunderphonic tactics, looping and down-pitching what sounds like decades-old Japanese commercials. This time, Xavier sought out source material that would more readily fall under fair use, attempting to bridge the aesthetic gap between her works by foregrounding her editing techniques as much as transforming the source material.

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Sacred Tapestry

Shader Complete

25,99 €*

2LP | 2011 | EU | Reissue (Aguirre)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Shader Complete is an exquisite, multi-faceted album that pivots effortlessly between widescreen electronic synthscapes, atmospheric drones, and claustrophobic appropriations. It's the latest permutation of a release that originally arrived in summer 2012 as Sacred Tapestry. That version, titled Shader, was written during the first couple months at her new home of Portland, marking a period of instability and existential confusion for Xavier.

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Taj Mahal Travellers

August 1974

27,99 €*

Meaning Turns To Whispers

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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High quality reissue of the monumental work August 1974 by Japanese experimental music ensemble Taj Mahal Travellers. Pressed on 180gr. vinyl with extensive liner notes by Julian Cowley. Remastered & Cut by Rashad Becker. In April 1972 a group of Japanese musicians set off from Rotterdam in a Volkswagen van. As they crossed Europe and then made their way through Asia they made music in a wide range of locations. They also paid close attention to the changing scene and to differing ways of life. Midway through May they reached their destination, the iconic Taj Mahal on the bank of the Yamuna river in Agra, India. The Taj Mahal Travellers had fulfilled physically the promise of the name they adopted when they formed in 1969. But their music had always been a journey, a sonic adventure designed to lead any listener’s imagination into unfamiliar territory.

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Ian William Craig

LP | 2016 | EU | Original (Aguirre)

17,99 €*

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Ordeal

Vätterns Pärla