Beast Rock & Indie 35 Items

The Stabbing Jabs - vocalist Peter Aaron (Chrome Cranks), guitarists William G. Weber (Chrome Cranks, GG Allin & the Murder Junkies) and Chris Donnelly (Gang Green), drummer Andrew Jody (Barrence Whitfield & the Savages), and bassist Jamie Morrison - breathe fiery life into the type of tough, timeless rock 'n' roll a generation had left for dead. Here it is, ready to make your life a living hell: an arsenal of hard, hammering tunes built on thick, cinder-block guitars. Blood-flecked screams. Dirty, fuzzy low end. Drums that swing as hard as they bash. And RIFFS. Riffs, riffs, and more riffs. Did we mention the riffs?

Functioning as the solo outlet for Washington DC-based Artist, DeeDee, D E A T H B A G summons a range of dark music influences that span the decades ranging from fuzz-laden garage rock to post-punk to gothic rock. This dark psychedelic sound is reminiscent of bands such as Christian Death, Dead Moon, Bauhaus, The Stooges, and VR Sex.Written in the Winter of 2021 through email collaborations, the songs were constructed and recorded in DeeDee's bedroom and brought to life with Dom's crunchy drums, mixing, and production from his Nashville home studio.D E A T H B A G' S music bridges fuzzed out garage rock through a post-punk lens while presenting images of cult worship, societal collapse, and the looming impermanence of existence.Within the grooves a new cult emerges, THE CULT OF DREAMS.

CHRIS PAL is the meeting of the best elements of the garage punk scene from Rennes led by Charmes Samson (COMBOMATIX) for an explosive synth-punk project. Formed in 2022 the band seems to have unearthed a time capsule prepared by Devo and Bad Brains to bring a new stone to the building of the lo-fi pantheon.The quartet delivers a first album that has nothing to envy to the best representatives of the international scene. 11 tense and melodic tracks, as punk as varied. The album will be released in March 2023 on Beast Rds, Juvenile Delinquent Rds and Rockerill Rds.Attention CHRIS PAL is coming to town!

Here it is! The third album by STRONG COME ONS from old Orleans - France. Heavy restless bass, scratchy ardent guitars, unstoppable frenetic drums, fuzz on the loose, feedback on the skid, 9 punchy firebrands of soul power rock'n'roll with screamin' vocals! The perfect record if you need to burn your house down to cheat your insurance without leaving evidence.

/[ENG]Formed in the early 2000's in Pécs, Southern Hungary, Psycho Mutants is a cult underground band in their country. They owe this status to three things: the power of their stage performances, the charismatic personality of their singer, and that bass-baritone voice from beyond the grave, able to jump four octaves if necessary.Musically, Psycho Mutants is nothing we have ever listened to before: a mutation of music we've only felt, not just heard: rock'n'roll so intense it could have been played by Hank Williams if he'd been raised in the Carpathians, drunk on Palinka.Their influences are as diverse as Crime and the City Solution or Gallon Drunk, Jack The Ripper and The Gun Club. But the Magyar band is not just handling guitars. The addition of a trumpet, a keyboard, an accordion or a baritone sax to the line-up doesn't scare them one bit, giving this particular taste to their sound, which leaves nobody indifferent.Seven years after the success of "Baby Burn" (Volvox/PIAS), the Western Voodoo R'n'R combo is back with a mature album, "Motherland", discovered by Beast Records shortly after it was recorded. "Motherland" includes dark country ballads, monotone psychedelic melodies as well as garage tunes, laid on a moody, atmospheric, blues-based aesthetic. Listening to the album will make you want to see them play live, which they say, is well worth your time.

Top Left Club Are A Budget Brighton Band From The Depths Of 2020. Ease Into The Sleaze And Get Ready To Submit To The Filthy Frequencies About To Be Unleashed. Raw, Pure Songs Filled With Visceral Energy Will Saturate Every Corner Of Your Mind, Potentially Changing The Course Of Your Life.Top Left Club Take No Prisoners. Recorded Underground And Out Of Sight With Minimum Currency, Shoulders At 90' Patiently Waits To Break The System. This Album Was Created In 8 Weeks.This Album Had No Leaks. Johnny Hartless. Mac Daddy. Jimi Dymond. T.T. L. C.

After way too long Belle Phoenix finally steps out of the shadows and exposes, "The Glorious Dead". This is her long anticipated album that's taken snapshots of her journey from Australia via New York and UK to a Finland resident exploring her next challenge. Belle's forte is collecting musicians and spring boarding her honest songwriting with a chosen few band members that weave their influences into time using themes inspired by an investigation into the stories of war, politics, dead-end jobs, failed relationships, and clairvoyant dreams. The Glorious Dead began in New York. Belle was residing in Sydney, she jumped at the chance to work with Mark Plati (Lou Reed/Bowie) leaving behind Australia's, 40 degree days, plunging into a N.Y. winter and recording at Alice's Restaurant where she and Mark worked to capture Belle's vision. From these sessions emerged Livin' Life Blues, Dead Inside! (Lost the dance), Maker Of The Man (inspired by camping in the Nevada Desert) and The Glorious Dead. A return home to Sydney, teaming with Trent Marden (The Holy Soul) brought a dark-country vibe, to Soul Killers. Dancing All The Time, & New York City was Belle's first attempt at producing the tracks at Australia's iconic Albert Music Studio, home of Ac/dc. Always looking for fresh influences and sounds she headed to the UK where she played shows on a regular basis at almost every venue they had. She held down two part time jobs at a laundrette and a burger place but found herself homeless after returning from the Nxne festival in Toronto, where she played shows at Cherry Cola's and The Great Hall. With few options Melbourne Australia, became Belle's next base after meeting Melbourne guitarist, Osker Bickford in London who had played for Tomorrow People and Brian Henry Hooper (Beasts of Bourbon). They recruited Tim O'Shannassy on Drums (Brian Hooper, Paradise Motel, Penny Ikinger) and Andrew McCubbin on Bass for live shows and with the end in sight the band was christened, [1]elle Phoenix and The Subterranean Sea' described by Belle as spawned out of the alchemical, subconscious creative processes which reflect a cathartic, spontaneous capture of inspiration.

R'n'Cs is the contraction of "Rem and the Courbarians". made up of Rem (drums - Vox) and the Courbarians brothers, Saïd (Guitar - Vox) and Gui (Bass Guitar - Vox). they were formed in the Orléans region at the dawn of the second millennium, combining Punk / Hard Core with overdriven Garage Punk'n'Roll. giving birth to a Rock'n'Roll speed all their own!The years go by. but the cadence remains the same. they are and remain definitively addicted to feedback and BPMs. Their Rock'n'Roll remains fast and furious. You'd think the teats they feasted on from an early age were loaded with nitroglycerine! And these R'n'R aficionados never tire of it!Class, delicacy and refinement have nothing to do with it. even if some music lovers will enjoy it! Their music isn't a poem, it's an ode to sex, drugs and rock'n'roll. all at breakneck speed! Hang on to the handlebars, because no one escapes this infernal spiral that grabs you and sends you straight to the devil's entrails!They became a national benchmark for speed rock'n'roll. and were repeatedly asked to play with bands such as Nashville Pussy, Supersuckers, Discharge, GBH, Unseen, Guitar Wolf, New Bomb Turks, The Cellophane Suckers, The Butchers, Burning Heads, Etc..Over the years, R'n'Cs has always been backed, produced and supported by labels such as 442ème Rue, Beast Records, Guerilla Vinyl and of course Trauma Social.Their 7th Opus "Flytrap in the Murderhouse" released on Beast Records / Fly House Records (Trauma Social for the CD) saw the light of day in Spring 2024 and still remains in the tradition of Zeke, Peter Pan Speedrock, Mötorhead. This incendiary bomb will not differ from previous productions. Still in sweat, flames and Rock'n'Roll!!!! Hell Yeah!

Gentle Ben and His Sensitive Side is now Gentle Ben and His Shimmering Hands: a new line-up means a new album! Here's the new line-up: Ben Corbett (aka Gentle Ben, vox in SixFtHick), Tony Giacca (bass in SixFtHick, guitars in GB&HSS), Dan Baebbler (guitars in SixFHick, bass in GB&HSS) and Jhindu-Pedro Lawrie (drums)."Brut" is how the album is titled and brut it is! The band creates create music of a rare and savage beauty. Soaring highs, crunching lows and in between only the sound of grown men crying into their beers and young lesbians gasping for air.

If The Druids are named after a quiet pond lost in the heart of Brittany, their music is more inspired by the stories the elders tell in a low voice, and the secrets of those roads where it's forbbiden to go by yourself at night. The Druids are hidden behind their hoods so they can scramble the tracks, melting their garage-rock with stoner-metal and post-punk, but also shoegazing and acid-rock. In their fuzzy and reverberated black masses, they invoke at the same time Black Sabbath, The Stooges, Bauhaus and The 13th Floor Elevators.

Party Pest features ex-The Reprobettes members Jemma Jives (drums & vox) and Sally Balhorn (guitar & vox) alongside bass player Julia Watt (Moody Beaches, La Bastard, Hot Wings) and Kate Alexander on synth (Ute Root, The Hot Blood).Unpredictable and chaotic, Party Pest is influenced by artists such as The Slits, ESG, Kleenex, The Cure and The B52's. On Uninvited, Party Pest channel post-punk irreverence, blending discordant melodies, jangly guitar hooks, wild primal drumbeats, big bold bass grooves and synthesised sonic mayhem into a celebration of life as they know it.Anything can and does happen when Party Pest play so strap in for a wild ride whether you're invited or not. When the glitter settles, the Ajax's been snorted and your Mum's been pashed, wipe the love dust from your eyes and check your bathtub.

While he was on tour through Europe in the summer of 2023, Julian Medor (the one and only man behind Long Hours) stopped by Frank Headon's Fly House Records and quickly recorded this new album.Long hours has been coined as being lofi, nowave, synth punk croon-core, gothdoowop with a relentless live show inspired by frontmen such as David Yow (The Jesus Lizard) JG Thirlwell (Foetus) Alan Vega (Suicide). Long Hours has performed up & down the east coast of Australia countless times and has toured Japan twice. He has also released 27 albums in the space of 3 years. "Fly House" is his 2nd LP available on Beast Records.

Beach Goth duo Kino Motel created their 10-track debut album Visions between the band's 2 homes: Melbourne and Berlin. Ed Fraser (Heads. / Cash Savage & The Last Drinks) and Rosa Mercedes (Josephine Foster Band) have created a unique and visionary album filled with space, mood, feeling and complexity.Heavily inspired by the spaces in which they travel, with Visions we see music videos shot by the band in Albania, Northern Ireland, and Australia. Ed and Rosa convey feelings and ideas of shifting landscapes and open-ended roads - "like a movie in your head" as described by Radioeins Berlin's Marion Brasch.

Here is #3, the third album of Bed Bunker!Six-strings, synth and drum machine, Bed Bunker provides the perfect mix of hardly ever heard experimental-rock for fans of Mudhoney, Alan Vega and Suicide.GENRE: SYNTH-PUNK

GOUTLAW, 4 piece rock and roll band, filthy and unhinged, as it should be, hailing from Melbourne Australia.Crystal visions. A moment captured in time. Picture Howlin' Wolf with Girl Trouble. The Virgin Mary, hooked on cough syrup, staring down the end of the line.Think Stooges, Beasts of Bourbon, Chrome Cranks and the Flesh Eaters. Elvis is dead and I'm not feeling too well myself.GOUTLAW to visit European shores in 2024 to showcase their self titled album, watch out!

"Shadow City" is Chicken Diamond 6th album on Beast Records.The idea: put the Mississippi Hill Country Blues to fusion until it reaches the temperature of a Stooges Metallic 2 X KO. That's exactly what Chicken Diamond does!Even if his style is ultimately close to the blues roots, his work always inspires fear and loathing to the Eric Clapton fan base!

3rd pressing! The latest thrilling incarnation of master rock'n'roll storyteller Tex Perkins (The Cruel Sea, Beasts of Bourbon, Thug, Tex Deadly and the Dum Dums, Tex, Don et Charlie.) and the Fat Rubber Band began with a rare vinyl copy of Link Wray's Beans and Fatback album, recorded in 1971. Perkins and his respected musician, songwriter, producer and bandmate Matt Walker share a mutual admiration of the American electric guitar innovator, whose iconic power chords in his signature 50s rock'n'roll instrumentals, had a profound influence on the evolution of rock guitar. The Fat Rubber Band is borned with this rare vinyl, the pair have enjoyed countless musical conversations over the decade while hanging out backstage and on the road. Walker offered the debut album's opening track, the wide-screen drama of "Pay The Devil's Due". Perkins responded with the plaintive blues of "My Philosophy". Walker replied with the album's fuzz driven debut single "Danger Has Been Kind" and Perkins countered with the glacially-paced, intimate "Poor Simple Minded Fool". The pair road-tested their works in progress as a duo before enlisting bassist Steve Hadley, drummer Roger Bergodaz and Evan Richards on percussion to complete the Fat Rubber Band line-up to record the album's ten tracks at Walker's Stovepipe Studios in Victoria's Dandenong Ranges. "At Matt's studio - you open the door to the studio and nature floods in," Perkins says. "We wanted it to sound rural, to feel the dirt and the grass and the leaves." Even after all these decades, when you think you know that gravelly baritone inside out, Perkins finds new emotional tones in the service of the Fat Rubber Band's songs vivid narratives, with their characters wrestling, but sometimes dancing, with the tougher, darker qualities of the human condition. This is truly existential blues. Bubbling underneath those upfront vocals and raw harmonies are intricately entwined guitar conversations and unexpected percussive flourishes. "Another aspect that we wanted was for the sound to be sometimes a collision and sometimes a marriage of acoustic and electric instruments. We wanted that tension between mandolins and bouzoukis meeting fuzz guitars." "We also considered percussion to be a vital element of the sound we were going for; we noticed in the recordings we loved from the 50s and 60s that often the tambourine hit, or the maracas, or whatever percussion, was right up there in the mix, right next to the vocal," Perkins says.

Dark ballads, black litanies... Broken Waltz imagines a blues-rock cabaret, with demonic elegance and plunges us into the bayous of Louisiana where voodoo beliefs intermingle the universes of the living and the dead, the real world, and the supernatural world. Broken Waltz is still martial, stormy and pagan, but darker. The trio still rides on the tracks of Nick Cave, Tom Waits and even The Cramps!