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Big Hands Vinyl, CD & Tape 3 Items

Electronic & Dance 3 Electro 1 Techno | Minimal | Tech-House 1 Downbeat | Electronica | Leftfield 1 Garage | 2Step | UK Funky | Bassline 1
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Oscilla Sound
Teeth
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Reset all Filters No Used Vinyl Big Hands
Big Hands - Lakamha
Big Hands
Lakamha
12" | 2021 | EU | Original (Oscilla Sound)
16,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Baroque Sunburst Co-Founder And Honest Jon's Team Member, Big Hands Displays His Potent Production Prowess On The Next Oscilla Sound Release With Three Tracks Touching On Organic Soundscapes, Illbience And Muddy Bass Oddities. In The Old City Of Lakamha Ancient Tombs Stand Tall And Ruined, Woven With Moss. Birds As Old As Time Beat Their Wings Over Tropical Forests; Their Cries Bouncing Off Wet Rock Lassoed With Carvings Of Mayan Symbols. '1346' Begins With Stirring Synths And Dub-Echoing, Low Frequencies Encompassing Both Spatiality And Aberration Before The Heads-Down Atmospheric Roller 'Calix's Head' Lays Down Sharp, Acid Flutters And Ghostly Ripples. 'Louis H Theme' Is An Ode To The Radical Minimalist Composer Moondog (Louis Thomas Hardin), Whose Experiments With Polyrhythms Continue To Influence Numerous Generations Of Musicians. The Track Features Swampy Bass That Balances Weightlessly With The Hypnotic Sonics And Breezy Rhythms.
Big Hands - The Vulgarity Of Snow
Big Hands
The Vulgarity Of Snow
12" | 2024 | UK | Original (Teeth)
22,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Italian born, London-based soundsmith Andrea Ottomani dons his Big Hands moniker for an excursion in modern dub on the burgeoning Teeth label. Ottomani is the artist behind the label Baroque Sunburst, which he runs with Soreab, and he also forms half of jazz techno unit Ottomani Parker with Abraham Parker.

The Vulgarity Of Snow is Ottomani’s woozy, lilting soundwalk through techno, experimental electronics and scorched earth acid. The untitled tracks are less like distinct entities and give way to a larger, conjoined pair of triptychs spread out over two sides of wax. They feel like a paean to the format, which no doubt comes from Ottomani’s time spent working at one of London’s most revered record shops. As a longer, more probing piece, it’s anathema to talk about The Vulgarity Of Snow in terms of bpms and sub-genres, and arguably it owes as much to free jazz and psych-rock as it does to more leaden styles such as dub and roots. At times it pays tribute to the work of acts like Basic Channel and Random Trio, deploying dub electronics in novel ways, but it is also broader in its choice of sounds. On B2, for example, Mino Carbone, the artist’s uncle and an Italian anarchist from the same lineage as artists like Dario Fo, plays a song from that tradition. It’s not a chaotic piece, but it’s not heavily constrained.

Teeth is an ideal home for Ottomani’s freeform work, following contributions to Beat Machine, Blank Mind and Oscilla. The label is the brainchild of Jojo Mathiszig, who also runs Farringdon record shop and radio station Kindred. Slade graduate and Kindred co-founder, Scarlet Griffiths, supplies the artwork following on from her recent exhibition at Dinner Party Gallery.
Big Hands - A Square, A Circle
Big Hands
A Square, A Circle
12" | 2023 | UK | Original (Blank Mind)
15,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Big Hands marks Blank Mind's twentieth release on ‘A square, a circle’. A product of “the loopy miserable life in the big city which we are forced to live; and the need for metaphysical meaning, deep feelings and the tribalistic aspects of early folk music”.

In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds.
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