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Bro David Vinyl, CD & Tape 2 Items

Vinyl, CD & Tape 2 Organic Grooves 1 Reggae & Dancehall 1
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Bro David
Bro David - Bro David Rmxs
Bro David
Bro David Rmxs
12" | 2019 | US | Original (Cultures Of Soul)
13,49 €* 14,99 € -10%
Release: 2019 / US – Original
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Shuggie Diamonds is my 'singing' and 'more soulful' alter ego, so the title The Diamond Report is based off that. The nickname was given to me by my brother, the late, great Guru. My music is also a form of me dropping jewels; I have always been a diamond in the rough." - Big Shug on his new album, The Diamond Report

Boston rap stalwart Big Shug blends equal parts raw soul and grimy street rap on The Diamond Report, an album that's bursting with life and character from an emcee who exudes longevity. With decades in the game, the Gang Starr Foundation co-founder continues to sound hungry and passionate with his art, and it's led to one of his strongest album showings yet.

After delivering smooth vocals on the opening track, Shug hits your ear like a freight train on the bombastic "EMF" that's produced by longtime collaborator DJ Premier. A lyrical middle-finger to "every motherf*cker" who's ever doubted or crossed him, the single also received the video treatment from director Myster DL. It puts the focus directly on Shug and his rhymes, and it actually sets the tone for the remainder of The Diamond Report.

At 20 tracks deep, the album plays like a highlight reel of all of Shug's artistic strengths. On "Doing My Sh*t," he kicks back and oozes confidence as he croons over the Thir(13)teen-produced instrumental. And then on the Lil Fame-produced "Keep It Cool," he's back in bruiser mode alongside M-Dot, B.A.M and International Dreez. Shug also embodies the wise hip-hop sage on several cuts, including standouts "Old Man Rapper" and closer "You Ain't About It."

But it's on the lyrically charged "Stay The Course" that everything hits hardest. With Elevated Music's snarling beat as his canvas, Shug takes aim at Trump, big ups Colin Kaepernick, and spits rewind-worthy bars like: "I still hustle, that's how I was raised/ When I started out they said rap was a phase/ 20 years later, I still get paid/ While some of y'all clowns, still get played."

It's a powerful reminder of exactly who Shug is, where he comes from, why he's still here, and why everyone needs to be paying attention. To paraphrase the man himself, it may be 20 years later, but Shug's pen is as sharp and necessary as ever.
Bro David - Modern Music From Belize
Bro David
Modern Music From Belize
LP | 2019 | US | Original (Cultures Of Soul)
24,99 €*
Release: 2019 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Caribbean has long been an incubator for the sounds that will animate and shape the culture of the rest of the world for decades to come: From the rhythms of Cuba helping to shape American jazz, blues and rock n’ roll, to Trinidadian calypso introducing a bouncy lightness and gaiety to American party music, to Jamaica’s reggae showing a new way to rebel against convention. But what about the music of Belize, the Caribbean nation that holds the odd position of being a former British colony on the coat of Spanish-speaking Central America? Most people don’t know about the country at all, let alone about the rich sounds it has to offer. Bredda David Obi set out to change that in 1984 with the release of his debut LP No Fear, and the introduction of a new Belizean groove he called kungo or cungo. A mélange of traditional Belizean brukdown music and sprinklings of the rock, funk, calypso and reggae he had played n various bands during his years as a journeyman in the United States. He would further develop this modern tropical sound on subsequent albums, integrating more and more elements from Belizean niche genres like sambai and paranda. Cultures of Soul is proud to take part in documenting Bredda David’s journey into the soul of Belize with an anthology of his early recordings including tracks from No Fear, Cungo Musik 1987 and We No Wa No Kimba Ya 1990 albums. Bredda David’s kungo is hard to describe exactly—its various ingredients make it feel somewhat familiar, but the recipe with which he blends them is slightly strange, fresh and intriguing. But one thing is for certain, it is sure to electrify the dance floor and make everybody jump up and bruk down! Housed in a gatefold jacket with extensive liner notes by Uchenna Ikonne.
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