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Burning Witch
David Turpin, Stephen Shannon & Kevin Murphy - OST The Lodger
David Turpin, Stephen Shannon & Kevin Murphy
OST The Lodger
LP | 2020 | UK | Original (Burning Witch)
31,99 €*
Release: 2020 / UK – Original
Genre: Soundtracks
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Beautifully haunting gothic score to The Lodgers by Stephen Shannon, Kevin Murphy and David Turpin.

David Turpin’s first feature as screenwriter – the gothic fantasy premiered at the Toronto Film Festival in 2017, and was subsequently acquired for worldwide release by Netflix.

Film synopsis: A family curse confines orphaned twins Rachel and Edward to their home, in punishment for their ancestors' sins. Bound to the rules of a haunting childhood lullaby, the twins must never let any outsiders inside the house, must be in their rooms by the chime of midnight, and must never be separated from one another. Breaking any of these rules will incur the wrath of a sinister presence that inhabits the house after midnight.
Steve Lynch - OST Let Us Prey
Steve Lynch
OST Let Us Prey
LP | 2022 | UK | Original (Burning Witch)
19,19 €* 31,99 € -40%
Release: 2022 / UK – Original
Genre: Soundtracks
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Burning Witches Records are once again honoured to be working with Director Brian O’Malley (The Lodgers) to bring you the fantastic and atmospheric score to 2015’s cult horror Let Us Prey by composer Steve Lynch.

Rookie cop Rachel (Pollyanna McIntosh) is about to begin her first night-shift in a neglected police station in a Scottish backwater town--the kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that they really deserve to be somewhere else. They all think they're there by accident and that, with a little luck, life will get better. Wrong on both counts. Six (Liam Cunningham) is about to arrive--and all hell will break loose

“The Minimoog pulsating bass throughout the score is a nod to 80’s horror, but I wanted to modernise it too, so all the synth textures are on a Dave Smith Prophet 12, which is a modern classic. Rachel’s Theme was a chance to bring in a more emotive organic tone using cellos, bowed bass guitar and voices. I think the combination of all these elements gave the score its own particular sound.” -Steve Lynch
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