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Carmen Villain HHV Records 3 Items

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Carmen Villain
Carmen Villain - Only Love From Now On
Carmen Villain
Only Love From Now On
LP | 2022 | EU | Original (Smalltown Supersound)
24,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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The US-born, Norwegian-Mexican musician and producer Carmen Villain, real name Carmen Hillestad, has spent the last nine years and four albums gently unraveling song into the sound of emotional impulse. From the tilt and croon of her first two albums to the expansive warmth that flows and pulses beyond ambient in her more recent output, Hillestad's journey is artful musical deconstruction but also somehow spiritual growth. Hence new album Only Love From Now On, her fourth full-length and the culmination of a build-up that really began with the turn in sound evident from third album Both Lines Will Be Blue (2019, Smalltown Supersound) and the subsequent releases Affection In A Time Of Crisis (2020, Longform Editions) and Sketch For Winter IX: Perlita (2021, Geographic North). While the seed of her aesthetic was planted earlier, it has blossomed into something unexpected, benevolent in its composure and altogether luxuriant in its sensuality. If her themes, especially now, are wide, philosophical, and occasionally abstract, the emotional tenor of Hillestad's music is clear and purposeful. Makes sense that her key musical touchstones are dub, ambient, and cosmic jazz - flexible vehicles for tranquil wonder. While it may not contain voice or lyrics, as her two earliest records do, she describes it as, "wishing to maintain a sense of careful optimism for the future, while on the cusp of something unknown." Listening to Only Love From Now On is simultaneously comforting and alluringly strange. Partly it's the contributions of guests Arve Henriksen (trumpet, electronics) and Johanna Scheie Orellana (flutes). Partly it's the fluidity between instruments - such as clarinets - field recordings, the studio, jam, and careful composition. She calls the process a conversation with sound that occurs in her deliberate attempts to experiment with new methods, like granular synthesis, for her music-making. But mostly that strange comfort is in the peace and grateful contentment she has found via the stark recognition of her own privilege - laid bare by the pandemic. Only Love From Now On is fueled by the sense of scale in feeling small in the face of things so large, the contemplation of how the biggest impact we can have is in the people close to us, the attempt to make sure that impact is a positive one, and the choice to try to focus on love instead of fear.
Carmen Villain - Both Lines Will Be Blue Remixed
Carmen Villain
Both Lines Will Be Blue Remixed
LP | 2020 | EU | Original (Smalltown Supersound)
14,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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Carmen Villain - Music From The Living Monument
Carmen Villain
Music From The Living Monument
12" | 2023 | UK | Original (Smalltown Supersound)
22,94 €* 26,99 € -15%
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Carmen Villain follows last years ‘Only Love From Now On’ with this new full length exploration of soporific, slow-moving ambience and disemboweled dub, a score she composed for a contemporary dance performance by acclaimed Choreographer Eszter Salamon. Simply put, it’s one of the most captivating things we’ve heard this year; all luxurious texture-cycles in possession of a delirious, dreamlike quality that hits a rarified spot somewhere between Aphex Twin’s ‘Selected Ambient Works Vol.II’, classic Chain Reaction and Jim O'Rourke’s meditative electronic recordings.

‘Music from the Living Monument’ was written for choreographer Eszter Salamon's dance performance of the same name, a lavish and sculptural show for 14 performers dressed in ornamental fabrics (which you can see on the album art) while surrounded by slowly shifting environments. Carmen reflects the measured gestures of the dancers, ruminating on slowness and burying instrumentation in sensual abstraction.

Edited down from almost 3 hours of music, the album opens with ‘Multicolor’ and triggers the same sense of suspended animation you get from ‘Selected Ambient Works Vol.II’, its brooding mix of glacial gestures and fizzing pads suggestive of fuzzed, liminal states. From here it only gets deeper and more disorienting, peaking with the frankly majestic ‘Silver’, deployed at a pace that makes Rhythm & Sound’s beatless dub abstractions seem almost giddy by comparison. Villain locks us into infinitesimal movements with a slow, heartbeat-thud of a bassdrum crumbling around choral pads that grow in intensity over its 9 minute duration. Its one of those pieces you could get lost in for hours, such is the power of its swirling, meditative vibrations.

‘Pink’ ends the set by flexing more angular muscle, contorting what sounds like glassy clangs into electroacoustic pulses in a way that feels effortlessly engrossing, harmonising with Jim O'Rourke's stunning 'Hands That Bind' OST. Microtonality is an overused buzzword right now, but Carmen penetrates the essence of its magick, emphasising sensuality and mysticism in a way that feels like someone whispering softly into your ear as you pass from the waking world into a deep, dreamless sleep.
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