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Electronic & Dance 2 House | Deep House 1 Nu Disco | Disco Edits | Cosmic 1
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D.K. - Riding For A Fall
D.K.
Riding For A Fall
12" | 2019 | EU | Original (Antinote)
14,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Is another EP from D.K. about to land on Antinote while the first one has been announced only a month ago? Well, this looks very much like a series and – spoiler alert – Riding For A Fall EP is the second installment in a trilogy.
With a BPM crossing the 120 line on 2 out of 3 tracks, there’s little doubt that this second 12” is also meant to be played in a club environment. The 9:37 min long Voices sprawls over the whole A-side. Like many productions stamped “D.K.”, the structure is linear only in appearance: it winds up and down between fantasized exotic landscapes, digital plug-ins mimicking “far east” instruments that are barely recognizable. It gets even snakier with the Samurai Showdown-inspired Shoubuari (Battle): pixel swords brushing past our ears, martial drumming and menacing synths (D.K., were you the kind of kid who owned a Neo Geo?) - it’s pretty obvious that we’re in the world of SNK’s legendary fighting game.
Things calm down with Riding For A Fall: less button-mashing, more concentration as we’re witnessing the sacred martial art known as Street Fighter’s quarter circles… But enough with these video game metaphors! No need to be a pro-gamer to enjoy this piece of music. It’s sad & slow house music with a cinematographic quality – and, perhaps, the most moving moment in this series of 12”. To be continued…
D.K. - Distant Images
D.K.
Distant Images
12" | 2017 | EU | Original (Antinote)
16,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Distant Images is D.K.’s fourth release on Antinote and we can say quite safely that Dang Khoa Chau fueled a few identifiable obsessions over the years – for those familiar with his work, it probably won’t feel like uncharted territory when they’ll hear a somehow well-known guitar in the background of the title-track.
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What time spent collaborating with D.K. also showed us is how much his sound magnified itself and its textures sharpened for the past three years. We now know for sure that his music only seems versatile on the surface as Distant Images confirms that the Paris-based musician has been, in fact, digging deeper in the same direction; each new record working like a diaphragm, always more precisely adjusted to capture his inner vision. It feels, for instance, like D.K.’s music is constantly trying to reach a higher level of vanescence from one record to an other, a process which possibly accelerated after a visit from Suzanne Kraft – who he recorded an album with, earlier this year (coming out on Melody As Truth).

With Distant Images, D.K.’s sound also took a step further into reality – the most attentive ears will hear seagulls on Distant Images while rain is softly falling on Leaving – and slightly departed from the digital universes that his
previous records seemed to set in motion. From the most abstract songs – like the Steve Reich-ian Shaker Loops – to the most evocative ones, the five compositions on Distant Images are like stained glass, gently filtering natural light. It is therefore no coincidence if, of all the senses, the titles of the songs mostly refer to Sight: close your eyes while listening to the cinematographic Days Of Steam and visions of an industrious city might appearbefore you.

The beauty that emanates from Distant Images is of a diaphanous kind and the record a collection of kaleidoscopic moments.
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