Dancehall 170 Items

Visionary artist Augustus Pablo is among the most important figures in reggae history. Widely credited with popularizing the use of the melodica in reggae, Pablo was a talented musician and an innovative producer who became an early dub pioneer. Now regarded as classics, his memorable 1970s recordings were part of the remarkable creative surge that vaulted the Jamaican music scene to international prominence. Much of this material was released by Rockers, an independent record label founded by Pablo and named after his popular Kingston sound system. Now, Nature Sounds is proud to present Roots, Rockers, & Dub, a new Augustus Pablo vinyl collection celebrating the 50th anniversary of Rockers. Featuring classic dubs along with rare and out-of-print tracks, the album captures Pabloís immense contribution to roots reggae by highlighting a wealth of material spanning his entire career, all released on Rockers. Fully remastered and released in partnership with the Pablo family, Roots, Rockers, & Dub is a fitting tribute to an artist whose music still reverberates heavily more than two decades after his passing.

Disco mix sides from the Jah Life archives. On the A side we have one of Barrington's best, "Black Heart Man", in its original disco mix from 1983, with killer Scientist dub wise. On the flip is one of the all time sleepers from the Jah Life catalog, way under the radar since its original release in the early '80s. Terrie from the Nairobi Sisters voices the immortal "Left With a Broken Heart" on the killer original cut of the rhythm, which follows into a dub wise melodica piece, which sounds to us like the maestro Augustus Pablo. Both sides are pressed using new stampers made from the original mothers, so what you get is identical to the original pressings.

Crucial set of dubs from Scientist! 'Barry Brown Meets The Scientist' features twelve extra-heavy Scientist mixes of Barry Brown tracks originally cut and played at King Tubby's by the legendary Roots Radics. Six vocal mixes and a further six dubs, where the peerless Scientist really cuts loose on the mixing board, nudging the EQ's and royally dubbing Brown outta sight!

Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.

Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.

Milestone album from n°1 Dancehall artist in Europe available for the first time ever on vinyl. Includes the monster hits "Bad" and "World Whin" as bonus tracks.

Blaiz Fayah currently lives between Paris and London and comes from a family of musicians. Songwriter- singer-composer, he made a name for himself thanks to the Dancehall and Moombahton djs who selected him for their best mixes around the world.

After making the world dance with his track « Bad » and its millions of streams, Blaiz Fayah is the dancehall hit maker of the moment.

Blaiz Fayah is the most exciting dancehall artist of his generation !

The French artist has been very successful all over the world and this has brought him to the South American, Caribbean and European dancehall scenes.

Independent and unstoppable, his freshness and talent have pushed him to the top with several million streams per month thanks to hits such as : Best Gyal, Bubble & Whine, Bounce it, Call The Police... With millions of views on TikTok, his hit "Bad" (with Tribal Kush) has gone viral, accumulating thousands of videos.

Independant and unstoppable, his freshness and talent have pushed him to the top with several million streams per month and a string of hits...

Blaiz Fayah, with his charisma and accompanied by his dancers on stage, brings to each of his live performances, a crazy energy and happiness to the public.

The leader of the European Dancehall/Shatta scene is still as productive as ever after his latest project Mad Ting 2 and a Europe/Latin America tour in 2022. By delivering multiple hits and appearing at major festivals, Blaiz Fayah is starting 2023 the same way he ended the previous year. The hit maker confirms his notoriety through his appearance in mixes played in clubs by the best DJs of the moment. His exponential growth on social networks, especially Tiktok, is also noteworthy.

A few digits: Blaiz Fayah has 850k monthly listeners on Spotify, 36M Spotify listens and 56M views YouTube for his hit "Bad", more than 9 million TikTok videos under the #blaizfayah.

For his upcoming project "Mad Ting 3" scheduled for June 2, 2023, which concludes the "Mad Ting" series, Blaiz Fayah highlights the vast range of his musical references by bringing in Dancehall, Kompa, Moombahton, Reggae, Shatta and Zouk influences.

For the occasion, some of the most renowned artists of their genre have been invited, such as Busy Signal, Jahyanai King and Nesly.

More than a mere sensation, the artist has seduced Dancehall fans all over the world with hits powered by a dancing energy that only he knows the formula. A unique energy that he was able to spread on some of the best European stages in 2022 (Solidays, Garorock) and that he will be able to continue to broadcast during some fifteen European dates in 2023 (Dour Festival, Reggae Sunska, No Logo...).

By collaborating with international DJs for the production of the tracks on his album (Netherlands, United Kingdom, Mauritius, West Indies...), the artist from the Parisian suburbs extends his influence across different international music stages, as shown by the success of his tour in Latin America (Colombia, Costa Rica, Chile...) and in the Indian Ocean (Mauritius, Reunion, Seychelles...).

One of the most popular tracks from last year's "Survival Of The Fittest" LP finally gets a single release and the remix treatment from Reggae Roast's Vibration Lab. Taking the track in a deeper, more digital direction, the veteran duo have crafted a classic slice of modern dancehall, reminiscent of the legendary sounds of Gussie Clarke and that timeless 90s vibe. Flip it over for a dubwise version for your own MC or singjay to get busy with.

Combination summer anthem by Japanese reggae DJ BunBun The MC and singer Sister Sheez. Remixes by Akio Nagase (EmotionalEspecial,DarkerThanWax,Chillmountain Rec) and Big Ken-G, previously only released digitally, are now available on vinyl for the first time.

Limited edition of 300 copies on triple vinyl in a gatefold outfit.

TEKA as the musical mastermind behind “Vizion” has created hits for the likes of Lutan Fyah, Richie Spice, Ziggi Recardo, Trettmann and Megaloh and more within the last 15 years. In 2005, his “Crystal Woman” riddim got voiced by the energetic deejay Cali P among others – which led to a close work relationship. Since then, Cali collaborated with artists like Walshy Fire, Capleton, Equiknoxx, Swing Ting & Massive B. In late 2018, Cali P and TEKA launched “Vizion” on the freshly founded label LowLow as a new project exploring the hybridity of reggae and hip hop.

The two reggae protagonists use current styles from the international hip hop scene and unite them with their typical, heavyweight roots sound. The result is a warm, authentic hybrid of tracks, which blast both radio and sound system suitable productions through your bass bins, with an optimistic yet serious flavour.

Eight years after their first collaboration, ‘The Compass Joint’, slipped out as an ultra-limited white label, Charlie Soul Clap and Tom Trago have reunited to bring us a similarly warming, sun-splashed sequel, ‘The Compass Jawn’.

Like its predecessor – a now near-mythical 12-minute epic recorded late one night in Tom’s former squat-turned-studio close to legendary Amsterdam venue Trouw, and subsequently championed by DJ Harvey – ‘The Compass Jawn’ was inspired by the pair’s mutual love of both Caribbean keyboardist and FM synthesis enthusiast Wally Badarou, and the 1980s output of Chris Blackwell’s legendary Compass Point studio in Nassau, the Bahamas.

As sequels go, ‘The Compass Jawn’ is a bit of a belter. During the recording in 2019, Tom and Charlie sought to subtly evolve the original’s memorable lead line, reaching the for Yamaha DX7’s percussion patch – something utilized many times by Badarou during the 1980s.

The resultant ‘Studio Version’ is, if anything, even more emotive and uplifting than its predecessor. Underpinned by a shuffling rhythm pattern, the track ebbs and flows brilliantly, with jaunty synth stabs, undulating melodies and sparkling keyboard riffs ushering in held-note chords and a gorgeously rushing, ever-rising lead line. Throw in some starry pads and sunset-ready synth motifs, and you have another gorgeous, life-affirming treat.

‘The Compass Jawn’ comes backed with two top-notch alternative mixes. First up is an ambient ‘Dub’ mix from Trago that strips back the beats and instead focuses on the track’s many key melodic elements. Pushed forwards by drum machine handclaps, it’s a bubbly, sun-bright revision full to bursting with twinkling electronic motifs, jammed-out motifs, hands-aloft riffs and a bleeping take on the fluid and kaleidoscopic lead line.

Rounding off the package is the duo’s original demo mix – a raw, tough, and slightly more sub-heavy affair that’s notably more percussive and sweat-soaked whilst still sporting the key lead lines and FM synth sounds that make the studio version such a memorable and mood-enhancing affair.

Six Black Hole jazz dubs by Cosmic Threat, coming together in one truely epic album straight from the astral echo chamber. Jammed over various sessions in an empty Leipzig club during lockdown, Kiki Hitomi, disrupt and bass clarinet black belt Volker Hemken (from Gewandhausorchester Leipzig) are keeping the track structures in constant warp mode, psychically locking in with the machines and freely exploring all the sonic territory inbetween Sun Ra and Prince Jammy.

This highly hypnotic spiritual sequel to Kiki Hitomi’s 'Karma No Kusari' (2016) comes on red vinyl and with hand-painted artwork by Ellen G.

"One Step Forward" is the debut album from Brighton based DJ and producer Cut La Vis aka David Lavis. Raised on a healthy diet of 90s hip hop, roots reggae and ska, Cut La Vis debut album for NICE UP! is a melting pot of exactly that - the sounds and culture he grew up around whilst learning his trade. Starting off as the DJ for a reggae band in his hometown of Hereford, he soon gravitated to the turntablist explosion of the mid 90s, competing in local competitions and B-Boy jams. At the same time, his love for dub and roots reggae led him into trying his hand at the fertile reggae mash-up scene, making a name for himself with an array of dancefloor shaking blends of classic hip hop tracks infused with a feel good skank, as well as remixes for for artists such as Blend Mishkin, Dreadsquad and Max Rubadub. Making the transition from mash-up maverick to original producer, you can still expect the same reggae infused bangers, dubwise hip hop and ska shakers complemented by an impressive array of guest vocalists plus a little help from a tight band of session musicians. Following their summer hit "Still Have The Love", London-based reggae/soul singer Maddy Carty appears on a number of tracks, as well as Bristol songstress Eva Lazarus who has been bothering the top 40 recently alongside Etherwood (Hospital Records). Roots Manuva collaborator and Speech Debelle's Mercury-winning producer Lotek blesses the mic on the bouncing "Rinse & Repeat" as well as UK Dancehall legend Tippa Irie who crops up on "Love My Music" pus an appearance from regular collaborator Mystro who opens the album with "Hit Me One Time". Rounding things off are JA dancehall MC Peppery and vocalist from Origin One, Parisa - giving the album a healthy balance of established artists and newer talent. With a cheeky nod to the classic Max Romeo track, "One Step Forward" also refers to this being Dave's debut album and making his first step into the future whilst retaining inspiration from the past.

Strictly limited edition of 300 copies of the 29th release in our »HHV Boombap 45's« series.

A true mid-90's classic jam for the dancefloor right here. Gettin' nutty with OGC and Cutty!

Two lost & found lofi nuggets from the Jahtari vault, appearing on 7" floppy disc for the very first time. "Arcade Addict" is the original Dub cut of Mikey Murka's "Sensi Addict", a version of the sweet Ujama classic that came out as a Jahtari Net-7" in 2006. Sprinkled with field recordings from early 80s Arcade Halls (done by kids with a walkman) this little oddity never made it to vinyl until now. "Proper Tings" on B is taken from a home made video from 2012, originally made to show the capabilities of a DIY Synth project using a Commodore C64 home computer sound chip, the growly SID synth.

Sounds are made from scratch, sequenced out on a MPC - and the ensuing Dub jam turned out to be a lucky shot, eventually shaping up as Paul St. Hilaire's "Who Goes There". There's a raw, beautiful 8bit magic to this Dub, finally making it to wax for the first time.

"Phantom Dancehall" is the exploration of the Greensleeves / VP Records catalogue by DJ Spooky aka Paul Miller. The musical tapestry is built on samples from familiar (and not so familiar) reggae tracks over electronic beats and melodies produced by Miller and protégé Stephen Levitin (stage name Apple Juice Kid). Selected tracks include the keyboard work of Alex Thompson aka Fourth Shift. Guest vocals from Walshy Fire (Major Lazer) and dancehall newcomer Sanjay added to vocal samples of Busy Signal, Lady Saw and Garnett Silk give the project an eclectic, modern dancehall flavor!

Limited edition for Record Store Day 2018!

Limited to 300 copies!

New release from Superfly Studio is a collaboration between Poland based producers Dreadsquad and UK dancehall veteran Tenor Fly (Fashion Records / Freestylers / Congo Natty / Pendulum). It's a joyful-skanking-uptempo tune which evokes the good old days when music used to carry a lot of positive energy. On the single you will find many bass oriented remixes from such talented producers as: Mr Benn (UK), Riddim Tuffa (UK), Adam Faz (Poland).

This third album, elected "Best French Reggae Album" at the Web Reggae Awards 2008, is rich in months of touring around the world that followed the first two albums. More electro and world music, still as mixed, Afrikya is very rightly carried by the title Métissage,which will be the subject of their very first video clip. The other acclaimed songs, Tiens bon, Djamila or Day after day oscillate between reggae, ragga and rai to the delight of an ever-growing audience. The album remained in the charts for 20 weeks, the record of the band's entire discography so far.

Dub Inc, one of the most famous French reggae bands, is back with a new studio album!For ten years, the musicians and singers have been sharing on stage their inimitable sense of melody, sincere lyrics and human ethics. They managed to get fans all over the world (from the US to North Africa, Germany, Portugal etc) and collaborate with the most prestigious international artists (Tiken Jah Fakoly, David Hinds, Tarrus Riley...)With their unique mix of reggae, dancehall, kabylian and world music, the band, led by singers Bouchkour et Komlan, delivers his universal message around the planet, advocating for diversity and spreading their explosive energy!

New Wave and Dub Reggae are two children of the same generation, separated at birth, and yet now united in triumph: 15 years after his Echo Beach tribute to British pop pioneers "The Police", Dubxanne returns to the roots and infects ten classics of the new wave, post-punk and synth-pop era with the dub-reggae virus.It was the worst of times, it was the best of times. It was... the eighties. Whether Gothic or New Romantic, everyone was fascinated by the possibilities offered by synths and drum machines. One warmed to the unheard-of clarity of the songs that became the anthems of a generation: "Fade to Grey", "Running up that Hill", "Video Killed The Radiostar", "Heart of Glass", some sung by amazingly feminine boys or novel, self-confident pop divas like Kate Bush, Debbie Harry and Cindy Lauper. At the same time, reggae music is conquering the world from Jamaica, and in the wake of it a revolutionary production practice: dub. Analogue at first, but also increasingly digital over the years.The album is the latest in a loose series of dub sets, with which Echo Beach pays a dubwise tribute to the defining sounds of the "80s. See: Dubxanne - The Police in Dub, Carl Douglas: Kung Fu Fighting, Martha & The Muffins: Echo Beach, Robert Palmer in Dub etc.

Produced by Duppy Founders in Los Angeles and Jamaica, limited to 500 copies incl. Giant poster!

These records come with an oversized poster — half of the records with Fyah Flames, half with I Jahbar.

We've got a passion for two things: reggae and motorcycles, and we're thrilled to present a reissue that fuses these two loves in a fantastic tune. Singer Earl Anthony first graced the music scene in the early '80s, gaining recognition for his hit "Sensi Man Rock." However, he also left his mark with a few other undercover tracks over the years. In this feature, we highlight a hidden gem from 1987, a scorching digi production that celebrates his Kawasaki motorcycle and his woman's passion for high-speed thrills.

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Music is for Kids,a real producer album oscillating between reggae, hip-hop and electronic music, which crosses borders, with more than 20 guests and 8 different nationalities. Naâman's official beatmaker surrounds himself with the Jamaican legend Sizzla,the new rising stars of the French scene such as Demi Portion, Jahneration or Marcus Gad.

"Brigadistak Sound System" (Esan Ozenki Records 1999) is the title of Fermin Muguruza's first solo album. Now, on the 20th Anniversary of its publication, we present you a carefully edited double vinyl, format in which it was not originally edited.The album was recorded for more than 6 months in different studios around the world: Rome, Carracas, Los Angeles, Azkarate_And groups like Todos Tus Muertos, Manu Chao, Desorden Público and many others participated in these recordings.The album ended with a remix by Mad Professor and in this edition we have added another remix, work by Xabi Pery.180 gr vinyl, gatefold sleeve.

Delving into the captivating world of the NY reggae scene of 1989, "So Dem Say" by Winston Fisher (aka Fisha) is an extraordinary yet elusive one-away record. Cherished by Digi dancehall aficionados, it's now poised to make a long-awaited comeback. Originally released as a 12" vinyl single, this sought-after classic is set to be revived in an economical 7" edition with none of its original essence, timing and power compromised. Everything remains intact and sourced directly from the original sources. Stay tuned for the highly anticipated release of this timeless gem.

Death Is Not The End sub-label 333 hit again with a reissue of a rarely encountered piece of prime UK digi, courtesy of Franklyn Bernard aka Frankie B - mixed at Fashion's A Class Studio in Clapham, and released on the Ital Stuff label in early 1986.
Frankie B began his recording career with producer Bert Douglas, first releasing on his Reggae City label in 1984 with the No More Tears 7" under his birth name Franklyn Bernard. In 1985 he then linked up with Ital Stuff - a production team consisting of three brothers who also helmed the Sweet & Bitter Band. Operating a small eight track studio in the basement of their house in Balham, Ital Stuff had recently been responsible for putting together and laying down the backing track to Dixie Peach's classic Pure Worries, released on the Jah Tubbys label in 1985. Upon playing Pure Worries to Frankie he was immediately inspired to lay down his own vocal on the track, which too features Dixie Peach contributing vocal harmonies - it was recorded late 1985 and mixed down along with a ferocious dub side at South London's A Class Studio, eventually seeing release in early 1986.