€

Dark Entries

Dark Entries HHV Records 110 Items

Name: Art Fine - Dark Silence
Brand: Dark Entries
SKU: 372253
Price: 16.79 EUR
Availability: InStock

Show Filter & Categories

Filter Results

Label / Brand

!K7

100% Electronica

1332

20 Buck Spin

20th Century Masterworks

4AD

90's Tapes / HHV

A&M

ABC

Ace

Acid Jazz

Acrylick

Act Music

ADA

Afm

Air Vinyl

Alive

Alone

AMIGA

Amplified

AMS

Analogue Productions

Analogue Productions Atlantic 75 Series

Anti

Apollon

Apple

Archives De La Zone Mondiale

Argonauta

Ariola

Arising Empire

Arista

Arts

Asylum

ATCO

Athens Of The North

Atlantic

ATO

Atomic Fire

Audio-Technica

Audiolith

Back On Black

BBE

Be With

Bear Family

Because Music

Beggars Banquet

Bella Union

Best Record Italy

BGP

Big Crown

Big Scary Monsters

Black Buffalo

Black Screen

Black Truffle

Blue Note

BMG

BMG Rights Management

BMG/Sanctuary

Bordello A Parigi

Born Bad

Brainfeeder

Brownswood

Buddah

Bureau B

Burning Sounds

Candlelight

Capitol

Captured Tracks

Caroline

Casablanca

Castle Face

CBS

CBS/Sony

Century Media

Century Media Catalog

Charly

Cherry Red

Chiwax

Chopped Herring

Chrysalis

Cinedelic

City Slang

Clearaudio

Cleopatra

Clouds Hill

Cold Busted

Colemine

Columbia

Compost

Concord

Concord Jazz

Constellation

Cooking Vinyl

Craft

Croatia

Crosstown Rebels

Crucificados Pelo Sistema

Cult Legends

Culture Factory

Dais

Damaged Goods

Daptone

Dark Entries

Das Wetter

Dead Oceans

Deathwish

Decca

Decksaver

Def Jam

Dekmantel

Delsin

Delusions Of Grandeur

Demon

Denovali

Destination Moon

Deutsche Grammophon

Dezi-Belle

DFA

Diggers Factory

Discrepant

DMC

Dol

Domino

Don Giovanni

Drag City

Drumcode

Dying Victims Productions

Dynamite Cuts

Earache

Earmusic

Earmusic Classics

ECM

Editions Mego

Electric Valley

Electronic Purification

Elektra

EMI

Emotional Rescue

Empire

End Hits

Epic

Epitaph

Epitaph Europe

Erased Tapes

Europa

Expansion

F.O.A.D.

Fantasy

Far Out

Fat Beats

Fat Possum

Fat Wreck Chords

Favorite

Feel It

Fire

Fire Talk

Fokuz

Four Flies

Friday Music

Frontiers

Full Time Hobby

Fun In The Church

Funk Night

Funko

Fuzz Club

FXHE

Gaphals

Geffen

Get On Down

Ghostly International

Glitterbeat

Glitterhouse

Golden Core

Gondwana

Gordy

Grand Hotel Van Cleef

Greensleeves

Grönland

Groovin

Guerssen

Gunner

Hammerheart

Heavenly

Heavy Psych Sounds

HHV

HHV.DE

High Focus

High Roller

Hip Hop Enterprise

Honest Jon's

Honeypie

Hopeless

Hot Creations

Hot Tracks

Houndstooth

Hyperdub

Ilian Tape

Improved Sequence

Impulse

In The Red

Indie

Infine

Innovative Leisure

Insideoutmusic

Intermusic

International Anthem

Interscope

Invada

Invictus Productions

Ipecac

Iron Lung

Island

Izipho Soul

Jackpot

Jagjaguwar

Jakarta

Jazz Images

Jazzland

Jazzline

Jealous Butcher

Jet Set

Jive

Joyful Noise

Jump Up

Karisma

Karma Chief

Kent

Kill Rock Stars

KingUnderground

Kniteforce

Kompakt

Kranky

Kscope

L.I.E.S.

L.M.L.R.

La Agonia De Vivir

La Vida Es Un Mus

Laced

Lakeshore

Laser Media

Last Night From Glasgow

Lawson

Leaf

Legacy

Les Disques Bongo Joe

Lex

Liberty

Light In The Attic

Listenable

Lobster Theremin

Lofi

Loma Vista

London

Lovely

Luaka Bop

M-Theory Audio

Mad About

Magma

Mascot Label Group

Massacre

Masterworks

Matador

MCA

Mello Music Group

Melting Pot Music

Memphis Industries

Mercury

Merge

Metal Blade

Metalville

Metronome

Mexican Summer

MIG

Milan

Mississippi

Mnrk Music Group

Mobile Fidelity Sound Lab

Modern Harmonic

Mondo

Mord

Morr Music

Most Wanted

Motown

Mr Bongo

Mule Musiq

Munster

Music From Memory

Music On Vinyl

Musik Produktion Schwarzwald

Mute

Napalm

Nature Sounds

Needlejuice

Nettwerk

New Platform

New West

Ninja Tune

Nippon Columbia

No Remorse

Noise

Nonesuch

Not Now

Not On Label

Now-Again

Nuclear Blast

Numero Group

Odeon

One Little Independent

ORG Music

Original Gravity

Ortofon

Outta Sight

P-Vine

Parlophone

Parlophone Label Group

Partial

Partisan

Past Inside The Present

Peaceville

Pelagic

Peoples Potential Unlimited

Phantom

Philadelphia International

Philips

Phobia

Pias

Pirates Press

Planet Mu

Planet Rhythm

Play It Again Sam

PNKSLM

Polydor

Polysom

Pressure Sounds

Prestige

Pro-Ject

Profound Lore

Project: Mooncircle / HHV

Proper

Prophecy Productions

Prosthetic

Public Possession

Pure Noise

Pure Pleasure

Radiation Reissues

Rawax

RCA

RCA Victor

Real Gone Music

Record Box

Record Kicks

Rekids

Relapse

Reloop

Renaissance

Repertoire

Reprise

Republic

Return To Analog

Revelation

RhIno

Rhino

RHINO

Rhymesayers

Riding Easy

Ripple

Roadrunner

Rock Action

Rockabye Baby Music

Rough Trade

Rrc Music

Run For Cover

Running Back

Rush Hour

Rvng Intl.

Sacred Bones

Sanctuary

Sargent House

Sbäm

Schema

Sdban Ultra

Season Of Mist

Second

Secret

Secretly Canadian

Sentient Ruin Laboratories

Serato

Shall Not Fade

Sichtexot

Silva Screen

Skylax

Slumberland

Smalltown Supersound

Smoke On

Sony

Sony Legacy

Sony Music

Sony Music Catalog

Souffle Continu

Soul Brother

Soul Jazz

Sound Signature

Soundflat

Sounds Of Subterrania

Soundway

Southern Lord

Speakers Corner

Spex

Spinefarm

Spittle

Staatsakt

Stag-O-Lee

Star Creature

Steamhammer

Stones Throw

Strut

Sub Pop

Subsound

Suburban

Suicidal Tendencies

Suicide Squeeze

Sundazed

Sundazed Music Inc.

Sunny Bastards

Super7

Superior Viaduct

Supraphon

Svart

Tamla

Tapete

Target

Technics

Teenage Engineering

Temporary Residence

The Flenser

The Saifam Group

The Sign

The Spitslam

The Trilogy Tapes

Third Man

This Charming Man

Threshold

Thrill Jockey

Tidal Waves Music

Tiger Blood Tapes

Tiny Engines

Tommy Boy

Tonzonen

Topshelf

Tough Love

Trading Places

Transgressive

Tresor

Trikont

Trouble In Mind

Tuff Kong

Ubiquity

UDG

Ultimix

Unique Leader

United Artists

Universal

Universal Music Japan

Urban

Vampisoul

Ventil

Vertigo

Vertigo Berlin

Verve

Victor

Vinyl Magic

Vinyl Passion

Virgin

Virgin Music Las

Wagram

Wah Wah

Warner

Warner Bros.

Warner Classics

Warner Music International

Warp

Waxtime

Waxtime In Color

Waxwork

We Are Busy Bodies

We Jazz

WEA

Western Vinyl

Wewantsounds

Wolf Music

World Music Network

WRWTFWW

Yep Roc

ZYX

ZYX Music

[Pias] Le Label

Dark Entries

1 2

Art Fine

Dark Silence

12" | 1985 | US | Reissue (Dark Entries)

16,79 €* 20,99 € -20%

Incl. VAT plus Shipping Costs

Release: 1985 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Art Fine was the duo of Fabrice Bellini (electronics, vocals) and Rush Blakemann (guitar, synthesizer) from Tuin, Italy. They met in art school and became friends, inspired by New Wave, dance and electronic music. They recorded their only single “Dark Silence” in November of 1984, which was released by Discomagic in 1985. It is now remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl is housed in the original jacket featuring a photo of the duo and that Art Fine logo in puzzle pieces. Each copy includes a double sided postcard insert with lyrics and liner notes by Fabrice Bellini.

Go to Item

Blues Lawyer

All In Good Time

LP | 2023 | US | Original (Dark Entries)

22,99 €*

Incl. VAT plus Shipping Costs

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Oakland band Blues Lawyer joins Dark Entries for their third full-length, All in Good Time, a record of pop-rock songs about living in a world that wants to put your existence on the clock. Blues Lawyer was formed in 2017 as an outlet for guitarist/vocalist Rob I. Miller and drummer Elyse Schrock to write pop songs outside of the strictures of their other groups. Following 2018’s Guess Work and 2019’s Something Different, Blues Lawyer had “graduated from being a side project band, a sort of throwaway project, to actually being a legitimate band,” according to Miller. Under the backdrop of global pandemic and existential crisis, they set about recording their new record. Says Miller, “I have always been really attracted to the way we measure time, especially in relationship to our concepts of what we are supposed to have achieved. There’s a lot of different moments on the record where we’re interrogating this whole value system that comes along with it—determining my worth because of where I’m at in my life in relation to my age, in my love life, in my career.” All in Good Time finds Blues Lawyer moving away from the Flying Nun-influenced jangle pop of their earlier work towards a 90’s alternative rock sound imbued with melancholy of the Lemonheads and Teenage Fanclub. Miller and Schrock agree that this is their first record approached with intentionality, each member having spent their time in pandemic-enforced isolation, honing their songcraft and penning sharp hooks. With the addition of bassist Alejandra Alcala and guitarist Ellen Matthews, Blues Lawyer has become more unabashedly riff-centric, bringing a controlled wildness to the new songs, as evidenced by Matthews’ single-take guitar solo on album closer “Tangled Mess”. This is also the first record on which Schrock and Miller share songwriting duties, with Schrock’s earnest contributions balancing out Miller’s more sardonic approach. Schrock’s optimism particularly shines on the Heavenly-esque “Late Bloomer” as she sings “A late bloom is worth the wait.”. All in Good Time reveals Blues Lawyer as a band ready to stake a meaningful claim in a world that rewards insincerity. The vinyl record includes an insert with liner notes and lyrics.

Go to Item

Dax Pierson

Nerve Bumps (A Queer Divine Disappointment)

LP | 2021 | US | Original (Dark Entries)

21,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dax Pierson’s debut solo LP is coming via San Francisco’s Electronic powerhouse imprint Dark Entries Records and Oakland’s Ratskin Records collective. Pierson, an Oakland-based underground legend, has pushed the boundaries of experimental electronic music with his soul-moving opus Nerve Bumps; A Queer Divine Dissatisfaction, an endeavor two long years in the making. On Nerve Bumps, Pierson blends hip hop, jazz, John Carpenter-esque arpeggios, trap/anti trap-influenced percussion, and musique concrete-informed experiments. Futuristic synthesizers cut through layers of fog as Pierson’s bombastic drum programming forges new worlds within themselves. Pierson tells a complicated and inspiring story on Nerve Bumps, which is both a privilege and a gift to experience. Tracks such as “I Slay The Pain” reiterate that although Pierson has to live his life as a quadriplegic, this does not define him as an artist or as a person. The cinematic “For The Angels” plays as a masterclass in heart and body-moving rhythms and undulating synthesizers. Pierson directly confronts the listener on “Snap”, an act of solidarity with the disabled community. Sputtering orchestral swells become encapsulated by splintering shards of Pierson’s voice, evoking his relentless determination to learn new music production methods as well as share his experience with losing certain physical abilities. The album’s closing track, “nthng FKS U Hrdr THN TM”, is a perfect distillation of the varied emotions explored on the album. Warm, heavy synths masterfully guide us down a psychedelic slope through the track’s twelve minutes. On Nerve Bumps, honesty, empathy, and humanity bleed through the speakers like a dark liquid just beneath the skin’s surface. For Pierson, music is his lifeblood, both as a creator and a listener. Nerve Bumps was mastered by George Horn at Fantasy Studios. The front cover features a painting of pink and green horizontal stripes by Pierson’s partner, artist Chuck Nanney. A photograph of Pierson’s wheelchair by Lenny Gonzalez graces the back sleeve. Dax’s guiding mantra throughout this journey has been a quote from choreographer Martha Graham: “No artist is pleased… There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

Go to Item

Stress

Conspiracy Theory

LP | 2012 | US | Original (Dark Entries)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2012 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

STRESS is the duo of ALAN RIDER and PHIL CLARKE from West Midlands, England formed in 1981. Alan was editor of Coventry fanzine Adventures in Reality, and Phil was editor of Nuneaton fanzine Damn Latin. Stress combined electronic rhythms and keyboards with bass guitar, vocals, percussion, and cut-up samples. They created catchy electronic pop songs that fused accessible & experimental elements with a pointed lyrical edge in the vein of Cabaret Voltaire, Depeche Mode and Joy Division. Their first two albums were cassette releases on Alan's own Adventures in Reality Recordings label. Help Comes Too Late in 1982 followed by Restraint in 1984. In July 1985 Stress released The Big Wheel album and appeared on numerous cassette and vinyl compilations worldwide. More gigs and press followed and the album took the Number 1 spot in the NME's electronic charts. Stress split in September 1985 and re-formed briefly in 1991 to record two tracks. Conspiracy Theory is an 11-song 'best of' compilation album featuring tracks from the first two cassette albums with "The Prayer Clock" from Third Mind Records' Life At The Top compilation LP and "Tear It Down" from the Compulsory Overtime compilation LP. Each song has been carefully remastered by George Horn at Fantasy Studios in Berkeley. Each LP also includes a 16-page booklet "Stress Edition" of Adventures in Reality fanzine with photos, equipment list, press cuttings, lyrics and an exclusive Stress badge.

Go to Item

New Age

Transmission

LP | 2019 | US | Original (Dark Entries)

19,99 €*

Incl. VAT plus Shipping Costs

Release: 2019 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Suzanne Doucet was born in Tuebingen, Germany where as a three year old, Doucet discovered her innate artistic gifts. Instinctively, she was always drawing, playing music, singing, and writing. By the age of 18, Suzanne was an established pop star in Germany with several #1 hits. She also made her mark as a composer, actress, TV moderator, director, engineer, and producer. At age 25. she took a sabbatical from the music business to go on a spiritual odyssey. In 1970 she released a triple album of field recordings and mind-expanding psychedelia under the name Zweistein. For the next ten years, she developed her own style of New Age music while exploring many areas of metaphysics and spiritual practices, including astrology, music therapy, tarot, yoga and the Kabbalah.

In 1979, Doucet launched a record label in West Germany named Isis, after the Egyptian goddess of feminine divinity. She formed the duo New Age with her musical partner Christian Bühner, and released the 1982 cassette album ‘Transformation’, which was inspired by a visit to Findhorn, Scottland. Suzanne and Christian recorded acoustic sounds such as waterdrops and vocals using sophisticated sound manipulation devices and muli-track recording techniques. The only electronic instruments used were the Jupiter 8 and the Roland TR-808 drum machine. The next year the duo began work on the follow-up ‘Transmission’, which released on cassette in 1983. All songs have been remastered by George Horn at Fantasy Studios and each album is housed in jackets using the original cassette artwork.

Go to Item

Mekanik Kommando

Dancing Elephants

12" | 1982 | US | Reissue (Dark Entries)

18,99 €*

Incl. VAT plus Shipping Costs

Release: 1982 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mekanik Kommando was a post punk / New Wave band from Nijmegen, the Netherlands founded in 1979 by Peter van Vliet and Laszlo Panyigay. The duo became a quartet with the addition of Simon van Vliet and Mirjam van Hout. The name Mekanik Kommando comes from the album ‘Mekanïk Destruktïw Kommandöh’ by the French progressive rock band Magma. Inspired by a DIY ethos, Kraftwerk and Magma, the band began recording songs at home using two tape recorders. Their demo cassette was discovered by Wally van Middendorp of Minny Pops and owner of Plurex Records, who booked them for a gig at Paradiso in Amsterdam. In 1981 they were asked to contribute music on a flexidisc for the first issue of newly established magazine Vinyl. In the summer of that year the band recorded their debut album ‘It Would Be Quiet In The Woods If Only A Few Birds Sing’ released on Torso.

In February 1982 the band secured five days of studio time at Salisbury Sound in Dordrecht. The end result was the mini-album ‘Dancing Elephants’ released on Torso later that year. Musically, the five songs are a mix between cold wave, experimental electronic and industrial pop. The band utilized two bass guitars plus a Korg 770, KR-55 drum machine, violin, effects, metals and plastics. Lyrics explore themes of decay and morality, hypnotically spoken on top of playfully metallic sounds. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. Each EP is housed in a replica of the original jacket, which features artwork by the group members, and includes a 4-page booklet with lyrics and notes designed by Eloise Leigh.

Go to Item

Maxx Mann

Maxx Mann T-shirt

31,19 €* 38,99 € -20%

Incl. VAT plus Shipping Costs

Available Sizes: S, L

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This Maxx Mann tee's equipped with the original logo hand drawn by Douglas Riley. The creative image is taken directly from their 1982 album that "provides interesting insights into the homosexual experience." Tha artwork has been screen-printed at Fleetwood SF.

Maxx Mann T-Shirt - Features:

• rib crew neck with interior tape
• Maxx Mann artwork printed on front and rear
• regular fit
• 100% preshrunk cotton single jersey

Go to Item

Photonz

Etheric Body Music EP

12" | 2018 | US | Original (Dark Entries)

16,99 €*

Incl. VAT plus Shipping Costs

Release: 2018 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon's underground scene. For little over a decade now, he's been crafting his own deeply personal style of Portuguese house and techno for labels such as Créme Organization, 20:20 Vision, Don't Be Afraid, Skylax, Unknown To The Unknown and his own One Eyed Jacks. As a DJ, Photonz grew a reputation for deep crates and intensely euphoric sets and in 2017, together with Violet (co-founder at his Radio Quantica) and Lisbon's own Rabbit Hole collective, he started the now infamous Mina parties - a monthly, sex-positive, queer and intersectional-feminist techno party aimed at using the dissociative potential of intense raving to create a temporary space of suspension away from patriarchal expectations.

Etheric Body Music is Photonz’s debut 6-track EP for Dark Entries and a simultaneous reference to hermeticism and EBM (Electronic Body Music). Marco loves that “aesthetic when 80s industrial and EBM bands split up and start to make trance in the early 90s and all the ritual magick pushes them to zen stuff and they do ecstasy.” There's this concept in theosophy and hermetic philosophy of the Etheric Body, which is an energy body superimposed and connected to the physical body, similar to the acupuncture idea of an energetic body. That idea manifests itself as six primal club cuts, which also channel early techno, Drexciyan rhythms, balearic & old school jack. Raw arpeggiated synth lines and bass blast jut against metallic stabs and highly percussive shakedowns to create mournful atmospheric warped house. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a psychedelic jacket with snakey green and purple velvet in an electric acid spewing weird biological alien energy form designed by Eloise Leigh.

Go to Item

Robert Rental & Glenn Wallis

Untitled

12" | 2017 | US | Original (Dark Entries)

21,99 €*

Incl. VAT plus Shipping Costs

Release: 2017 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Robert Rental was the stage name of Rober Donnachie (1952–2000), a British pioneer of post-punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met Glenn Michael Wallis. Glenn was recording music with the group Heute and leaving to start his solo projects NKVD and Konstruktivists. Both were heavily involved with Throbbing Gristle and the Industrial Records crew. In the Summer of 1979, Robert invited Glenn to his studio in Battersea to jam. Robert on guitar and Glenn on an EDP Wasp synthesizer. For each session that summer they would play for about 40 minutes, maybe longer, stoned. Robert suggested they record it, many times erasing and over recording one session for the next. The music had no titles, as they were never intended to be released. On these recordings, Robert enjoyed playing like Robert Fripp of King Crimson, while Glenn channeled Wolfgang Flur of Kraftwerk. Influenced by Krautrock bands like Can, Neu!, Cluster/Harmonia, as well as Terry Riley and Brian Eno the duo forged a unqiue brand of Industrial music. Tape loops and synthesizer sounds played backward conjure dark ambient moods. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The LP is housed in a jacket that features a drawing by Robert Rental from Glenn’s archives as well as a handwritten note from Robert to Glenn. Each copy includes two photo postcards featuring a transcription of Robert’s letter and liner notes from Glenn Wallis.

Go to Item

Bezier

Primes

12" | 2017 | US | Original (Dark Entries)

16,99 €*

Incl. VAT plus Shipping Costs

Release: 2017 / US – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dark Entries is proud to release the latest offering from Bézier, a 3-track EP titled ‘Primes’. Bézier is the moniker of San Francisco based musician Robert Yang, who is also part of the Honey Soundsystem crew. A multi-instrumentalist, Robert planted his roots in San Francisco in 2005. Over the years in SF he has built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances.

‘Primes’ represents the theme of primordial origins and creation with three tracks that explore disparate, sonic environments in each song. The title track flows and ebbs like currents in an oil slick. Out of something messy (like primordial ooze) arises organized chaos. “Stranger” is a moody dark electro/wave track for a sweaty night cruising on the west coast of Holland. Set against an underwater sound canvas the song features seductive guest vocals and lyrics by Nicole Ginelli. Doc Sleep of Jacktone Records provides additional production duties. The final track, “Imperial Tranz Am”, is an airy, ethereal slow burner clocking in at over 13 minutes. It originally appeared as the soundtrack to an experimental queer fantasy film of the same name by SF film maker Aron Kantor.

All songs have been mixed by Mark Pistel (Meat Beat Manifesto, Consolidated) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a jacket featuring a Quadtone pastel earthtone of pixelated celluar ooze designed by Eloise Leigh. Each EP includes a postcard with an image still from the ‘Imperial Tranz-Am’ movie. “Do I hear what I see, is it real or just a feeling, a vibration of N-R-G.”

Go to Item

Fear-E

Grey Skies In A Dear Green Place

12" | 2020 | US | Original (Dark Entries)

16,99 €*

Incl. VAT plus Shipping Costs

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We are proud to welcome Fear-E for his Dark Entries debut Grey Skies In A Dear Green Place. Fear-E is the moniker of Scott McKay a Glasgow based DJ and producer. Scott has already made a name for himself as one of Glasgow’s most technically-gifted and diverse selectors over the past decade. Then a slew of releases on the home-grown Dixon Avenue Basement Jams and Super Rhythm Trax introduced Fear-E, equally skilled studio operator, to the world. Grey Skies In A Dear Green Place contains six club-ready tracks to “smash sound systems and illuminate sweaty warehouses.” The title is a reference to a nickname that Glasgow has, coming from Cumbric, means 'green hollow' or (dear) 'green place'. Layering cut-up vocals with warm thumping beats, Scott creates a stripped-back yet deeply jackin’ vibe. Call these tracks what you will, “acid attacks”, “club destroyers”, “pickle ticklers?!” All songs have been mastered by George Horn at Fantasy Studios. For the cover, Scott commissioned legendary Detroit illustrator Alan Oldham, who’s artwork has graced established an identity for Transmat and DJAX-UP-BEATS, to create a futuristic portrait of Glasgow in black & white and with green kryptonite flourishes by Eloise Leigh.

Go to Item

Jasmine Infiniti

Bxtch Slap

2LP | 2020 | US | Original (Dark Entries)

28,99 €*

Incl. VAT plus Shipping Costs

Release: 2020 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Brooklyn-based queer nightlife luminary Jasmine Infiniti self-released her debut album, Bxtch Släp, in March 2020. Dark Entries steps forward to present the album remastered and on double vinyl. Over the thirteen disruptive club cuts of Bxtch Släp, Jasmine conjures occult rave incantations with sub-tectonic bass and seductive harmonies. Audaciously championing R&B, vogue, and hip-hop sounds, Jasmine Infiniti’s latest collection of techno-hybrid dance tunes is built for the dancefloors of underground nightlife. While SiS, her debut EP, was an ode to queer solidarity, community, and sisterhood, Bxtch Släp refines the art of personal myth-building. It is an unflinching and uncompromising album, but it also boasts surprising range, moving briskly between ethereal hardcore house (“hott”), anxious dark electro (“spooked”), and certifiable techno bangers (“yes, Sir”, “wellfair”). Meanwhile album standout “<3” hovers just above 100 BPM, a defiant statement of euphoric sensuality that’s no less gripping for its dramatic deceleration. Closing number “shonuff” clocks in at ten and half minutes, but not a second of this acid-laced adrenaline rush feels wasted. Bxtch Släp might be suited for the high-impact dancefloor, but this music takes on a new life in the moments we spend between the parties, alone and full of desire. Bxtch Släp was mastered by George Horn at Fantasy Studios. The sleeve features photography from Guerrilla Davis and hand drawn Infiniti logo designed by Eloise Leigh with a 3-D chrome effect by Sebastian Ortega. Each copy includes a 3-D chrome die-cut sticker. The Queen of Hell is back and her powers are stronger than ever. All hail The Queen!

Go to Item

Dark Entries

A Decade Of Dark Entries Longsleeve

21,44 €* 38,99 € -45%

Incl. VAT plus Shipping Costs

Available Sizes: S

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

To celebrate Dark Entries' 10 year anniversary, Eloise Leigh designed this limited edition long-sleeved tee with motifs from the '10's Across the Board' compilation.

The Dark Entries A Decade Of Dark Entries Longsleeve's features include:

• rib crew neck
• A Decade Of Dark Entries artwork printed on front
• stretch cuffs
• regular fit
• 100% ring-spun cotton single jersey

Go to Item

Eleven Pond

Bas Relief

LP | 1986 | US | Reissue (Dark Entries)

27,99 €*

Incl. VAT plus Shipping Costs

Release: 1986 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

Dark Entries celebrates its 15th anniversary by returning to where it all started, our initial darkest entry: Eleven Pond’s masterpiece Bas Relief, an ultra-obscure album from 1986 that would become a definitive dark pop holy grail. Eleven Pond was James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar) and Dan Brumley (synthesizer, samples, vocoder, melodica). They met in Rochester, NY, while attending art school, brought together by their shared love of 4AD and Factory Records. Taking cues from acts like Joy Division, Fad Gadget, and For Against, Eleven Pond’s infectious basslines, churning guitar riffs, and atmospheric synths will charm all fans of moody music. But what really makes Bas Relief shine is the timeless songwriting on classics like “Tear and Cinnamon”, “Portugal”, and the anthemic “Watching Trees.” With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history.

Go to Item

1 2