Das Lunsentrio - 69 Arten Den Pubrock Zu Spielen 2 Items

As undisputed as the wonderfully creative power of destruction is in the case of, for example, Keith Moon's explosive device layings, Niki de Saint Phalle's shooting pictures or pogo in the streetcar, as rashly it is unfortunately also quickly babbled that every destruction is always also a beginning. DIE Offenbacher Küchenzerstörung at least is one, namely the opening track of the new LUNSENTRIO album 69 Arten DEN Pubrock Zu Spielen and thus also the starting signal at the new label (tapete).

The Lunsentrio are: On piano and synthesizers Nick McCarthy (until recently guitarist and keyboardist with rock bands Franz Ferdinand and Ffs) and on drums Sebastian "Seb-I" Kellig (dub producer in London at East London's Sausage Studio, which he runs with Nick), and thirdly Berlin-based artist and lyricist Hank Schmidt in der Beek, from whose pen the lyrics come. Fourthly, Martin Tagar (Friends of Gas, Das Weiße Pferd) plays the Lunsen guitar and finally on bass Albert Pöschl (Suzie Trio, Das Weiße Pferd, Murena Murena, Grexits, The Sound of Money, King of Japan, Jason Arigato, and many others), in whose Munich echo chamber everything from the current album was recorded that was not recorded in Nick's Sausage Studio dependency in the Bavarian countryside.

Limited to 150 copies on green vinyl, only at HHV Records.

As undisputed as the wonderfully creative power of destruction is in the case of, for example, Keith Moon's explosive device layings, Niki de Saint Phalle's shooting pictures or pogo in the streetcar, as rashly it is unfortunately also quickly babbled that every destruction is always also a beginning. DIE Offenbacher Küchenzerstörung at least is one, namely the opening track of the new LUNSENTRIO album 69 Arten DEN Pubrock Zu Spielen and thus also the starting signal at the new label (tapete).

The Lunsentrio are: On piano and synthesizers Nick McCarthy (until recently guitarist and keyboardist with rock bands Franz Ferdinand and Ffs) and on drums Sebastian "Seb-I" Kellig (dub producer in London at East London's Sausage Studio, which he runs with Nick), and thirdly Berlin-based artist and lyricist Hank Schmidt in der Beek, from whose pen the lyrics come. Fourthly, Martin Tagar (Friends of Gas, Das Weiße Pferd) plays the Lunsen guitar and finally on bass Albert Pöschl (Suzie Trio, Das Weiße Pferd, Murena Murena, Grexits, The Sound of Money, King of Japan, Jason Arigato, and many others), in whose Munich echo chamber everything from the current album was recorded that was not recorded in Nick's Sausage Studio dependency in the Bavarian countryside.