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Death Is Not The End Downbeat | Electronica | Leftfield 8 Items

Organic Grooves 7 Rock & Indie 2 Electronic & Dance 8 Downbeat | Electronica | Leftfield 8 Reggae & Dancehall 4 Soundtracks 1
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Death Is Not The End
V.A. - Lamkin: Versions & Variants Across The Northern Hemisphere
V.A.
Lamkin: Versions & Variants Across The Northern Hemisphere
Tape | 2022 | UK | Original (Death Is Not The End)
13,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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Folklorist Derek Piotr teams with Death is Not the End for a third outing, this time plumbing the depths of every archive from West Virginia University to the British Library in search of versions of the ballad Lamkin. Following the template set by Charlie Seeger with his seminal Barbara Allen compilation, Piotr's collection outs versions of the bloody ballad from the last ninety years; most of these renditions haven't been heard by anyone but their original recordists for decades.
V.A. - If You Want To Make A Lover: Palm Wine, Akan Blues & Early Guitar Highlife, Pt. II
V.A.
If You Want To Make A Lover: Palm Wine, Akan Blues & Early Guitar Highlife, Pt. II
Tape | 2024 | UK | Original (Death Is Not The End)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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The second part in a collection encompassing Akan blues, palm wine and early guitar-based highlife music, with recordings dating from the late 1920s through to the end of the 1950s.

The music included here can probably all be said to have all stemmed from a style that initially took root in the Fanti region of coastal southern Ghana. Fusing local percussion instruments with the introduction of western (most notably Portuguese) guitars that had made their way to the Fanti region of southern Ghana via the Kru seamen of Liberia, who are said to have pioneered the distinctive two-fingered style of playing while sailing the high seas.

Mingling amongst the Kru as well as with other sailors and local working-class people during the 1920s & 30s, the guitars infused with the traditional Akan seprewa harp-playing technique, creating a style known as 'odonson' or 'Akan blues' - a rootsy highlife style also commonly referred to as palm wine music, so named after the palm wine bars where the music was commonly performed. Western record companies such as Zonophone, Columbia, Odeon, HMV, and later Decca/EMI's West Africa imprint, released much of the recordings included here - with the earliest inclusions appearing courtesy of George William Aingo, Nicholas De Heer, Edmund Tagoe & Frank Essien, and Jacob Sam's Kumasi Trio (all recorded in London during the late 1920s). The form would become a key element in the popular development of both Ghanaian & Nigerian highlife, as well as the maringa of Sierra Leone, the juju of western Nigeria, and the Congolese "dry" guitar music of central Africa.

With thanks to John Collins and the Bokoor African Popular Music Archives Foundation.
V.A. - Come, Let Us Sing
V.A.
Come, Let Us Sing
Tape | 2022 | UK | Original (Death Is Not The End)
14,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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What shall we sing? Folklorist Derek Piotr presents the third and final installation in the Bare family trilogy, this time highlighting lesser-known and garbled versions of local folk tunes, and again braiding the past with the present by incorporating his own contemporary fieldwork of the Bare's living descendants.

Track 1 recorded by Herbert Halpert in Maryville, TN, April 23, 1939.
Tracks 2, 3, 4, 8, 9, 11, and 12 recorded by Herbert Halpert in Elk Park, NC, April 12, 1939.
Tracks 5 and 13 recorded by Herbert Halpert near Morganton, NC, April 19, 1939.
Track 6 recorded by Derek Piotr in Morganton, NC, April 11, 2022.
Tracks 7 and 10 recorded by Derek Piotr in Vilas, NC, April 18, 2022.

Cover image of Mrs. Sabra Bare Hampton courtesy of Della Ruth Harshbarger.
Family Ravine - (I'll) Waltz In And Act Like (I) Own The Place
Family Ravine
(I'll) Waltz In And Act Like (I) Own The Place
Tape | 2024 | UK | Original (Death Is Not The End)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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K.W. Cahill records and plays acoustic and electric guitars, mandolin, karimba, melodica and an Am/fm portable radio on March 2024 time.

Mastered by James A. Toth in Toronto.
Death Is Not The End - The Archival Recordings Of Constantin Brãiloiu, 1913-1953
Death Is Not The End
The Archival Recordings Of Constantin Brãiloiu, 1913-1953
Tape | 2024 | UK | Original (Death Is Not The End)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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An assorted mixtape-style collection of recordings from Constantin Brăiloiu's World Collection of Folk Music archive, originally broadcast on NTS Radio in July 2017, issued as part of DINTE's 10th anniversary series.

Comprising field recordings made by the pioneering Romanian ethnomusicologist of English, Irish, Gaelic, Norwegian, Breton, Japanese, Italian, Swiss, Basque, Fulah, Sardinian, Estonian, Georgian, Greek, Turkish, Judaeo-Spanish, Portuguese, French, Chinese, Russian, Hausa, Tuareg, Indian, Corsican, Ethiopian, Romanian, Walloon, Flemish, German, Kabyle, Bulgarian, Macedonian, Bosnian and Caribou Eskimo folk songs & dances.
Death Is Not The End - Making Records: Home Recordings C. 1890-1920
Death Is Not The End
Making Records: Home Recordings C. 1890-1920
Tape | 2024 | UK | Original (Death Is Not The End)
15,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-09-27
A collection of DIY phonographic home recordings, transferred from blank and repurposed brown and black wax cylinders, dating back to between the late 1800s and early 1900s.

"Cylinder phonographs first entered the parlor in the late 1890s and stayed until displaced by newer technologies in the 1920s. They brought professional entertainers into our homes and let us command their performances at will. They also gave us the power to record. For the first time in human history we could take sonic selfies, audio snapshots with friends, and aural portraits of loved ones. Our phonographs captured the sounds of everyday life, both silly and serious: the baby's squalling, Johnny's naughty joke, Grandma's favorite hymn as only she could sing it, our letters to loved ones in foreign lands or 100 years in the future. In our own homes we spoke unfettered by commercial concerns or ethnographers' expectations. Our phonographs observed who we were and what we valued without interference or judgement." – David Giovannoni

Cover image text excerpt taken from How to Make Records at Home with an Edison Phonograph, 1910.

Recordings courtesy of The David Giovannoni's Collection of home cylinder recordings housed at the University of California, Santa Barbara cylinder audio archive.
Death Is Not The End - Bristol Pirates
Death Is Not The End
Bristol Pirates
LP | 2019 | UK | Reissue (Death Is Not The End)
22,99 €*
Release: 2019 / UK – Reissue
Genre: Electronic & Dance
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Death Is Not The End's contribution to the Blowing Up The Workshop mix series, subsequently given a cassette release on the label in 2019, finally receives a limited vinyl 70 pressing.
"A trip across the frequencies of Bristol's pirate radio stations via cut-ups of broadcasts, taken from the late 1980s to the early 2000s ~ also a love-letter to my childhood, an audio document of the years I spent growing up in the city."
Death Is Not The End - All Bad Boy & All Good Girl: Manchester Street Soul Soundtapes, 1988-1996
Death Is Not The End
All Bad Boy & All Good Girl: Manchester Street Soul Soundtapes, 1988-1996
Tape | 2023 | UK | Reissue (Death Is Not The End)
15,99 €*
Release: 2023 / UK – Reissue
Genre: Electronic & Dance
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A mixtape pulling together extracts from soundsystem tapes out of Manchester's storied street soul scene of the late 1980s to mid-1990s. Featuring DIY cassette recordings of sounds such as Broadway, Stereo Dan & Soul Control playing live at dances and blues parties in south & central Manchester from 1988 through to 1996.
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