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Death Is Not The End Organic Grooves 7 Items

Hip Hop 1 Organic Grooves 7 Funk | Soul 3 Blues 1 Latin | Brazil 3 Rock & Indie 6 Electronic & Dance 7 Reggae & Dancehall 2 Soundtracks 2
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Death Is Not The End
V.A. - Your Kisses Are Like Roses: Fado Recordings, 1914-1936
V.A.
Your Kisses Are Like Roses: Fado Recordings, 1914-1936
Tape | 2024 | UK | Original (Death Is Not The End)
15,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The definition of the word 'fado' is technically 'fate', though the Portuguese meaning bound up with this term is more complex. The music itself can be fairly closely compared with that of Greek rebetika - also the American blues or the original working-class tango music of Argentina and Uruguay - and similarly takes it's common subject matter from the various cruel realities of the world. Though perhaps what distinguishes fado in character is it's often poised acceptance of the pains of life rather than protestation or resistance - as writer Paul Vernon says "It speaks with a quiet dignity born of the realisation that any mortal desire or plan is at risk of destruction by powers beyond individual control"
Death Is Not The End compile here a spine-tingling collection of fado recordings, taken from records issued in the mid 1910s through to the 1930s. The fado's Lisbon and Coimbra variants are presented here by some of the music's earliest recorded stars - prior to the rise of the music's all-conquering figurehead, Amália Rodrigues - and all of them "fadistas" imbued with a keen dose of saudade.

Maria do Carmo - Beijos São Como as Rosas (1929)
Jose Paradela D'Oliveira - Fado de se Velha (1927)
Edmundo de Bettencourt - Crucificado (1929)
Madalena De Melo - Cantares (1930)
Luiza Baharem - Fado Mondego (1931)
Alberto Xavier Pinto - Fado Do Paraizo (1929)
Maria Victória - Fado Maria Victória Nº 1 (1914)
Maria Silva - Fado Alice (1929)
Adelina Fernandes - Misérias (1928)
Estêvão Amarante - Fado do Cauteleiro (1929)
Alfredo Marceneiro - Olhos Fatais (1936)
Ermelinda Vitória - Fado da Minha Aldeia (1930)
Dr. Lucas Junot - Triste (Fado) (1929)
Maria Alice - Quando o Meu Filho Adormece (1929)
Laura Santos - A Magia do Fado (1929)
Joao Rocha Jor - Fado Rocha (Unknown)
Death Is Not The End - Pure Wicked Tune: Rare Groove Blues Dances & House Parties, 1985-1992
Death Is Not The End
Pure Wicked Tune: Rare Groove Blues Dances & House Parties, 1985-1992
LP | 2024 | UK | Original (Death Is Not The End)
28,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves
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***Limited vinyl LP edition in printed sleeves***
Pure Wicked Tune is a mixtape-style collection of extracts & cut-ups, taken from DIY cassette recordings featuring rare groove and "soul blues" soundsystems playing at early morning house parties and blues dances - mostly in South & East London - between the mid 1980s & early 90s.

Sounds like Funkadelic, Touch of Class, Latest Edition, JB Crew, Manhattan, 5th Avenue (and the many more featured on this tape) originally began to form in the mid-1980s. With lovers rock dwindling, and the reggae scene becoming dominated by harder digital-style dancehall, these sounds provided a tight but loyal crowd with a potent alternative - playing a mixture of killer rare soul, funk and boogie records in an inimitably reggae soundsystem style, complete with toasting, sirens and effects aplenty.

They were most well-known for playing at house parties and blues dances, typically in small flats or warehouses, with timing of such events generally running from the early morning hours until late the next afternoon. Though the popularity of the sounds faded following the dance music explosion of the early 1990s, there has been continued demand for revival sessions ever since. Whilst the influence of key British reggae & dancehall soundsystems on subsequent UK sounds like hardcore & jungle is relatively well documented, a similar line can just as easily be drawn from these sounds and the aforementioned styles' tendency toward sampling popular rare groove cuts, particularly well evidenced in the work of Tom & Jerry, 4hero, Reinforced & LTJ Bukem among others.

This represents the first outing in a series of collections exploring the sounds of UK soundsystem culture, via extracts from archival DIY cassette recordings of blues parties, dances & clashes made between the late 70s and early 90s. Often duplicated and shared widely, these ruff and ready "sound tapes" provided keen ears with music that wasn't otherwise readily available on the airwaves or in the record shops, and would go on to leave a deeply-rooted but too often overlooked influence on the UK's musical landscape.
V.A. - River Of Revenge: Brazilian Country Music 1929-1961, Volume 2
V.A.
River Of Revenge: Brazilian Country Music 1929-1961, Volume 2
Tape | 2023 | UK | Original (Death Is Not The End)
15,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves
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The second volume in Death Is Not The End's survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s & 50s and the beginning of the 60s.

Somewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the "outback"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss & betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country & western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.
V.A. - If I Had A Pair Of Wings: Jamaican Doo Wop Volume 3
V.A.
If I Had A Pair Of Wings: Jamaican Doo Wop Volume 3
LP | 2020 | EU | Original (Death Is Not The End)
22,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves, Reggae & Dancehall
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A third and final volume of Jamaican doo wop & R&B records taken from the late 50s and early 60s.

These records represent a period in which sound-systems were beginning to dominate the island, with Duke Reid and Sir Coxsone Dodd stepping up their rivalry by beginning to make and release their own records rather than rely on US imports for use in their dances. Many of these records are definitely more-or-less imitations of the American records, as the uniquely Jamaican ska sound was yet to take hold - however many of the future stars of ska, rocksteady and reggae were beginning to cut their teeth in the industry on these records, incl. Alton Ellis, Derrick Morgan, Derrick Harriott and more, and provide a unique view into the fledgling independent record industry culture in Jamaica that would prove to be unbelievably prolific and unparalleled for an island of it's size.
V.A. - The Sun Is Setting On The World
V.A.
The Sun Is Setting On The World
LP | 2020 | EU | Original (Death Is Not The End)
23,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: Near Mint
V.A. - If I Had A Pair Of Wings: Jamaican Doo Wop, Volume 1
V.A.
If I Had A Pair Of Wings: Jamaican Doo Wop, Volume 1
LP | 2020 | UK | Reissue (Death Is Not The End)
21,99 €*
Release: 2020 / UK – Reissue
Genre: Organic Grooves
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Repressed by popular demand!
Lauren Laverne's comp of the week on BBC Radio 6 Music w/c 11th Jan.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
This collection of Jamaican doo wop from the late 1950s through to the early 1960s represents a period in which sound systems had begun to dominate the island, and were starting to step up their rivalry by beginning to record and release their own platters rather than rely on imported records to gain the competitive edge.
With the uniquely Jamaican ska explosion yet to completely catch hold, these tracks are largely imitative of the doo wop and R&B sound that had been reaching the island from American shores & radiowaves, albeit peppered with hints of what was to come ~ some of the future stars of ska, rocksteady and reggae are starting to cut their teeth on these tracks, providing a great view into the fledgling record industry on the island.
V.A. - My Greatest Revenge: Flamenco Recordings, 1904-1938
V.A.
My Greatest Revenge: Flamenco Recordings, 1904-1938
Tape | 2023 | UK | Original (Death Is Not The End)
15,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Death Is Not The End presents a collection of haunted, brooding flamenco recordings taken from the early 1900s through to the late 1930s.
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