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Dickie Landry Vinyl, CD & Tape 2 Items

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Dickie Landry
Dickie Landry - Solos
Dickie Landry
Solos
2LP | 2022 | EU | Original (Unseen Worlds)
33,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
- First time reissue, remastered from original master tapes- Gatefold 2LP with period photos and new liner notes byClifford Allen- Download code included with 30 minutes of additionalbonus material- feat. Richard Peck, Robert Prado, Rusty Gilder, Jon Smith, Alan Braufman, David Lee- For Fans of Coltrane, Coleman, Ayler//On February 19, 1972, a crew of mostly Louisiana-raisedmusicians came together at the Leo Castelli Gallery on WestBroadway in Soho to perform a wholly improvised concert. Thisensemble's solos spring from collective improvisations and atumultuous backbeat, loosely inspired by the creations ofColtrane, Coleman, Albert Ayler, and their brethren. The de factoleader was Richard "Dickie" Landry, a saxophonist andkeyboardist who joined composer Philip Glass's group in 1969.Landry had become a fixture in downtown New York's loft and artscenes at the close of the 1960s, after he high-tailed it by carfrom Louisiana to the Lower East Side and auspiciouslyencountered Ornette Coleman at the Village Gate the night of hisarrival.For this concert, fellow Glass reedists Jon Smith and Richard Peckjoined in, alongside Rusty Gilder and Robert Prado, both doublingon bass (upright and electric) and trumpet. The drum chair wasoccupied by New Orleans firecracker David Lee, Jr., who broughtalto saxophonist Alan Braufman along for the session (Braufmanwas the only non-Louisiana player in the band). The ensemblestretched out in the gallery for several hours in a configurationreflecting those that took place at Landry's Chinatown loft,documented in photos by artists Tina Girouard and Suzanne Harristhat adorn the inside of the original gatefold album jacket.Recorded live by Glass' sound engineer Kurt Munkacsi, the albumwas released as a double LP on Chatham Square, the small imprintLandry and Glass co-ran, in a stark greyscale cover and simplytitled Solos. The order of the players' improvisations was laid outon the album inner labels, though unsurprising...
Dickie Landry - 4 Cuts Placed In "A First Quarter"
Dickie Landry
4 Cuts Placed In "A First Quarter"
LP | 2022 | EU | Original (Unseen Worlds)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
- First time reissue, remastered by Stephan Mathieu- New liner notes by Clifford Allen- Download code included- For Fans of Philip Glass, Barre Philips, ECM//4 Cuts Placed In "A First Quarter", the companion piece to Solos,is the sonic result of a collaboration with artist Lawrence Weiner.As Landry remembers, "I was working for Keith Sonnier at CastelliGallery and met Lawrence. He asked `can you make a video forme?' So we did "To and Fro..." At some point he was working on"A First Quarter" (1973) and wanted me to do the music. I said `Ialready have the music.' He said `what do you mean?' I hadrecorded several pieces with Kurt Munkcasi and walked around theset playing the music on a boom box."The set features one solo each by Landry and contrabassist RustyGilder, a duo for the tenor saxophones of Landry and RichardPeck, and an ensemble piece for Landry, Peck, Gilder, trumpeterRobert Prado, and drummer David Lee, Jr. Starting the record offis "Requiem for Some," inspired by Gil Evans' long, placid tones.The anchor is Lee's dry cymbal attack and fancy footwork,dancing around overlapping and recombining horns, chords heldjust shy of splintering. "4th Register" is a grainy delayed solotenor piece, presaging "Kitchen Solos" from Fifteen Saxophones byseveral years. "Piece for So" was, according to Landry, "a chanceto give Rusty a solo". Mostly known as an ensemble bassist,Gilder bounced between Lafayette, Charlotte, and New York,leaving a slim recorded legacy. Here, he stretches out for twelveminutes and change - with keen upper register detail and meatyup-tempo walk, he could have been mentioned in the same breathas players like Dave Holland and Barre Phillips. The closing "DuoVivace" finds Landry and Peck sparring on tenors, the latterholding a melodic line while Landry leans into explosive glossolalia,until both become birds in flight.
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