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Dig Organic Grooves 3 Items

Organic Grooves 3 Funk | Soul 2 Jazz | Fusion 1 Rock & Indie 1 Electronic & Dance 1
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1971
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Friday, Saturday And Sunday (Clarence Reid) - Potato Salad / There Must Be Something 2024 Repress
Friday, Saturday And Sunday (Clarence Reid)
Potato Salad / There Must Be Something 2024 Repress
7" | 1971 | UK | Reissue (Dig)
12,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
2024 Repress

Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016.
Friday, Saturday And Sunday (Clarence Reid) - Potato Salad / There Must Be Something
Friday, Saturday And Sunday (Clarence Reid)
Potato Salad / There Must Be Something
7" | 1971 | UK | Reissue (Dig)
13,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016.
Marble - 1691
Marble
1691
2x12" | 2023 | EU | Original (Dig)
25,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Mårble is the alias of musician and multi-instrumentalist Anton Glebov. “1691” is his first solo long-playing album after quite a long break, and this is a great comeback! The album is filled with spiritual and spaced-out jazz-inspired music, recorded mainly by Mårble all by himself in his former studio in Saint Petersburg during the years 2021 and 2022. The studio was a big inspiration for Anton. He and his friends made a really special place, where instead of their home studios, they finally had no limits and could play and record music with ease. Even the name of the album is an homage to the studio; the number of the studio’s door was 1691.

At the time when the album was in the process of making, Mårble was listening to a lot of Afro-Cuban music and Latin jazz. You start to hear it from the first seconds, and it’s such a unique blend of these genres and his rich musical experience and vision. “1691” is full of different moods and echoes, and yet it is a really complete work. The album starts with the track “Unified Force” and ends with “Magic”, those are two “new-agy”, spiritual tracks where your mind just wants to drift on the soundwaves peacefully, but in-between you get a huge variety of compositions. Each one has its own unique story that needs to be heard. Some of the tracks on the album are more intense, like “Chomga”, “3th of December” or “Pedritto”, where suddenly you get sounds of slightly distorted trumpet or singing in Portuguese/gibberish, and other tracks with a more relaxed atmosphere, like “Jr. Pomidor” you can almost call Balearic. Also, can’t forget to mention the great work of saxophone and flute player Slavik Ipatov who has recorded parts for tracks “Boss Latinoss”, “Yog Cave” and “Pedritto”.

The artwork for this record was made by an artist Alisa Gvozdeva, who’s been working on previous Mårble releases a lot. On the back of the “1691” vinyl record cover, you will be able to see the drawing of the studio, thanks to which the recording of this album became possible.

“1691” is a truly great and unique album from start to finish, and we hope you’ll enjoy it just like we do.
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