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Rock & Indie 17 Indierock | Alternative 9 Punk | Hardcore 5 Folk 3 Electronic & Dance 1 Pop 1
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Digital Regress
Marbled Eye - Leisure
Marbled Eye
Leisure
LP | 2018 | US | Original (Digital Regress)
23,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Slender - Learn To Die
Slender
Learn To Die
LP | 2024 | US | Original (Digital Regress)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Learn To Die is a bold new step for a group of musicians, artists, and writers that has at least nominally been considered a punk band. A stylistic overhaul. For those who have been following along, it’ll carry some surprises. Slender began over a decade ago as a semi-improvisational cassette recording project, a casual collaboration between a few friends that was initially documented by two self-titled cassette-only releases released in 2014 and 2015 respectively, now both unavailable and out of print. Most fans, however, will know Slender for their two most recent releases, Walled Garden (2017) and Time On Earth (2019), both released on the tastemaking London art-punk label La Vida Es Un Mus. Their prior work has earned them comparisons to anarcho-punks Crass and The Snipers, lo-fi flagbearers Swell Maps and Pink Reason, and artrockers Cromagnon and Amon Düül. Here, however, such comparisons feel largely unfounded and the band feels somewhat peerless. Moments of artpunk brutalism, lo-fi experimentalism, and kosmiche detours grace the fabric of Learn To Die, but the album reaches for more than pastiche. Teasing the rarified worlds of chamber music and musique concrete, Slender manages something intangible and strange. A vocoded voice intones multi-lingual poems alongside tinny guitars and sampled strings and flutes. Three chord janglepunk anthems arise suddenly out of a cosmic mist crafted by analogue synths reciting the poetry of machines. The album moves in ways reminiscent of works by artists as varied and singular as Nobukazu Takemura, Chuquimamani-Condori, Coil, and Robert Wyatt, but it doesn’t necessarily occupy the same realm as any of them.”—Leah B. Levinson
Landline - Landline
Landline
Landline
LP | 2018 | US | Original (Digital Regress)
23,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Bobby Would - Relics Of Our Life
Bobby Would
Relics Of Our Life
LP | 2024 | US | Original (Digital Regress)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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"Sometimes it’s hard to resist the feeling that there was a crucial turn in life out of which everything else flowed. Maybe in our more reasonable frames of mind we can dismiss that thought and take our plans and intentions very seriously. But, there’s often a lurking conviction that, like the oak from the acorn or the movie from its opening scene, it is already all there. In the first moment of Relics of Our Life, anything could happen, anything could come next. But as the suspense is broken with the first notes, the world of the record springs up as both an internal experience and a landscape of which we will learn something, but definitely not everything. The songs induce a swimming sense of cycling repetition and variation where shifting details tilt the ground under us. The round and round doesn’t make us dizzy; like breathing the right way, it makes us both heavier and higher.

"Pawliczek’s songs can be located in the company of the greats of Flying Nun Records – maybe the delicacy of The Great Unwashed with the heavy heart of The Verlaines and smartness of The Chills. But, ultimately, his interests are elsewhere – a heart-break song over an earthly lover feels like only the tipping point for longing and devotion that outstrips the personal. In this sense, Popul Vuh for their hymnal geometry and switched-on Palestrina, and Terry Riley for cosmic elation come to mind. The songs have sweeping and cinematic proportions and depths of field constrained by a pop economy love of leanness.

"But who’s supplicating whom here? The songs’ devotional quality is not upward to the sacred or even outward to the profane. It’s more like a magnetism between its elements – sounds, voices and rhythms. The track No Talk intones “why don’t you talk to me?” over a driving guitar and one feels visited by some kind of archaic god on whom the tables have been turned, finding himself jealous of our thousand little thoughts. The record finishes with his distorted lilting dance, trying to seduce us with some red red wine that is no one’s blood, but everyone’s favorite drug." -- Karina Gill (Cindy, Flowertown) 2024
The Kiwi Animal - Mercy
The Kiwi Animal
Mercy
LP | 1985 | US | Reissue (Digital Regress)
28,99 €*
Release: 1985 / US – Reissue
Genre: Rock & Indie
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The Kiwi Animal - Music Media
The Kiwi Animal
Music Media
LP | 1984 | US | Reissue (Digital Regress)
28,99 €*
Release: 1984 / US – Reissue
Genre: Rock & Indie
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R. Clown - The Big Break
R. Clown
The Big Break
7" | 2019 | US | Original (Digital Regress)
9,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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R.J.F. - Going Strange
R.J.F.
Going Strange
LP | 2023 | US | Original (Digital Regress)
29,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Proud to present this debut solo outing from R.J.F. a textural patchwork of minimal melodic-inflections with room to wade in and out of. R.J.F., better known as Ross Farrar – obvious bona-fides intact – (Ceremony, Crisis Man, Spice) takes a step back from pummeling, driving front-man duties to weave ardent pieces driven by hooking lines and textures woven artfully together. Meditations on adapting lifestyles, daily-life, moving forward, stray cats looking for homes, and finding how to make sense of it all in a world always changing. Recorded with a mostly budget set-up, (bass, keyboards, drums, sparse guitars) leaving a lot of open air in the record, and amplifying the earnestness of the whole endeavor.
People Skills - Hum Of The Non-Engine
People Skills
Hum Of The Non-Engine
LP | 2023 | US | Original (Digital Regress)
29,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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"People Skills could probably kill an hour or two watching you scrape the goo off your mukluks after escorting repeated tromps through the brack-befouled trench between music and non-music. You put on a show for him, he’ll put on a show for you. Everyone shows a little leg, we all go home winners.

"On his first new LP since the 2014 (Siltbreeze) and 2017 (Blackest Ever Black) touchstones, he blends 'song-related' material with off-kilter signal garble to emit fidelity impaired pop-surrender by the wheeze-load. Haunted visions in the spirit of Kye, M-Squared, and Petri Supply stud the lonesome strum with equipment malfunctions and other miscellaneous environmental gack. Hum Of The Non-Engine sheds some more light on bona fide PS singles that trickled out on compilations over the last two years and maps a beautiful merging of derisive collage and the world-weary song-smithery of our friends at the top and bottom ends of the globe."

-Seymour Glass (Glands of External Secretion, Bananafish)
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