Downbeat | Electronica | Leftfield 8199 Items

Constant Shallowness Leads To Evil Clear Vinyl Edition

2LP | 2000 | US | Reissue (Dais)

37,99 €*

Some Best Friend You Turned Out To Be Colored Vinyl Edition

Release: 2000 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The turn of the millennium ushered in an apex visionary phase for English esoteric duo Coil. Relocating from the city to the coastal quiet of Westonsuper-Mare freed them to follow even more fringe obsessions, fully untethered from peer influence. During a single six-month stretch in 2000 they released the devious underworld sequel to Music To Play In The Dark, arcane drone summit Queens Of The Circulating Library, and a malevolent hour-long synthesizer exorcism prophetically titled Constant Shallowness Leads To Evil. This latter work remains one of the group's most miasmic and mind-expanding creations, on par with Time Machines - a sustained divination of shuddering, psychoactive noise, rippling with the motion sickness of an all-seeing eye. Thighpaulsandra characterizes the album as "an exercise in brutality," born from a thorny patch of his Serge modular unit that Peter "Sleazy" Christopherson found entrancing. Processing this sliver of electronics into a ravaged labyrinth was a trial and error process, aided by Christopherson's visual sense of sound, stretching and manipulating it for maximum spatial disorientating. Frequencies nauseously crawl across the stereo field, burrowing into the ear like a sinister brainwashing experiment. An outlier / centerpiece is the 13-minute alien tribalist sea shanty, "I Am The Green Child," guided by John Balance's sung-spoken free verse concerning vengeance, oblivion, and insanity, culminating in the memorable refrain, "We're swimming in a sea of occidental vomit." But the rest of the record seethes in unhinged instrumental chaos, divided into 18 micro-movements of a composition called "Tunnel Of Goats." Intended to scramble the functionality of a CD player's shuffle mode, the piece throbs, thrashes, and flatlines in compressed frenzies of twisted synthesis, at the threshold of some bottomless purgatory, forbidding and unknown.

Go to Item

Max Tundra

LP | 2000 | UK | Reissue (Domino)

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

La Vida Que Vendrà Green Vinyl Edition

99 Posse

2LP | 2000 | EU | Reissue (RCA)

Release: 2000 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blanket / Four Fifty Five

Geiom / M. Caney

7" | 2000 | EU | Original (City Centre Offices)

8,99 €*

Release: 2000 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2000 | US | Original (Schematic)

Delarosa And Asora

Agony 1

Release: 2000 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2000 | EU | Reissue (One Little Independent)

Selma Songs

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Back To Mine White Vinyl Edition

Faithless

2LP | 2000 | UK | Reissue (Back To Mine)

32,99 €*

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Smaller Listening / Numbers In Love

To Rococo Rot

7" | 2000 | EU | Original (Soul Static Sound)

10,99 €*

Release: 2000 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Queens Of The Circulating Library Baby Blue / Clear Splatter Vinyl Edition

LP | 2000 | US | Reissue (Dais)

21,59 €* 23,99 € -10%

CD | 2000 | EU | Reissue (Pschent)

Release: 2000 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes. The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

Go to Item

Stéphane Pompougnac

Hotel Costes 3/Etage 3

13,99 €*

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Queens Of The Circulating Library Clear Vinyl Edition

LP | 2000 | US | Reissue (Dais)

Release: 2000 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes.

The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

Go to Item

Musick To Play In The Dark2 Cloudy Purple Vinyl Edition

2LP | 2000 | US | Reissue (Dais)

37,99 €*

Release: 2000 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Musick To Play In The Dark2 White / Black / Clear Smoke Vinyl Edition

2LP | 2000 | US | Reissue (Dais)

37,99 €*

Release: 2000 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2000 | EU | Reissue (Keplar)

Vladislav Delay

Multila

2LP | 2000 | EU | Reissue (Keplar)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Multila" was the third album by Finnish producer Sasu Ripatti under the moniker Vladislav Delay. It compiles the "Huone" and "Ranta" 12"EPs Ripatti released on Basic Channel's Chain Reaction label in 1999 and 2000. The album features six hauntingly murky dub ambient tracks and the impressive 22-minute techno odyssey "Huone." More than 20 years after its original release as a full-length CD album (Chain Reaction), these iconic recordings of modern electronic music are now available again as a double vinyl edition, featuring a revised artwork by Marc Hohmann that matches the new design of the »Whisteblower« and »Entain« reissues. "Life films us exactly. Our experience of it, though, lies beyond images and descriptions. Emotions, coming in irrational flashes, are non-figurable. We lose our little connection to them very quickly. We look for forms which promise to take us to our own experience. We construct forms with this in mind: that they can take us to meet the subconscious. Multila's construction is principled this way. Fragments of experience, moments without definition or localisation are captured within tiny fragments of time and then within one's mindspace. We can look into it and see that experience has left some of its data to us. As we receive it, again and again, we are connected and reconnected to certain indefinable moments. Both during and after its recording, Multila is a tool to learn about the unintentional states of us. It is a way to see our own emotional loops. Multila is a soundtrack for vision." - Vladislav Delay in the year 2000 Remaster by Rashad Becker. Vinyl cut by Kassian Troyer at D&M. Artwork by Marc Hohmann.

Go to Item

Vladislav Delay

Entain

Oasis Remastered 2024 Repress Edition

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Keplar label presents the next instalment in a series of reissues from the catalogue of Sasu Ripatti’s seminal Vladislav Delay project. Originally released on Mille Plateaux, the vinyl edition of »Entain« from 2000 omitted two shorter tracks and included all others in an abridged form. With this reissue, the full album as it was pressed on CD is finally made available on vinyl. Besides a new remaster by Kassian Troyer, it was also given new cover artwork by Marc Hohmann that picks up on that of the »Whistleblower« reissue, released in early 2023 by Keplar. This serial visual approach highlights the conceptual continuity between those masterful explorations of the interplay between dub techniques, noise, and repetition. Ripatti himself had reworked material from 1999’s »Ele« album for the release of »Entain,« which means that it can be considered the debut album proper of his Vladislav Delay project. It saw the Finnish artist aim more vigorously for abstraction than in his earlier releases as Vladislav Delay for labels such as Chain Reaction, which were collected on the iconic »Multila« compilation in 2000; another milestone from his back catalogue that has been reissued by Keplar in recent times. To mark this special occasion, »Multila« will be repressed by Keplar with a new artwork that matches the new design of »Whisteblower« and »Entain«. »Multila« and »Entain« correspond with each other conceptually as much as they seem to differ on a musical level. The material on »Multila« was clearly indebted to the Berlin dub techno sound, marked by its grainy and at times abrasive sonic aesthetics. From the very first moments of the 22-minute long opener »Kohde« however, it becomes clear that »Entain« takes things further away from the dancefloor, aiming less for physical impact than for intellectual stimulation. A sort of electronic minimal music, it was primarily interested in letting discrete elements freely come into play with one another. Much like »Multila,« however, »Entain« highlighted the subtle differences embedded in what only feels like repetitive music. Of course the massive bassline and ghostly dub riddims that permeate »Notke« as well as the deconstructed beat at the core of »Ele« still hint at Ripatti’s roots in beat-driven music. However, they also make his artistic transformation audible by turning their sources of inspirations into something entirely unheard of. »Entain« took the dub techno formula further than any other record before it—onwards into the realms of pure abstraction.

Go to Item

Dettinger

LP | 2000 | EU | Reissue (Kompakt)

Tape | 2000 | UK | Reissue (Tru Thoughts)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dettinger’s Intershop and Oasis have long been held, by many fans of ambient and electronic music, to be some of the finest albums in their field. Produced by the mysterious Olaf Dettinger, about whom not much is publicly known, they were some of the earliest full-lengths released by the then-nascent Kompakt, and in many ways, they both articulated and defined the sound that would come to be known as Pop Ambient, while also existing, somehow, to the leftfield of any clearly recognisable genre.

Beautiful, sui generis works, it is a rare pleasure to see them being reissued on vinyl for a new generation of listeners to embrace. Originally released on CD only in 1999, Intershop was Kompakt’s first artist full-length. The music here simmers and broods, with opulent banks of tone marking out territory for rhythms that seem to be built from the clacking detritus of technology – hisses, thunks, knocks. Bass is deployed carefully, each drop a dubbed-out depth charge; drones spin and spiral, warping and weaving between the beats.

Oasis, released in 2000, refined the palette that Dettinger had explored on its predecessor. A blurred crusade of ambient texturology, its unassuming patterns, and subtle, incremental dynamics, admit to real beauty, and a kind of abstract sensuality that you don’t often experience with music that is, perhaps, similarly tooled, but not as poetic. Through seemingly simple gestures – whether lushly expansive repetitions, hyper-acute tremolo tones, or ear-tickling rhythms – it builds complex emotional resonance. It’s no surprise to discover Oasis is held in high esteem by artists like Panda Bear of Animal Collective, who once said of Dettinger, “For us, he was the dude.”

There is, of course, other music to know Dettinger by, too – his three excellent EPs for Kompakt, Blond (1998), Puma and Totentanz (1999), the latter of which, Michael Mayer once argued, “invented dubstep.” There is also a small, yet graceful run of compilation contributions, many of which can be found on Kompakt’s Total and Pop Ambient series. All this music has plenty to recommend it, sharing a clarity of purpose, and a rare, human warmth and depth. But Intershop and Oasis are the releases that distil Dettinger’s singular vision, and allow him, should he wish, to claim his place as a modern master of ambient and electronic music.

Go to Item

Bonobo

Animal Magic

17,99 €*

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2000 | EU | Reissue (Proper)

Photek

Solaris

50,99 €*

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2001 | EU | Reissue (Parlophone)

Gorillaz

7" | 2001 | EU | Original (City Centre Offices)

Release: 2001 / EU – Reissue

Genre: Hip Hop, Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Damon Albarn's brainchild which includes the massive hit Clint Eastwood feat. Del!

Go to Item

Bill Vanloo

Tones

6,99 €* 9,99 € -30%

Release: 2001 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

/ harmonic study 1.3

Go to Item

2LP | 2001 | EU | Original (Polydor)

Medulla

25,99 €*

10" | 2001 | UK | Original (PK)

Release: 2001 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

limited edition

Go to Item

Rhythm & Sound

No Partial

12,99 €*

Release: 2001 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2001 | UK | Reissue (Tru Thoughts)

Bonobo

Animal Magic

22,99 €*

2LP | 2001 | UK | Reissue (XL)

Release: 2001 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Finally reissued on 180 gram wax!

Go to Item

The Avalanches

Since I left You

2LP | 2001 | EU | Reissue (Just Music)

Release: 2001 / UK – Reissue

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Avalanches' Downbeat milestone back in print!

Go to Item

Jon Hopkins

Opalescent

Since I left You Black Vinyl Edition

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This extraordinary debut uniquely combines the light with the dark, the beautiful with the mysterious, in a glorious atmosphere where the worlds of trip hop beats and chill out are made Jon's own personal domain. Sometimes eerie, sometimes majestic, but always profoundly musical.

Go to Item

The Avalanches

2LP | 2001 | US | Reissue (Astralwerks)

39,99 €*

Loop-Finding-Jazz-Records Black Vinyl Edition

Release: 2001 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Avalanches' Downbeat milestone back in print!

Go to Item

Jan Jelinek

2LP | 2001 | EU | Reissue (Faitiche)

Far Away Trains Passing By

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Faitiche presents a long-lost vinyl album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the landmark album is available again on vinyl, as a double LP with two bonus tracks (B-sides from the Tendency EP, 2000).

Go to Item

Ulrich Schnauss

3LP | 2001 | EU | Reissue (Scripted Realities)

36,99 €*

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2001 | EU | Reissue (Hôtel Costes / Pschent)

Stéphane Pompougnac

Hôtel Costes Quatre

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2001 | UK | Reissue (Caroline)

Vespertine

2LP | 2001 | EU | Reissue (Keplar)

Release: 2001 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Repress 2021

Go to Item

Donnacha Costello

Together Is A New Alone

2LP | 2001 | EU | Reissue (Editions Mego)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For its 20th anniversary, Keplar presents an absolute milestone in the history of IDM and ambient music for the first time in its definite form: »Together Is the New Alone« by Donnacha Costello was originally released on Mille Plateaux in 2001 as the second LP under the Irish producer’s given name and firmly established him as one of the leading artists in the field of forward-thinking electronic music after he had primarily made a name for himself with house and techno releases under the Jayrod moniker. This vinyl reissue with an entirely new artwork comprises all ten tracks originally only included on the CD version in their edited and final form in which they were last presented on the digital re-release under the name »Together,« remastered by Stephan Mathieu and self-published by Costello, in 2015.

Truly prescient artists rarely opt for introspective sounds, however that was the case when Costello set out to produce »Together Is the New Alone« during nightly session in his hometown Dublin between April and July in 2001, and it also explains the album’s enduring appeal and unwavering radiance twenty years on. While many of his contemporaries dedicated themselves to explore the musical zeitgeist and notions of the future in conceptual terms, Costello made them emotionally tangible, allowing his audience to feel their underlying ambiguity rather than just reflect on it. »Together Is the New Alone« is an album that wordlessly speaks of the paradoxical sense of social alienation and isolation expressed by its title and thus seems even more topical today than it did at the time of its release.

Working with elements from techno culture, glitch aesthetics, intricate IDM rhythms and lush ambient textures, Costello never once throughout the album adheres to tried and tested formulas and conventions, but holistically moulds complex compositions out of distinct and discrete parts. The result is a record that is at once easily accessible and deeply affecting, but also infinitely rich and stunningly sophisticated in musical terms. A personal record expressing a universal sentiment—a truly timeless statement that will reverberate for decades to come.

(Kristoffer Cornils)

Go to Item

Fennesz

Endless Summer

2LP | 2001 | EU | Reissue (Keplar)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vinyl contains ‘Ohne Sonne’ and ’47 Blues’ previously only available on the Japenese CD versions. As well as an new extended version of ‘Happy Audio’ exclusive to this format.

"Endless Summer", originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental "Hotel Paral.lell" and the Beach Boys homaged "Plays" single "Endless Summer" brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end of year polls. This new definitive edition is newly mixed by Fennesz resulting in a more open sounding version of the tracks, especially the marimba driven "Caecilia", the hypnotic "Before I Leave", and the towering "Happy Audio". In addition 2 extra titles are included: "Badminton Girl", originally released in 2001 as part of the Split #15 12" with Main on Fat Cat Records (12fat045), now out of print. "Endless", previously unreleased.

Go to Item

Vladislav Delay

Anima

Blowback Grey Marbled Vinyl Edition

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2001’s »Anima« was the third album released by Sasu Ripatti under his Vladislav Delay moniker and marked a turning point in the stylistic development of the prolific producer. Clocking in at roughly 62 minutes, the single piece draws on dub aesthetics while working with Musique concrète-like methods through the liberal use of samples to create a dreamlike logic. Muffled voices, lush chords, subtle rhythms and indefinable sound events are not so much integrated into a composition with a predetermined outcome but rather engage with each other freely in a constant sonic flow, forming constellations in one moment before moving on to connect with other elements in the next one. »Anima« marked the first time Ripatti was using a DAW in his working process, creating a piece constantly in motion that subtly evolves over time. This vinyl reissue on the German Keplar label follows up on the 20th anniversary edition of 2000’s »Multila« and will be complemented by a ten-minute long version of the original piece, previously only available on the CD version released by the artist on his own Huume label in 2008.

After the release of his »Ele« and »Entain« albums in 1999 and 2000, respectively, Ripatti took the 1998 independent movie »Hurlyburly« as a conceptual starting point to experiment with different gear and production methods. »Until then I had worked with an old Msq-700 Midi sequencer and an Ensonic Eps16 sampler/sequencer that had one or two MB of sampling memory and mixed the music live on a Mackie, which was very limiting arrangement-wise,« says Ripatti. Loading a slightly shortened version of the film into his DAW however allowed him to play along to it with the DrumKAT Midi controller, triggering and playing all the sounds that can be heard on »Anima« while also contributing synths, bass and other sounds during repeated playthroughs before mixing a total of six stereo tracks together. »This way, after I had edited out most of the few parts that had music in them, I was in the movie; almost like an extra character playing music,« explains Ripatti. »This was certainly the most organic way in which I have ever made music, and I have never again approached another record like this.«

While »Anima« sounded like an unusual Vladislav Delay record at the time of its release, it also prefigured many of the developments Ripatti would go through in the course of his long career. Combining visceral immediacy with a sense of abstraction, it is far more than a mere missing link in his discography but rather a conceptually and musically outstanding piece of work that remains as engaging as it was 21 years ago.

Go to Item

Tricky

LP | 2001 | EU | Reissue (Anti)

LP | 2001 | EU | Reissue (Indies Scope)

Release: 2001 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On Blowback Tricky works with Ed Kowalczyk, the singer with the band Live, Alanis Morissette, the Red Hot Chili Peppers, Ambersunshower, Cindy Lauper and Chris Blackwell's signee Hawkman. The album is full of contrasts and surprises. The excitement and the imagination and the sheer audacity that made the first album 'Maxinquaye' such a ground-breaking record are back. "When I made that first album I had a dream of changing the world," Tricky says. "You realise after a couple of years you aren't going to do that and its all a load of bullshit. Which is OK and you carry on. But now I've got my dream back. Music has stood still or five years and it's time to change it around again.

Go to Item

Iva Bittova

Cikori

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nathaniel Merriweather Presents Lovage Avec Michael Patton & Jennifer Charles

Music To Make Love To Your Old Lady By Black Vinyl Edition

2LP | 2001 | US | Reissue (Bulk)

Idiology White Vinyl Edition

Release: 2001 / US – Reissue

Genre: Hip Hop, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Finally reissued for all those that can't spend three digit amounts for the original pressing. A true gem.
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.

Go to Item

Mouse On Mars

LP | 2001 | US | Reissue (Thrill Jockey)

Release: 2001 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Idiology was originally released in 2001 and is now finally back on vinyl. This re-issue is pressed on white color vinyl and presented in a die cut jacket with artworked inner sleeve and free download card. From their beginnings in 1992, Cologne native Jan St. Werner and Dusseldorfer Andi Toma have consistently challenged electronic music's paradigm in often surprising and always intriguing ways. Idiology is the duo's seventh album and is no exception to this rule, as Mouse on Mars surround themselves with strings, woodwinds, brass and the band's own heavily modified fleet of machines in the St. Martin's Tonstudio. Fans should once again brace themselves for the inevitable shock of the new as Germany's most irreverent audio renegades have created the perfect soundtrack for a highly sinister dance party. Kicking off with "Actionist Respoke", the album's first single, Mouse on Mars officially declare their independence from glitchtronica's shoegazing legions. Longtime collaborator Dodo Nkishi lends a uniquely warped vocal sensibility to the track which already features Mouse on Mars's darkest grooves to date. The rest of the album continues to thicken the group's sonic stew. Tracks such as "Presence" and "Catching Butterflies With Hands" have their populist intentions undermined by Werner and Toma's meddling hands, while the duo reprise their flirtation with the orchestral as heard on the opening tracks from 2000's Niun Niggung. At the other end of the spectrum, "Introduce" is a truly evil slice of twisted lympho-zoid hip-hop. Idiology takes no prisoners in its dual-pronged assault on the conventions of modern music. Only with the loungy closing number, "Fantastic Analysis" (a term Werner and Toma invented to describe their working process), do Mouse on Mars let the arrangements breathe a long sigh of relief, the calm after the storm. To enable these stylistic achievements Mouse on Mars enlist the help of partners in crime such as: Nkishi, the multi-talented Harald "Sack" Ziegler, house icon Matthew Herbert on piano, violinist Matty Arouse, in addition to fellow programming wizards Adam "Vert" Butler and F.X. Randomiz. The latter two toured with Mouse on Mars in 2000 as they successfully triumphed over audiences around the globe.

Go to Item

CD | 2001 | EU | Reissue (One Little Independent)

Vespertine

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2001 | EU | Original (City Centre Offices)

Zorn

Eckermann/Vian

10,99 €*

Release: 2001 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nathaniel Merriweather Presents Lovage

Music To Make Love To Your Old Lady By Instrumental Version Red Vinyl Edition

2LP | 2001 | US | Reissue (Bulk)

LP+7" | 2001 | EU | Reissue (Staalplaat)

Release: 2001 / US – Reissue

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

You knew they would be reissued, too, right? So here they are, the instrumentals. Opaque red vinyl edition. While stock lasts, we won't get more copies after this.

“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.”

Go to Item

Muslimgauze

Eye For An Eye

The Opening Of The Cerebral Gate

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The first complete version of »Eye For An Eye« including the two unreleased tracks »Sub Cahra« pt1 & pt2 that were not on the first vinyl release. »Eye For An Eye« sounds very much like Muslimgauze material from 1993 (»Salaam Alekum Bastard«, »Veiled Sisters«). Much more laid back than their later output. Sometimes the distorted glitches and rapid stop - start cuts of later releases gets on my nerves. This one, like most of their others sounds dark, dirty and hot.

Go to Item

Transllusion

3LP | 2001 | DE | Reissue (Tresor)

42,99 €*

Release: 2001 / DE – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Open Close Open EP Clear Vinyl Edition

Robert Lippok

10" | 2001 | Reissue (Morr Music)

LP | 2001 | EU | Reissue (Fastcut)

Release: 2001 / Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In 1998, Carsten Nicolai, also known as Alva Noto, visited a sound installation created by Robert Lippok for a group exhibition in Weimar, Germany. Soon after, he invited Lippok to release music on his label raster-noton. "Open Close Open" was released in 2001 and marked the beginning of Lippok"s solo career. Before, Lippok had already played in Ornament und Verbrechen (with his brother Ronald Lippok) and To Rococo Rot (with Ronald Lippok and Stefan Schneider). The source material for "Open Close Open" initially served as a soundtrack for a video by Takehito Koganezawa, a visual artist from Japan. For this remastered vinyl reissue, Lippok revisited the original sound material and produced a new track called "Licht."

Go to Item

Monoland

Cooning

50,99 €*

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-05

LP | 2001 | US | Reissue (Kranky)

Windy & Carl

Consciousness

2LP | 2002 | EU | Original (City Centre Offices)

Release: 2001 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The fourth album from Michigan’s premier space duo, again delivers their shimmering trademark wall of sound, beautiful vocalization, and delicate songcraft. Six sweet and easy new tracks recorded in their home studio in Dearborn, that drift and dream with layered guitars, keyboards, bass and a love-arsenal of delicious effects and distortion.

“These two won’t be happy until they find a combination of sounds that encompasses all feeling, at which point they will then stretch that chord to the vanishing point.” —Pitchfork

“Perhaps it’s a prayer, perhaps a blessing, perhaps a poem full of questions—it hardly matters. Humble, moving, and brilliant.” —All Music

“The Windy & Carl listening experience is akin to the period of peace when one is about to succumb to slumbering; the body is hypnotized yet the mind becomes more and more lucid.” —Tape Op

“There is an airy shaft of light that extends straight through these six extended pieces, offsetting the density of sound with a breezy loveliness that’s almost impossible to articulate, towering on a floating sea of mesmerising, sub-level sounds.” —Boomkat

“Genre descriptions such as ‘ambient guitar soundscape’, ‘wall of sound’ and ‘drone’ fail miserably to capture the astonishing, magical emotional beauty of their pieces.” —Cyclic Defrost

Go to Item

Denzel & Huhn

Time Is A Good Thing

21,99 €*

2LP | 2002 | US | Reissue (Chocolate Ind.)

Release: 2002 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Original old stock.

Go to Item

Caural

Stars On My Ceiling

18,99 €*

Release: 2002 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3LP | 2002 | UK | Reissue (Warp)

Boards Of Canada

Geogaddi

2LP | 2002 | UK | Reissue (Warp)

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era.

Go to Item

Nightmares On Wax

Mind Elevation

2LP | 2002 | US | Reissue (Astralwerks)

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Nightmares' instant classic "Mind Elevation" finally re-issued, including a donwload card!

Go to Item

Chemical Brothers

Come With Us

Release: 2002 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One Offs … Remixes & B-Sides

Bonobo

2LP | 2002 | UK | Reissue (Tru Thoughts)

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Smile In Your Face Featuring Muro Record Store Day 2021 Edition

Boo

7" | 2002 | JP | Reissue (Universal Music Japan)

CD | 2002 | US | Reissue (Important)

Release: 2002 / JP – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day Japan 2021 Drop 2 release. From the EP released in 2002, MURO (producer / DJ), BOO (singer), and Ryoki Matsumoto (composer/arranger) boldly sampled Tatsuro Yamashita’s “Sparkle” to create an R & B flavored song.

Go to Item

Merzbow

Merzbeat

17,99 €*

2LP | 2002 | EU | Reissue (Faitiche)

Release: 2002 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Merzbow's Merzbeat is one the most unique and legendary titles in the artist's vast archive. This 20th anniversary repress is being issued at the same time as CD reissue of his 1983 album Material Action 2 and a brand new collaboration with Arcane Device, all on Important Records.

Originally released in 2002, Merzbeat contains over 50 minutes of aggressive, psychedelic, organic, analog beat oriented Merzbow compositions. Drummed rhythms, massive looping samples, a punk spirit and a return to analog Merzbow.

KID 606 called it 'one of the greatest thing Merzbow has ever done.'

Go to Item

Farben (Jan Jelinek)

Textstar+

Mastered By Guy At The Exchange Blue Vinyl Ediiton

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On textstar+ Jan Jelinek brings together the material from the Cmyk series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period. ________________________________________ A Polaroid. Still life with tangled leads and consumer electronics, late twentieth century. Black and various shades of dirty white are the dominant non-colours. The image’s spatial depth remains diffuse, the links between its elements speculative. A note stuck to the wall (a legend, perhaps, or an all-explaining blueprint in text form?) is impossible to decipher. You can’t see what connects the picture’s signs. You have to hear it. farben says: Every sound is a text. A bearer of meaning in search of a reader. Hoping the ideas inscribed in its autonomous existence will be understood as intended. While its beauty lies precisely in misunderstanding, in reading the coded message a new way every time. A thousand colours of sound, a thousand different ways to hear, to see, to understand. On textstar+ Jan Jelinek brings together the material from the Cmyk series, four EPs he released between 1999 and 2002 under the pseudonym farben (the German word for both colours and paints), on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period. Another new element is the Polaroid, showing the origins of a world: Jelinek’s home studio in Berlin at the time. farben says: Move your body! The project has its roots in Jelinek’s love of house as a reductionist vision of soul. Of four to the floor as a proposition that can be accessed anywhere. Of electronic dance music as a realm of possibility that can be continually expanded. farben was written as contemporary house music. As a text about excitement and euphoria. The arrangements were made directly while recording to DAT, on a twelve-channel mixing desk. Several track titles suggest a link to live concerts, coupled with the context of machine music and bedroom recording. Others affirm pop music’s most extravagant stock phrases about various states of love. Jelinek produced the tracks with the aim of making music for dancefloors. An idea that failed very productively. In the locations to which it was originally addressed, the project barely figured. But people did listen, and they listened all the more closely to this music that opened up new acoustic and associative scope for house. farben is the opposite of genre: a music spawning new terms (clicks & cuts, micro-house) that never manage to fully capture it. farben says: Signifiers. The four Cmyk EPs are designed as a network of references that cannot be missed but that can also never be precisely deciphered. The vectors of sound, word and image point to Isaac Hayes and Ornette Coleman, to Detroit and the first generation of the Red Army Faction, to Karl Marx and Friedrich Engels. So multifarious that they are distorted to the point of recognition. Overall we hear sonic docufictions whose appealing vagueness derives precisely from this oscillation between clarity and ambiguity, which is also the source of their poetry: the lyricism of the pure circulation of signs. The artwork is based on photographs of former Red Army Faction members, broken down into the four colours of the Cmyk model. The motifs dissolve into individual dots of a single colour, so close to the faces that their expressions are only hinted at. Taken together, the individual colours compose a new whole out of fragmentary material, defying definition and thus maintaining their vibrancy. The same occurs on the level of sound. The sampler Jelinek used for these tracks had to be fed with floppy disks, imposing a memory limit of 1.44 megabytes per audio quotation from soul or jazz records. As a necessary consequence of this, the individual references, like the dots of colour, are dissolved into details and abstractions. They appear as splinters that recombine in new ways to create new meanings. The joy of collapsing metaphors. farben says: New departures. Even two decades after its original release, textstar+ does not come across as an epitaph to the modern era. Instead, it appears as a euphoric affirmation of the utopias of the twentieth century, translated into new sound texts via the aesthetic strategies of abstraction, collage, networking and speculation. 1.44 megabytes of history, one thousand signifiers, one album. From “Live ...” to “... Love”. Arno Raffeiner, 2021

Go to Item

Max Tundra

LP | 2002 | UK | Reissue (Domino)

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2002 | EU | Reissue (Keplar)

Ekkehard Ehlers

Plays

LP | 2002 | US | Original (Schematic)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ekkehard Ehlers' seminal plays series was originally released on three 12inches (Staubgold) and two 7inches (Bottrop-Boy) in very limited runs. The entire series was previously only available as a CD compilation or digitally. Keplar finally presents it on double vinyl for the first time, featuring a new cover artwork. Domestic ethnology: Ekkehard Ehlers plays. ‘Play’ is a word in English with many meanings attached. Each one sends you down a different cognitive pathway. When I think of ‘playing’, in the sense of a game, I think of an activity involving more than one person. When Ekkehard Ehlers plays, he is very much on his own. Or, at least, alone but at the same time keeping intimate company with the artistic innovators named in his titles. Robert Johnson. John Cassavetes. Albert Ayler. Cornelius Cardew. Hubert Fichte. Is he playing with them, against them, about them, for them, to them? This can never be known. It is certainly a mistake to try to hear the ‘work’ of these originals in the sounds played by Ekkehard. They’re not cover versions. They’re hardly tributes in the conventional sense. Cassavetes and Fichte are not even musicians, although music played an important part in both their careers. Sure, there are little nods and flashes of recognition – tiny guitar licks among the minimal beats of ‘Robert Johnson 2’; rich bowed instruments in ‘Albert Ayler’, recalling the violin, cello and double bass arrangements on Ayler’s 1967 Live in Greenwich Village LP; the elongated organ lines of ‘Cornelius Cardew 1’ gesturing towards passages in Paragraph 1 of the British composer’s 1971 Marxist monolith, The Great Learning. Ekkehard is not so much playing these figures as allowing himself to be played by them. Playing as an activity also suggests freedom. Maybe the only thing all five named persons have in common is that they were all quiet radicals. In music, literature and cinema, they all stepped, without self-promotion or fanfare, into unmapped territories. Once there they found it necessary to invent new languages in order to survive. Necessity was the mother of their inventiveness. They were also uncomfortable avant gardists. Lonely types, fighting their corners out on the margins, with little reward, often misunderstood, ridiculed or ignored. All died unfairly young. Fichte a victim of Hiv/aids, Cassavetes of cirrhosis of the liver. (‘Cassavetes 2’ sounds like a tender farewell played across the 59 year old alcoholic director’s death bed.) The deaths of Johnson, Ayler and Cardew have never been satisfactorily explained, and remain shrouded in myths and conspiracy theories. The pioneering expeditions of all five began in that spirit of playful freedom, but inexorably drew them towards the heart of darkness. So these ‘plays’ are micro-dramas, sonic soliloquies, monolog-ins to the private accounts of various geniuses in Ekkehard’s ‘follow’ list. Hacked sensibilities. Artistic manifestos boiled down and distilled, skinned and dried in the digital smokehouse. (Ekkehard Ehlers Flays.) Each of these plays was originally floated out into the world alone on its own disc. The collected works play well as a team – a tranquil, introspective experience where each artist has his own identifiably unique sound character. As an album, Plays is a ‘Plattenragout’ – a ‘record stew’ – which was the title of Hubert Fichte’s LP review column in the leftist culture magazine konkret in the 1960s. The novelist’s work investigating the cultures of South America and the Caribbean islands has been called ‘domestic ethnology’. The writer himself referred to his ‘ethnopoesie’. Ekkehard Ehlers’s intuitive electronic portraits are a form of domestic ethnology in themselves. Invoking another of Ekkehard’s musical aliases, they are portraits of cultural ‘autopoiesies’ – creators whose works were strong enough to have their own self-regenerating life force. (by Rob Young)

Go to Item

Dino Felipe

Xanaconversex

18,99 €*

Release: 2002 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Well-Suited For General-Purpose Audio Work

V.A.

2LP | 2002 | US | Original (Schematic)

Release: 2002 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2002 | US | Original (Schematic)

Dino Felipe

As Flim Toby

Release: 2002 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

You Can Feel Me 20th Anniversary Black Vinyl Edition

Har Mar Superstar

LP | 2002 | EU | Reissue (Love Online)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the 2nd album by Har Mar Superstar. It was originally released on Record Collection/Warner Bros in 2002. The album features collaborations with Beth Ditto, Eric Olsen, Howard Hamilton III, Dave Gatchell, Dirty Preston, Clark Baechle, Jacob Thiele, Tiny E, and many more. The lead-off single Power Lunch became something of an international indie hit, and Har Mar Superstar performed at festivals all over the world culminating in a four month residency at the legendary club Manumission in Ibiza. This was the last album where Sean Tillmann would pretend he was his own brother, Harold Martin Tillmann.

Go to Item

CD | 2002 | EU | Original (One Little Independent)

Greatest Hits

Merzbeat Pink / White Vinyl Edition

Release: 2002 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Greatest Hits as chosen by her fans. This ex-Sugarcube has emerged as not only an international superstar, but one of the most bewitching artists in modern pop. This compelling best of contains It's in Our Hands joins Human Behavior; Big Time Sensuality; Play Dead; Possibly Maybe; All Is Full of Love; Army of Me; Venus As a Boy; Hidden Place; Hunter , and five more!

Go to Item

Merzbow

LP | 2002 | MX | Reissue (Aurora Central)

59,99 €*

Every Day 20th Anniversary Colored Vinyl Edition

Release: 2002 / MX – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

A beautiful and distorted dream of drum samples, jazz, swing, noise and bliss by Harsh Noise giant, Masami Akita (Merzbow), remastered for the first time since its original release in 2002. To celebrate the 20th anniversary of this incredible albu we are doing a limited second edition, gatefold, vinyl pressing on white/ pink colored vinyl limited to 300 copies worldwide. It includes updated artwork by the artist. Consider by many a landmark album and a turning point in Merzbow’s discography, Merzbeat serves as a powerful introduction to the world of experimental music.

Go to Item

The Cinematic Orchestra

3LP | 2002 | UK | Reissue (Ninja Tune)

41,99 €*

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2002 | EU | Reissue (Keplar)

Arovane

Icol Diston

Merzbeat Pink Cassette Edition

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The »Icol Diston« compilation, released in 2002 on DIN, comprised the three first EPs released by Uwe Zahn under his Arovane moniker. Following up on vinyl reissues of his path-breaking debut album »Atol Scrap« as well as 2000’s »Tides,« the German Keplar label finally makes »Icol Diston« available in its entirety on vinyl for the first time in a remastered version with new artwork. This expansive reissue sheds a new light on Zahn’s first two outings as a producer on the »I.O.« and »Icol Diston« EPs on Torsten ›t++‹ Pröfrock’s legendary label as well as highlighting his radical inventiveness as a remixer with the two renditions of Pröfrock-produced material offered on »AMX.« Taken together, these musically complex and emotionally rich electronic compositions form the prologue to an artistic story like none other while also documenting a very specific era in cultural history. The energy running through Berlin and its boundaryless electronic music scene at the end of the 1990s is reflected by and refined through these eleven tracks. »There was an overwhelming dynamic of liberation reverberating through the city—through the clubs, the arts, the people,« says Zahn today. At this early stage in his career, he had a head full of ideas and slowly started filling up his studio with samplers, synthesizers, and sequencers to put them into practice. »I would compose percussive structures in my mind during long metro rides and record them once I was back at the studio as well as composing melodies spontaneously on my sequencer.« The Yamaha Qy700 would become his sketchbook that allowed him to experiment with different patterns, creating polymetric figures out of discrete musical elements. Zahn’s sessions, recorded live in stereo and straight to DAT, resulted in two very different EPs of original material. His debut »I.O.« showcases a playful and gentle, albeit dubby and at times moody aesthetic. The four tracks are exercises in sonic worldbuilding, creating vast spaces and filling them with a plethora of intertwining melodies and rhythms. Its successor »Icol Diston« drew on similar parameters, but painted a very different picture in terms of atmosphere and mood. »Berlin’s history felt still so tangible and yet somewhat ghostly during the 1990s, and it is a reflection of all that,« explains Zahn. »The weight of its past, starting with World War II up to the end of the GDR, clashed with an atmosphere of departure, a new zest for life among the people in the city.« It is perhaps no surprise then that the five tracks put a firmer focus on beats, at times even approximating techno or electro grooves despite never eschewing the complexity that is so central to Zahn’s work. The »amx« EP features two remixes of tracks originally produced by Pröfrock under two different guises. »Außen vor« had been released under his Dynamo moniker and was reworked by Zahn after having been introduced to his label owner’s Studio 440 sampler, sequencer and drum machine. By leaving the groove at the core of the original track mostly intact but infusing it with more dub as well as anthemic synth drones, Zahn gave it more depth both sonically and emotionally. With his remix of »No. 8,« released under Pröfrock’s tongue-in-cheek pseudonym Various Artists, Zahn followed a more radical approach which led him even deeper into dub territory. »I used a relatively short sample as the tonal foundation and then added an incredibly deep bass and percussive elements,« he explains. Widely different from the original version, it perfectly translated the spirit of this singular masterpiece into another stylistic idiom. The »Icol Diston« compilation is imbued with a forward-thinking spirit that remains exhilarating until today. It captures the sound of one unique artist, but also electronic music during that time more broadly. This is the sound of opening a new chapter, the willingness to venture into the unknown.

Go to Item

Merzbow

Tape | 2002 | MX | Reissue (Aurora Central)

LP | 2002 | EU | Reissue (Roadburn)

Release: 2002 / MX – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Yen Pox & Troum

Mnemonic Induction

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2002 | EU | Original (3B)

Granlab

Fear

6,99 €*

LP | 2002 | JP | Original (Nippon Crown)

Release: 2002 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

slamming raw Techno cuts

Go to Item

Serani Poji

One-Room Survival

63,99 €*

Release: 2002 / JP – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Serani Poji's second album, produced by Yukihiro Fukutomi, is a colorful and cute piece featuring various sound coatings such as lounge, house, bossa, and techno.

Go to Item

Moon's Milk (In Four Phases) Clear Vinyl Edition

3LP | 2002 | US | Reissue (Dais)

62,99 €*

2LP | 2002 | Reissue (Real Gone Music)

Release: 2002 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-Super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness. Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)"). Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future." The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall's doomed, beautiful voice. The Dais box set includes the entirety of the rare Moon's Milk Bonus Disc Cd-r / 2019 Threshold Archives Copal CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus MacLise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation - both sonic and bodily. From postindustrial to post-everything, theirs is an art untethered, in the wilds of its own design.

Go to Item

Southern Hummingbird

70,99 €*

Release: 2002 / Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2003 | UK | Original (Skint)

International Pony

Leaving Home

10,99 €*

CD | 2003 | EU | Original (Virgin)

Release: 2003 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Radio Slave remix / Product.01 remix

Go to Item

Massive Attack

100th Window

13,99 €*

Release: 2003 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2003 | UK | Reissue (Ninja Tune)

Skalpel

LP | 2003 | EU | Reissue (Dancing Bear)

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Back in print after 10 years! Repressed on 180 gram vinyl incl. Download code!

Go to Item

The Bambi Molesters

Dumb Loud Hollow Twang

A Strangely Isolated Place

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram vinyl

Not many acts who continue for a few albums get a chance to go back and take care of what they might see in retrospect as mistakes or tentative starts — but there are always glorious exceptions. Thus the course of events that led to the Croatian surf-rock quartet The Bambi Molesters rerecording their 1997 debut Dumb Loud Hollow Twang in a ‘deluxe’ edition, with special guests, bonus tracks and more besides.

What might have seemed a quixotic exercise gets explained in the liner notes — the album’s original run, though popular in surf-rock obsessive circles, had not resulted in a reprint, while the group’s growing popularity resulted in further demand and attention for the start. The band themselves felt the debut was far too rushed — it was literally recorded in three hours as a one-take rip with instrument leakage and bad mixing ruining the impact — so with more time to spare and a chance to flesh out the sound, the result was 2003’s Deluxe.

The quartet’s command of the surf vernacular is unparalleled — guitarists Dalibor Pavicić and Dinko Tomljanović have the reverb down and rhythm section Lada and Hrvoje Zaborac shift between mania and moodout with ease. The guest musicians add just the right touches — keep an ear out for Neven Franges’s piano on the late-night menace of “Pearl Divin’”, as well as on the smoky Eurospy vibe of “Sun Stroke” and a trumpet/sax duo on a variety of songs adding some further sting.

If the overall effect is pleasantly reverential rather than a striking new reworking of surf and garage roots, it’s still a solid result that works beyond mere genre exercise. The bonus tracks are all covers, and winners they are — the Molesters collaborator in the Strange project, Chris Eckman, adds whispering menace to “Restless”, the album’s sole vocal track. Best song title of the bunch — “Beach Murder Mystery.” (Ned Ragget, All Music Guide, 2005)

Nothin’ dumb about this one! The Bambi Molesters hail from Sisak, Croatia, and they play a slightly dark brand of traditional instrumental surf music. They’re all about subtlety. Lead guitarist Dalibor Pavicić lays back in the mix, painting the sound with dreamy apparitions of melody and tone. How much of this was always part of their formula, and how much producer Phil Dirt created at the console, I don’t know, but either way they’re onto something good here.

All fifteen tunes were written by Pavicić and guitarist Dinko Tomljanović, and that’s surprising enough for such a young band, but on top of that, all fifteen are exquisitely crafted and fully realized. “Sun Stroke” is one of the most beautiful surf tunes of the year, filled with passion and power and delivered with a delicate touch. If you fancy a twist of spy in your surf, “Beach Murder Mystery” is the bomb. By the way, if you’re voting for great titles of the year, you may want to consider “Standing on the Nose in a Stylish Manner”, which also happens to be a killer surf tune. So add Croatia to your surf scene map and keep an eye on The Bambi Molesters, because they’ve officially taken their place in the book of who’s who. (DJ Johnson, Cosmik Debris, 1998)

A stunningly good set of tracks from the only surf band in Croatia. Their writing is melodic, pristine, well structured, and unique. I find their slower material to be the best, with its stellar beauty and delicate balance between lead and rhythm. I’ve been communicating with the band for about a year, and earlier this year, they asked me to produce their album. I was honored. They laid down 16 track ADAT in Croatia, and mailed them to me in the US. I mixed them here, and mastered them as well. Based on the DAT I’d received late last year, I was expecting good tracks. I was not prepared for just how good they’d turn out to be. This will be a classic of the future. (Phil Dirt, DJ KFJC)

Dancing Bear Band Information (from 2005)

Formed in 1995 under the influence of 60’s garage and surf classics, the Croatia based band The Bambi Molesters won sympathies of rock critics and underground rock audience with their first album “Dumb Loud Hollow Twang” which was released in 1997. Since then they have been playing regularly in Croatia and all over Europe and their fiery and energetic live performances have helped to build their reputation as one of the finest and most original contemporary instrumental bands.

In 1999 the band signed the record deal with Dancing Bear. They released their second album called “Intensity”. The same LP was also released in Germany on Kamikaze Records. Both “Intensity” and “Dumb Loud Hollow Twang” gained positive reviews in the music press and were nominated in various categories of the Croatian music award.

In December 2001 The Bambi Molesters released their 3rd CD “Sonic Bullets: 13 from the Hip” (the LP version is from 2003) with the following guests: Peter Buck (REM), Scott McCaughey (Minus Five, REM touring band), Chris Eckman (The Walkabouts), Terry Lee Hale and Eduardo “Speedo” Martinez (The Flaming Sideburns). Just like the previous one, the new The Bambi Molesters album was published by the Croatian record label Dancing Bear. The CD got excellent reviews in various magazines (Mojo, Uncut, Pitchfork, ...) and received the Croatian journalist award for the best album of the year 2001.

In June 2002 “Sonic Bullets: 13 from the Hip” was licensed by ACE Records and was released on their Big Beat label.

The Bambi Molesters’ songs are regularly played on American (KFJC, KFAI, KXLU, WREK, WHUS) and British (BBC RADIO 1 in London) radio stations. The song “C Alpha E” was included in the movie called “The Treat” by Jonathan Gems (screenwriter for “Mars Attacks” and “1984”). Their music can also be heard in videos (“Cross Cuts” for Tonix Pictures and Dragonfly BMX video). Three songs from the first LP are included in the movie “Barabe” (Viba film, Slovenia). During the last couple of years the band has played more than 100 gigs and supported well known acts including The Cramps, REM, Chrome Cranks, Man or Astroman,...

In July 2003 the band played as a support at the R.E.M. European tour. The Bambi Molesters played at three gigs in front of 50000 people altogether.

In June 2004, together with The Walkabouts singer Chris Eckman they formed The Strange. Their debut album “Nights of Forgotten Films” is out on Dancing Bear.

Go to Item

Ulrich Schnauss

2LP | 2003 | EU | Reissue (Scripted Realities)

25,99 €*

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2003 | EU | Reissue (Hôtel Costes / Pschent)

Stéphane Pompougnac

Hôtel Costes 6

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2003 | EU | Original (Monika)

Chica And The Folder

Schatulle

12,99 €*

Release: 2003 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2003 | US | Original (Schematic)

Dino Felipe

Spreadder

9,99 €*

Release: 2003 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2003 | EU | Reissue (One Little Independent)

Debut Live

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

All the songs included (except "Venus as a boy") were taken from Björk's 1994 MTV Unplugged.

Go to Item

CD | 2003 | EU | Reissue (One Little Independent)

Post Live

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2003 | EU | Reissue (One Little Independent)

Vespertine Live

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2003 | UK | Reissue (Ghost Box)

Eric Zann

Ouroborindra

21,84 €* 22,99 € -5%

2LP | 2003 | EU | Reissue (Pingipung)

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We're absolutely delighted to announce the reissue of Ouroborindra on the Ghost Box Records label.

Ouroborindra was first released in 2005 on Cd-r, and now re-issued on CD and, for the first time, on Vinyl. Eric Zann was an alias for the more experimental work of Jim Jupp, aka Belbury Poly and Ghost Box co-founder.

Inspired by early 20th century cosmic horror fiction, Ouroborindra sets out to conjure up it's own awe inspiring and chilling imagery. It's drone music with melodic elements, stitched together with synthesizers, samples, found sound and effects.

Another exceptional reissue from the consistently excellent Ghost Box.

Go to Item

Umeko Ando

Upopo Sanke

30,99 €*

The Stix 20th Anniversary Orange / Red Vinyl Edition

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Upopo Sanke“ means “Let's sing a song" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric quality in a vocal style that is perhaps best described as elastic and breathing. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.

Upopo Sanke was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki Kano about the stories of the 14 songs. Oki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.

The Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation.

"Upopo Sanke" was mixed again in part by Oki Kano, before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic. This album was the second album by Umeko Ando, the follow-up to „Ihunke" and also re-released in 2018 by Pingipung together with Oki Kano.

Go to Item

Jaga Jazzist

2LP | 2003 | UK | Reissue (Ninja Tune)

Release: 2003 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lambent Material Dark Red Vinyl Edition

Eluvium

LP | 2003 | US | Reissue (Temporary Residence)

30,99 €*

Release: 2003 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2003 | EU | Reissue (Keplar)

Tujiko Noriko

From Tokyo To Naiagara

2LP | 2003 | EU | Reissue (WeMe)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Keplar presents the first-ever vinyl edition of the 2003 album »From Tokyo to Naiagara« by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, »From Tokyo to Naiagara« followed up on her two seminal Mego albums and marked a turning point in both the artist’s career and personal life: While she was preparing to leave Japan behind, she succinctly connected the dots between her experiments in pop music and her interest for more abstract sounds. Tujiko worked primarily with a Yamaha synthesizer and an MPC sampler while also incorporating contributions by other musicians such as Onda, Riow Arai and Sakana Hosomi into the pieces. Sometimes approaching an IDM and clicks’n’cuts-style production or working with trip-hop and hip-hop beats while using conventional song structures in the most unconventional of ways, the album showcases her multifaceted influences and skills as a singer and musician to full effect. Tujiko fondly remembers the time when she made the album. »I had a lot of time for myself back then and I didn’t even feel like I was very busy,« she says today. She describes producing it in close collaboration with Onda, who would relocate to New York City shortly after, as »quite Tokyo and very local.« They explored parts of the city that they hadn’t yet been to for a photography project (finding, among other things, a coin laundry called Naiagara—a transliteration of Niagara). This left its mark on a record that mixes melancholia with joy. The driving opener »Narita Made,« named after one of Tokyo’s airports, already makes this clear: Tujiko’s wistful vocals and lyrics like »I miss you terribly« emphasises the sense of bittersweetness that forms the common thread for a sonically diverse and stylistically open-ended album—this music is looking back while moving forward. It is probably no surprise that its reissue too evokes tender memories of Onda and Steinle in Tujiko, while also reminding her of what lies ahead. »I have so much more to do and not enough time for that,« she muses, before quickly adding: »But I also feel less alone having that album again.« Influenced in equal parts by the experience of strolling through previously unknown Tokyoite back alleys and thinking about the paths not (yet) taken, »From Tokyo to Naiagara« is precisely that: the perfect travel companion for a journey that leads its listeners from past to future.

Go to Item

Ceephax Acid Crew

Exidy Tours

2LP | 2003 | UK | Reissue (Late Night Tales)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc

Go to Item

Nightmares On Wax

Late Night Tales

32,99 €*

12" | 2003 | EU | Reissue (Alien Transistor)

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

The Late Night Tales compilation is a bit of a ‘stealth’ project for me personally. I’m very proud of it, but at the time, I probably didn’t appreciate it as much as I do now because there was so much going on. You do these things in-between touring and you don’t really have time to reflect on them because you’re immediately onto the next thing. It’s nice to know that it’s getting re-released.

Go to Item

Chronomad

8,99 €*

12" | 2004 | EU | Original (City Centre Offices)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Saam Schlamminger, born 1966 in Istanbul. Until the age of 12 years, he lived in Iran, since then main residence is Munich. A couple of visits at different musicians and teachers in Uzbekistan, Pakistan, Iran, New York and Paris for studying eastern rhythmics. Specialized in the instruments Persic Zarb and Daf, which he alienates electricly. Worldwide performances with artists of different styles, e.g. Susan Deyhim and the Notwist. Consultant and director of several documentaries abroad (Iran, Benin, Kurdistan, France, central Asia).

Go to Item

Donato Wharton

Built To Fail EP

9,09 €* 12,99 € -30%

Release: 2004 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2004 | EU | Original (Shitkatapult)

Das Bierbeben

Reproduktion / Staub

9,99 €*

Release: 2004 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

LP | 2004 | US | Reissue (Kranky)

Keith Fullerton Whitman

Antithesis

20,99 €*

2LP | 2004 | US | Reissue (Audika)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

REISSUED ON VINYL!!! Antithesis is an LP-only release of material from KEITH FULLERTON WHITMAN's archives that doesn't fit aesthetically with his Multiples studio album. The theme for the album is "ensemble works," that is, a combination of instruments played by Whitman himself with no computer interaction. Each piece was recorded in one of the different apartments Whitman has rented since he lived in Boston. Four tracks performed with Fender Rhodes piano, viola, guitar, and percussion.

Go to Item

Arthur Russell

Calling Out Of Context

48,99 €*

2LP | 2004 | EU | Reissue (Music On Vinyl)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

When Arthur Russell died in 1992 he left an overwhelming archive of over a 1000 tapes that reveal the sublime genius of one of the most important musicians of the last 25 years. As a cellist, songwriter, composer, and disco visionary Arthur Russell consistently blurred the lines of our expectations of what pop music could be. Originally from Iowa, Arthur travelled west in 1970 to study Indian classical composition with Ali Akbar Khan, befriended Allen Ginsberg, performed with Alice Coltrane, and then moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown scene, Arthur wrote and performed his minimal compositions (captured on Instrumentals and Tower Of Meaning. Both to be re-issued by Audika) and collaborated with a who’s who of some of New York’s most influential artists including Rhy’s Chatham, Ernie Brooks, David Byrne, Phillip Glass, Laurie Anderson, Jon Gibson, Robert Wilson, Christian Wolff, John Cage, Arnold Dreyblatt, and Phill Niblock.

It then changed by a mere accident. Simply, he went to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most important records of the disco era including ‘Kiss Me Again’, ‘Is It All Over My Face’, and co-founded Sleeping Bag Records with partner Will Socolov releasing ‘Go Bang’ and the album 24-24 Music. In 2002 Audika Records entered into an exclusive licensing agreement with the estate of Arthur Russell to issue previously unreleased and out of print material from Arthur’s vast archive. The first album Calling Out Of Context , features 12 previously unreleased tracks recorded during Arthur’s prime years 1985-90. The material is drawn from Corn, an album that was completed in 1985 but never released, and an abandoned album recorded for Rough Trade as Arthur had become ill. Many of these tracks show hidden sides of Arthur’s talent and underline the loss of his great potential. Contrary by nature, Arthur’s spontaneous reaction and altered perception to his environment produced music that remains challenging and contemporary. Arthur’s open hearted attitude to music was far ahead of it’s time, and now that time is ours.”

Go to Item

DJ Krush

Jaku Black Vinyl Edition

LP | 2004 | EU | Reissue (Karaoke Kalk)

Release: 2004 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Born in 1962 in Tokyo, DJ Krush is the internationally acclaimed producer, remixer and a DJ, who's produced music in vast variety of fields such as films, TV dramas and commercials. As a solo artist, he is greatly revered in the international club scene. His 8th album Jaku was released in 2004, and topped the RPM chart of CMJ for 3 weeks in the US.

Go to Item

Hauschka

Substantial

17,99 €*

LP | 2004 | US | Reissue (Thrill Jockey)

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Don’t shoot me, I’m only the piano player. The Scene: The Welsh mountains, remote and harsh, a special place. A good place to produce a special album. The characters: Volker Bertelmann in his friend Adam Fuests’ studio, equipped with only a piano and a laptop.

Go to Item

Mouse On Mars

Radical Connector