Drag City Vinyl, CD & Tape 140 Items

Release: US – Reissue

Genre: Rock & Indie

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She's A Beam / Milk Bird Flyer

Ty Segall & Cory Hanson

10" | UK | Original (Drag City)

20,99 €*

Release: UK – Original

Genre: Rock & Indie

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LP | UK | Original (Drag City)

No Age

People Helping People

Release: UK – Original

Genre: Rock & Indie

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LP | UK | Original (Drag City)

The 4th Movement

Release: UK – Original

Genre: Rock & Indie

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Alasdair Roberts, Amble Skuse & David Mcguiness

What News

2LP | UK | Original (Drag City)

Release: UK – Original

Genre: Rock & Indie

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Sound Mind Sound Body (30th Anniversary Edition)

Rafael Toral

2LP | UK | Original (Drag City)

Release: UK – Original

Genre: Rock & Indie

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2LP | UK | Original (Drag City)

Your Food

Poke It With A Stick

Release: UK – Original

Genre: Rock & Indie

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Singing Death Chants To The Stars

The Sundowners

7" | UK | Original (Drag City)

13,99 €*

Release: UK – Original

Genre: Rock & Indie

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LP | UK | Original (Drag City)

Russ Waterhouse

1 Minute 2 Midnight

38,99 €*

Release: UK – Original

Genre: Rock & Indie

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LP | 1988 | US | Reissue (Drag City)

Nuno Canavarro

Plux Quba

Release: 1988 / US – Reissue

Genre: Organic Grooves

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Ghost Clear Coke Bottle Green Vinyl Edition

Ghost

LP | 1990 | US | Reissue (Drag City)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Second Time Around Clear Blue Vinyl

Ghost

LP | 1992 | US | Reissue (Drag City)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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LP | 1994 | US | Reissue (Drag City)

Starlite Walker

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Temple Stone Clear Green Vinyl Edition

Ghost

LP | 1994 | US | Reissue (Drag City)

32,29 €* 33,99 € -5%

Release: 1994 / US – Reissue

Genre: Rock & Indie

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LP | 1995 | Reissue (Drag City)

Wild Love

Release: 1995 / Reissue

Genre: Rock & Indie

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LP | 2001 | US | Original (Drag City)

Rain On Lens

Release: 2001 / US – Original

Genre: Rock & Indie

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2LP | 2001 | US | Reissue (Drag City)

Faun Fables

Mother Twilight

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Mother Twilight is the second Faun Fables album. It has since been noted by Scottish author R.J. Stewart as a work containing true artifacts of the oral underworld tradition. Dawn and Nils made a hand-assembled first pressing and peddled it to nearly every bar and rural hall across North America from 2001-2003. Drag City reissued the CD in 2004.Things are glowing outside, enough to bring any sun worshiper in for the night. But you must remain outside and begin walking. It"ll prepare you for the night, which otherwise comes as a chilling surprise. If you pay attention this time, maybe you"ll understand why you"re becoming invisible. When your memory began, it wasn"t startling, wasn"t a mistake. It came out of an old, dark and familiar thing, like a storyteller, like Twilight... so save us from fear, mother, and tell your story.Dawn McCarthy"s creative background was forged in oral tradition amidst a large musical family in Spokane, Washington; studying piano, music theater, rock bands, guitar, folklore and ethnomusicology. Dawn cut her teeth as a singer and performer with various bands and cabarets in Madison, Wisconsin and New York City, most notably as yodeler with the Bindlestiff Family Cirkus, who inspired her to want a gypsy life with a kindred spirit someday. Her focus took a pivotal turn in that direction in 1997 with a solo quest through the UK and Ireland and their bardic traditions; singing songs in clubs and homes, all the while undergoing a pastoral, psychological experience with the land. Upon her return to the States, a fateful meeting with Oakland, CA born-and-raised Nils Frykdahl (Sleepytime Gorilla Museum) moved McCarthy back to the West to begin a new creative collaboration in the thriving hills and art community of the San Francisco Bay Area.Since 1999, Faun Fables have released six albums and performed their animist, otherworldly folk music across North America and Europe, with shows in Australia, New Zealand and Israel, as well. Dawn"s writing and voice (described by The...

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LP | 2003 | US | Reissue (Drag City)

Supper

Release: 2003 / US – Reissue

Genre: Rock & Indie

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2LP | 2004 | US | Reissue (Drag City)

Faun Fables

Family Album

2LP | 2006 | EU | Original (Drag City)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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Happy 20th birthday to Family Album, the third recording of Faun Fables and the first one released on Drag City. These songs belong to sons and daughters, entwined and orphaned, domesticated and feral; to all the family vines unraveling from a ball of yarn. In this family album, runaways graze the wild together, a mother finds her courage playing the piano, dogs become thieves and wolves, and a son is taken too soon. Fourteen-year-old nymphs sit dangerously at the crossroads, a younger brother tries to find his place, packs of girls defeat fear with a march, and the nightly adventures of the household mouse are spied upon.Dawn McCarthy"s creative background was forged in oral tradition amidst a large musical family in Spokane, Washington; studying piano, music theater, rock bands, guitar, folklore and ethnomusicology. Dawn cut her teeth as a singer and performer with various bands and cabarets in Madison, Wisconsin and New York City, most notably as yodeler with the Bindlestiff Family Cirkus, whom inspired her to want a gypsy life with a kindred spirit someday. Her focus took a pivotal turn in that direction in 1997 with a solo quest through the UK and Ireland and their bardic traditions; singing songs in clubs and homes, all the while undergoing a pastoral, psychological experience with the land. Upon her return to the States, a fateful meeting with Oakland, CA born-and-raised Nils Frykdahl (Sleepytime Gorilla Museum) moved McCarthy back to the West to begin a new creative collaboration in the thriving hills and art community of the San Francisco Bay Area. Since 1999, Faun Fables have released six albums and performed their animist, otherworldly folk music across North America and Europe, with shows in Australia, New Zealand and Israel, as well. Dawn"s writing and voice (described by The New Yorker as "one of the more compelling instruments in contemporary music") opens hearts and minds with a whisper to a rallying battle cry, further animated by Frykdahl"s adventurous musicality and vocals. Da...

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White Magic

Dat Rosa Mel Apibus

31,34 €* 32,99 € -5%

Release: 2006 / EU – Original

Genre: Rock & Indie

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12" | 2007 | US | Original (Drag City)

White Magic

Dark stars EP

Release: 2007 / US – Original

Genre: Rock & Indie

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Corky's debt to his father

Mayo Thompson

LP | 2008 | EU | Original (Drag City)

Release: 2008 / EU – Original

Genre: Rock & Indie

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incl. bonus 7"!

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Lookout Mountain, Lookout Sea

LP | 2008 | US | Original (Drag City)

29,69 €* 32,99 € -10%

Release: 2008 / US – Original

Genre: Rock & Indie

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LP+7" | 2008 | EU | Reissue (Drag City)

Gary Higgins

Red Hash

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 2009 | US | Original (Drag City)

Alasdair Roberts

Spoils

Release: 2009 / US – Original

Genre: Rock & Indie

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LP | 2009 | US | Original (Drag City)

God Is Good

The Calcination Of Scout Niblett

Release: 2009 / US – Original

Genre: Rock & Indie

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It’s been years now — just about two, judging from the sun. OM have done their time in the desert, and ever-changing, are returned. Today, they say, God is Good. Are you surprised? Perhaps you’ve haven’t understood what OM was saying to you. But perhaps you felt something. It’s true that the one way pursued by Om leads in many different directions. It is a mystic path. Songs come from innumerable sources, filtering through the external and the internal. Om albums are rituals, personal convictions transcripted into verse. Playing the music is visceral, emotional, a catharsis of soul and spirit. As the ghat liberates soul from body to the ultimate, so too do Om strive to disengage from the finite object of their objective mortal self to rest in the empty and timeless witness. And in doing so, they seek to release you as well. As ever, dynamic relationships and the slow building of mood are attenuations that shape the structures of God is Good. With careful microscopic increase, the energy grows through the four songs, leading towards moments that one could interpret…revelation? Oblivion? Awakening?

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Scout Niblett

LP | 2010 | US | Original (Drag City)

Release: 2010 / US – Original

Genre: Rock & Indie

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Received an 7.3 rating from Pitchfork.

The Calcination of Scout Niblett is the fifth soul-searing record from the musical entity known as SCOUT NIBLETT. Continuing her fruitful studio relationship with STEVE ALBINI, her new record is her most tightly coiled long-player yet, a heavy handful of songs that are reaching for the ripe and the light. People come to Niblett for the joy of a scalding hot bath of sound amidst stark, bluesy emoting—and she won’t let ’em down this time. But something has shifted. Having made herself a record or two’s worth of celebration ballads and moody freakouts, she seems to be hearing that call from within to feel for other things. The songs string together, almost as one, her guitar growls and bites, and the black velvet of space hovers. Just when the tension in the room and the filament of guitar can’t glow any brighter, suddenly a band erupts, accompaniment to her vision—and then back down to Scout and guitar. The Calcination of Scout Niblett is an intense devotional, a determined spirit journey and a collection of great slow-dance songs.

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LP | 2011 | EU | Original (Drag City)

Goodbye Bread

Release: 2011 / EU – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Drag City)

Ty Segall & White Fence

Hair

Release: 2012 / US – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Drag City)

Early Times 1990-1

Release: 2012 / US – Original

Genre: Rock & Indie

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2LP | 2012 | US | Original (Drag City)

Advaitic Songs

38,99 €*

LP | 2012 | US | Original (Drag City)

Release: 2012 / US – Original

Genre: Rock & Indie

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Philosophy/Religion. Where GOD IS GOOD was the first step in a more ornate and sophisticated direction for OM, ADVAITIC SONGS achieves a level of composition that would've been impossible to foresee. There remains the singularity of purpose that is the core of all OM records, but no single reason can account for this comprehensive nature of their evolution. On this album the core primary sound of OM remains, yet everything reaches further and becomes more of itself. Whatever drone-doom camp that OM had previously been placed in has been decimated by the sheer imagination and expansive quality of this recording. For a band that has continually followed its own course, and stood alone in its sound and approach, ADVAITIC SONGS for certain, is the band’s most focussed, progressive document.

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Sun Araw

The Inner Treaty

Release: 2012 / US – Original

Genre: Rock & Indie

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12" | 2012 | US | Reissue (Drag City)

Jim O'Rourke

Halfway To A Threeway

25,99 €*

Release: 2012 / US – Reissue

Genre: Rock & Indie

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It seems like it was only a few months ago that Jim O'Rourke changed everything with the release of the incredibleEureka. And if you actually think that, then by George, you're the Rip van Winkle of 90s rock! It hasn't even been a few months since Jim's big comeback record The Visitor, his first record in the mold of classic "pop music" O'Rourke albums like Bad Timing, Eureka and Insignificance. The Visitor was Jim's first solo e"ort in that arena in eight freakin' years too! Even if you're not an O'Rourke freak, if you're losing that much time in your life, you'd better have your head examined. Well, never mind-as long as people love it, here's another few sides of long-ago and far-away O'Rourke back on vinyl for the first time since way back in the mid-aughties. It's the "Halfway to a Threeway" 12"ep back to set turntables a-spinnin'! Fans of Eureka and Insignificance (not to mention Jim's tomfoolery as part of the Loose Fur band) will appreciate the analog pressing of these four slices of the pop music party-pooper combination of folk, classic rock, smooth jazz and a bit of the old avant-garde to help communicate the twisted ways of the misanthrope that made Jim such a perennial in the fickle world of record sales. A quick listen to the title track will hip you to our meaning: "Halfway to a Threeway" exposes our sweet soul-crusher as a lustful man-beast on the make. The song is a straight folk number-straight, that is, until you listen through the haze of those 6-string overtones and chirpy harmony vocals to hear the true perversity of O'Rourke's fantasies. The decadence of stardom seems to have turned Jim into not only a sex freak, but also a man who loves women of all persuasionsparticular the crippled and brain-dead kind! Don't listen to this song alone-at least, not with the drapes open. The whole record's a blast, and it hasn't really aged that much in the-what'th! elevenish years since it first spread like the strangely appealing odor that it is was and is. And now that it's back, the whole O'Rourke "There and Back Again" pop saga is available on LP once again, which brings us up to date-but not for long. Later this year, we're going to be bringing new O'Rourke tunes your way-possibly the greatest thing since he first sliced white bread way back on Eureka. You remember that? Ah, nevermind...

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LP | 2012 | US | Reissue (Drag City)

Early Times

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Flow on, silver juice, flow on...into the vein-streams of the nu generation via 90s classics like American Water and Starlite Walker and thence to the new century. They say time has no meaning, but we know otherwise. The pages of history condense eons and epochs into the stuff of mere chapters - sometimes as little as paragraphs - but how many lifetimes have we lived since the salad days and nightz of the original Silver Jews, when they walked the back-alleys of the earth just a scant couple decades ago? Since we"re asking pseudo-rhetorical questions, who knows how many fans of the arena-rock Silver Jews (circa Tanglewood Numbers and Lookout Mountain, Lookout Sea) even know of the humble-yet-powerful origins of the band captured in the hiss-laden boombox mics of 1990-91?Just a few guys in a room, that what makes these recordings: muppet baby versions of the David Berman, Stephen Malkmus and Bobby Nastanovich that we know today. There wasn"t much going on back then, though we"d hardly call it nothing. Still, these young post-collegiates were footloose and fancy-free, to say the least - working dayjobs with all the impermanence that implies - and not just working for the weekend, but trying to live the weekend every day of the week! Tough guys at a party; quick studies, quicker still with the wit. Legends of their own minds...prophets even. If only six-packs worked the way they did back then, then we might get together with them and see the light they saw on those endless nights-into-dawns. The stupid little laws they broke. The archaic little drugs they took. All these things that might not hardly mean anything anymore added up to make these songs, to make these moments in a room, captured so incredibly imperfectly! The air is still locked inside them; the space in the room has depth and definition, defying all laws of audio science. Now these moments feel like they"ll last for centuries, growing stranger all through time.The songs lodged here are the tracks from the original 7" EP "Dime Map of the R...

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Scout Niblett

It's Up To Emma

Release: 2013 / US – Original

Genre: Rock & Indie

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Al Cisneros of Om and Sleep

Ark Procession/Jericho

10" | 2013 | US | Original (Drag City)

Release: 2013 / US – Original

Genre: Rock & Indie

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Sleeper

Release: 2013 / US – Original

Genre: Rock & Indie

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Cave

Threace

Release: 2013 / US – Original

Genre: Rock & Indie

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Magik Markers

Surrender To The Fantasy

LP | 2013 | EU | Reissue (Drag City)

Release: 2013 / US – Original

Genre: Rock & Indie

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Received a 7.9 rating from Pitchfork.

Back working as a trio Magik Markers return with their first new album since 2009’s Balf Quarry. Surrender To The Fantasy kicks off with that hoary old trope of punk records, the song about the Chesapeake Valley Runoff and the mating cycle of crabs. After that kind of in-your-face Attenborough- core, where could the record go? Nowhere but everywhere, all the creepy outposts of American detritus from other times, when hitchhiking and h-bombs were still hot, viable new ideas, and on beyond zed-bra. “Acts of Desperation” is Shaggs-meets-Stones color commentary on driveway laying, your mom’s Merit Ultra-Light 100’s and the lengths we’ll go to filch a feel of some arcane notion of greatness. Here Pete Nolan has nixed his kit and Straps Field Handily into a galvanic psych lead. No lame attempt to smoke nutmeg for this jam; it scored real weed.

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Suarasama

Timeline

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2023 marks the twenty-eighth year of Suarasama; it is also the first year for this reissue of their 2013 masterpiece, Timeline. Irwansyah Harahap and Rithaony Hutajulu, Ethnomusicology lecturers at University of Sumatera Utara, founded Suarasama in 1995 after graduating from the University of Washington Ethnomusicology program. Their music, as expressed on both Timeline and Fajar Di Atas Awan (first issued in 1998, reissued by Drag City in 2008) is hypnotic and joyful; progressing ancient North Sumatran music concepts while referencing the music of adjacent ethnic traditions. "Dukkha," for example, was written combining Mandailing and Eastern European musical inspirations. Playing this song on African jembe, Indian sruti box and a European lute known as the mandolin, Suarasama instigate a musical synesthesia in the listener that may honestly earn and truly deserve the title of "world music." Throughout Timeline, this is largely due to Irwansyah Harahap"s master playing on a variety of stringed instruments including acoustic guitars, Malaysian gambus, mandolin, and an invention of his own design, the saz-guitar. Suarasama"s spirit and intention is further elevated by Rithaony Hutajulu"s vocals, as well as the skilled rhythm playing of Muhammad Amin and Horas Panjaitan, with additional percussion and singing from several others. The sound of Suarasama is the sound of people engaged in a deeply spiritual, constantly moving recital in open space. Suarasama"s conception of Timeline was a multifaceted one from the start. It grew from the concept of hemiola, a metric rhythmic structure involving the juxtaposition of a 2-beat time signature upon 3-beat time within the same line. The song "Timeline" itself addresses the history of musical lutes around the world as a means of debuting their custom-made lute, the aforementioned saz-guitar. Finally and perhaps most significantly, a "timeline" charts the passage of time, and therefore references Suarasama"s musical path over the years of their existence. This is especially significant since founder and leader Irwansyah Harahap passed away in 2021 at the age of 60. As difficult as this loss is for his family, friends and fans alike, the reissue of Timeline is seen as a celebration of the vitality and importance of his music career and journey.

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Michael Yonkers

Michael Lee Yonkers

Release: 2014 / US – Original

Genre: Rock & Indie

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Bill Callahan

Have Fun With God

Release: 2014 / US – Original

Genre: Electronic & Dance

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Dub is a spiritual, abstract, visceral, mystical thing. Finite and Infinite at the same time. Deeply rooted in the earth and embracing outer space. Don't be fooled by names, Dub has come and gone. Dub is a ghost, a duppy. A duppy of a childhood guppy. Flushed and thriving in the sewers and the swamps. Here you will find versions of the Dream River songs that have been killed and resurrected, spilling tales of the other side of life in a language conceivable only if you let yourself be taken there.

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Woo

When The Past Arrives

17,27 €* 26,99 € -36%

Release: 2014 / US – Original

Genre: Rock & Indie

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2LP | 2014 | US | Original (Drag City)

Ambarchi, O'Malley, Dunn

Shade Themes From Kairos

Release: 2014 / US – Original

Genre: Rock & Indie

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Laetitia Sadier

Something Shines

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Drag City)

Woo

When The Past Arrives

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | US | Original (Drag City)

Arnold Dreyblatt

Nodal Excitation

Release: 2015 / US – Original

Genre: Rock & Indie

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EP | 2015 | US | Reissue (Drag City)

The Blue Jean Committee

Catalina Breeze EP

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Soft rock"s seminal band, The Blue Jean Committee, originated from blue-collar Chicago when the now legendary Clark Honus (Bill Hader) and Gene Allen (Fred Armisen) dropped out of sausage school to create the band of their dreams. With the help of famed music manager AlvinIzoff, the band reinvented their hard Chicago-blues image to instead transcend the laid-back essence of California. After studying bands like The Beach Boys, The Blue Jean Committee as able to find theirsignature sound and rise to the top of music charts. Despite Chicago"s resistance to their "vegetarian" facade and "hippy" vibe, the band became known for creating the quintessential California album. Theirdebut album, Catalina Breeze, spawned six consecutive hit singlesfor the band and for a moment it seemed like they would be a long-term fixture on the American musical landscape. However, some relationshipsare more complicated than they appear on the surface, and nowhere didthis ring more true than for Gene Allen and Clark Honus, as their infamous on-stage fight at the Hollywood Bowl Animal Rights Now Benefit and subsequent break-up has since become the stuff of legend.Fans of the "Chicago band with the California sound" can celebrate once more!After over 30 years apart, Gene and Clark were recently reunited for their induction into the Hall of Fame in April 2015.

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A River Ain't Too Much To

LP | 2016 | US | Reissue (Drag City)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Release: 2017 / US – Original

Genre: Rock & Indie

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A clean flow; something real for a world that doesn't know what it's holding. Ty keeps us guessing while splashing our collective face with no shortage of astringent tunes of all colors.

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Bill MacKay

Esker

Release: 2017 / US – Original

Genre: Rock & Indie

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Mark Fosson

Solo Guitar

Release: 2017 / US – Original

Genre: Rock & Indie

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2LP | 2017 | US | Original (Drag City)

Bitchin Bajas

Bajas Fresh

Release: 2017 / US – Original

Genre: Electronic & Dance

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A Child In The Sun: Radio Sessions 1969-1970

Ed Askew

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Reissue (Drag City)

Circuit Des Yeux

Reaching For Indigo

Release: 2017 / US – Reissue

Genre: Rock & Indie

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"Reaching for Indigo" is the 5th album from Circuit des Yeux. It references a moment that fell down in the life of Haley Fohr on Jan. 22, 2016."Reaching for Indigo" adds to the definition of Circuit des Yeux, as she realizes her goal of becoming one of the most distinctive voices of this time.

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2LP | 2018 | US | Original (Drag City)

Freedom's Goblin

LP | 2018 | US | Original (Drag City)

Release: 2018 / US – Original

Genre: Rock & Indie

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Freedom’s Goblin is the new Ty Segall album: 19 tracks strong, filling four sides of vinyl nonstop, with an unrestricted sense of coming together to make an album. It wants you to get your head straight—but first, the process will make your head spin! Back in the Twins days, we talked about the schizophrenia of Ty’s outlook; today, it’s super-dual, with loads of realities all folding back on each other. On any given side, we’re tracking five or six full-blown personalities, unconcerned with convention or continuity. So drop the needle—who can say what it’ll sound like where it lands? This is Freedom’s Goblin—one track engendering, the next one oppressing, violence up in the mix—a look at everything around that Ty used to make the songs.

The songs came in the flow of the year: days of vomit and days of ecstasy and escape too, and days between. The rulebook may have been tossed, but Freedom’s Goblin is thick with deep songwriting resources, be it stomper, weeper, ballad, screamer, banger or funker-upper, all diverted into new Tydentities—each one marking a different impasse, like a flag whirling into a knot, exploding and burning on contact, in the name of love and loathing.

Freedom’s Goblin wears a twisted production coat: tracks were cut all around, from L.A. to Chicago to Memphis, whether chilling at home or touring with the FREEDOM BAND. Five studios were required to get all the sounds down, engineered by STEVE ALBINI, F. BERMUDEZ, LAWRENCE "BOO" MITCHELL and of course, Ty himself. The goal was getting free, embracing any approach necessary to communicate new heights and depths, new places for the fuzz to land among octaving harmonies, dancefloor grooves, synths, saxes and horns, jams, post-Nicky-Hopkins r’n’b electric piano vibes, children-of-the-corn psycho-rebellions, old country waltzes and down-by-the-river shuffles. Basically, the free-est pop songs Ty’s ever put on tape. And one about his dog, too!

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Pearls Before Swine

Balaklava

Release: 2018 / US – Original

Genre: Rock & Indie

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Tape | 2019 | US | Original (Drag City)

Ty Segall & The Freedom

Deforming Lobes

13,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Drag City)

Purple Mountains

Release: 2019 / EU – Original

Genre: Rock & Indie

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David Berman, rest in peace!

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LP | 2019 | US | Original (Drag City)

First Taste

30,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Shepherd In A Sheepskin Vest

Bill Callahan

2LP | 2019 | US | Original (Drag City)

40,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Tape | 2019 | US | Original (Drag City)

First Taste

18,99 €*

2x10" | 2019 | US | Original (Drag City)

Release: 2019 / US – Original

Genre: Rock & Indie

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First Taste is, as the title implies, a visceral shot of new flavor from Ty Segall. The followup to last January's extroverted Freedom's Goblin, First Taste cross-fertilizes Ty's antisocial side (think: Emotional Mugger) with the wide-ranging humanism of Manipulator and the pop zazz of the aforementioned Goblin. This means an immaculate sequence of sides with Ty playing multiple parts with and without contributions from the Freedom Band. Ty's songwriting confidence is at an apex, and he moves from style to style, evoking directions in rock, lite pop, experimental, alternative and even afrobeat! Ty at 12 (albums) = his best yet?

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BBC Radio 1

Release: 2019 / US – Original

Genre: Rock & Indie

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The mighty OM recorded live on BBC Radio 1, Maida Vale, May 13, 2019. The songs continue to evolve; two each from the classic OM releases Advaitic Songs and God Is Good, encompassingly recorded and mixed with the pristine quality that BBC engineers (and OM) bring to recorded sound. Please see the attached appendix for a full list of available OM titles.

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Six Organs Of Admittance

Companion Rises

30,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Six Organs of Admittance is back after 3 years with a new record, new techniques in sound generation, and a new attitude. Companion Rises has a driving force only hinted at with previous releases. Manipulating the rhythmic DNA from songs such as the bass-dominated "Taken by Ascent" (on his last record, Burning the Threshold), Ben Chasny has grown a new sound creature in his lab that is as welcoming as it is terrifying and as fun to listen to as it provocative and intriguing.
Methodologically, Companion Rises sometimes recalls the early-mid low-fi work of Six Organs, with modern techniques swapping digital processes in for the analog ways of the early days, and algorithmic programs creating the rhythms rather than Ben's overdubbed hand percussion.
Sonically, Ben's songs are bursting with ideas, harmonically rich, gorgeously arranged; often presenting two versions at once, overlaying electric and acoustic treatments that interlock like two shards that form a single key.
Companion Rises plays like a mutant joining of avant and good-time forces, as if Faust produced The Revolution instead of Prince, or This Heat recorded on top of Amon DüüI's classic "Paramechanical World," but left a few of the original tracks to bleed through.
With Companion Rises, Ben has created a Sci-Folk record that feels totally in the right place welcoming in the new decade.

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Espers

Release: 2020 / US – Original

Genre: Rock & Indie

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Espers' self-titled first release appeared in 2004, heralding an era in which there was a perception of back-to-the-roots in the underground; kids making new music that spoke strongly of folk traditions and psychedelia, in the process setting themselves apart from latter-day sounds and approaches. Espers didn't shy away from this image, projecting a collective air, almost like a rural outpost, out of time and place in the urban environs of Philadelphia. The staid harmonies of Meg Baird and Greg Weeks, the 6- and 12-string guitars and percussion of Brooke Sietinsons, the full-bodied arrangements rife with traditional and classical details and the regular intervention of acid-toned guitar leads formed, along with the mystic and melancholy cast to their songwriting, a galvanizing identity for them among other like-minded music players of the day. Espers, existing in between places, were a part of a flow of ideation that has as much to do with revelations from the 70s or 60s - with all the decades of the last century, really - as it does with the current expressions in favor of selfhood and safety that are struggled over today. Their music has retained a mysterious, unknowable vitality that, in the name of their original intention, continues to express Espers' individualism, optimism and deeply empathetic soul.

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Espers

The Weed Tree

Release: 2020 / US – Original

Genre: Rock & Indie

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The second Espers album, The Weed Tree was released in 2005. It was a nearly inevitable endeavor for the group, made almost entirely of cover material, but the traditional folk songs - "Rosemary Lane" and "Black Is the Color" - were paired with songs by Nico, Michael Hurley, and even Blue Oyster Cult, making for an oblique run through eclectic aspects of the past that succeeded due to Espers' thorough re-imagining of the material in their own image. The addition of current members Helena Espvall on cello and Otto Hauser on drums and percussion upped the alchemy of the band to its most potent, making music that drew from tradition, but making it new at the same time. Espers, existing in between places, were a part of a flow of ideation that has as much to do with revelations from the 70s or 60s - with all the decades of the last century, really - as it does with the current expressions in favor of selfhood and safety that are struggled over today. Their music has retained a mysterious, unknowable vitality that, in the name of their original intention, continues to express Espers' individualism, optimism and deeply empathetic soul.

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No Age

Goons Be Gone

Release: 2020 / US – Original

Genre: Rock & Indie

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Summer 2020, and No Age are back out on the street! Effortlessly raw and extravagant in one practiced swoop, they set their live/bedroom internal clock and get out early into a glorious windtunnel of naked beats and sunbaked guitars, forming a wave from which they hang eleven tunes. A perfectly balanced set, ranging from their classic punk and indie to ever-evolving soundscapes, in maybe their most direct statement yet.A guitar/drums duo (Randall and drummer/vocalist Dean Spunt) with a penchant for self-recorded samples, No Age are mostly unconcerned with things like space or pause, and Goons Be Gone is gorgeously thick-- a hazy, delirious expanse that's both comforting and disorienting.Listening to Goons Be Gone, it's hard to comprehend how just two people can manage to make so much noise while still sounding so subdued and mysterious-- it's easier to imagine Randall and Spunt spewing these songs underwater, bursting forth from some colossal California quarry rather than a tiny, stuffy art space a few blocks from L.A.'s skid row. Ultimately, it's part of No Age's allure that Goons Be Gone is so difficult to figure out, that it manages to be so big while coming from a place so small: All you'll know for sure is that you want to listen longer. Maybe forever.

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Bill Callahan

Gold Record

LP | 2020 | EU | Original (Drag City)

Release: 2020 / US – Original

Genre: Rock & Indie

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For his first record in….uh, well, just a little over a year (!), Bill Callahan Bill Callahan’s given us his first Gold Record Gold Record . They can’t all be gold, and they’re not all six years apart either — all good! You could probably call the album “ Gold Records Gold Records ,” too: all the songs have a standalone feel, like singles, meant for you to have a deep encounter with all of a sudden, from the start of the song to the finish. And what do you got when you have a record full of singles — and let’s face it, hit singles, at that? That’s a Gold Record Gold Record for you. From the top, it’s clear this is music with an affection for people, as Bill Bill immediately slips easily and deeply into his characters. Among them: a limo driver, a watcher of television, a suitor, a man in a broken-down car, a reader of books, a Ry Cooder Ry Cooder superfan, and in the closing number, a wanderer who “notices when people notice things”. The voices of the people, with their ups and downs, their loss and laughter. You can feel the love. For Bill Bill, preparing to tour for Shepherd In a Shepherd In a Sheepskin Vest Sheepskin Vest meant considering being away from home for long stretches of time — maybe up to a year, who knew? Feeling his oats, Bill Bill pulled out a few sketches from over the years and touched them up. Before he knew it, he was recording them, and in the shuffle, newer songs started popping up. It happened fast. Basics were recorded live with Matt Kinsey Matt Kinsey playing guitars, guitars, guitars and Jaime Zurverza Jaime Zurverza holding it down “and then letting it go” on bass. Drums and horns were brought in for a couple songs. Spirits were high! Six out of the ten were done first take; overdubs, when needed, came equally quickly. Listening, one hears their intuitive cohesion coming together richly behind Bill Bill’s titanic voice spread across the stereo spectrum: the gentle conversation of Bill Bill and Matt Matt’s guitars, the subtle percussion of the bass and drums, and odd appearances of trumpet, woodwind and synth, striking notes both decorous and discordant, sounding for all the world like the naturally occurring sound meant to accompany and express lives lived everywhere. These are in fact songs meant for other people to sing — but until they do, Bill Bill’s got this. He’s got a secret on this one, and before we go, we don’t mind sharing it with you: he’s figured out how to perfectly place his voice in proximity to your ear. It’s based on the distance from your heart to your brain. Simple! Why don’t more people think like this?

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Anthony Moore

Out

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Drag City)

Tashi Dorji

Stateless

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bill Nace

Both

36,99 €*

Release: 2020 / US – Original

Genre: Electronic & Dance

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Free guitar for the new age: improv with intention, construction and destruction, all with the grain and air of performance captured and telescoped in a sonic particle collider. Makes sense, and not just because of the chaotic times. With Both, terminal collaborator Bill Nace (Body/Head, Thurston Moore) has found a stimulating, chiaroscuro-stubbled path back to the electric guitar's anarchic promise, drawn through eight colorful pieces that are equal parts sound, noise and music.

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Bill Stone

Stone

Release: 2021 / US – Original

Genre: Rock & Indie

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The Peacers

Blexxed Rec

Release: 2021 / US – Original

Genre: Rock & Indie

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Bill Mackay And Nathan Bowles

Keys

Release: 2021 / US – Original

Genre: Rock & Indie

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Cory Hanson

Pale Horse Rider

Release: 2021 / US – Original

Genre: Rock & Indie

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Birds Of Maya

Valdez

Release: 2021 / US – Original

Genre: Rock & Indie

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Mind Maintenance

37,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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Alasdair Roberts Og Völvur

The Old Fabled River

Release: 2021 / US – Original

Genre: Rock & Indie

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Ben Chasny

The Intimate Landscape

Release: 2021 / US – Original

Genre: Rock & Indie

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Harmonizer

Release: 2021 / US – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Drag City)

Harmonizer

17,09 €* 17,99 € -5%

Release: 2021 / US – Original

Genre: Rock & Indie

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Joel Vandroogenbroeck

Far View

Release: 2021 / US – Original

Genre: Pop

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Mess Esque

Release: 2021 / US – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Drag City)

Bitchin Bajas

Switched On Ra

15,99 €*

Bill Callahan & Bonnie Prince Billy

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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It's almost four years since their last opus - two years since the most-recent run of live shows! Now, Bitchin Bajas return from whatever kind of rare ether they occupy when they're at home, bearing the riches of the whole cosmos in their hands. And strictly OG as well - on cassette only! Switched On Ra is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they've done with Bitchitronics and their participation in the annual Chicago performance of "In C" over the years). It's a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they're playing with the inspirations twined, as they can only come from within. For Switched On Ra, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra's loose grooves? The trick was to get that sense of rhythm to translate across the spectrum from Ra to Bajas, in a way that worked for them both. Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra's music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, Switched on Bach was visionary, bringing analog synths from the outside all the way into the mainstream in the late 60s - and this take on Ra is meant to take him to new ears everywhere. Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he'd done so, he took his writing in directions inspired by the electricity, places no one had thought to go before then. Doing what he did on the keys was a stand for individuality that became the background radiation of his journey through the cosmos; the search for a place beyond earthly dominance, for all the people who desperately wanted the fuck OUT. Bitchin Bajas have been content to dominate in a microtonal world, usually without a single chord to be found anywhere. But here, they step up righteously, their vibe triangulated as they bring Ra's music forward with some Wendy C style, making an unexpected space for all to thrive. There's a real feeling of joy as these collected signals bounce off the tape and through the speakers into your space. To get this unique colloid exactly right, Bitchin Bajas used nineteen different keyboards. They abstained from deploying their arsenal of reed and woodwind instruments: everything had to be on the keys. This meant Yamahas, Rolands, Korgs, Casios, a MicroMoog and of course their trusty Ace Tone organ. They even broke out the Crumar Ds-2, to have some of Ra's chosen tone in the mix. Then Jayve Montgomery added an EWI as a solo voice on a few tunes, just to get some air-blown signal (and a natural shout out to EWI master Marshall Allen) in there, after all. It felt like somewhere in the universe, Ra was decreeing it. Switched On Ra is an effervescent celebration of music throughout time and space.

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Blind Date Party

2LP | 2021 | US | Original (Drag City)

Bill Callahan & Bonnie Prince Billy

Release: 2021 / US – Original

Genre: Rock & Indie

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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

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Blind Date Party

2Tape | 2021 | US | Original (Drag City)

22,99 €*

LP | 2022 | EU | Original (Drag City)

Release: 2021 / US – Original

Genre: Rock & Indie

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Matchess

Sonescent

Release: 2022 / EU – Original

Genre: Pop

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Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted

Release: 2022 / US – Original

Genre: Pop

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Al Cisneros of Om and Sleep

Sinai Dub Box

7x7" | 2022 | US | Original (Drag City)

73,99 €*

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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7x7”box set containing three unreleased tracks plus remastered songs originally released on Sinai, ZamZam and Drag City labels.

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Anthony Moore

Flying Doesn't Help

Release: 2022 / US – Original

Genre: Pop

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OST Whirlybird

Release: 2022 / US – Original

Genre: Rock & Indie

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"Hello, Hi"

30,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Drag City)

"Hello, Hi"

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Drag City)

Oren Ambarchi

Shebang

Release: 2022 / EU – Original

Genre: Rock & Indie

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Kamikaze Palm Tree

Mint Chip

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Drag City)

Kamikaze Palm Tree

Mint Chip