Electronic & Dance Vinyl 10 Inch 412 Items

10" EP by German producer Dan Bay. 3 Downtempo/World tracks dedicated to the Cassiopeia Greek myth

Nottingham based artist Cyclonix launch new journey Little Red Hand and kicks off its schedule with heavy 3 track "Metal Bass" EP from him. Label aim is to champion the sounds of modern electronic fusion music on the broken beat and future jazz spectrum taking in hints of house, techno and breakbeat culture. Music that will stand the test of time - like the handprint in the logo - one of the oldest forms of human expression. Powered BY Art-aud

For this new release, Roger Gerressen delivers a beautiful two tracker from future electro to dub techno. This is the generic sleeve version of the Origami Edition.

The next ten-inch cut of the Time Is Now series comes courtesy of Nicky Soft Touch. These four tracks are a taste of things to come, handpicked from an as-yet-unannounced double LP the Bristol native has had in the works since 2019. Nicky Soft Touch's recent outings include two dusty hip-hop dubplates on London's Ghost Notes Worldwide; for Lonely City Sampler he explores a more British sound. Using a tape deck and a pile of old jungle tapes, cut-up snippets were crafted into an audio collage balancing ambience with rave style crescendos. Driving dubwise bass dominates 'Lost In A Sea Of Rolling Eyes' while disrupted breakbeats meet stuttering chords in 'Lonely City Cut 4'. The closing track's garage-inflected UK techno beat is haunted by spaced out diva vocals, a melancholic mover for city nights.

The unstoppable force that is Interplanetary Criminal returns to Time Is Now teamed up with up-and-coming DJ Cosworth. The Mancunian, one of the first artists to release on the imprint, and the Londoner making his debut, pack a punch with three chest rattling tracks making up Ruff EP.

Hyper two-step underpins 'Trust Me', a stuttering unconventional bassline stinker which sets a tone of unpredictability. The high octane breaks that explode from 'Ruff (Hyper Mix)' catch the listener equally off-guard, Ripgroove-style drop added for good measure. 'Jumpin' feels minimalist in comparison, with just hints of a thunderous sub-bass for tension building heads-down business.

Ruff EP drops 3rd December via Time Is Now.

Secret Garden series is back with some dope killer house vibes. Clever and deep drum-machine-tracks that will fill your body, mind and soul. A brillant and hypnotic heavyweight release!

After a near decade of solo and collaborative projects, Up in Air is Ben Pritchard's most confident foray into songwriting yet, nestling lopsided experimentation into a bed of lowslung blues and reflective folk.

Up in Air is sewn from threads of everyday life: trails of thought, small stories and conversations with his daughter. Collecting, layering and condensing the world around him, his musings spill out in a palimpsest that renders both the material and metaphysical world. From describing a time where he inadvertently found himself on a hunting trip, recalling stories from doing role play and drawing together with his daughter, or scribing observations on the strange dedications people make in their lives, he explores the banal and the fantastical; the whimsical and the serious; the light and dark. Each line, aphorism or vignette carries with it weight that is looking to free itself, to embrace the impossibility of life distilled into simpler parameters.

Ben's music acts as a motor for his words, weaving wistful melodic mantras and creaking guitar lines in and out as each song finds its feet. Although the album finds a rich array of influences dancing in an awkward balance, the emotive register of the music drinks from the fountain of the US rock continuum, with Supreme Dicks' uneasy indie, Low's slow unfurling grace and Neil Youngs' heart-worn drawl lifting each song to new heights. Expanding on this soundworld are collaborators Sholto Dobie (self-built organs) and bassist Otto Willberg, who provide drones, dissonant jolts and detuned paths for the music to open itself, but also curl into its own. Sounds are folded into one another, birthing new shapes, layers and sonic possibilities.

Ben describes the album as "permeated by the sense that came from being around this sort of connection to the world where everything is immediate and fundamental." The album is representative of this shift inwards: on his own, socially, as a parent. But with that it also represents a confidence to deal with everything. The album is an excavation, both finding strange joy in simple findings and an unburdening himself of everything else, letting every thought and feeling whisks itself away up in the air.'

Fielding Hope (curator, Cafe Oto, London)

Tommy Farrow has been making waves ever since his breakout single, 'Let's Just', caught the eye of Radio 1 tastemakers. His emotive, trancelike tracks, evoking influences like Bicep, have been instant hits. Joining the Classic Cuts series, Forever EP is his debut on Shall Not Fade.

'Forever' features rising star vocalist Clementine Douglas, her sultry lines coasting over melancholy chords before casting off into high drama breaks and synth melodies. Breakbeat dominates 'Feel What I'm Feeling' too, a big room track filled with pure ecstasy; closing track 'Imagination' is deep and grooving with an explosive electro edge.

Forever EP drops 10th December via Shall Not Fade.

Following the success of the label's Cassiopeia reissue, Mysticisms presents a second EP from Nail with four previously unreleased tracks of gliding deep house, dub techno and Balearic sunrise anthems, highlighting this respected talent. Recorded between 1993 to 1999, predominately at the DiY collective's Strictly 4 Groovers studio in Nottingham, with the ever reliable Damian "Deadbeats" Stanley engineering. While edits and overdubs were completed at home, some were mixed down to DAT and cassette to became part of Nail and friends after party soundtrack, as much for pure enjoyment as appraisal. Still a teenager for the early years of these recordings, Nail was honing his craft. Utilizing the ever faithful S1000 sampler, Juno 106, Oberheim Matrix 1000 and Roland Sh101, influences from Future Sound Of London, the emerging 'West Coast Sound' rising in the US, Maurizio's dub fusion, through to the bouncing free party sounds emanating out from the Midlands to a now nationwide party scene embed in to machines. Unreleased until now, the Cassiopeia release ignited an interest in these old cassettes and DATs, bringing them to life and offering further proof of Nail's place as one of the UK's best House producers. Ghost the Mystery.

North American bad boys Atic & Exosphere turn up the heat on US-based DJ Trace's 117 imprint. Trench Terror & Animals push sound design to the edge, with the aim to punish the dance floor. Available December 3rd on grey marbled vinyl.

This limited edition 10” is very limited in numbers, and features an exclusive remix from rising star Knuckles in a new old skool style, plus a classic, never previously released and lovingly remastered version of the massive Midas track Break On Thru! Get In!

Capping off a busy year as producer, DJ and label owner, Rory Hamilton provides a quick follow up to October's ‘Think About Me’ EP with the third release on his Italo Hiits imprint. Once again arriving on coloured 10” vinyl, ’Strangeness’ takes the label's twisted disco sound into new territories that draws on both the genre’s darker hedonistic side and its more nostalgic leanings. The two-tracker will arrive on opaque green 10” vinyl & digital formats in November 2021.

Love Love Records are honoured to present two interstellar remixes from the recent album from Henge, ‘ExoKosm’ which was self-released last year by the band during the pandemic. Acid pioneers and Madchester legends 808 State rework the track ‘Exo’ in their signature ‘acid-house meets rave-hardcore’ big band sound that fits seamlessly amongst their own back catalogue. The second is a heavily clubbed up twist of ‘Goldilocks’ from Brain Rays & Quiet, a spacey slab of sub-slung broken power-house with a sleazy groove like an alien abduction straight to the engine room of the UFO.

Let’s Dance – 08pm – by Reda Saiarh is a 10” release on AM Records. Four oddball “New Beat – not – New Beat” tracks produced by this young dj from Geneva (of the duo Ramin&Reda) for renewed appetite for dancing after the lockdowns… title track Let’s Dance is Reda’s 2021 take on the classic Bowie song, followed by an original new production Quinz Lord, in which he samples his girlfriend’s cat. On the flip he worked with Thomas Lavanchy on E-O, a song constructed around traditional Gabonese chanting before finishing off with an ode to Yello medley, mashed up to the deepest kick of the record! Super heavily cut 45rpm!

Voiski’s classic hit Megatrance 2 finally gets a vinyl release after 10 years of unofficial distribution. Smuggled as a dj’s secret weapon the mega track appeared on several mixes and compilations such as the Maceo Plex Fabric mix 98 which has made it popular. This special anniversary edition comes with a previously unheard Megatrance 1 written same week, disregarded by the artist at first and finally recognized as years went by. Two timeless Megahits remastered and pressed on a limited 10" vinyl, coming out in october on Super 95.

Atra Bilis - latin name for black bile - is the artist name chosen by the Milan based composer, who develops his practice from the idea that the dark liquid is vital to the creative process: ” the black bile is specifically responsible for dark and cold moods, which eventually turn into melancholy. Everyone, in different ways, is affected by this on daily basis. Atra Bilis transforms this condition into something eternal, like sound”. Launch Into is the first release by the Milan based produce. His references span from the 90’s UK rave and jungle scene to the maverick breakbeats such as Coco Bryce and Seagrave, crafting his own path towards a futuristic journey: kinetic jungle drum kicks, gloaming synths and shudder baseline.

Hammer returns to his nascent Italo Hiits label for the second release of Hi-NRG grooves made in an Italo-inspired period of furiously productive creativity. Road tested on Hammer's global livestream at London’s Saatchi Gallery and his supporting set for Bicep at their recent sold out Brixton Academy date, this latest pair of effervescent disco cuts are fully designed for dancing, and a taste of many more to come from both Hammer and Italo Hiits.

“Gamelan Sketches” are studies in Javanese gamelan and electronic music by Journey of Taro (Adrien L’Honoré Naber). The sketches are based on and are part of a collection of music and ideas finding its origin in travelling to Indonesia for more than a decade. During these travels Adrien L’Honoré Naber studied and recorded the music in this region of the world. Journey of Taro is all about tradition collaborating with technology, where old meets new. Gamelan are traditional gong orchestra’s from South East Asia and are fused by Taro with dancefloor music like dubstep and Sound System culture. When Adrien L’Honoré Naber first started going to Indonesia back in 2008 he went on a mission to make field recordings. As companion during his travels he had a MP3 player with him. At that time MP3 players contained about 512 MB so he had to choose his music very carefully. With Amon Tobin, Digital Mystikz, Vex’d and similar artist locked in his headphones he made field recordings over the course of a year and in his head this music started fusing with Indonesian culture. Taro creates an sonic world where he takes you along on his journey’s around different cultures emphasizing the beauty of collaboration, shaping mystical worlds with hypnotizing atmospheres to immerse into stories based on ancient myths, legends and folklore. This is where a blend of gamelan, dub, soundscapes, exotic rhythms, field recordings and underground bass music come together. Selamat dengar dan bersenang senang.