Electronic & Dance Vinyl LP 9609 Items

Electropica Black Vinyl Edition

Release: 2023 / CA – Original

Genre: Electronic & Dance

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"Rediscover your love of Bossa Nova!"

Tiger Blood Tapes proudly presents for the first time ever on cassette, Richard Bone's 1998 Ambient Electro Jazz album "Electropica". Features an unreleased outtake "Cosa Nova".

"Electropica" is part one in a trilogy of Richard Bone's Ambient Electro Bossa Nova albums.

Originally released in 1998 on CD by Quirkworks Labratories.

Press Release:

"A curious thing happened to me during the summer of 1996. While leaving a favorite music store, I detoured down the jazz isle. Suddenly, one of the discs flung itself out of the bin and landed squarely at my feet. I was immediately drawn to its cover. A giraffe was gliding across cobalt blue sand beneath an emerald green sky. Without a second thought I bought the disc and brought it home. My life was about to change.

The disc was Antonio Carlos Jobim's "wave". Recorded in 1967, it was one of the most sensual works I had ever heard. The gentle rhythms, the haunting melodies were mesmerizing. The stereo imaging of producer Creed Taylor was magical. I must have played it ten times that night. These were beats of another time, another place. Innocent, yet primal, but most of all...romantic. This was Bossa Nova!

I have spent the last year and a half researching this old/new music. I discovered the masters of this genre: Jobim, Luiz Bonfa and Joao Gilberto. During those many months I listened to little else.

Electropica is my homage to these artists. Through the melding of sampled, found and created sounds, I have tried to capture my impression of this music, these rhythms. My work in the past has been described as ambient or electronic. For this release, I set those catagories aside.

I hope you will take a little time and listen to Electropica with unbiased ears. Close your eyes and envision a different world. With giraffes, perhaps, and emerald skies above cobalt sand.

Peace Always," -Richard Bone

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Richard Bone

LP | 2023 | CA | Original (Tiger Blood Tapes)

38,99 €*

Petra Clear Vinyl Edition

Release: 2023 / CA – Original

Genre: Electronic & Dance

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Keplrr

12" | 2023 | UK | Original (Control Freak)

Universal Synthesizer Interface Volume 2

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Fittingly, Control Freak's first full length LP comes from the artist who launched our imprint near-on 4 years ago. Keplrr’s ‘Petra’ is a remarkable entry into the canon of contemporary ‘non-functional’ techno.

After a string of acclaimed EPs and singles, the South London-based DJ/producer brings his unique ear for sound design to the forefront across his debut album, a continuous piece with many recurring musical themes and motifs. Drifting between dream states and the psychedelic, ‘Petra’ sees Keplrr set aside the rigid constraints of club music and delve deep into the wells of the subconscious.

The album moves deftly through styles: meandering ambient/downtempo pieces, including a collaboration with classically trained Jazz singer Livi Graham, to the deep & techno-influenced ‘Two Prophets Lay Here’, reaching its crescendo in the IDM-inflected ‘Celestial Body’.

For fans of: Call Super, Leif, Koreless, Perila, Lorraine James.

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Kristen Roos

2LP | 2023 | EU | Original (We Are Busy Bodies)

45,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Universal Synthesizer Interface Volume 1

Kristen Roos

LP | 2023 | EU | Original (We Are Busy Bodies)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | CZ | Original (Wichita)

Carrtoons

Saturday Morning

Release: 2023 / CZ – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (No Label)

Bionda E Lupo

La Deutsche Vita

40,99 €*

2LP | 2023 | EU | Original (Midnight Shift)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A warm rain in August, the cool feeling of soft ice cream on the lips, golden light and tender smiles. The sweet scent of strawberries, people laughing in the backyard and autumn is already in the air. This is how the music of Bionda e Lupo feels. Joy and melancholy, warmth and goosebumps – that is “La Deutsche Vita”.

Six summers – ten songs for the double album by the Berlin couple. Lively German lyrics allowing us to immerse ourselves in the world of Gertalo, as we surf on synths in the New German Wave and refresh ourselves with a splash of cheeky Schlager pop.

The private pressing, only available on heavy vinyl, enchants with its lavish presentation. In the colorful gatefold, with a huge sticker, you will not only discover artistically designed inner sleeves with all of the lyrics, but also a greeting card and a secret little surprise.

Limited to 300 copies, “La Deutsche Vita” is sinfully sweet seduction for lovers and fetishists of the black gold. Hmm … delicious!

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Wrecked Lightship

Oceans And Seas

Birds In The Ground White Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Pointillist club rhythms and dense, porous dub clouds encircle the Wrecked Lightship as Laurie Osborne and Adam Winchester set sail for phantom islands once more. The nocturnal boatswains chart a course guided by pronounced percussive impulses, using physicality to navigate the looming atmospheric pressure that has become their signature style.

Opening tracks ‘Arial’ and ‘Third Law’ speak to the roots of Osborne and Winchester’s respective work as Appleblim and Wedge, dealing in dancefloor abstractions where techno, electro and dubstep once stood, but there’s much more at play than simple genre tags could ever express. ‘Third Law’s electro-static interference calls back to Winchester’s work in Dot Product, while the twitchy urgency and gnarly bass echoes Osborne’s Also project with Second Storey.

Wrecked Lightship is an anchorless concern, free to drift into experimental waters if the currents surge that way, and so ‘Kill Mirror’ and ‘Hydrotower’ head away from forthright structures to play around with sound design and full-frequency manipulation. It’s too kinetic and jagged to be considered ambient, even if it willfully shirks the dancefloor. But for every starboard swerve there’s a prevailing wind, and the likes of finely-tuned club weapon ‘Take It Back’ whip ahead with laser-eyed focus.

Nailing their split interests between immediacy and the avant-garde to the mast, Wrecked Lightship deepen the reach of their project on their second album. Whatever shape a specific track might take, Oceans & Seas serves as a paean to the art of sonic manipulation and spatial processing.

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Eiafuawn

LP | 2006 | US | Reissue (Numero Group)

The Room Clear Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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While Duster went into hibernation in the year 2000, Clay Parton's four-track never stopped rolling. Recorded alone at home over several years, Birds In The Ground is an album of 30-something, post-9/11 malaise. Under his Eiafuawn (Everything Is All Fucked Up And What Not) acronym, Parton hides beneath layers of fuzzy and clean guitars, his hesitant, cottony vocal disappear into noise. This deluxe pressing is packaged in a gorgeous tip on sleeve and includes the complete lyrics for this cryptic entry of the Dusterverse.

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Dijit

LP | 2023 | UK | Original (YOUTH)

Black Spuma (Lauer & Fabrizio Mammarella)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Populated with the vocal presences of vocal spars Deedz, 7aleeb, and Lella, ‘The Room’ is a metaphoric synecdoche for Kelesh’s studio output between 2008-2019, featuring 9 tracks of lo-slung but levitating trip hop and illbient that overlaps his productions on the long sold- out ‘Hyperattention: Selected Digital Works Vol.1’ album, and augmented by a number of fiery percussive pieces and future folk works that give a wider frame of reference to his style. While the album follows the smoke curl dynamic of his previous work, the glorious mesh of electro-chaabi breaks and Eno-esque ambient guitar licks on ‘Dreak’, and the heat-seeking street rave scenes of ‘Saga’ will no doubt disrupt your preconceptions, while his folk prayer-like ‘Loli’ reaffirms a knack for captivating downbeats. ‘Leban’ brings a chopped ’n screwed trip hop temporality, deploying laminar layers of male/female vocals that inevitably call to mind Tricky via Leila Arab, while ‘Hasheesh’ trades in red-seal levels of heads-down pressure shades away from Portishead or even Pessimist’s snapped productions. Dijit smartly manages to keep it all just the right side of gloomy though, with the shatterproof tension between screwed vox and ascendant hyaline electronics on ‘Hamhama’, or likewise in the high-register piquancy and celestial chorales of ‘Dream of a bee’, while the upfront burst of drums in ‘Saga’ will bring heads to their feet.

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No No No

LP | 2023 | Original (Permanent Vacation)

21,99 €*

The Gen Z Archives (Lost Tracks From The '00s) Blue Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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A famous anthem once begged: “Don’t Make Me Wait.” Sometimes, though, it’s good to make ‘em wait—even just a little bit. Case in point: The production duo of Fabrizio Mammarella and Phillip Lauer, known to clubbers, DJs and music heads as Black Spuma.

Three years after their last EP—and nearly a decade into their production existence—the duo have finally given us a full-length manifesto. Sure, there have been a smattering of remixes and EPs over the years on labels like Futureboogie, International Feel and Live At Robert Johnson. But on their new LP “No No No,” the Spumas at last get to stretch out and give us their full-meal-deal.

The pair birthed the tracks at Lauer’s famed Pyramide III studio, with 10 tunes finalised and selected remotely, thanks to the wonders of high-speed Internet. While the Spumas are well-known (both together and as solo acts) for their melodic, 80s-tinged club workouts, the album format has allowed the guys to push their sound into parts unknown. The album drops at the end of May on Permanent Vacation, and it distils all the things we love about the duo: The melody, the playfulness and the musicianship of two veterans in full command of their powers.

Take the tune “Obereggen,” which expands a punchy, staccato bassline into that sweet spot where trance and italo can play next to each other. Or the cut “Fracture,” which is built on a Detroit-like chassis but makes room for gorgeous pads, subby bass and a nimble breakbeat.

For the established fans, there’ll be plenty to latch onto, including the title cut (and first single), which sounds like something Robocop may have produced if he’d taught a violence diversion program.
Meanwhile, cuts like “Dillingen” remind us of one of those lost Eurythmics B-sides that show up in the dark corners of MixesDB. The album was mixed and mastered by Lopazz, and boasts a colourful cover from Berlin-based artist Ilja Karilampi.

So, 17 years after initially meeting, we finally have a full album from these Spuma Men. And in the end, it was worth the wait.

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Rico Puestel

2LP | 2023 | Original (Exhibition)

Hazy Dreams Yellow Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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Rico Puestel (Cocoon / Break New Soil) presents an exclusive collection of long-lost Techno tracks from his 2002-2004 archives on blue double vinyl, accompanied by a dream painting Rico did in basic school as full colour artwork!

Seemingly and somehow being ahead of their time, these tracks never made it to an official release although Rico always desired their sheer existence and overall sound, standing out in many different ways...

A further exhibition on the run!

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Mogwaa

LP | 2023 | Original (MM Discos)

Hazy Dreams Black Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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Lim. 100 Copies / Yellow Version

When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.

Fresh from the recent Bandcamp feature on his own brand of danceoor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s inuenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.

Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that oers a welcome diversion from the
steady ow of busy balearica and downtempo.

Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love aair, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o-kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pued-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shue and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, innite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this.

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Mogwaa

LP | 2023 | Original (MM Discos)

2LP | 2023 | EU | Original (Save Yourself)

Release: 2023 / Original

Genre: Electronic & Dance

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Black Vinyl Edition!

When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.

Fresh from the recent Bandcamp feature on his own brand of danceoor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s inuenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.

Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that oers a welcome diversion from the
steady ow of busy balearica and downtempo.

Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love aair, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o-kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pued-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shue and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, innite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this.

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SBTRKT

Rat Road

Release: 2023 / EU – Original

Genre: Electronic & Dance

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People Just Wanna Have Fun Colored Vinyl Edition

Kool & The Gang

2LP | 2023 | EU | Reissue (Astana Music)

31,99 €* 39,99 € -20%

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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People Just Wanna Have Fun Black Vinyl Edition

Kool & The Gang

2LP | 2023 | EU | Reissue (Astana Music)

35,99 €*

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Culture Factory)

Aretha Franklin

Quintessence Of

16,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2020 | JP | Reissue (Sparklejon)

Toyosick

Shushinsei

39,99 €*

Riccardo Sinigaglia & Mario De Leo

Release: 2020 / JP – Reissue

Genre: Electronic & Dance

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toyosick's 2nd Album (Originally released on September 2020) is now available as a double LP 180g-heavy-weightvinyl for the first time! The album is a black-and-white sonic picture scroll created solely by the artist, who handled the lyrics, music, editing, programming, recording, mixing, and artwork. The album has a deep blend of darkness, minimal, psychedelic, breakbeats, classic and ambient.

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Lettera Cosmica

LP | 2023 | EU | Original (Black Sweat)

19,99 €*

Inflatable Gravestone White Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance, Classical Music

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Since the 1970s Mario De Leo works as a musician and visual artist. His mechanical paintings are hybrid works that reveal the cosmic spiritualism hidden in the meanders of electronics. With Riccardo Sinigaglia (Futuro Antico, Correnti Magnetiche, Doubling Riders) De Leo consolidates an artistic and human partnership with Lettera Cosmica, a work unpublished to date, produced and recorded in 1981. In a wacky electronic vision of the succession of time, the tracks trace the four seasons in a fine process of analog loops, prepared tapes of strings and piano, time and pitch shifts, filtering with Synthi Ems and Teac 3340 4-track recorder. On this seemingly cold palette, De Leo deploys his own personal Mediterranean fingerpicking, with vocal timbres peculiar to the music of the South of Italy, but no longer circumscribed to the origins of his Pugliese regionalism, as much as to an expressive range seasoned also with irony and avant-garde.The sound writing harmonizes with the evocative cover, in which emerges a warmest human note of "technological peasant”.

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Mun Sing

LP | 2023 | UK | Original (Planet Mu)

24,99 €*

The Summer Of Endless Levitation

Release: 2023 / UK – Original

Genre: Electronic & Dance

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‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Giant Swan’s Harry Wright). The motivating force of the album is the sudden loss of Harry’s father in 2020. Their father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss. Serving as a narrative for their own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by them and their father. Their father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.

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M'lumbo

LP | 2023 | UK | Original (Hell Yeah)

Makeup And Vanity Set / Sferro

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Legendary New York band M'lumbo distil experiences from their pre-pandemic shamanic travels into their stunning new album The Summer Of Endless Levitation. The eight-track vinyl LP is an avant-garde take on folk music informed by painter and sculptor Jean Hans Arp's 'Biomorphic' works and it serves as a sonic renewal of self. The cult M'lumbo collective has been a legendary and groundbreaking act since first forming in the mid-80s. They cross genre boundaries as they draw on jazz, world, electronic, rock and experimental music that escapes the commercial world and take you into another realm entirely. There is no limit to their sound; each member brings their own cultural background to the mix, making the band all the more unique. As the coronavirus pandemic struck, three members of the band Rob Ray Flatow, Paul-Alexandre Meurens and Brian O'Neill under-took a regimen of shamanic traveling in New York City. The experiences led them to spontaneously compose and perform a suite of pieces, informed and inspired by Jean Hans Arp's works but also by the feelings of isolation and indefinite exile yet to come in their urban environment. Compared to the works they have done as part of the larger M'lumbo band, this album is a more modest and naive affair that is "a vehicle for the renewal of feeling using only a few instruments - acoustic and electric guitar, keyboard, flute, small percussion, kalimba and clarinet - and locating a sense of both the deep sadness and uplifting powers of reverie." 'There Are No Words' kicks off with heavenly chords and organic percussion that recalls the jungle jazz of Don Cherry, then 'Shoreline' is a five-minute dub with percolating rhythms and new age melodies before the soul-soothing acoustic guitar of 'The Afternoon Levitation' blisses you out on a sunny day. The perfectly entitled 'Swoon' is another gloriously uplifting piece of musical spirituality that fuses the electronic and synthetic with the ancient and ritualistic. There is more jungle jazz, big-band horn work and cosmic synth modulations of 'Open The Heavens' while 'Quanta' is a shuffling, jumbled mix of radiant chords, wigged-out electronic lines and celestial charm. 'Planetfall' goes from free-form jazz to double-time techno and back to cathartic ambient. The final trio of tracks conjures up everything from the transcendental jazz of Alice Coltrane to the cinematic downtempo of Calm.

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Wavefinder Colored Vinyl Edition

LP | 2023 | US | Original (Stratford Ct.)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Tea Is Too Hot Colored Vinyl Edition

Upusen

LP | 2023 | US | Original (Stratford Ct.)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Mercury Colored Vinyl Edition

Ed209

LP | 2023 | US | Original (Stratford Ct.)

Release: 2023 / US – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Sub Rosa)

Ogives

La Memoire Des Orages

20,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Ruffnation Entertainment)

DJ Sammy B

Bushcamp: Vol.1

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Fixt)

Celldweller

Satellites

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Many Faces Of James Brown

James Brown & Friends

2LP | 2023 | EU | Original (Music Brokers)

18,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | UK | Original (Discrepant)

Mark Vernon

Call Back Carousel

14,69 €* 20,99 € -30%

LP | 2023 | UK | Original (Eastern Glow)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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“This device isn’t a spaceship, it’s a time machine. It goes backwards, and forwards… it takes us to a place where we ache to go again. It’s not called the wheel, it’s called the carousel. It lets us travel the way a child travels - around and around, and back home again, to a place where we know we are loved.”

(Don Draper)

Call Back Carousel is an audio time-travelogue, a slideshow of the mind’s eye - projecting Kodachrome memories directly into the listener’s mind by means of sound alone. It is a way of travelling without ever having to leave the home. A vicarious vacation for the imagination. Pure audio escapism.

Each episode is based on a found tape of a pre-recorded slideshow commentary. Most of these tapes were made by amateur tape recording enthusiasts and hobbyist photographers of the 60s and 70s. Their recorded commentaries would at one time have been used in conjunction with a sequence of 35mm slides but only the taped voices now remain. The recordings themselves come from Vernon's own archive of found reel-to-reel tapes that he has collected over the past twenty years.

Using these found slideshow commentaries as a framework, a series of musical soundscapes have been created to bring the absent images to life, activating the listeners’ imagination in the classic tradition of ‘cinema for the ears’. It’s a little like looking through a family photo album where only the hand written captions and mounting corners remain; the photographs themselves have all been removed. The evocative rattle and clack of the projector shuffles through different slides as the fragile voices of our tour guides accompany us on a sonic journey that fractures time - and through the cracks, the past bleeds through into our present.

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The Album Leaf

Future Falling

LP | 2023 | UK | Original (Discrepant)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Jimmy LaValle’s The Album Leaf has spun from solo outlet to full band and back in its nearly 25 years. His acclaimed catalog spans releases for labels such as Sub Pop, City Slang, Relapse, and others. He also composes music for film and television, scoring over 20 projects (narrative features, documentaries, and TV series) since 2009. The cinematic sensibilities of The Album Leaf were present from the beginning. His 1999 debut introduced the start of a signature sound: melodic and meditative electro-organic soundscapes constructed with guitar, percussion, Rhodes, and field recordings.

His seventh full-length LP, and first since 2016, arrives in 2023 via Vancouver’s Nettwerk Records. Future Falling finds LaValle working with an array of musicians, shaping slightly darker, more spacious, and synth-driven songs with contributions from Bat For Lashes, Kimbra, and many others.

The music registers a shade darker and more synth-driven than most moments in his acclaimed catalog, a bridge between shadowy, cerebral terrain and dreamy precision pop, where softly percussive frameworks meet shimmering sound design and emotive instrumentation.

LaValle sees the construction of Future Falling as less conventional than past work. Contributions were done remotely with a “throw everything at it” mindset, making LaValle the arranger of layers from all over: drums, synths, horns, violins, voice, and more. LaValle created a pastiche of these layers and elements; in some cases even moving vocal takes to new tracks entirely. Without the in-the-room dynamics, he had more time to experiment, adding and subtracting ad infinitum.

The album opens on “PROLOGUE,” an evocative, slow-building instrumental that rides a pattern into a symphonic sea of static. Keys and horns glide atop the rhythmic pulse of “dust COLLECTS,” setting the contemplative scene for “AFTERGLOW,” the record’s most pop-minded performance. Here Kimbra, the Grammy-winning New Zealand singer-songwriter, renders a striking recollection of past love as percussive elements shimmer and swirl.

A plaintive piano line moves throughout “Cycles 19.9” encircled by light ambient washes, both a valley between two peaks and a powerful composition in its own right. “Future Falling” follows; with origins tracing back to 2015, the track embodies the full sonic journey LaValle has taken. All the hallmarks of The Album Leaf — melodic builds, vivid sprawl, tonal shape-shifting — assemble to a blissful finish.

For the next stretch, “Cycles” begins with a uneasy Rhodes loop that builds and erupts into a wall of texture paving its way into “Give In,” where LaValle models a movement that begins subtle and measured before curving up with skyward, percussive bursts (“Stride”) and settling back down to the album’s back-half centerpiece, “Near” featuring the acclaimed English artist Natasha Khan aka Bat For Lashes. “Do you feel me near?” she sings into a mist of widescreen synths and soothing, distant drum beats as if searching through the dark.

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Kink Gong

Tanzania 2

Years Failed Successfully Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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8 years almost to the day after releasing his unique re-interpretation album of his field recordings made in the late 90's in Tanzania, Kink Gong is back with another volume of bushmen madness. Here’s what Kink Gong aka Laurent Jeanneau has to say about his end of millennium trip:

‘’My experience in Tanzania is now over 20 years and most of the so called remix was started in Tanzania and left unfin-ished, then eventually retouched in Vienna, Paris, Shanghai, Kunming, Dali or Vientiane. 20 years later I searched my Tanzanian files and rediscovered unfinished tracks which are being now refreshed on this new record.

Back to the early days of the XXI century, when I lost my health trying to survive with the HADZAs, the last bushmen in northern Tanzania. In 1999 James Stephenson from NYC invited me to join his Hadzas friends. I would leave the bush to rest in a place with enough food and electricity and start to edit, loop and work on the original recordings, to transform them into organic abstract compositions, the only instrument I had recorded a lot with the Hadzas was the malimba and I bought different malimbas in Arusha to take back with me to Europe, I used either the original recordings or me playing malimbas on some tracks and applied some electronic treatment to it, at that time I used Roland synths for some tracks.

The original recordings are related to scenes at night by the fire with the Hadzas, but also 3 different types of celebra-tions, Epeme Men was recorded on a moonless night with men and women singing and dancing in complete darkness in Mangola, an Hadza camp. Irawk Drum Under the Rain was recorded during daytime at a Multi ethnic gathering at the Franciscan Spanish catholic mission with a crowd dancing and singing under heavy rain while an Irawk large (and wet) drum was being played, Northern Tanzania. Makonde Island was recorded in southern Tanzania at the boarder with Mozambique and is a pure scene of trance taking place on an island where the Makonde fishermen off the coast of Mtwara, get wild, hitting plastic containers for the sound, drunk and stoned men and women are hysterically jumping and falling on each other, ending up with a few wounded.

Once again I'm responsible for this act of multicultural sabotage, but don’t forget that you can always listen to the original recordings on the Kink Gong recs collection. ‘’ Laurent Jeanneau, Berlin 2023

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Suumhow

LP | 2023 | UK | Original (n5MD)

Volume One Transparent Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Mysterious Belgian experimental electronics duo Suumhow returns with their third album, Years Failed Successfully.

The album opens with the duo's signature melodicism and broken glitched-up beatwork. It then ebbs into more sinewy territory with swaths of pulsing static and overarching widescreen vivid ambiance. It's new ground for the duo that displays some rather aurally fitting symbolism to the state of the pandemic era, with ambient music on the edge of hysterical hope and arrested emotions.

It's a gripping album that displays fine detail in its coarseness and somehow relief in its muted melodicism. When things seem like they might be getting too ominous, the duo boomerangs the listener back to their harmonious and glitched-up world as a means of much needed escapism.

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Deepriver

LP | 2023 | UK | Original (n5MD)

Strangers Solid Aqua Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Deepriver is the recently formed intercontinental project of Cape Town-based Jason van Wyk and long time Stockholm-based collaborator Joni Ljungqvist.

Having worked previously in collaboration mining the more introspective side of trance, Deepriver’s inaugural aural statement, “Volume One”, finds the two experimenting with atmosphere and composition to maximal effect. Van Wyk's recent viscerally experimental direction seamlessly coalesces with Ljungqvist's conceptually reflective approach in a way that recalls the sounds and nostalgia of electronic music from decades past

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Grey Gallows

LP | 2023 | EU | Original (Cold Transmission Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Solid White Vinyl Edition

Cerulean Veins

LP | 2023 | EU | Original (Cold Transmission Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Symphony No. 107 - The Bard

Mev

LP | 2023 | EU | Original (Black Truffle)

LP | 2023 | EU | Original (3000° Grad)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce Symphony No. 107 –The Bard, a previously unheard archival recording of the legendary improvising ensemble MEV (Musica Elettronica Viva), captured in concert at Bard College, New York in 2012. Formed by a group of American expat composers in Rome in 1966, the MEV ensemble played an important role in the development of free improvisation, bridging the live electronics tradition begun by Cage and Tudor and the high-energy squall of free jazz. Early recordings like Spacecraft or The Sound Pool unleash volleys of metal and glass amplified with contact microphones, howling winds, primitive synthesizer bleep and raucous audience participation, the intensity of which puts much later ‘noise’ to shame. In later decades, the ensemble would go through many iterations, often including legendary free players like Steve Lacy and George Lewis. In its final years, MEV settled into the core trio of founding members heard here: Alvin Curran, Frederic Rzewski, and Richard Teitelbaum, using piano, electronics, and small instruments.

Curran, Rzewski, and Teitelbaum were life-long friends blessed, as Curran says, with ‘incompatible personalities’: major figures in the post-Cagean experimental tradition, they explored countless divergent and even contradictory paths as composers and performers, from agitprop songs to brainwave-controlled synthesis. MEV is the sound of these three personalities coming together, their contributions radically individual yet attaining a state of ‘fundamental unity’ that Rzewski, in a text written in the collective’s earliest years, defined as the ‘final goal of improvisation’. Of course, listeners familiar with aspect of the trio’s individual works might hazard some guesses about who is doing what: the crisp piano figures are probably Rzewski’s, the cut-up hip-hop samples most likely Curran’s, the sliding, squelching synth possibly Teitelbaum’s. But often these identities are dissolved in a constantly shifting hall of mirrors, the listener unable to tell which of these pianos is live and which is a sample of a past virtuoso, or whether a horn blast derives from ethnographic documentation or Curran cutting loose on Shofar. The two side-long sets here occupy a similar terrain of constantly shifting texture and instrumentation, unexpected interruptions, and moments of sudden beauty. The first set is sparser, at times almost ominous, as a bell repeatedly sounds across wheezing harmonica, seasick orchestral textures, and creaking wood, making room for episodes of yodelling and delicate prepared piano before exploding into a storm of buzzing synth and piano fragments. The second set is more frenetic, moving rapidly across centuries and continents: cars crash into post-serial piano pointillism, wailing voices collide with chopped and screwed hip-hop samples, Hollywood strings are buried under layers of electronic gurgles. The performance slows in its final moments, making way for a sampled voice repeating the phrase ‘protest and the good of the world’, reminding us that MEV’s idea of freedom was always more than musical. Symphony No. 107 –The Bard is a beautifully recorded example of the endlessly multi-layered later MEV sound, accompanied by new liner notes by Alvin Curran (now the only surviving member of the group) and a selection of previously unseen photographs from across the many decades of the group’s activity. Arriving in an elegant sleeve bearing a beautiful photograph by Francis Zhou of the Olin Hall at Bard College where the concert was recorded, this is an essential document from a major group in the history of experimental music. As Rzewski wrote, this music is ‘like life, unpredictable, sometimes making sense, mostly not’.

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JPattersson

On The Fly

2LP | 2023 | EU | Original (Dial)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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On The Fly tells about the small moments of the big journey that is the path of jPattersson as a musician: Barefooted gratitude in the shade of a palm tree, a hike through the dreamlike colours of the highlands, a balcony scene with a glass of wine and the view of another galaxy... It's these small moments that fuel his contagious enthusiasm and hope that form the backbone for his signature 'jPatterssong-writing'. On The Fly is a very personal album that invites us to join the flight ourselves: Six of the eight tracks come with the highly stimulating catchiness of a four-to-the-floor beat. Sometimes it’s jPattersson's voice that sets the mood, sometimes it’s his trumpet, and then again it's the frequencies of electronically processed harmony which stretch like elastic rubber bands between delicate introspection and buzzing euphoria. A track generously marinated in sunlight and Dub as well as a piece of oceanic downbeat relaxation round off this forth jPattersson album just perfectly.

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Ben Kaczor

Petrovo Uho

32,29 €* 33,99 € -5%

LP | 2023 | EU | Original (Studio Mule)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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We are more than excited to announce Ben Kaczor’s album Petrovo Uho.

After his debut LP Sun Chapter One on KCZ, Ben Kaczor presents eleven brand new tracks. The digital release on November 18th will be followed by a vinyl edition, coming out in late winter.

“For the album, an important conceptual thought came from encountering a rare ear-shaped seashell called Petro Uvo (Peter’s Ear). I found it while diving in Dubrovnik, Croatia in the summer. Inspired by the sound of a foreign language, I decided to keep all the tracks in Croatian, some of them in the dialect of the town of Dubrovnik, because the atmospheric soundscapes of the tracks reflect memories and feelings of traveling through Croatia, the force of the sea and wind, the play of lights and moods.”

Ben Kaczor, 2022

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Sakura Tsuruta

C/O

23,99 €*

LP | 2023 | EU | Original (Pingipung)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tenderly propelling and full of haunting melodies: Studio Mule re-issues Sakura Tsuruta’s so far digital only, self-released debut album “c / o” from november 2022.

An evocative first long player by Tokyo based artist, who was trained in classical piano during childhood, played with brass instruments, studied music production, and is today active as a composer, live performer, and versatile dj.

With “c / o” she expressed her personal history in a fluid, around 43-minute long light flooded, yet dark-ish musical vision. eight profoundly composed tracks, melding complex rhythms with emotional airs, tripping arpeggios, and ghostly sounds, slightly influenced by some of her fa-vorite artist like björk, holly herndon, or kaitlyn aurelia smith.

“c / o is a love letter for the experiences, people, and memories i had in the last two years that i spent producing this album. i also like that the letter “c” looks like an incomplete circle, whereas the letter “o” is a full circle.

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Anadol

Hatiralar

LP | 2023 | EU | Original (Optimo Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hatıralar was Anadol's second album, originally composed between Berlin and Istanbul around 2012 and released years later only in digital form on the Ankara based label Inverted Spectrum. The title Hatıralar ("Memories") turns out to be a self-fulfilling prophecy. Anadol recalled and revisited the music in 2023, gently editing and mixing the compositions for the newly mastered LP format in which they now see the light of day. Hatıralar represents an early version of the melodic, instrumental synth-pop that Anadol refined on her album Uzun Havalar (2019) before exploring the more free, krautrock-inspired musique concrète of her last album Felicita (2021). Here is the text that accompanied the original 2017 release:

Anadol, named after an old-fashioned Turkish automobile brand, is an instrumental synth-pop project by Gözen Atila, an artist, dj and keyboard player. She records with mini organs manufactured during the 70s and 80s, the built-in rhythms and arpeggios of these machines provide the backbone of her sound, and her melodies are influenced by pop music and soundtracks from France, Italy and Turkey from the same period. The music is awash with allusions to the moods of old Turkish and European cinema, from the erotic to the melodramatic, and with a reminiscence of the sound and spirit of so-called "tavern music" popular in Turkey's urban nightlife in the 1980s, a flexible pop style usually performed by a solo keyboardist-singer. Anadol is a continuation of the tradition of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, and of the keyboardists pushing the boundaries of minimal equipment to entertain middle aged drunk couples in pubs and wedding parties of Istanbul.

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Kaukolampi

Inside The Sphere

21,99 €*

Best Available Technology

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Timo Kaukolampi, frontman for Finnish electronic rock group K-x-p and tireless sonic wanderer, is releasing his second solo album, this time on Optimo Music. Exquisitely rendered, shadowy, curiously claustrophobic and even occasionally paranoid, Inside The Sphere is an album wholly deserving of its name.

A sense of paranoia is one of the threads through this glittering, winking electronic maze. Kaukolampi says “I came up with this metaphysical concept of the “sphere”. When you are manipulated you are ‘Inside The Sphere’. It’s like this dome of ‘undue influence’ that you don’t know exists around you. It’s a bit like the inside of a cult.”

Indeed, it’s amazing the effects achieved with a few sparse electronic textures, the odd smattering of studio trickery, and two or three well-placed synthesizer parts. Though the result might sound ostensibly simplistic, Inside The Sphere is an album of reduction rather than addition. The rhythmic and textural scaffolding is based around what’s not there, rather than what is. Take ‘vcs3’. At first listen, it seems forged from a few synth lines and a simple percussion part – so far, so simple. But listen closer, enter the sphere, look behind the mask – notice the slightly detuned drones, the chattering percussive textures, that distant swell of bass, the way the central fugue shifts and mutates somehow statically, like a barber’s pole.

Might we be listening to an album within an album, a more complex song cycle hiding within the folds of an ambient electronic album? This ties in with another of Kaukolampi’s thematic frameworks – that of the mask. He references Oscar Wilde’s quotation that “Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.”

Inside The Sphere is not a one-note album. For every moment where a clammy ambient space enters, a buttery analogue bassline is there to fill it. This clash seems to be the album’s engine room, its power supply.

Timo references devotional and choir music as an influence on this album. The paranoia and foreboding is tempered by these headier aspects. Kaukolampi mentions “empty and hollow spaces” in relation to several of the songs. Perhaps this is the very space behind the mask, where outward disguise merges with inner reality. Perhaps inside the sphere is not always such a bad place to be.

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Untitled

LP | 2023 | EU | Original (blundar)

LP | 2023 | UK | Original (Dance Data)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Portland-based Kevin Palmer returns to blundar with his Best Available Technology for another release (having previously been featured on cassette). This time it’s on vinyl but still messing about with the same business of constructing and deconstructing head-nodding beats into a foggy bowl of ambience that has become the trademark sound of BAT.

Initially inspired and influenced by the sound-worlds created by Hank Shocklee, BDP and Kday, Palmer spent his formative years combing pawn shops for samplers. This kicked off his self-described obsessive compulsive work crunching out impossibly naive and obviously unschooled jams in what might have been and continues to be an attempt to capture and document something he felt when listening to the bombastic sonic collages of early hip hop.

Going backwards in order to go forward could be an apt mantra to describe the philosophy behind BAT. Often attached with labels like nostalgia and melancholy, Palmer surely deals with the longing for that perfect time capsule of N.Y. hip hop in the 90s - but where others zoning in on that era simply imitate it, Palmer goes way further into a world of his own making.

Far removed in both time and place to the outskirts of Portland, the sonics of Palmer filters through an outsider’s perspective, sometimes offering a personal journal of the here and now via field recordings from skateparks and surfing trips.

As if one would imagine looking slightly to the left of what was supposedly going on, these tracks continuously shift one's focus. That funky feel good beat is there, but almost always just out of grasp. Palmer gives us the sound of a memory slipping away.

Yet this reads not as the end of something, but rather a stepping stone into a world of possibilities. Operating at the outskirts of genre, you could imagine anything from dub, hip hop, ambient or techno to emerge and crystalize from the haze, yet it never does. This is all those things and nothing. Or maybe it’s just some “sad fucked up funk” as Palmer puts it.

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Izapa

Gamma

31,99 €*

LP | 2023 | EU | Original (Animal Rights)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The second entry on Dance Data is the debut album by Izapa, who has been a fixture in LA’s modular synth community for some time now, so it’s a treat to get a glimpse into the sounds he’s been honing in his private world. The record showcases his sensibilities for a wide variety of rhythmic structures / styles, from angular hi-tek drum-n-bass to half time electro zoners, there is a little something for anyone that’s looking for dance music that prioritizes feel over function (while still retaining the latter). Featuring a swirling acidic remix from Buttechno.

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Interim

Trash Blue Vinyl Edtion

Où Les Observer, Savoir Les Reconnaître

Release: 2023 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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After 3 LP (meuh! à la petite cuiller and VU A LA Télé), Interim comes back with Trash, a 4th beautiful blue vinyl LP with electro pop and dub dancing sounds. Electronics and weirdness of all kinds are once again the signature of the duo. Agnès Rougier (bass, melodica, electronics, lyrics) and Michel Bazieu (electronics, lyrics) hijack words to play with reality and have fun making the machines sing. Lizard men and climate change (Lizard Man), the French state and chlordecone (cld Banana Dub), the Trump’s space force (Space force Dub), the Chinese social tyranny (Social Control) or Facebook (Up Sugar Mountain): the 9 tracks of Trash humorously describe the social and political tragedies and excesses of today’s world. Recorded and mixed by Interim. Mastering by Pete Maher. On the cover, an original drawing by Arthur Junier. Trash is produced by the label Meuh! Productions.

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France Sauvage

LP | 2023 | EU | Original (Murailles Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | UK | Original (Beatservice)

B0ka

Forever, My Friend

23,99 €*

LP | 2023 | UK | Original (Butter Sessions)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Beatservice are delighted to present the debut album from the irrepressible Norwegian outfit, b0ka, with 13 genre-surfing tracks lovingly presented on the gloriously pop-centric 'Forever, My Friend'.
Friends since as far back as kindergarten, the b0ka players released a selection of highly regarded singles between 2013 and 2016, with their music arriving via prestige imprints including Eskimo, Paper Recordings, Diamond Club, and their own b0ka Recordings. They've since pursued a diverse range of projects, including Lakehouse, Ojkos, Bjørnar Sira and Den Kosmiske Overorden, with their expansive sounds routinely winning admirers throughout the global music community. The pandemic-induced lockdowns allowed the band an opportunity to re-visit long lost b0ka projects: reviewing dusty hard discs before funnelling the best morsels into the Sagrada Jukebox mixtape earlier this year. It was during this journey of sonic rediscovery that the masterfully diverse 'Forever, My Friend' was ushered into existence.
Drawing on all-manner of far-flung influences and brilliantly assembling the components with a pop-ready sophistication, this is spectacular work from b0ka, marking their return to release action in breathtaking style.

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Sleep D

Electronic Arts

LP | 2023 | UK | Original (Castles In Space)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Naarm alchemists Sleep D's revelatory new synthetic 'Electronic Arts' is ready for circulation.

Having released 4 EPs of mind-altering club tackle since 2019's 'Rebel Force', the duo overcome second album syndrome, boiling down their chaos with a more developed sense of songwriting. Never banging one drum, 'Electronic Arts' mirrors the anything goes mania of their DJ sets, tactfully shifting through different sounds and styles. Tempos intensify and decelerate, at times pushing the threshold to 150 bpm from docile canine dreamscapes to full tilt Space Invaders in AR mind games.

Largely built on road tested material from their live performances, the album is a tangible Butter Sessions gathering, busting out the gate with Martian rave initiation Planet Waves, Outdoor System's polyrhythmic beatdown and the Orb-like hero dose affirmations of Sunrise In The Crater (I Exist). While 'Electronic Arts' is otherwise a self-dependent effort, Punch Drunk is brewed ever more potent by the hypnagogic vocals and lucid trumpet cycles of former futsal team member YL Hooi. Their unified energy incidentally manifests a profound matrix of ambient techno, motorik, Don Cherry and Everything But the Girl.

Also touching on apocalyptic doof and minimal, the album is not exclusively peak time with Maryos Syawish and Corey Kikos' specialty curveballs also playing their part. From Village To Empire finds the duo rooting down in Syawish's heritage with a tapestry of purposefully deployed Iraqi and Syrian ethnographic samples and field recordings, dubbed within range of Muslimgauze and On-U Sound. As minimal techno finale Textile trails off into footsteps wandering back to base camp with a satisfied exhale, one wonders where Sleep D's existential pathfinding could possibly take us next?

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Paul Cousins

Vanishing Artefacts

LP | 2023 | UK | Original (The state51 Conspiracy)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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This debut album is the work of London based producer, sound artist and composer, Paul Cousins. Paul works with meticulously maintained reel to reel tape machines to transform and alter his electronic compositions. His prepared tape loops form the basis of ‘Vanishing Artefacts’ 12 intricate compositions. The original ideas processed through 1/4” tape become a hazy facsimile of their former state as tape is manipulated and effected to mould something new.

“There is great freedom in limitations. The sonic limitations of tape, at least in the lo-fi way I use it, are also a factor. Being able to physically touch and manipulate the sound is a very important and visceral part of this. Opposed to a lot of ambient music I have written, I want this music to be tactile, and very tangible. Yes, it can float away, but I also want to show the string tied to the balloon. For this reason many of the tracks contain the sound of the room, and the wonderful noises these machines make."

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Shit & Shine

2222 & Airport

LP | 2023 | UK | Original (Castles In Space)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Singular Texan musician Craig Clouse hurtles unstoppably towards the 20th birthday of his dancefloor-splintering electronic project Shit And Shine, releasing a landmark LP, his first full-length for The state51 Conspiracy, ‘2222 And AIRPORT’. Acid house, minimal techno, electro, funk, krautrock, hip hop, found sound, spoken word, live percussion and industrial are blown apart stupendously and then reassembled – mad-scientist style, in a way peculiar to Clouse – into 13 hypnotic and transportative tracks.

Lead single SWISS, out 24 March, is a gloriously minimalist funk jam that sounds like the exact point at which someone turns the lights off at a lowkey house party and a wild night for the ages gets under way. An almost scornfully skeletal riff, sounding like a misfiring Cyberdine Systems Model 101 summoning up a Prince circa Sign “O” The Times riff while crashing head first into the hyper-processed early work of Prefuse 73, also featuring a cheeky sample of revered Mancunian DJ Luke Una talking about “existential fucking darkness”.

This is followed on 4 April by INFINITE SHITE, arguably the epic central track to the album, is a Shit And Shine banger for the ages, its dancefloor affect, undeniable. An unforgiving, pulsating Byetone-style bass drone worthy itself of being blasted on a Funktion-One rig, is just the background for a colossal acid b-line, destroying all in its path.

Micro details bristle at the liminal level, threatening to only reveal themselves to those in a club, those listening on headphones or those experiencing a heightened sensory state.

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Kosmonaut

Contagion Vapours

Versailles Is Not Too Large Or Infinity Too Long

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Contagion Vapors was recorded between May 2020 and March 2021, in tandem with 'Transgressive Transmissions'. Both albums have been released by Castles in Space, however they feature completely different sonic energies.

Caught up in the first wave of pandemic doom/gloom which resulted in a bizarre creative bloom for Patrick, both albums have unique sounds anchored in the immense Patrick R Pärk/Kösmonaut discographies. This one is definitely a Kösmonaut record, however.

Patrick’s Contagion Vapors is a vaporwave sonic adventure which
soothes the worn soul like an icy balm with its motorik repetitions and sonic patterns and swirls.

Uncharacteristically upbeat and always positive, the album was a personal exercise in not becoming consumed by COVID isolation and misery. Major influences were Patrick Cowley, Cybotron, Automat, Cluster, and Harmonia and the entire album was recorded / mixed in the midnight witching hours over the course of only 2-3 days.

Ever prolific, Patrick is currently deep diving hard into post Y2K New Age conjurations with his massive Galactic Mirage project which should see another CD box set later this year. There's also some forthcoming Teeth Of Glass vinyl coming from Library Of the Occult later this year and plenty of Patrick’s self released "chrome sonic babies" in between.

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Bee Mask

LP | 2023 | UK (Unifactor)

11,99 €* 23,99 € -50%

LP | 2023 | UK (Platform 23)

Release: 2023 / UK

Genre: Electronic & Dance

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We're starved for two-sided 12"s in the world of ambient music, but Chris Madak aka. Bee Mask has refreshingly graced us with one this week. It should be said that there's Skee Mask and then there's Bee Mask; the latter is far more unsung, undeservingly so. Madak's music is abstract and cerebral enough to have lent him credo enough to have released on the likes of Weird Forest, Spectrum Spools and Room40. But this latest reissue, 'Versailles Is Not Too Large Or Infinity Too Long', hears him plunge the ethereal heights for the US label Unifactor. Originally released on cassette on Chondritic Sound in 2008, these pieces deserve the renewed attention and the fresh laying to wax, since they're not 'regular ole' ambient cuts in the slightest. Unafraid of indulging the high end freqs, Bee Mask fleshes out a mood of uncertain, urgent bliss - sizzling, crunching and soaring the drone, as if its maker were a modern Icarus flying too close to the sun.

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Vox Populi!

Half Dead Ganga Music

18,99 €*

2LP | 2023 | UK (Lempuyang)

Release: 2023 / UK

Genre: Electronic & Dance

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So-called 'ethno-industrialists' and Paris-based outliers Vox Populi are next in the spotlight for Platform 23 Records as it continues on its mission to unearth archival treasures both known and unknown. Half Dead Ganga Music is widely thought to be one of the group's most cohesive records as it meanders through lo-fi drones, muggy ambient and voodoo ritualism. Founder Axel Kyrou and partner Mythra who provides the ghostly vocals cook up alluring yet oddball sounds with obscured bass, rich layers of tape processing and weirdly uplifting gloominess. A superb album that sounds as new and innovative now as it did when it was first released all those decades ago.

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OHM

Northwest Passage

34,99 €*

Beyond Splatter Vinyl Edition

Release: 2023 / UK

Genre: Electronic & Dance

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Ohm and Octal Industries debuted on this label to great acclaim back in 2022 and now they're back on Lempuyang with Northwest Passage, a first album-length collaboration. This double 12" continues with their themes of failed arctic explorations and mythological creatures and, after 12 previous outings together, might be their best work yet: the sounds are mature and powerful, bleak yet deep. Dubbed-out chords roll to infinite horizons, frozen tundras are detailed with wispy melodies and pulsing, supple techno both soothes the soul and gets the head nodding. This is more stylish, subversive and superbly executed electronic music.

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Kick Puncher

LP | 2023 | US | Original (New Retro Wave)

Beyond Swirl Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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Unrelenting rugged synths with dark robust beats, deep within the core. Kick Puncher is back and with more RAW synths!! not for the faint-hearted. A must for all Cyberpunk and Darksynth audiophiles.

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Kick Puncher

LP | 2023 | US | Original (New Retro Wave)

24,64 €* 28,99 € -15%

2LP | 2009 | UK | Reissue (Warp)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Unrelenting rugged synths with dark robust beats, deep within the core. Kick Puncher is back and with more RAW synths!! not for the faint-hearted. A must for all Cyberpunk and Darksynth audiophiles.

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Bibio

Vignetting The Compost

Release: 2009 / UK – Reissue

Genre: Electronic & Dance

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Yarns From The Chocolate Triangle Peanut Chocolat

Chocolate Hills The Orb

LP | 2023 | EU | Original (Orbscure)

2LP | 2023 | EU | Original (Critical Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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On June 16th 2023 momentum continues apace for Alex Paterson"s Orbscure records, with the new album by Chocolate Hills - his duo project with Paul Conboy. Purveying world class melodic ambience and plenty beyond, colours in this high-fidelity-headphone-wonderland range from languid chill, kitsch exotica, library music, space age pop, ye olde folk and even drum and bass - all seasoned with (in)appropriately random plunderphonics from Paterson"s infinite goodie bag. Loosely based around a nautical journey to the Bermuda triangle and back, this is a fantastic voyage, but seas remain calm - more "Life Aquatic" than "Moby Dick". Tracks gently bob and float on bass which is roomy and buoyant like the hull of a ship, whilst luxuriously fluffy clouds meander overhead, before their vessel dives deep below to marvel at aquatic delights, guided by sonar

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Hyroglifics

I'll Wait, I Guess

32,99 €*

2LP | 2023 | EU | Original (Tsunami)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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"Good things come to those who wait", says Matt Harris aka Hyroglifics about the theme of his debut album, 'I'll Wait, I Guess', a personal journey to hope and healing reflected through 16 tracks of ever-evolving music and the stories that lie within them. "I believe that good things happen with time, however, I also wanted this album to depict the realities of waiting for something and how seemingly hopeless it may seem at times".

After committing to music full time after getting picked up by RBMA for 2016's Montreal academy, Hyroglifics has released key tracks and EPs on Critical Music, 20/20 LDN, Hooversound, and System. Written and recorded in Bristol before sessions in London and Los Angeles, where he now lives, 'I'll Wait, I Guess' is his most diverse body of work so far. Though led by the detailed drum and bass he's best known for, the album also includes tracks leaning towards grime, half-time, hip hop, techno and ambient music.

"I really wanted to create something that shows my range as a producer and artist", Hyroglifics explains. "My taste is always evolving, so it's hard to pin down a specific 'sound', as I really enjoy exploring the process of trying to create hybrids of genres."

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Christian Wünsch

Black Sun

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Circles In Time Red Marbled Vinyl Edition

Tommy The Cat

2LP | 2023 | EU | Original (Cat In The Bag)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | UK | Original (Orange Milk)

Lauren Bousfield

Salesforce

22,39 €* 27,99 € -20%

LP | 2023 | EU | Original (Verlag System)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Pre-order for July 7th 2023 release. Grabbing musical ideas from myriad places – jungle, drum and bass, classical piano, new age synth, breakcore glitch, robotic industrial static, and of course pop music – Salesforce is frenetic and refined.

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Maurizio Bianchi

Computers S.P.A

2LP | 2023 | UK | Original (Crosstown Rebels)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Special vinyl-edition of the legendary cassette, privately produced and released by Maurizio Bianchi in November 1980.

The undisputed father of nuclearsurgic sound-degeneration and apocalyptic avantgarde produced one of his most radical and uncompromising works entitled Computers S.P.A., consisting of dense electronic segments, furious pulsations and harsh waveforms, formed by the Korg MS 20-synthesizer plus machinistic recordings from tape. Maurizio Bianchi describes his early works as Technoise Sound coming from; strictly personal feeling, frustration and contradiction.

Computers S.P.A. is ; completely idiosyncratic piece of music, conceived with dramatic insistence, emotion; irrationality, hysterical scission, schizophrenic energy and madness. The two improvisations inspired by computerized music can be defined as Final Industrial Music (term used by M.B.), the last sensation before the end.

After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn of 1980 I arrived at the synthetic court of the purest and most uncompromising electronics and thus the "Computers S. P. A." project was born, consisting of two improvisations on the Korg MS synthesizer-20, free of ancestral prejudice and freely inspired by computerized music that in the second half of the 70s was gaining ground in the academic schools of experimentation. After more than 40 years, these "technical rehearsals" could seem a playful and carefree exercise, while inste@d they cover a dramatic denunciation of the sounds generated without the basic help of emotion and spontaneity, essential elements of the most genuine and constructive avantgarde music. (M.B., September 2022)

Special mention about collage art design method in collaboration with Maurizio Bianchi, Siegmar Fricke and myself. A combination with traditional tecnique of collage, 'xeroxed copy' scan and digital treatment in 'Off-set' quality print. Taken original ideas from early 80's 'mailing trade' music on cassette format.

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Pale Blue

Maria

Crosstown Rebels Presents Cr20 The Album: Unreleased Gems And Remixes

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Electronic duo Pale Blue returns to Crosstown Rebels with their long-awaited sophomore album ‘Maria’, revealing a spellbinding eight-track trip across electronic spheres.

After forming their critically acclaimed Pale Blue project with their debut album ‘The Past We Leave Behind’ in 2015, Mike Simonetti (Italians Do It Better) and Elizabeth Wight (Silver Hands) have only furthered intrigue and interest in the years since, uniting for a series of expansive EPs on Simonetti’s own 2MR imprint exploring dancefloor-focused acid through to gripping electronica. Having already oﬀered a first look and preview into their long-awaited album return via three singles on the label, with remixes provided by DJ Tennis, Kölsch, Fort Romeau and Perel, mid-May sees Simonetti, and Wight finally reveal their sophomore album ‘Maria’ on Damian Lazarus’ Crosstown Rebels - oﬀering a uniquely raw yet seamlessly polished trip into their idiosyncratic world.

“‘Maria’ is an album of love songs - the good, the bad, and the ugly… The album is written entirely in Elizabeth’s voice. These are all her words - her thoughts, based on her personal experience. When writing this record I took inspiration from classic rock LP sequencing, and tried to dial in on a coherent concept, a natural flow. Although these are clearly techno tracks, one would argue they have more in common with rock music than dance music. I wanted to try make something a little diﬀerent, verse/chorus/verse tracks but still heavy enough for the club, full of melody and emotion… poppy but not That kind of poppy. Pale Blue has been known to take on political subject matter in the past, but the politics of love is something we can all relate to.” - Mike Simonetti.

Opening with the slow-blooming and beautifully crafted dreamlike melodies of the aptly titled ‘Spells’, the eight-track long-player navigates and traverses the broader realms of electronica through to lighter pop-influenced touches and sonics for an absorbing and compelling dive. ‘Dive’, the first single from the project, provides a hazy but resonant web of polyrhythms and textures guided by Wight’s captivating vocals, while ‘Laura’ reaches for sparkling leads synths amongst sweeping tones and moments of bliss. Oﬀering up change to the aesthetic ‘Ice Is Falling’ is a stripped-back and haunting production as Wight’s vocals carry eerie tones and pockets of space for a hair-raising eﬀort.

The second half of the project welcomes second and third singles ‘No Words’ and ‘Together Alone’, with the playful tones of the former complementing the wistful and floaty soundscapes of the latter for two tracks to keep listeners in a trance. Closing out the package, ‘The New Year’ is a delightfully worked pop-leaning gem built on electronic foundations with a slinking acid-tinged bassline snaking through the mix, before shaping things up with the anthemic and rosy glow of final track ‘The Last Song’.

Further emphasising Simonetti and Wight’s innate connection and bond when creating and crafting music, ‘Maria’ is an exemplary display of the two at their best across a collection of eight productions straddling the electronic-pop border with poise and aplomb.

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V.A.

2LP | 2023 | UK | Original (Crosstown Rebels)

37,99 €*

Behind The Groove Present Victor Simonelli The Early Years Volume 2

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Damian Lazarus celebrates 20 Years of his world-renowned Crosstown Rebels imprint with a special album project of unreleased cuts and fresh remixes, featuring material from Black Coﬀee, Maceo Plex, Art Department, Dennis Cruz and many more.

Undeniably one of the most influential record labels within underground dance music, releasing material from Laurent Garnier, Krust and Mathew Jonson to Rósìn Murphy, Deniz Kurtel, Francesca Lombardo and Jennifer Cardini while playing a pivotal part in the careers of artists like Maceo Plex, Jamie Jones, Art Department and Seth Troxler, Crosstown Rebels stands today as a hub and platform for flourishing projects across the electronic spectrum, including via sub-label Rebellion and across a long list of showcases across the globe. More than just your everyday label, the Crosstown Rebels legacy has grown alongside its founder in equal measure, with head honcho Damian Lazarus continually showcasing, championing and spotlighting artists from across the globe who share his radiant, experimental vision for house music and beyond. Ringing in a major milestone in style, 2023 will see the biggest twelve months to date as Lazarus and Crosstown mark the 20th Anniversary of the label with a series of projects set to be unveiled in the lead-up to summer, with ‘cr20 The Album’ set for release on 12th May 2023.

“20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet - releasing music to the world and making people dance. That dream was Crosstown Rebels, and this year we are 20. Over these years, I have forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most colourful characters in dance music. Crosstown Rebels is more than a record label, it is family. So 2023 will mark the label’s 20th Anniversary. This is an opportunity for the Crosstown Rebels family, a global community of artists, DJs and creatives, and the label’s myriad of followers to celebrate this momentous milestone. There will be parties and events around the world. A killer compilation of exclusives and special remixes, a beautiful coﬀee table book, a short film, and a special launch event are planned to bring together the sights and sounds of the label’s unique and influential history. There’s lots to share, announce and reminisce. 20 years young.” - Damian Lazarus.

Comprised of six stellar, high-profile remixes of releases from the label’s catalogue, alongside two previously unreleased original gems, the eight-track package is a rich and exemplary showcase of the far-reaching corners of the Crosstown Rebels sound and also its globally connected family of artists and close friends.

Opening the package, Lazarus’ own 2020 collaboration ‘Into The Sun’ with regular Crosstown vocalist Jem Cooke is given a cosmic rework by Johannesburg’s Major League DJz, while Jamie Jones’ slick ‘Paradise 2011’ is stripped back and given a new lease of life by the hypnotic and heady sounds of Art Department. Opening the B-Side, Dennis Cruz brings his percussive Latin-infused signature sound palette to Chilean musician and producer Pier Bucci’s ‘Hay Consuelo’, before Audiojack’s ‘Feel Good’, another standout collaboration alongside Cooke, is taken into synth-led territories as Michael Mayer reaches for an evolving bed of captivating tones.

The second half of the project brings more excellently remixed material, both new and old, with GRAMMY-winning DJ/producer Black Coﬀee turning his hand to the label’s first release of 2023 in Made By Pete and Zoe Kypri’s emotive ‘Horizon Red’, unveiling reworked melodies and sparkling keys as he delivers an interpretation of a track which has featured as a staple in his sets. Next, the project welcomes Adam Ten & Yamagucci’s playful yet oﬀ-kilter and wonky ‘The K Dance’ which unveils itself as a production perfect for those late night hours and early afters, before Ellum boss Maceo Plex’s ‘Together (2011 Mix)’ brings another lost production to the mix with a driving and zipping ride through sugary synths and soaring leads. To close, Tibi Dabo turns his attention to Guti & Dubshape’s absorbing ‘Every Cow Has A Bird’, delivering a nimble minimal-led trip through lush pads and crisp percussion to round things out in style.

Alongside the album, the 20 Year celebrations will also welcome a 192-page hardback book, ’20 Years Of Magic, Madness and Music’, with words from renowned journalist and key underground music player Joe Muggs, and a feature-length documentary directed by acclaimed director David Terranova.

Crosstown has become known globally for throwing some of the world’s best parties, from the wondrous cultural journey of Day Zero Tulum to longstanding Music Week marathon Get Lost Miami. This ethos of creating magical dancefloor moments spills into the label’s 20 year celebration with its worldwide Get Lost tour, launched with Get Lost Miami, and followed by Bali, Tokyo, Ibiza, Dubai, Istanbul, Rome, Paris, London, Berlin and more, plus a special to-be-announced London showcase.

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Victor Simonelli

2LP | 2023 | UK | Original (Unknwn)

40,99 €*

Plucking A Cherry From The Void Clear Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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In the words of Bill Brewster - DJ History

‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ/producer delivered a string of underground club hits during the city’s early ’90s house boom.’

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol

Launching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 & 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and Ez-al, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.

Victor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage & Zanzibar/Wbls/Kiss FM respectively.

Revered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on Wbls, Wktu and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.

Graduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his Wbls/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.

In the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.

DJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall & Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M&S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.

In the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 & 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.

Behind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound. With Victor Simonelli Live in the UK on Sunday April 30th, please go to www.behindthegroove.co.uk for all the latest news and features.

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Cecile Believe

LP | 2023 | EU | Original (Arbutus)

LP | 2018 | JP | Reissue (EM)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The voice is a powerful medium. Cecile Believe's is unmistakable. Plucking A Cherry From the Void - originally released digitally in 2020 - is an eight track mixtape release that sees Believe ambitiously experimenting with the boundaries of her sound. The mixtape's centrepiece is lead-single 'Times', a veritable stroke of future-pop genius. Its perfect counterpart, 'Bitch Bites Dog' is the mixtape's standout and has gone on to land over 3M+ streams worldwide. Using her unique voice and production, Cecile Believe searches to connect worlds of pop, sound design and experimental music and asks the question - what is the energetic thread that connects these sonic worlds? Now available as a physical release, the Plucking A Cherry From The Void LP features new artwork, pressed on clear vinyl, and contains 'Silver Line', a previously unreleased bonus track.

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7fo

Ryu No Nukegara

Colors Of The Dark Clear Vinyl Edtion

Release: 2018 / JP – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Long-awaited repress of the masterpiece, available on LP and CD!! 7FO is characterized by its natural ethnic treatment of ambient/new age synth electronics with a dub/reggae feel. This sense of style is the reason why 7FO's music has crossed the boundaries of new age electronic music, new roots revival, bass music, La Monte Young, and Equiknoxx fans. "Subtle, playful. Softly spoken yet speaks volumes. This is powerful stuff! The absence of music like this is what made me start producing…" - Jackson Bailey (Tapes/Rezette)

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Rei Harakami

LP | 2006 | JP | Reissue (Rings)

39,99 €*

LP | 2023 | EU | Original (Ilian Tape)

Release: 2006 / JP – Reissue

Genre: Electronic & Dance

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The classic album "Colors of the Dark" by rei harakami, which became a big hit among his fans, will be reissued on 180g heavy weight clear vinyl!! Rei Harakami, who passed away in July 2011 at the age of 40, is back with his long-awaited analog vinyl release, "Colors of the Dark"!! This album, which mainly features ambient sounds among Rei Harakami's works, was created as the soundtrack for "Colors of the Dark", a content for Megastar-ii cosmos, "the world's most advanced planetarium projector" at the National Museum of Emerging Science and Innovation, Miraikan, Japan. It also includes "yami wa hikari no haha," a poem by Shuntaro Tanikawa, read by Ikuko Harada (Clammbon). At the time, the record was sold out immediately, and it is known as a rare piece that fetched a high price on the second-hand market.

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Packed Rich

Warp Fields

15,99 €* 19,99 € -20%

LP | 2023 | EU | Original (Enter Planet Dust)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Packed Rich's Warp Fields LP depicts the journey of an individual traveling through a field of energy that connects different locations in space. Through the course of this journey the individual experiences a metamorphosis through different stages of physical existence and spiritual consciousness in order to overcome the borders of space and time. The question remains if the individual will still maintain the same sense of consciousness and distinction of self that originally made up its personality.

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World Wide Web

Transmutation Lp

23,99 €*

LP | 2023 | EU | Original (Ajasphère)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Enter Planet Dust’s next release is our first album, courtesy of Manuel Jesus aka World Wild Web. His debut LP follows lead single Cursed Fruits which featured remixes from Epsilove and label head Donald Dust.

World Wild Web’s organ, guitar and drum machine-led music nods to the global Cosmic continuum, and explores themes of anxiety, overconsumption and Web 3.0. The album features creative and catchy vocal dance tracks in both English and French (Colony, La Nuit, Je Mange Des Animaux, The Best Is Yet To Come), scrappy guitar anthems (Pills, Don’t Quit!, Scrolling) and exotic Cosmic joints aplenty (PA 2, M-Gola, Druid Dance). We at Planet Dust are reminded of the likes of Suicide, Rizan Sa’id, DJ Stefan Egger and more.

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Aja

Ajasphere Volume 1

19,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Reissue (Le Vinyle Club)

J.Lloyd

Kosmos

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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The Last Resort Black Vinyl Edition

Trentemøller

2LP | 2006 | EU | Reissue (Le Vinyle Club)

35,99 €*

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | UK | Original (Will)

Yusaku Arai

A Two

Kübler-Ross Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The Kyoto-based musician Yusaku Arai is known for his production work in the avant-garde scenes of Japanese hip-hop and R&B. On this solo album, though, he offers more lengthy, piano-centric meditations that use the techniques of musique concrète. Arai’s compositions on the A-side emerged out of a reflection on the corporeal and interwoven relationship between his own body and things he encountered in the world—the ocean, a flower petal, a plastic sheet, a hand. His intent is to represent a process in which colors gently well up in inside of an object, pass through its entirety—and eventually permeate into the body itself. The B-side consists mostly of a long composition, which is about an unavoidable surplus that crops up in communication, whether of gestures or of language. This narrative work describes humans as beings torn between enthusiasm and emptiness. The album’s artwork is by photographer Azusa Yamaguchi and designer Hejiro Yagi. Mastering by Sean McCann of Recital. An 18x24 inch poster is included.

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Kübler-Ross

LP+7" | 2023 | UK | Original (Ice Machine)

32,99 €*

Grey With Breaks Cloudy Grey Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio). First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020. Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close… Available digitally, and on limited vinyl LP in a reverse-board jacket. We’ve also pressed up a special edition with an additional bonus 7”, featuring covers of songs by US minimal synth oddball John Bender,and Australian industrial mavericks SeveredHeads. The special edition LP and 7” are on pink-vinyl LP + green-vinyl-7”, and strictly limited to 200 copies. Both versions include a Bandcamp download card inside.

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Lowfish

LP | 2023 | UK | Original (Suction)

24,99 €*

LP | 2023 | UK | Original (Funclab)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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After a recent, acclaimed EP on Madrid’s Analogical Force label, Suction Records is thrilled to announce “Grey With Breaks,” the 8th full-length album by Lowfish. The electro veteran, who’s been programming 808s since the early ‘90s, returns to Suction Records, the label he co-founded and debuted on in 1997. “Grey With Breaks” is an electro record, with thick analog basslines and Tr-808 boom tschak front & centre, but Lowfish’s electro-style stands out from the pack. Not only is the LP devoid of the Drexciya/Dopplereffekt worship that permeates the scene these days, it also rarely hits above 110bpm, oozing with melancholic melody.

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Hollyspleef

Paradise Seeds

LP | 2023 | EU | Original (Electronic Emergencies)

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Hollyspleef is an Italian electronic music producer, shaping his way through the early 21st Century. He spends his late evenings and early mornings making live recordings with a bunch of analog gear from his hidden studio on the shores of the Adriatic Sea. On one end pulling from R&B, House and Dub/Reggae, and on the other richly layered ambient and future-jazz. He creates sonically smooth music that rises and recedes like the tide, fitting for the next great surf film soundtrack or a packed club at 2am. Maintaining a steady hold on timeless dance music when he's up in the DJ booth playing the hits and the new 'classics’, Hollyspleef is a soulful artist whose styles bend time and space with particular groove.

“Paradise Seeds” is about roads, roots, paths and emotions, the ones you’re not used to feeling everyday. But most importantly it is about change, about the inner force one discovers when forced to transform. After finding out he had to move out his beloved Resonance Jungle Studio, Hollyspleef decided he had to make one last album before the big move. Exploring his inner self through R&B, Jazz, Trip Hop, Footwork and Trap he delivers yet another gem of a record.

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Macho Diva

Fetishista Kommunista

18,99 €*

Around The Sun Part 2 Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Macho Diva is the anarchic queer electro-wave project of Mima and Spacemaker. After five years of live gigs, doubt, activism, sadness, and revolt, the comrades of Macho Diva release their much-anticipated mini album Fetishista Kommunista. A musical troika supported the creation of this great release: Vive la Fete remixed two tracks with great results, Rude 66 was also on remix duty and delivered a smashing electro-disco punk mix. All other tracks are produced by Venderstrooik. Let's dance on the ruins of capitalism, solidarity, and equality for everyone! On transparent blood-red vinyl, cover art by Studio Kling.

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Mr. Fingers

2LP | 2023 | EU | Original (Alleviated)

Bonzai Compilation III - Rave Nation Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Mr. Fingers second part of the Around the Sun series of albums!!! Larry Heard's (under his most notable monniker) continuation on the path from last years "Around the Sun part 1". Encompassing all his influences from Jazz, R&B to Techno and Ambient these lush tracks with a feel that no one else expresses quite like him. No need to further elaborate... Larry Heard at his finest.

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V.A.

2LP | 1994 | EU | Reissue (Bonzai Classics)

34,99 €*

Richard Sen Presents V.A.

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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We continue to dig into the archives to unleash the Bonzai sound on to a new generation of fans and stir up cherished memories for those that know. Bonzai Compilation III – Rave Nation first saw the light of day in 1994 on CD and showcased the talents of a fine roster of in-house artists who were churning out hit after hit. Despite only being two years old at the time, Bonzai Records had already taken the electronic dance music world by storm with previous comps proving hugely popular across Europe and continues to do so with enthusiasm to this day. For the vinyl collectors, we’ve selected and remastered 9 tracks off the original release from Aqua Contact, Techno Junkies, 3xxx, Dialectrum, Jones & Stephenson, Airplay, Bountyhunter, Yves Deruyter and B.W.P. Experiments along with a first-time-on-vinyl appearance for Yves Deruyter’s remix of La Sirena by Aqua Contact. This limited 2x12” presented in a gatefold sleeve with original artwork is the perfect curation, providing you with a mighty arsenal of weapons to unleash on the dance floor.

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Dream The Dream Uk Techno, Breakbeat, House 1990

2LP | 2023 | EU | Original (Ransom Note)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Wewantsounds)

Ramuntcho Matta