Electronic & Dance 32082 Items

LP | 1988 | EU (Urashima)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Masonna

Like A Vagina

LP | 1988 | EU | Reissue (Thank You)

Release: 1988 / EU

Genre: Electronic & Dance

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Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “Japanoise” scene. Masonna’s abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for 60’s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static.

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Ghia

Here I Am

10,79 €* 26,99 € -60%

LP | 1988 | EU | Reissue (Rre)

Release: 1988 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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After the re-issue of Ghia's “Don't Leave Me Alone” we continue the Austrian collaboration with Ghia's only known album release to date. Originally from 1988, this album features 9 tracks that further deepen the aesthetic direction strongly established by the now digger-delight single released the year before. An album that was somewhat mysterious due to little information online, yet coveted amongst diggers that had already been exposed to the magic of “Don't Leave Me Alone”. From slow dance ballad pop smoothness to high paced quasi-house keyboard and guitar infused playfulness, “Here I Am” has a sound that's unique yet refined, characteristic of an ace studio recording environment. Essential in any well seasoned record collection. Severely remastered.

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Front 242

Headhunter

20,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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7" | 1988 | EU | Original (Empty)

Doc Wör Mirran

Deadthings In Love

10,99 €*

LP | 1988 | JP | Reissue (Nippon)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Original old stock. Six-track single from 1987, by this free-form collective led by Joseph B. Raimond (treatments, drawings, guitar, dulcimer, synth). Limited edition of 50 copies, somehow still available.

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Jadoes

A Lie

39,99 €*

Release: 1988 / JP – Reissue

Genre: Electronic & Dance

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12" | 1988 | UK | Reissue (Champion)

Raze

Break 4 Love

12" | 1988 | EU | Reissue (Boy Records)

Release: 1988 / UK – Reissue

Genre: Electronic & Dance

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An all-time classic from the early days of US house music, Raze ‘Break 4 Love’ gets a much deserved remastered reissue on Champion. A seminal track from back in ’88, simple yet oh-so effective, with a grooving bassline, breakbeat loops, synth stabs and blissful vocals. Timeless business that still gets the hairs on the back of your neck standing up every time it gets played. With the original mix cut loud and proud on the A side, the flip side houses the Our Tribe Club Remix that gave a ravey 1994 tinge to proceedings, switching up the bassline for a more late night club-ready feel whilst spicing things up with chest rattling, fist-pumping synth stab section.

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Cosmic Jam

Girl Don't Cry

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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12" | 1988 | EU | Reissue (Tempo Dischi)

Raduan

Taki-Naki-Naki

Acid Story White Transparent Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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The sixth release on Italian imprint Tempo Dischi comes from Alessandro Bernabeo, aka Raduan, the Italian DJ and producer behind 'Taki-Naki-Naki', one of the most eclectic and unconventional electronic records made in Italy in the late 1980s.

"At the age of 7, I started attending a music school learning to play the piano. At 11 I began working as a speaker in various radio stations, and at 14, I joined Punto Radio where I grew up professionally and launched my own radio show, Play Music, under the name Alessandro Giordani. The success was impressive, and thanks to my friend Gianfranco di Lizio, I also started my DJ career by playing in some of the best dance clubs under the artist name Raduan or Rad-one. Mixing funk, soul, afro and cosmic disco in my music gave me a chance to meet and establish relationships with many of the protagonists of this new musical scene, like l’Ebreo, Fari, Maselli, Claudio Mozart Rispoli, Pery, Rubens. In 1988 I was a resident DJ in a well-known club at the time, the 'rio Club', and together with my keyboardist and percussionist, I had the idea to produce a maxi single. The song was recorded in about 40 hours without sleep at the Cicero Bros studio in Cassino in April 1988, with the support of Lino Rufo, a great artist from Molise, as well as his dear friend and old producer Toni Ochiello. The initial project was completely reworked. The original sampled drums were coupled with an acoustic one, and new melodies and fantastic spacey new sounds and effects were created by keyboardist Bengha. The hypnotic and repetitive voice of Cristina, Claudio Baglioni's background vocalist at the time, and that of Jamaica, originally from Mauritius, made the project even more interesting. 'Taki Naki Naki' is an Italo song, with Cosmic disco and Afro influences, and it's the title track of the EP originally released in June 1988 on Bmg Ariola, ex RCA. The EP includes two other songs 'Nightflight' and 'Hiroshima'. The record was a big hit in all the Italian Disco clubs and launched me into the international dance music scene. It was a fantastic time, with different styles of music and House Music was also on the way. There was a lot of research spirit and the people of the club were ready for various types of change. This record has left a mark, international DJs and shops from all over the world still contact me to ask if I have a vinyl copy left in my archive."

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Dr. Phibes

12" | 1988 | EU | Reissue (DiKi)

Digital-Dance Color In Color Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this club classic from 1988, remastered for 2021.

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Software

LP | 1988 | US | Reissue (100% Electronica)

35,99 €*

Tape | 1988 | EU | Reissue (Confused Machines)

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Since 1983 Peter Mergener and Michael Weisser experiment with electronic sounds, visuals and environments. Their special interest is the area of how computers can be used to help express creative art of a wide variety. The LP's and CD's are just one part of Multi-Media-Events, combining music, computer-graphics and high-technology-poetry. Software combines these elements beautifully, showing that technology as the sign of the time is emotion, stylish design and a new dimension of high-tech-beauty.

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Genbaku

Testkard 225

Reese (Kevin Saunderson) & Santonio

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Testkard 225 was a pioneering industrial project by journalist Danny Beller, which released a handful of cassettes during the 80’s and was a major influence for the electronic and experimental scene in Israel. Genbaku was the 2nd cassette Testkard 225 released and the 1st to be reissued by Confused Machines. It was originally recorded and released in 1988. Only 30 copies were of officially made and they were quickly sold out. However, thanks to “illegal” home taping, it reached hundreds around the world and made an important mark on the emerging industrial scene in Israel, while getting some decent exposure via the tape trading phenomena around the globe.

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The Truth Of Self Evidence Clear Vinyl Edition

12" | 1988 | EU | Reissue (KMS)

12" | 1988 | EU | Reissue (Pardonnez-Nous)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Huge repress of 'The Truth Of Self Evidence' on KMS from 1988. Detroit techo gold that samples Martin Luther King. All b sides included and re mastered for 2014.

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Maureen

Tu Me Tues

Release: 1988 / EU – Reissue

Genre: Electronic & Dance, Pop

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LP | 1988 | EU | Reissue (Libreville)

Mega Wave Orchestra

19,99 €* 24,99 € -20%

LP | 1988 | EU | Reissue (Fortuna)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Libreville Records is proud to present a focus on legendary electronic swiss project Mega Wave Orchestra in the form of a compilation LP including unreleased material.
Originally released privately in Geneva in 1988 as a box set containing five LPs by The Mega Wave Orchestra and five prints by the artist H. Richard Reimann.
The Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music big-band. It was comprised of seven multi-instrumentalists Christine Schaller, Vincent Barras, Jacques Demierre, Olivier Rogg, Rainer Boesch, Roger Baudet, and Benoit Corboz, with Oestreicher as arranger and producer.
The Mega Wave Orchestra created a new hybrid music. It was a music with roots in the jazz and classical traditions, but one which also drew on the sonic freedom of musique concrete and the kind of total experience offered by psychedelia. The diverse backgrounds and specialisms of each of the band leaders/writers resulted in a wide variety of music across the five discs: from austere drones and granular aural detail to warm oddball fusion and gorgeous but cracked vocal jazz.
There are useful contemporary comparisons to be made: zoned synth jazz like the Azimuth LP on ECM or Karin Krog’s Freestyle; Larry Heard’s sequencer dreamtime; the Valium minimalism of Pep Llopis or Jun Fukamaki; Dexter Wansel’s shimmering arrangements for Loose Ends, or even the FM sheen meets cold war threat of Donald Fagen’s Night Fly. Here, too, is the sound of music technology about to snowball and define its own aesthetic, unknowingly prefiguring auteurish bedroom producers like Black Dog or The Detroit Escalator Company.
Lovely crafted tip-on sleeve. Remastered from Master tapes. 500 copies.

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Raviv Gazit

LP | 1988 | EU | Reissue (Telephone Explosion)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna's killer catalog.

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Fist Of Facts

Fugitive Vesco

LP | 1987 | EU | Reissue (Mannequin)

Release: 1988 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Melodic Energy Commission is a Canadian gem and an interesting branch of the Hawkwind family tree (featuring Del Delmar on electronics.) Hailing from British Columbia, their unique blend of space rock, progressive and hippie psychedelia began in 1977 as a recording-only project titled "The Melodic Energy Commission of Collected Artists."
In 1985 Ken Man showed up in the studio with this IBM AT computer. It had a 1/2 MB of RAM and some Voyetra software that could sequence music, becoming the duo’s backing band. Fist Of Facts contributors included Mark Cunningham from Mars, Felice Rosser, Genevieve De Monvel Boutet, Carlos Vivanco, Scott Hartley from the Liquids and a whole host of others. Fist of Facts expand the natural groove that Liquid Liquid established over their quick career, with a strong political message combined with abstract dub soundscapes.

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Caroline K

Now Wait For Last Year

24,99 €*

LP | 1987 | JP | Reissue (Sony Great Tracks)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Mannequin Records is proud to present the official reissue of Caroline K's outstanding 1985 album, "Now Wait For Last Year."

This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record, which has accrued a fervent cult following over the past 40 years, and copies of the original pressing are today extremely rare and sought-after. The music on "Now Wait For Last Year" seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can't really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener "The Happening World" to the future-primitive rhythms and stately piano flourishes "Animal Lattice", and the melancholic, deep-frozen synth sequences of "Cheart".

For fans of Throbbing Gristle, Chris Carter, Nocturnal Emissions and even early Detroit techno lovers should pay special attention to it.

All selections composed, arranged and played by Caroline K Recorded and produced by Caroline K

Photograph by Jake Kirkwood Original design by Nigel Ayers

The first five tracks of Now Wait For Last Year were originally released as a vinyl LP by Earthly Delights in 1987.

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Ryuichi Sakamoto

Neo Geo

42,99 €*

Trouble Black Vinyl Edtion

Release: 1987 / JP – Reissue

Genre: Electronic & Dance, Classical Music

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Ryuichi Sakamoto's first world release, released in 1987 and reissued in analog format.

This solo album, Sakamoto's seventh in total, was co-produced with Bill Laswell for worldwide release and features top musicians from different genres, including Sly Dunbar and Bootsy Collins. Based on an electronic sound, but fusing organic and ethnic musical elements such as Okinawan and Balinese traditional music, the album was recorded in Tokyo and New York, and released in more than 20 countries around the world, making it a milestone in his solo career.

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Girly

12" | 1987 | EU | Reissue (I.D. Limited)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

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Trouble Purple Vinyl Edition

Girly

12" | 1987 | EU | Reissue (I.D. Limited)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

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Opus Dei Remastered Edition

Laibach

LP | 1987 | UK | Original (Mute)

28,99 €*

Release: 1987 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Living Out A Fantasy Green Vinyl Edition

Oh Romeo

12" | 1987 | EU | Reissue (I.D. Limited)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Surgeon Of The Nightsky Restores Dead Things Byteh Power Of Sound

Jon Hassell

LP | 1987 | EU | Reissue (Intuition)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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LP | 1987 | EU | Reissue (Music On Vinyl)

Whodini

Open Sesame

30,99 €*

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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12" | 1987 | EU | Reissue (ZYX Music)

Steve Barrow

Look Around Me

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this italo disco rarity from 1987 with Flemming Dalum & Rey David Diaz remixes.

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Betty & The Code Red

Wishful Thinking

17,09 €* 17,99 € -5%

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.

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Betty & The Code Red

Akure

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Betty & The Code Red is a life and creative partnership between Benin-born Tunde Obazee and his girlfriend Betty. The pair grew up in Nigeria and would play all manner of instruments to entertain people at the local school before staying together as they went on to live in Italy and the US. Obazee performed at colleges and universities despite no formal training and eventually recorded a selection of tunes together including a small album on relatively new bits of gear like the Yamaha RX7. Especial has collated some of their best work across two new EPs, this being one of them.

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Group Du Jour

Motion Of Waves

12" | 1987 | EU | Reissue (ZYX)

Release: 1987 / UK – Reissue

Genre: Electronic & Dance

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Group Du Jour was founded in Portland, Oregon in 1983 and have had a storied career spanning the decades since. They have always brought together live, ethnic, and electronic sounds with folk and modern pop, later getting ever more experimental. Early albums Forgotten Colors in 1986 and Wonderful Vision in 1988 are groundbreaking affairs, the latter of which gave rise to 'Motion Of Waves', which is something of a cult favourite for deep diggers. It is a rich instrumental groove that layers up synthesiser, flute, guitar and haunting vocals sitting over a brilliantly electric beat. The whole thing was a live one-take recording and is perfectly suited to both sunset and sunup moments of dancing pleasure.

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Mcl

New York

21,99 €*

12" | 1987 | US | Reissue (Chicago Vinyl)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this electro disco classic from 1987.

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Tyree Cooper

Acid Over 23

LP | 1987 | US | Reissue (Pine Hill)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Another critical refix for 2023 from the Chicago OG. A tracky remix from DJ Sneak jacks so hard you might hurt yourself alongside a refreshed for `23 version of the original from the man himself on the A-side. While soulful pianos contrast with classic acid to form the perfect storm on the B.

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Don Harriss

Elevations

12" | 1987 | EU | Reissue (Thank You)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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What is it like to be up in that ominous, dark blue/pink sky that we stare at in wonder? Without the use of a single word, Don Harriss shifts the unknown universal connection to the forefront of the mind with the mystical collection of compositions on his album Elevations. Originally released in 1987, this album is seeing its first-ever appearance on vinyl. This ambient, melodic new age masterpiece will bring you to unspoken places. Tracks like “Motion #4”, “Impromptu” & ”The Tortoise, The Temple & The Rain” showcase the album’s element of depth. Various diverse themes carry you all the way to the beautiful closing track “Caravans.” To the right age audience, this album is highly reminiscent of some of the best 80s & 90s video game soundtracks. This could fit right onto the Ecco The Dolphin 1992 Sega Genesis soundtrack. Other tracks could be well-imagined in 1994’s Donkey Kong Country on Super Nintendo. If you’re into ominous, extremely well-done OSTs, this is for you. This album is highly appreciated & widely overlooked.

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Software

Past Present Future

15,99 €*

12" | 1987 | EU | Reissue (ZYX)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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German project founded in 1984 by Peter Mergener and Michael Weisser. This release features two cheery picked exemplary moments in downtempo contemplative cosmic travels. A side sends the listener well out of orbit with a 10 min long gradient of Krauty arpeggiated showers that grows elegantly, a concerto to the astros of the mind. Flip it and it gets better as your space capsule gets sucked into some distant planet's gravitational pull, feelings of other-worldly sounds, slowed down beautifully almost eerie nuances one won't forget so easily. Sunrise on a Balearic island from another solar system. Berlin-School by trade but also heard on mixes by Jose Padilla. Heftily remastered.

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One System

Life Is Very Short

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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12" | 1987 | EU | Reissue (Thank You)

Ghia

Don't Leave Me Alone

Nightlights In Japan Curacao Blue Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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One of those tracks you simply can't forget - perhaps because it's a hard one to put in any specific genre category - laying somewhere in between the realms of synth pop and italo disco with hints of even new beat, this Austrian diggers delight has been haunting Discogs want-lists for years. Aesthetically smooth and sexy (as it shares chord changes with non other than “Careless Whisper”) but with accents of less orthodox production techniques in the “Wunderbar” mix emphasize a uniquely charming playfulness. Originally released as a 7” single, Thankyou brings it back to your record collections now in a 12” format with an additional extended cut by Castro for those of you who might have thought the original was just a little too short. Remastered by Man Made Mastering.

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Galvanica

12" | 1987 | EU | Reissue (Best Record Italy)

17,09 €* 17,99 € -5%

Nightlights In Japan Black Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Limited edition of 300 copies on curaçao blue wax.

Galvanica: a voice with unusual qualities, refined and balanced, also high-pitched, sensual, embellished by an orgasmic inspiration with fluid and spaced solos in hypnotic rhythms that often change scenery. ‘Nightlights in Japan’: an extraordinary piece of pure and profound creativity where each version seems to have been built apart and where the West meets the East. A splendid interpreter for a truly stunning piece, as fresh and far-sighted as the day it was recorded at Studio Emme in Calenzano by Marzio Benelli with the Yamaha DX7 synth and Linn 9000 drum sequencer that are at the base of the piece - made and re-interpreted in the four original versions, all sung in the Eastern Asian pentatonic scale. ‘Nightlights in Japan’ was also written by Massimiliano Orfei, at the time collaborator in the advertising projects from label Smash One Music of Pino Toma, the producer who drew new inspiration to venture into the record market, which, in 1987 became everyday more difficult and this song was considered out of fashion - even if each version seems to have been built as a unique composition, and it was expertly arranged by the talented Giorgio Costantini (Giokost as composer). We’ve clarified as to whom Galvanica's velopendulus belongs, to rightly consider this artist as a contributive voice of disco music, despite being part of the ‘second wave’ of the Italo-Disco scene having contributed to it as Otero, Belen Thomas, Angelby and previously with the disco-project Plustwo creating ‘Melody’ (which after 40 years gets a new extraordinary success with 134 million plays on TikTok and around 18 million streaming).

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Galvanica

12" | 1987 | EU | Reissue (Best Record Italy)

12" | 1987 | EU | Reissue (Proxima.)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Galvanica: a voice with unusual qualities, refined and balanced, also high-pitched, sensual, embellished by an orgasmic inspiration with fluid and spaced solos in hypnotic rhythms that often change scenery. ‘Nightlights in Japan’: an extraordinary piece of pure and profound creativity where each version seems to have been built apart and where the West meets the East. A splendid interpreter for a truly stunning piece, as fresh and far-sighted as the day it was recorded at Studio Emme in Calenzano by Marzio Benelli with the Yamaha DX7 synth and Linn 9000 drum sequencer that are at the base of the piece - made and re-interpreted in the four original versions, all sung in the Eastern Asian pentatonic scale. ‘Nightlights in Japan’ was also written by Massimiliano Orfei, at the time collaborator in the advertising projects from label Smash One Music of Pino Toma, the producer who drew new inspiration to venture into the record market, which, in 1987 became everyday more difficult and this song was considered out of fashion - even if each version seems to have been built as a unique composition and it was expertly arranged by the talented Giorgio Costantini (Giokost as composer). We’ve clarified as to whom Galvanica's velopendulus belongs, to rightly consider this artist as a contributive voice of disco music, despite being part of the ‘second wave’ of the Italo-Disco scene having contributed to it as Otero, Belen Thomas, Angelby and previously with the disco-project Plustwo creating ‘Melody’ (which after 40 years gets a new extraordinary success with 134 million plays on TikTok and around 18 million streaming).

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Cold End

Metropolitan Jungle

18,99 €*

2LP | 1987 | EU | Reissue (Left Ear)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1987, « Metropolitan Jungle » by German synth-pop band Cold End is reissued by Swiss label Proxima. Cold End is the second musical project of Katrin A. Kunze, Jürgen Grah and Markus Kammann. Musically, the sound of Cold End was something special back in the time, as a successful fusion of electronic and soul. Dynamic percussions, synth textures and enchanting vocals. Includes an aerial rework by Audrey Danza. All four tracks are freshly remastered!

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Picture Music

31,99 €*

2LP | 1987 | EU | Reissue (Mecanica)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Concocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat & Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music. If there is a red thread running through the Picture Music album, it is its "late night" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative cool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same. This 2021 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth.

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Front Line Assembly

The Initial Command

33,99 €*

LP | 1987 | EU | Reissue (Wah Wah)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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“The Initial Command” is the debut landmark album by Canadian EBM-industrialists Front Line Assembly, originally released in 1987 through Belgian label KK Records. Bill leeb shows us already a unique style, setting a benchmark for all that would follow. Fiercely original, not least for ‘it’s time’, from the glittering synths and harsh metallic percussion of the unarguably cinematic “Casualties” and the abrasive white noise on “Ausgang Zum Himmel”, to the punchy breaks and dramatic strings of “No Control”. Deluxe re-release including all original tracks and both bonus tracks taken from a re-release in 1997: “Complexity” and “Core”. Limited pressing of 500 copies with double vinyl record, deluxe gatefold sleeve and new vintage artwork. D-side features a silkscreen of the classic fist logo.

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Mecanica Popular

Baku: 1922

25,99 €*

LP | 1987 | EU | Reissue (P-Vine)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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A welcome departure from their first effort, the record has gained greater reconection in recent years when contemporary audiencies could fully aprreciate the strenght and harsher direction the duo decided to take for their follow-up album. More rhythmically-oriented tunes whilst revisiting some old-favorites like Daguerrotipo or La Edad del Bronce (both off their first album, but albeit in new mixes). The Wah Wah edition has been mastered from the original tapes by Eugenio Muñoz, reproduces the original sleeve artwork and and features an insert with photos and info. It is a strictly limited edition of 500 copies only.

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Yapoos

Yapoos Keikaku

31,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1987 | EU | Reissue (Orbeatize)

Dana Andrew Rath

Impressions Of The City

LP | 1987 | EU | Reissue (Growing Bin)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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From ("Xisle" member) Rath's private archive. Originally released in 1987 only on tape cassette format, remixed in Oct. 2019 by Mr. Rath and remastered in Jan. 2020 by himself with the collaboration of sound engineer Andreas Merlini.

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Molto Brutto

Molto Brutto II

23,99 €*

Tyger Yellow Vinyl Record Store Day 2020 Edition

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Growing Bin switches back into reissue mode with an off-kilter obscurity from Austrian eccentrics Molto Brutto. Equal parts amateur funk, indie jangle, art rock and idiot pop, “2″ is a real weird bastard with a whole lot of charm. As the Bin continues to grow in all directions, there’s plenty of space for new sounds to take root. Alongside patches of Ambient, Balearic, Kosmische and Jazz, Hamburg’s audio allotment now stretches to accommodate the strange waves of Molto Brutto. Basso dug their first LP a decade back in Stuttgart’s Second Hand Records, embracing their abrasive style of sandpaper sonics and experimental urges. Interest piqued, he made the journey through their DIY catalogue, capturing excellent collaborations under the Ganslinger alias before bumping into the second of their two LPs. Originally released on their Golfdish imprint in 1988, “2″ walks into the pub with an air of accessibility, but quickly unravels into glorious chaos - pissing in the corner and passing out on the bar. Pop structures are suggested then subverted. Pints of Paisley slosh out of a broken Glass, tape loops spool onto shabby Material, and indie janglers are just a couple of stamps short of a Postcard. Turning you tipsy, this loveable rogue starts to tell you his life story, but you’re going to have to fill in some blanks. They miss ‘Blackie’, but who is he - a dog? What happened on the ‘Deadly Vacation’? Is that song really about a ‘Goldfish’, or did they find out the name of America’s horse? Words repeat until they lose all meaning, awkward poetry masks a lost laureate and a drunken Wurlitzer sends the room into a spin. The pubs are shut, so get happy drunk with Molto Brutto.

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Tangerine Dream

LP | 1987 | US | Reissue (Culture Factory)

LP | 1987 | EU | Reissue (Black Sweat)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Record Store Day 2020 Release.
Limitation: 3000 copies.

Tangerine Dream's classic 1987 album Tyger. Recorded in Berlin and Vienna, the album was the final studio release by the band for the jive electro label and took its inspiration from the poems of William Blake. Edgar Froese, Chris Franke and Paul Haslinger utilising the services of guest vocalist Joceylyn Bernadette smith on a number of tracks, resulting in one of the most inspiring tangerine dream albums of their so called 'blue years'.

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Roberto Laneri

Anadyomene

18,99 €*

12" | 1987 | EU | Reissue (Discomatin)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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The eclectic sensitivity of the composer Roberto Laneri (Prima Materia) looks unparalleled in the Italian avant-garde context. Anadyomene, published for the first time in 1987, shows the myth of Venus in a dystopian and dreamlike world. Laneri conceives a sound poem that opens up to the archetypal dimension of the water creation, through the symbol of bivalve conch, the myth of the feminine power is narrated thanks to the verses of the renaissance poet Angelo Poliziano. Creating a daring connection between western and eastern music, travelling on the Mediterranean sea, the contemporary technologies and techniques revive and re-read ancient musical practices: contrapuntal structures and minimal electronic procedures venture into exotic analogies, strange Renaissance allusions, Middle Eastern and Mediterranean repertoires. Among otherworldly fairy voices, symphonic wandering pathos, aquatic disturbances, Indian Hindustani echoes or psychedelic radiances. A special relationship between space and time, architecture and music, the manipulation of sounds conceived as the art of memory in its various meanings of preservation, transformation and distortion.

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Isabelle Antena

Laying On The Sofa

LP | 1987 | EU | Reissue (Utopia)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

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Starting 2020 on high wheels, Parisian crew Discomatin picked an ultimate banger of the 80’s boogie era, Laying On The Sofa by french diva Isabelle Antena. Rare and expansive, the original 12inch here remastered for full effect offers two extended versions/remixes by Belgian electro and jazz-funk hero Marc Moulin and by American producer and DJ Mark Kamins. With her amazing voice and beautiful compositions/productions, Isabelle signed on this release two of her many great songs.
« Laying On the Sofa » is a Sade-esque song with a lot of rich harmonies sublimated by the strong rhythms of the 808. This Mark Kamins remix brings the song to its climax with kind of an housy extension with its strong synths and guitars parts before it goes back to the chorus for an epic ending. Back in the days, NY DJ Mark Kamins brought Isabelle to the famous Danceteria to perform. At the same time, he was recording some of the first demos of Madonna… Do you feel the vibe?
« La Tête Contre Les Murs » with his « anti-system » feeling in the lyrics is the other beauty on the EP. Remixed here by Telex member and jazz-funk don Marc Moulin, who became later the father of Isabelle Antena via her husband, the song written by her and her mother describes an old but still fresh feeling. Disillusioned, in loss of marks, with no directions: the words don’t miss to describe the youth and its feeling towards society. Maybe, this is why « you’re crashing your head on the walls » as Isabelle sings. Maybe it’s people trying to educate them in relation with certain norms who are in the end « maybe what the danger is ». With her classical and so french casualness surrounded by syncopated rhythms, Isabelle transforms this timeless topic to a song dedicated to all generations going through times of wanderings.
You may know Isabelle Antena other’s work like her French-Belgian synth-pop trio Antena which led later to her another band Powaga Sisters. Combining minimal electro, pop and samba styles, Camino Del Sol was one of her greatest albums. As a solo artist, she’s found particular success in Japan with samba-inflected nujazz and electro-pop compositions. Still, with her own words, this EP « means a lot » to her. Thanks to Discomatin, it’s now available to the real connoisseurs with an exclusive insert which contains lyrics, again with fantastic illustrations from French artist Camille de Cussac.

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Gianni Gebbia

Feuer Auf Dem Dach Der Welt

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Alex Bradley's new reissue division at Utopia Records recovers the early works of Gianni Gebbia, a saxophonist and composer from Palermo, Sicily whose highly sought-after debut LP from 1987 is remastered with added unreleased material and updated art work by Gebbia himself. A minimal and contemporary jazz album of the highest order, its beautiful sound, sentimental electronics and use of synthesisers - that were a precursor to the house and dance music scene of the early 90's - has made the album endure the years that have passed. It will be sure to be a valuable addition to your home listening collection with stand out tracks like Cud evoking visions of a Sicilian beach stroll and the intense and brooding 'Vedersi Passare le Cose Attorno' with its Juno chords transports you to a Detroit night club in 1992 counterbalanced by Gebbia's soft saxophonic embrace. The self taught Gebbia's works touches on the avant-garde whilst maintaining a musicality and fluidity with his technique of circular breathing adding an extra element to his playing, the ability to create Reichian like minimalism with a single breath whilst maintaining melodic structure. The multi solo album artist is noted recently for working on the music score of Heiner Goebbels' music performance piece 'Everything that happened and would happen' at the Manchester international festival and for his curating of the "Anassimandro Festival of Music and Philosophy" in his home city of Palermo of which Bradley hosted last years after party.

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Andreas Hofer

LP | 1987 | CH | Reissue (Second Thoughts / Platform 23)

25,99 €*

David Javelosa & Baby Buddha

Release: 1987 / CH – Reissue

Genre: Electronic & Dance

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Andreas Hofer's first album finally available again. Second Thoughts Records teamed up with Platform 23 Records from London to bring you this beautiful Swiss minimal no wave album.
Contains one unreleased bonus track (only available on vinyl) from the original recording session plus a booklet with pictures of Andreas Hofer's work by Thomas Burla from 1987.
Attentively remastered by Wouter Brandenburg. Designed by Andreas Hofer.

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Everyone Is My Age

LP | 1987 | US | Reissue (Dark Entries)

12" | 1987 | EU | Reissue (South Street)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Baby Buddha is the experimental new wave duo of Charles Hornaday (vocals, guitar, electronics, drums) and David Javelosa (vocals, electronics, clarinet). Born from late night improvisations of San Francisco synth-punks Los Microwaves with a rotating cast of musicians. Live shows would include music, projections, dance and performance art in both clubs and gallery spaces. In 1980, Howie Klein's 415 Records released their first single of Tammy Wynette's “Stand By Your Man”. In 1981, ‘Music For Teenage Sex’ was their first full length album released via Poshboy Records. It featured Los Microwaves’ Meg Brazill, Poshboy boss Robbie Fields, and Kathy Peck as "Tammy Why-not", who later went on to found H.E.A.R (Hearing Education and Awareness for Rockers). In January 1983 Kathy, Charles and David went into the studio with a couple of Kathy's original “country” songs and began working on a sophomore album. They also incorporated songs from a live multi-track recording of a concert at the Graffiti Club on June 6th 1984. The album titled ’Everyone Is My Age’ sat unreleased until 1987 due to relocation to Los Angeles and eventually found a home on David’s Hyperspace Communications, the original label for the first Los Microwaves singles. For this first time reissue we’ve added a previously unreleased bonus song “What’s Going On,” a Kathy Peck original. All songs have been remastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in the original jacket featuring a collage by David Javelosa and includes an insert with lyrics, photos and liner notes.

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Ce Ce Rogers

Someday

15,99 €*

Roberto Musci / Giovanni Venosta

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Ce Ce Rogers' spine tingling, seminal hit 'Someday' gets a much-welcomed official remastered, reissue 31 years after it first took the scene by storm. Produced by Chicago's master, Marshall Jefferson, every element is unmistakable - from the dynamic bass and sweeping flutes that set the scene for that instantly recognisable piano riff, to the raw soulful beauty of Rogers' vocals. 'Someday' is a record that truly captures the euphoric, loving nature of the early house music scene - epitomising a timeless spirit and hope for future harmony within society. Often cited as one of the greatest dance records of all time, it's influence is clear to be seen from the sheer number of covers and records that have since sampled it. An indisputable masterpiece, complete with dub mix and accainstrumental versions, this is an essential 12" for any record collector out there - house head or not.

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Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

21,99 €*

12" | 1987 | EU | Reissue (DJ International)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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Endless Poker's (Adonis)

The Poke

The Choice Of A New Generation

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Adonis' comically named "Endless Pokers" project is no joke, in fact, this is some serious Chicago ACID House! Originally released in 1987 and featuring Adonis' trademark staccato drum machine rhythms, creeping acid lines and cowbells "The Poke" is a classic (Watch out for those vocal stabs too!). All 3 mixes featured on this 12" bring something new to the table, twisting and turning that acid line into a frenzied buzz. This is pure old school business, Chicago style! Raw, simple box jams of the highest order! A definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today. Re-mastered, re-pressed and brought to you in conjunction with DJ International Records.

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Rocky Jones

12" | 1987 | EU | Reissue (DJ International)

12" | 1987 | US (House Jam)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Another gem from the DJ International vaults... This time label owner Rocky Jones steps to the plate with 4 fresh acid house cuts from 1987. Re mastered from DAT and re released for 2014. One of the rarest releases from DJ International with releases going for silly money on Discogs.

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LNR

Work It To The Bone

Release: 1987 / US

Genre: Electronic & Dance

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LP | 1986 | UK | Reissue (Mute)

Throbbing Gristle

TGCD1

Release: 1986 / UK – Reissue

Genre: Electronic & Dance, Pop

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12" | 1986 | DE | Reissue (ZYX Music)

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Laserdance

Humanoid Invasion

Release: 1986 / DE – Reissue

Genre: Electronic & Dance

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LP | 1986 | JP | Reissue (Universal)

Yukako Hayase

So Utsu

51,99 €*

Sexual Desire / Heat In Africa

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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Time Capsule

12" | 1986 | EU | Reissue (Thank You)

12" | 1986 | EU | Reissue (Forest Jams)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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An interesting insight into some of the diverse dancefloor oriented sounds going on in Canada during the 80s sitting somewhere between electro, italo disco and proto house. A-side starts off on a slow paced 80 bpm pop/rock italo-disco crossover track featuring lyrics in english with an unidentifiable accent, very much reminiscent of Italian local neighbourhood private press ventures featuring someone's sister on the vocal. 3 versions later, on the B side, things step up a notch coming in at 130 bpm with "Heat In Africa's" drum machine propelled rhythmic mayhem pulling out all the latest studio bells and whistles of the time. Big electric guitar solo build up on the "Dance Mix" and additional Bonus Beats mix by Castro. Remastered and officially re-released almost 4 decades later.

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Osamu Kitajima

Beyond The Circle

26,99 €*

Gift Silver Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.

As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.

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The Sisterhood

LP | 1986 | EU | Reissue (Cadiz - Merciful Release)

33,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Soundscape 1: Surround Black Vinyl Edition

LP | 1986 | US | Reissue (Temporal Drift)

47,99 €*

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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* First-ever official reissue of the pioneering 1986 ambient work * Produced in full cooperation with Hiroshi Yoshimura’s estate * New liner notes by original album producer Hiroyoshi Shiokawa * Includes Yoshimura’s original notes in Japanese & English * Remastering and lacquer cutting by John Baldwin * Vinyl pressed at Gotta Groove Records "If Surround can be listened to as music that’s asclose to air itself, allowing us to enter each listener’s sound scenery, or assomething that exists within a new perspective, expanding the middle groundbetween sound and music, and transforming it into a comfortable space, it wouldbe much appreciated.— Hiroshi YoshimuraTemporal Drift proudly presents the long-awaited, first-everreissue of Surround, Hiroshi Yoshimura’s sought-after ambient classic. Originally released as an album in January 1986, Surroundwas recorded by Yoshimura as a commission from home builder Misawa Homes,intended to function as an “amenity” designed to enhance the company’s newlybuilt living spaces. A pioneer in the field of environmental music, Yoshimura’sprevious works included Music For Nine Post Cards (1982), originally producedto be played back inside a museum space, and designing sound environments forpublic spaces and subway systems. Surround was recorded almost concurrentlywith the acclaimed and popular Green (1986); the two albums are described byHiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang. In his original notes for the album, Yoshimura recommendsthat Surround be placed in the same family of sounds “as the vibration offootsteps, the hum of an air conditioner, or the clanging of a spoon inside acoffee cup.” And, as he suggests, “with the addition of city noise from outsidethe window,” you may hear Surround in a completely new way."

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Soundscape 1: Surround Blue Vinyl Edition

LP | 1986 | US | Reissue (Temporal Drift)

51,99 €*

12" | 1986 | EU | Reissue (Metroplex)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Channel One

Technicolor

LP | 1986 | EU | Reissue (Full Time)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Metroplex continues its run of reissues with two more seminal releases from the label's golden back catalog. First off is Catalog number M003, aka late 80's Metroplex electro staple Channel One, a Juan Atkins joint with Doug Craig (Carl Craig's cousin) on vocals. Futuristic and playful techno from the late 80s which soundwise evolves from Cybotron and the obvious Kraftwerk influences. Juan Atkins said about the release in a 2005 interview that "it was more fun than politically driven, just about the colors and combination spread from colors". An important release in the history of Techno from both a cultural and creative perspective. Channel One's technicolor has been carefully remastered from the original tapes. Truly timeless stuff!

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Tom Hooker

Only One

LP | 1986 | EU | Reissue (Intravenal Sound Operatio)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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om Hooker is one of the world’s leading artists of the Italo Disco genre that marked the 1980s.

A talented singer and songwriter, he has performed on television programs and music festivals around the world, and his many productions have topped the charts in the United States and England.

FullTime Production is honored to present the remastered 1986 debut album “Only One” and in addition to the original tracks “Talk With Your Body”, “Come Back Home”, “Love Attack”, “Only One”, “Indian Girl” and it will also contain remixe of “Falling Into Love” by artist Jago already featured other releases on FullTime Production.

Track “Talk With Your Body” is among the most special and important productions of 1982.

The title is the best explanation of the track.

Talking with your body, listening to the vibrations of every muscle that can feel these slow and romantic but with a disco rhythm sounds that we can imagine in a hot summer of 1982 among those lights, colors and fashions.

The song still continues to communicate with the body to all generations today and to make us dance.

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Diamanda Galás

The Divine Punishment

34,99 €*

Break Through In Grey Room Clear Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

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On June 30, 1986, the same day that Diamanda Galás's The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia's so-called sodomy law in Bowers v. Hardwick, criminalizing consensual sex between men. At the time, about 15,000 people were known to have died of Aids in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of Aids deaths globally would exceed 36 million. The first album in her Masque of the Red Death trilogy, The Divine Punishment is one of the most jarring works of art produced in response to the Aids epidemic, and a milestone in Diamanda Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and as well as a physical representation of Aids and those it afflicts.

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William S. Burroughs

LP | 1986 | US | Reissue (Dais)

26,99 €*

Break Through In Grey Room Black Vinyl Edition

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Inspired by the original Industrial Records release of William S. Burroughs's Nothing Here Now but the Recordings Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut -up' technique. Sommerville's technical background enabled him to contribute to the early development of sound - and - light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time. For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati.

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William S. Burroughs

LP | 1986 | US | Reissue (Dais)

Branislave Zivkovic / Andre Tschaskowski

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Emotionally (Coloursound)

LP | 1986 | EU | Reissue (Be With)

Otakar Olšaník / Jan Martiš

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Emotionally, crafted by Brainislave Zivkovic and Andre Tschaskowski in 1986 for Coloursound, is arguably the most beautiful library album ever produced. A start-to-finish masterpiece of powerfully melodic music for reflection and introspection. It is, indeed, deeply emotional.

Branislave Zivkovic handles the majority of Side A. Opener "Morning Light" evokes exactly that feeling, with a gorgeous and plaintive acoustic guitar solo combining with alto flute to stunning effect. Its immediate counterpoint, "Sundown", in no less arresting but brings with it an after-dark drama of almost Lynchian proportions, again drawing upon guitar and flute but with a slightly more melancholic, even sinister edge, also calling to mind Ry Cooder's score for Paris, Texas. It truly captivates when the strings arrive. Remarkable.

The reflective cello solo with swelling strings at the heart of "Pastoral Walk 1" ensure this track is aptly titled, with parts 2 and 3 adding more agitation - via keys and percussive elements - to great effect. "In The Garden 1" presents an elegiac cello solo whilst its second part elevates the romance. The four-part "Soft Thoughts" suite invites further introspection via reflective alto flute and guitar. Fans of The Durutti Column will need to seek this.

Andre Tschaskowski enters proceedings with three tracks at the end of the Side A. All of them aces in the pack. "Grief", whilst sorrowful, uplifts in its second half through beautiful keys. Equally hopeful are the two-part "Personal Mood" sketches, both dreamy exercises in optimistic ambience.

Tschaskowski controls the entirety of Side B. "Woodland Mood", with its pastoral flute and cor anglais and "Reminiscence", with its classical, emotional strings, both beguile. The piano and strings-heavy "Sentimental View" suite is one of the most beautiful, atmospheric things you will ever hear, particularly its second part. "Moonset 1" with it's wonderful Joe Pass-esque guitar is tense yet easy, the beauty elevated further with the introduction of strings and horns. The more restrained "Moonset 2" is pared back to its divine, sweeping essence and should surely have been sampled by now. To close out an album of almost impossible refinement, the brief 2-part "Emotional Tension" salvo brings both increased stress before resolving itself and the LP with a piano motif and atmosphere of serenity. Blessed relief.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Emotionally comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Advanced Process (Coloursound)

LP | 1986 | EU | Reissue (Be With)

Julio Mau Y Los Imbatibles

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Heads have been after Otakar Olšaník and Jan Martiš's Advanced Process for a long time. That's because "coincidentally-cosmic disco" packed with spaced-out, smacky-synth dynamite tends to become sought-after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as "contemporary synthesizer underscores played by computers; depicting future technologies in today's process." If they'd just added "acid-drenched", they'd have been closer to nailing it.

The A-Side is totally beatless. It's also totally perfect. "Atomic Plant 1" is a pulsing synth epic and could've easily soundtracked a stylish 80s thriller such as Thief or To Live And Die In LA. It's a narcotically enhanced meeting between John Carpenter and Steve "Lovelock" Moore. "Atomic Plant 2" adds extra squelch and proper early computer synth squiggles. This stuff is addictive and truly ace. The 3 part "Fusion Point" showcases a dramatic and insistent industrial mood via a gripping sequencer pattern mixed with effects and accents. Menacing and magnificent. The trio of "Nuclear Radiation" tracks veer majestically from a hypnotic sequencer pattern with a heavy dramatic tune to hectic patterns without much of a tune, managing nevertheless to maintain a hold on the listener.

The drums enter proceedings on Side B and they're absolutely outstanding. Coming on like a slicker, heavier Johnny Jewel production, 20 years before Italians Do It Better, "Regulators 1" marries the smoothest head-nod beat you can wish for, with a murky mechanical rhythm and phasing effects. After the stunning beatless version ("Regulators 2") the suuuupppper slo-mo "Data Load" sounds like its wading through the heaviest K-Hole and is all the more thrilling for it. "Modem" is a brief and breezy funky bass and synth squiggle wonder, of the beatless variety. "Robot Masters", would you believe, actually sounds like something those Daft Parisians would've sampled on Discovery, over 15 years later. An uptempo, optimistic track with a real strut; propulsive rhythms with dramatic synths, what can only be described as "very-80s sounds" and digi-handclaps. The breathless "Digiheart" double bill rounds things out, one with a dynamic driving rhythm and more slick-as-hell beats and the other without drums. Mental, brilliant and completely essential.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Advanced Process comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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A Tiempo / Te Fuiste De Mi

7" | 1986 | EU | Reissue (Ritmo Del Barrio)

LP | 1986 | JP | Reissue (HMV Record Shop)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Re-Issue, originally released in 1986. Limited edition! It also includes a secret insert!

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Jadoes

It's Friday

39,99 €*

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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12" | 1986 | EU | Reissue (Schatzi Musik)

I.B.M.

Computer Love

12" | 1986 | EU | Reissue (ZYX)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are very proud to present you the third release on Schatzimusik with the reissue of the much sought after I.B.M. – Computer Love 12″ inch and an unreleased track and a remix. For this release we have teamed up with none other than Dario di Pace & Raffelle Arcella from Naples, better known as Mystic Jungle and Whodamanny. The two have done numerous remixes for very well-known Italo-Disco songs. For this remix, they have delivered a brilliant reinterpretation of Computer Love. Rhythmic, driving, funky and playful, they put Computer Love in a new light. The release is rounded off with the previously unknown track “Metropolis” and the long version of “Computer Love”. A little background info on the original vinyl. Thomas Waver & Rudi Raders the two originators of the group I.B.M. emigrated to Alicante (Spain) in the 80s. They stored the records of Computer Love in the attic of Thomas’ aunt. Unfortunately, she died, and the attic was dissolved along with the records. So, the original vinyl is unfortunately a rarely seen item.

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Alex Chroma Band

A New Day

Techno Pop Japan Import Edition

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

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Reissue of this italo disco rarity from 1986 with remixes by Flemming Dalum and Rey David Diaz.

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Kraftwerk

CD | 1986 | JP | Reissue (Warner)

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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LP | 1986 | EU | Reissue (Proxima.)

Javier Segura

Nostalgia De Lo Humano

21,74 €* 28,99 € -25%

LP | 1986 | EU | Reissue (La Casa Tropical)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1986, 'Nostalgia De Lo Humano' is almost unclassifiable. For Segura, styles are another form of repression, something that serves to label and keep track of those who sees, listens, buys or plays, and especially who sells. Despite the fact that Segura has been producing music continuously since the 1970s, his recognition as a musician was for a long time limited to experimental music circles. He had always controlled his career on his own, on the fringes of the industry. As Javier Segura himself says, his head is full of textures, rhythms and melodies. Through his textured productions, Segura opened up new dimensions to experimental music, using guitars, drum machines, trumpets, synths, or pedals.

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Vumani

Isiqedakoma

21,99 €*

LP | 1986 | CA | Original (Applied Science)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Not much is known about the mysterious pop sensation Vumani or his short musical career. Originally from KwaZulu Natal he made his way to Johannesburg in the mid 80’s to follow his dream of becoming a recording artist. He was able to make that dream come true when talent scouts from Decibel Music came across the charismatic youngster. At the time Decibel was still a small fish trying to make waves and the label believed in Vumani they had found the star they were looking for. Being a label with mostly groups signed to the catalog they needed a Front Man to push into the growing demand for Solo Artists that were dominating the airwaves and catching the hearts of youngsters.

Up to this point Decibel had one major hit record. In 1986 they released a single by an artist named David Thanzwane. The music was a direct rip off of the first hit Single by Shangaan Disco pioneer Paul Ndlovu. Copying the music of both sides of the original single the “covers” offered different lyrics and hooks also sung in xiTsonga. This was enough to trick the masses and the single led to record sales for the small label. The unintentional outcome of the single was that from then on the producers and label had one sound they wanted to pump out in hopes of recreating that magic. This desire to create another Shangaan Disco hit would be the backbone of the Vumani sound and what makes his music so special and collectable after all these years.

That same year Vumani would release two Singles, Black Mampatile and Guy Fawkes. Musically these playful and fun singles would have great appeal to youngsters as they sung of daily life in the Townships. Black Mampatile being a game of Hide and Seek, Banana Kari referring to the trucks that would go around the Township exchanging chips and snacks for glass bottles and of course every child’s favourite reason the dress up on November 5th, Guy Fawkes Day. Both singles were received well and a few more tracks were later recorded to create the full album Isiqedakoma. Although he would sing in Zulu the music was unmistakable for Shangaan Disco. The synth heavy bass lines and happy melodies along with relatable fun lyrics were a perfect blend for an album that would make people dance if they were out at a Tavern or Shabeen on a weekend or just enjoying at home with family and friends.

Vumani quickly became the Label’s top priority with managers making sure he always had the freshest clothing styles to go along with his persona, and he never missed any performances or opportunities to impress a crowd. His popularity grew in the Township’s but with that came the unfortunate and all too common problems with fame. He started getting mixed with wrong crowds. He would record another album for Miracle Music, the Decibel sub label that had emerged to focus on the more underground sounds of the post synth pop era. Musically things were going well for Vumani but it would be his life off the stage that would catch up with him. Always known for his commitment to his music and fans one day he uncharacteristically failed to show up and was never heard from again. His body would later be found in a burnt car on the outskirts of Soweto. What led to his tragic death was never known but with the company he kept it is not hard to imagine what one of the many situations that led to that horrific ending could be. His funeral was attended by the entire Township it seemed as people packed the service and flowed out onto the streets, a testament to his popularity and the love the people had for one of their own.

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James Bailey

Dimensions

Release: 1986 / CA – Original

Genre: Electronic & Dance

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LP | 1986 | Reissue (Glossy Mistakes)

Akira Ito

Marine Flowers

28,49 €* 29,99 € -5%

LP | 1986 | US | Reissue (Demon)

Release: 1986 / Reissue

Genre: Electronic & Dance

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Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multi artist Akira Ito. An album that is unique, delicate, exploratory… a true one-of-a-kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.

Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.

But Akira’s musical interests changed throughout his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music. Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First, he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”. Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.

Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka.

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Mantronix

Music Madness

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Arabian Prince And The Sheiks, The

Situation Hot

12" | 1986 | EU | Reissue (Rawax)

Geronimo Black Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Second release on the new Rawax East Coast Edition comes again from The Arabian Prince And The Sheiks! It's the 1986 hit "Situation Hot". The re-mastered black vinyl edition will be out in Novembver 2021. Highly recommemded!

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Axel F.

12" | 1986 | EU | Reissue (Eichhorn)

LP | 1986 | EU | Reissue (Allchival)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

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This is the official release of Axel F.'s Geronimo. Mastered from original tape by Frederic Stader. The 12" will feature both extended versions, same as the original pressing. The download will include the two single version plus bonus alternative masters of both extended versions with less compressing and more dynamics (more suitable for mixing). Remastered from original tape by Frederic Stader. Comes with full picture sleeve. The 12" will feature both extended versions, same as the original.

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Nigel Rolfe

Island Stories

7" | 1986 | EU | Reissue (Emotional Rescue)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Nigel Rolfe’s “Island Stories” is a unique record for 80’s Ireland. An unusually experimental electronic and abstract record for the time, it was originally released to little fanfare on Reekus records in 1986. Based around the DX7 synth and key collaborations with studio engineers and vocalists it was created as a soundtrack to a performance work of the same name. Born and raised in the Isle of Wight performance artist Nigel Rolfe has made Ireland his home since he arrived at Dublin Port in 1974. An art school graduate who witnessed the British rock explosion of the late 60s in person and as participant, he had been an organ player in a number of British rock bands of the time and a roadie for a number of the early 60’s UK tours by legendary US blues musicians. As the music world freaked out in the later part of the decade he moved with it, and after completing a fine art degree in the West Coast of England in the early 70s he moved to Ireland despite having no connections with the country – “ Drawn by the archeology” – settling straight into the experimental arts scene which was based around the Project Arts Centre where he worked. Organising exhibitions and teaching, his interest in music was rekindled by the explosion of punk. The key to his music making and this LP here was access to a studio – in this case Windmill Lane. A busy place in the early to mid 80s it had a production and video arm and acted as the centre for U2’s recording operations. Rolfe worked there doing carpentry and building jobs in exchange for off peak studio recording time. Coming in contact with the bands passing through and working closely with the engineers and tape operatives employed by the studio he was also able to take advantage of Brian Eno’s presence (he was there working with U2) and figure out the DX7 which forms the backbone of the LP and which – like most else - on the LP is played by Rolfe. Released by Reekus records in 1986 a year after it was completed, there was little expectation placed on the record and Rolfe had no careerist ambitions. We’ve remastered it and added a bonus track that was featured on the African Flower 12” off the LP “PW Botha’s Funeral March”.

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Silver Leaf

Hey!

10,99 €*

7" | 1986 | EU | Original (Amber)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Sometimes a record comes along that is a wonderful anomaly that really is all about the music. Silver Leaf recently appeared on the radar via obscuro diggers on both sides of the Atlantic and landed with a Hey!
What is known about Silver Leaf, beyond that it was a short-lived mid-80s project out of Cincinnati, Ohio, is that it features ex-Zephyr keyboardist John Faris, working alongside the mysterious vocalist Silvia Leaf.
The difference between the blues and occasional psychedelic rock of early 70s Boulder, Colorado's Zephyr and the lo-fi recordings of Silver Leaf are striking, but in Hey! and Can We Rebuild Our City?, the power of the ballad and strong playing of John, is wrapped in mid-80s, mid-States lo fi heaven.
Whether a non-de-plume, Ms Leaf's searing, innocent vocals fly above John's keys and programming. Hey!'s repetitive exhalations act like a mantra to a party, while tom's chime in accompaniment. Here it comes!
Can We Rebuild Our City? starts with Faris' forlorn intro before crashing percussion heads to some kind of wonderful, as Leaf questions a calls to hearts.
Releasing just 3 singles, Silver Leaf's music is unique and essential, an experience and a delight to present.

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Dance Speak

Release: 1986 / EU – Original

Genre: Electronic & Dance

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LP | 1986 | EU | Reissue (Studio Mule)

Yas-Kaz

Virgo Indigo

22,99 €*

Techno Pop German Version Clear Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Studio mule is back with another amazement, opening the roster towards sophisticated spiritual sounds on the crossroads of electrified jazz, oriental fourth-world spheres and deeply composed experimental sounds. this time the label welcomes japanese artist ya-sukazu sato aka yas-kaz, a university-trained percussionist, that gained global success as a composer for the internationally known butoh dance troupe sankai juku, that tours around the world since 1975. his infrequent musical amalgamation of ancient eastern genres, airy soundscapes, and ritualistic dance percussions perfectly accompanied the modern dance movements of an avantgarde dance group that is known for slow, mesmerizing dance passages, whose repetitive body movements sometimes focusing only on the feet or fingers. besides his theatre work, yas-kaz composed scores for japanese movies, performed live along stars like us-american jazz saxophonist wayne shorter or legendary japanese new-age musical group himekami and recorded a number of collabo-rative and solo albums.

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Kraftwerk

LP | 1986 | UK | Reissue (Parlophone)

Release: 1986 / UK – Reissue

Genre: Electronic & Dance

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Techno Pop English Version Clear Vinyl Edition

Kraftwerk

LP | 1986 | EU | Reissue (Parlophone)

30,99 €*

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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LP | 1986 | US | Reissue (Light In The Attic)

GREEN Green Edition

44,99 €*

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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First ever reissue of this groundbreaking ambient work
Produced in full cooperation with Yoshimura’s estate
Remastered for vinyl and pressed at RTI
Unseen original handwritten track notes by Yoshimura.

Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. The 2017 reissue of his lauded debut, Music For Nine Post Cards, along with a slow building cult internet following has helped ignite a renaissance in his acclaimed body of work, much of which has never been released outside of Japan. Known for his sound design and environmental music, Yoshimura worked on a number of commissions following the 1982 release of Music For Nine Post Cards, including works for museums, galleries, public spaces, TV shows, video art, fashion shows, and even a cosmetics company.

Originally released in 1986, GREEN is one of Hiroshi Yoshimura’s most well-loved recordings and a favorite of the artist himself. Recorded over the winter of 1985-86 at Yoshimura’s home studio, the compositions unfold at an unhurried pace, a stark contrast to the busy city life of Tokyo. As Yoshimura explained in the original liner notes, the album title in the context of this body of work is not meant to be seen as a color, but is rather used to convey “the comfortable scenery of the natural cycle known as GREEN”—which perfectly encapsulates the soothing and warm sounds contained on the album, although it was created utilizing Yamaha FM synthesizers, known for their crisp digital tones.

This edition marks the first reissue of the highly sought-after and impossible to find album. It features the original mix preferred by Yoshimura himself, previously available only on the initial Japanese vinyl release (a limited edition remixed version of the album, with added sound effects, was released on CD in the US). Additionally, this release is the first in our ongoing series, WATER COPY, focusing on the works of Hiroshi Yoshimura.

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LP | 1986 | US | Reissue (Light In The Attic)

GREEN Swirl Edition

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Tape | 1986 | US | Reissue (Light In The Attic)

GREEN

9,99 €*

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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LP | 1986 | US | Reissue (Light In The Attic)

GREEN Black Edition

12" | 1986 | EU | Reissue (DBH)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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First ever reissue of this groundbreaking ambient work
Produced in full cooperation with Yoshimura’s estate
Remastered for vinyl and pressed at RTI
Unseen original handwritten track notes by Yoshimura. Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. The 2017 reissue of his lauded debut, Music For Nine Post Cards, along with a slow building cult internet following has helped ignite a renaissance in his acclaimed body of work, much of which has never been released outside of Japan. Known for his sound design and environmental music, Yoshimura worked on a number of commissions following the 1982 release of Music For Nine Post Cards, including works for museums, galleries, public spaces, TV shows, video art, fashion shows, and even a cosmetics company.

Originally released in 1986, GREEN is one of Hiroshi Yoshimura’s most well-loved recordings and a favorite of the artist himself. Recorded over the winter of 1985-86 at Yoshimura’s home studio, the compositions unfold at an unhurried pace, a stark contrast to the busy city life of Tokyo. As Yoshimura explained in the original liner notes, the album title in the context of this body of work is not meant to be seen as a color, but is rather used to convey “the comfortable scenery of the natural cycle known as GREEN”—which perfectly encapsulates the soothing and warm sounds contained on the album, although it was created utilizing Yamaha FM synthesizers, known for their crisp digital tones.

This edition marks the first reissue of the highly sought-after and impossible to find album. It features the original mix preferred by Yoshimura himself, previously available only on the initial Japanese vinyl release (a limited edition remixed version of the album, with added sound effects, was released on CD in the US). Additionally, this release is the first in our ongoing series, WATER COPY, focusing on the works of Hiroshi Yoshimura.

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Duane & Co

Hardcore Jazz

11,99 €*

LP | 1986 | EU | Reissue (Invisible City Editions)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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DBH Music proudly presents the new inhouse label called DBH! We're very happy and proud to represent with the first release the first ep which came out on legendary Dance Mania Records! "Hardcore Jazz" by Duane & Co. was done as a hommage to James Brown. Special thanks to Ray Barney! Here are some words by Duane Buford: Some yers ago my friend and Mentor Ray Barney started a record label and we sat down and talked about his 1st release, I sat down in my basement and put something together little did I know years later it will be reissued, a little while later we did our second release which was really successful. I really give thanks to Dancemania records a label Ray Barney and I started, many others have tried to claim that they started this record label but all of them are totally full of s*** . A little while later ended up getting signed to a major record label which actually served no purpose for me what so ever, it was'nt the label it was the people i was involved with at the time, I was making more money with Ray Barney and Dancemania. Moral to this, take care of your paper work when you release your music, don't sign away your publishing, you never know where your song will end up.

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Jeff Majors

For Us All (Yoka Boka)

12" | 1986 | EU | Reissue (ZYX)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Private Press Spiritual Jazz from D.C's Jeff Majors. Featuring harp, drum machines and synths. Jeff was one of Alice Coltrane's students at the ashram. He also played in Brother Ah's band. Each song on this album is an inspired vision of the personal and the devotional via the harps universal gilstening range and Linn drums. Comes with info booklet. TIP!

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Off

Electrica Salsa

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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12" | 1986 | EU | Reissue (Groovin)

Linda Di Franco

Tv Scene / My Boss