Electronic & Dance 45919 Items

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Hit 'N Run Lover (MDR Version) / Mercy (Remix)

Carol Jiani

12" | CA | Reissue (Unidisc)

12" | US | Original (Sick Trax)

Release: CA – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Company sleeve.

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Fifty Cent Piece

Hope vs. Fifty

Release: US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | PL | Original (Arston)

Urszula

Urszula 3

Release: PL – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Sans George Nreleased Tracks From The Get Back Sessions

The Beatles

LP | EU (Avitom)

24,99 €*

Release: EU

Genre: Rock & Indie, Electronic & Dance

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12" | UK | Original (Skint)

Enviromental Science

Coming home in a bodybag

LP | EU | Original (År Og Dag)

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Label cover.

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Anden Enhed

Første Halvår

18,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Agusa

Två

23,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Good Morning

Sister Rain

Release: EU – Original

Genre: Electronic & Dance

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Melody Fields

21,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Polyfeen

Silhouetter

28,99 €*

Release: EU – Original

Genre: Electronic & Dance

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12" | UK | Original (Main Ingredient Recordings)

Main Ingredient

Gallist / Hit Man

26,99 €*

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Clear.

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Danny English & Egg Nogg

Party Time

| Original

5,99 €*

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Spiral Galaxy / Edutainment

Armagideon

12" | UK | Original (Dubhead)

A1 Bassline & Bobby Champs

Release: UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Ships in a brand new plain sleeve.

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Phobia

12" | EU | Original (SOURCEUNKNWN)

Release: EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | PL | Reissue (Wifon)

2 plus 1

Easy Come, Easy Go

5,99 €*

12" | EU | Original (Not On Label)

Release: PL – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on on label and back cover.

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Unknown Artist

Untitled

Release: EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | US | Original (Not On Label (DJ Marz Self-released))

DJ Marz

Mayo-Nnoise

LP | IT | Reissue (Factory)

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Sticker on label

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Joy Division

Closer

21,99 €*

12" | UK | Reissue (Factory)

Release: IT – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, close to VG+. Cover with ring, shelf wear.

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New Order

Ceremony

12" | Original (Not On Label)

Release: UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Zodiac

Just Be Good To Me

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Run Feat. Justine Simmons

Praise My DJs (My Funny Valentine)

12" | DE | Original (MGD Music)

Release: DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Son Of My Father / What's Your Name

Chicory Tip

7" | UK | Reissue (Old Gold)

Release: UK – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: G+

CD | DE | Original (Columbia)

MIA.

Was Es Ist

Release: DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | EU | Original (Morphine)

Metasplice

Decant / Churn

Release: EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | DE | Original (Neuton)

DJ Maxximus

Trust Me

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Release: UK

Genre: Electronic & Dance

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RFXN kicks off life with a new single from David Agrella that comes with a bunch of great remixes. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The orange is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.

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12" | AU | Original (Pro DJ International)

PRO DJ

Release: AU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

promo copy

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Release: US

Genre: Electronic & Dance

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LP | EU | Reissue (Island)

Grace Jones

Nightclubbing

34,99 €*

LP | DE | Reissue (Brain)

Release: EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to NM

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Neu!

66,99 €*

Release: DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Joe Byrd And The Field Hippies

The American Metaphysical Circus

LP | US | Reissue (Columbia)

18,99 €*

Release: US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Joe Byrd And The Field Hippies

The American Metaphysical Circus

LP | US | Reissue (Columbia)

14,99 €*

Release: US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | FR | Original (Odd Size)

Maybe Mental

Lotuses On Fire

5,99 €*

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | FR | Original (Zigomatique)

Unknown Artist

Makaq 01

The Original Battle Weapon

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G, Cover: Generic

Loads of scuffs and scratches!

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DJ Rectangle

12" | US | Original (Sincenter)

13,99 €*

12" | FR | Original (L'ADS Records Syndicate)

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

White vinyl.

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Deviine Ki...

LS9 005

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.
Ships in a brand new plain sleeve.

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12" | FR | Original (Night School)

Night School 3

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | DE | Original (Modular Music Channel)

Kwass

Osaka Sequels Part 3

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | DE | Original (Construct Rhythm)

Andreas Krämer

Totgesagte Leben Länger

12" | DE | Original (Decktronics)

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo.
Record has some hairlines and a few superficial scratches.
Sticker on label.

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Pimpie Jackson

Homecoming Queen

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Live At The Knitting Factory · Volume Two

CD | DE | Original (Enemy)

6,99 €*

Release: DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Leash Called Love

12" | US (Not On Label)

6,99 €*

Release: US

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Einstürzende Neubauten

Grundstueck

LP | EU (Werkzwei)

24,99 €*

2x12" | IT | Original (Nite Stuff)

Release: EU

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Clear Vinyl.

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Jovonn

Stump It

12,99 €*

... Behind The Gardens - Behind The Wall - Under The Tree ...

Release: IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl 2 ONLY (Side C/D). Writing on labels.

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Andreas Vollenweider

LP | US | Reissue (CBS)

6,99 €*

Release: US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | IT | Original (Base)

New Order

Low-life

Miss Nelson / Bruce Haack

Release: IT – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Dance Sing And Listen Again!

LP | 1962 | EU | Reissue (Honeypie)

13,99 €*

LP | 1965 | US | Reissue (Modern Harmonic)

Release: 1962 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Canadian composer Bruce Haack one of the true pioneers in the field of electronic and children's music. Originally released in 1962 "Dance, Sing & Listen" was Haack's debut album. Following instructions from children dance teacher Esther Nelson the album comes as a hyper-eclectic work based on a great variety of sound material. A hybrid soup of medieval, country, classical, and pop styles including tons of electronic effects, guitars, banjos and other acoustic string instruments and bongos!!! This is open minded music for children at its best.

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John Cage

Variations IV Volume II

LP | 1966 | Reissue (Mapache)

Release: 1965 / US – Reissue

Genre: Electronic & Dance

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A 1965 journey into found sound, courtesy of John Cage, assisted by David Tudor. Another seminal volume of indeterminate music from an icon of experimental sounds gets reissued for the first time, thematically on gorgeous clear vinyl!

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David Blue

Release: 1966 / Reissue

Genre: Electronic & Dance

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LP | 1966 | Reissue (Demon)

Jackie Wilson

Whispers

16,99 €*

Release: 1966 / Reissue

Genre: Electronic & Dance

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LP | 1968 | US | Reissue (Demon)

Jackie Wilson

Manufacturers Of Soul

16,99 €*

Release: 1968 / US – Reissue

Genre: Electronic & Dance

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Silver Apples Smoke Colored Vinyl Edition

Silver Apples

LP | 1968 | US | Reissue (Jackpot)

We're Only In It For The Money

Release: 1968 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.

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The Mothers

LP | 1968 | UK | Reissue (Zappa)

36,99 €*

Release: 1968 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Picture disc. Limited edition. 2018 Record Store Day reissue.

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LP | 1969 | EU | Reissue (Spoon)

Monster Movie

LP | 1969 | UK | Reissue (Island)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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White Noise

An Electric Storm

30,99 €*

Exotic Moog Black Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Martin Denny

LP | 1969 | US | Reissue (Jackpot)

The Plastic Cow Goes Moooooog

Release: 1969 / US – Reissue

Genre: Electronic & Dance

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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.

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Mike Melvoin

LP | 1969 | EU (Pleasure For Music)

12,99 €*

Tape | 1969 | EU (Radiation Reissues)

Release: 1969 / EU

Genre: Organic Grooves, Electronic & Dance

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With sound engineer and synth wizard Bernie Krause and Paul Beaver on board, this record falls easily in the realm of space-age pop. Originally released in 1970 on Dot Records and distributed by Paramount Pictures, the album would have been a dj tool favorite for quite a while, thanks to some heavy breaks and proto-electro loops. Featuring amazing rendition of pop-rock classics such as Born To Be Wild, Sunshine Of Your Love, Lay Lady Lay and The Ballad Of John And Yoko this is a truly welcomed re-issue !

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Tangerine Dream

Electronic Meditation

12,99 €*

La Monte Young / Marian Zazeela

Release: 1969 / EU

Genre: Electronic & Dance

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First major release and first studio album by German electronic music group Tangerine Dream. Recorded in a rented factory in Berlin in October 1969, using just a two-track recorder. As described back then by Sound magazine "free electronic rock", it features conventional instruments such as guitar, organ, drums, custom-made and found sound such as such broken glass, burning parchment, and dried peas being shaken in a sieve. An all-time milestone in music history.

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31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta

LP | 1969 | US | Reissue (Superior Viaduct)

23,99 €*

Release: 1969 / US – Reissue

Genre: Electronic & Dance, Classical Music

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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.

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LP | 1969 | DE | Reissue (Spoon)

Monster Movie

24,99 €*

Technical Space Composer's Crew

Release: 1969 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Still in shrink but opened with hype sticker. Tiny tear in cover. Blue vinyl seems unplayed. Original inner sleeve. Limited edition 2022

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Canaxis 5

LP | 1969 | DE | Reissue (Grönland)

16,99 €*

LP | 1969 | UK | Reissue (Trunk)

Release: 1969 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. 2018 reissue.

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David Cain

The Seasons

18,99 €*

Poe Through The Glass Prism

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

clear vinyl. 2012 reissue. With insert

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The Glass Prism

LP | 1969 | EU | Reissue (Guerssen)

26,99 €*

Release: 1969 / EU – Reissue

Genre: Electronic & Dance

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LP | 1970 | EU | Reissue (Bureau B)

Kluster

Klopfzeichen

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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LP | 1970 | EU | Reissue (Spoon)

Soundtracks

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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107-34-8933

Numbers

Electronic Meditation Orange Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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Tangerine Dream

LP | 1970 | EU | Reissue (Tiger Bay)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Unknown Artist

Exotic Sounds

28,99 €*

LP | 1970 | EU | Reissue (Guerssen)

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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The Glass Prism

On Joy And Sorrow

26,99 €*

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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LP | 1971 | EU | Reissue (Bureau B)

Kluster

Zwei Osterei

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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LP | 1971 | EU | Reissue (Bureau B)

Kluster

Eruption

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Andromeda Strain - Original Electronic Soundtrack

Gil Mele

LP | 1971 | US | Reissue (Kapp)

19,99 €*

Release: 1971 / US – Reissue

Genre: Electronic & Dance

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LP | 1971 | EU | Reissue (Wah Wah)

Nik Raicevil

Beyond The End, Eternity

Ash Ra Tempel Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

33,99 €*

Ash Ra Tempel Remastered By Manuel Göttsching

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Ash Ra Tempel

CD | 1971 | EU | Reissue (MG.Art)

21,59 €* 23,99 € -10%

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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LP | 1972 | EU | Reissue (Spoon)

Ege Bamyasi

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Nik Pascal

The Sixth Ear

LP | 1972 | US | Reissue (Etats-Unis)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.

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The Taj-Mahal Travelers

July 15, 1972

37,99 €*

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.

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Giuliano Sorgini

Elettroformule

28,99 €*

LP | 1972 | US | Reissue (Demon)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.

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Glass House

Thanks I Needed That

25,99 €*

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Phil Ranelin & Wendell Harrison

Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

31,99 €*

Neu! Picture Disc Edition

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Neu!

LP | 1972 | EU | Reissue (Grönland)

33,99 €*

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Tape | 1972 | EU | Reissue (Grönland)

Neu!

19,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1972 | JP | Reissue (P-Vine)

Anthony Moore

Reed Whistle & Sticks

39,99 €*

2LP | 1972 | EU | Reissue (Distance)

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

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Don Bradshaw-Leather

Distance Between Us

28,49 €* 37,99 € -25%

2LP | 1972 | EU | Reissue (Culture Factory)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

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Tangerine Dream

Zeit

41,99 €*

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Close To The Edge Atlantic 75 Series Sacd

Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

LP | 1972 | DE | Original (Ariola)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-06-28

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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Veit Marvos

Nice To See You

39,99 €*

Release: 1972 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Schwingungen (Remastered By Manuel Göttsching)

Ash Ra Tempel

CD | 1972 | EU | Reissue (MG.Art)

23,99 €*