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Emotional Rescue Funk | Soul 3 Items

Organic Grooves 18 Funk | Soul 3 Jazz | Fusion 4 Disco | Boogie 9 Latin | Brazil 2 Afrobeat 3 Rock & Indie 12 Electronic & Dance 25 Reggae & Dancehall 14 Pop 1
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Mouth
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Emotional Rescue
Mouth - Voyage To The Bottom Of The Sea 2022 Repress
Mouth
Voyage To The Bottom Of The Sea 2022 Repress
12" | 2016 | EU | Reissue (Emotional Rescue)
16,99 €*
Release: 2016 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance, Reggae & Dancehall
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Emotional Rescue looks back again with a 2022 repress, digging deep in to the early 80s Bristol post punk scene of Pig Pag, the Wild Bunch and the Dug Out club. A short lived project of just 3 releases, Mouth trail-blazed leftfield percussive jams in the rich vain of Liquid Liquid and ESG but in their own jazz-infused way. Centered round the cultural melting post of the St Paul's district, it's pubs, clubs and blues parties threw together young and old to the sounds of dub, funk, jazz and soul and took the spark lit by punk rock and new wave and spawned music that still resonates today. Consisting of a floating line up based around main members Andy Guy and Rob Merrill, alumina included a young Nellie Hooper before he would go on to be a founding member of the Wild Bunch and on to produce the likes of Bjork, U2 and Madonna. Based around a hard tribal drumming, mixing guitar, trumpet, shouted vocals and effects, the thrown in the mix nature was inspired as much by avant-jazz than punk's do it yourself attitude. Here then, on one EP are their complete recordings, including as the title cut, their best and deepest, Voyage To The Bottom Of The Sea. Featured on a compilation LP from the legendary Y Records, its bottom heavy dub sound is augmented by female and toasted vocals riding a top a heavy stepper style riddim. This is followed by an increasingly dizzy array of percussion jams. Acab Part 2) is all skips and trumpets, while the versions of Take Your Coat Off perfect skat vocal / tom interplay, before the finale busts out the rockabilly influences in full effect with jagged guitar, skipping hats meets double bass punk style.
Chuck Armstrong - Something Got A Hold On Me Psychemagick Remix
Chuck Armstrong
Something Got A Hold On Me Psychemagick Remix
12" | 1979 | UK | Reissue (Emotional Rescue)
12,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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The super rarity disco funk Something Got A Hold On Me by Chuck Armstrong gets its first ever official reissue, as Emotional Rescue continues its series of looking at some of the artists working with King Sporty’s Konduko label. A long time South Florida native, Armstrong released numerous gospel toned soul 7”s for labels across the US, starting in 1962 with Cleveland’s Gemini Records before going on to release with Detroit’s Black Rock and Nashville’s Sound Stage 7. First working with Noel Williams on the 1973 single, Black Foxy Woman, before releasing his now sought-after album Shakin’ Up in 1976, he returned to Konduko 3 years later to explore the shift to disco and boogie with William’s masterly production. Coming in at 10 minutes of deep, bottom rattling disco funk, William’s teamed Armstrong’s vocals of hypnotising love with his in-house Root Rockers band to devastating result. Their unrelenting groove and horns, plus Betty Wright & co’s backing vocals counteracting with William’s studio skills, is further exemplified in a wonderful dub laden Discomix by Psychemagik. Having released a sneaky edit a few years ago, it seemed fitting to bring the duo of beat diggers, tape manipulators and world travelling DJs, into the “official” fold by commissioning a new rework that extends, loops and arranges this classic around a nice heavy dose of dub effects for daze.
101 Band - Crazy Kind Of Feeling
101 Band
Crazy Kind Of Feeling
12" | 2020 | EU | Original (Emotional Rescue)
12,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves, Reggae & Dancehall
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Emotional Rescue presents the music of Haile Maskel in the first in a reissue series working with Patrick Billard aka DJ Duckcomb, sourcing and licensing from this digger's vaults and out to the wider world. Heralding from the furtive 60's Trenchtown, Jamaica, young Michael Ashley aka Haile Maskel grew up singing, learning guitar and bass. His first recording session was produced by friend Bob Marley, with Peter Tosh on keys, Robbie Shakespeare on bass and Carlton Barrett on drums. The list of sessions is long, working with Lee Perry, Light Of Saba, Dennis Brown and Sugar Minott. Touring took him overseas where he settled in Los Angeles in 1983, soon launching his Opulence Sound) label. Maskel's band, the 101's featured members of The Twinkle Brothers, including cousins Asher and Debo Brown on drum and bass, and augmented by local players. Mixing conscious messages in love songs, Maskel crafts a boogie discodub on which to exalt an uplifting summer jam. With the highly prized original the tapes unearthed unreleased dubs - "Take 1" providing a wonderful version. LA native Duckcomb found a trove of tapes of unheard material, still for discovery. For now, his longform Discomix, cutting and editing Maskel's vocal along with the dubs, completes a first archival splendor.
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