Emotional Response HHV Records 24 Items

Two revered dance music institutions come together here as Pye Corner Audio steps up to Emotional Response with his debut EP for the label. What's more, it is a two-parter with the second half also available now. This one from Martin Jenkins finds him making an homage to the acid house he has always loved with opener 'Stegan Acid' starting with slow grocers and foggy moods run through with subtle 303 modulations. 'Magnetic Acid Three' is another deep and stripped-back sound with rumbling drums and bass coloured with soft acid contours and 'Thermionic Acid' gurgles a little more as the icy hi-hats cut through a mutant deep techno swamp. 'Magnetic Acid One' is one final meditation on acidic house depths.

Pye Corner Audio shows off his love of acid on the first of two EPs for Emotional Response that drop simultaneously. This first one is his debut on the label and comes with a gorgeous cover that perfectly encapsulates the sounds within. 'Dust Acid' is a sparse cut with dusty drums and meandering basslines that slowly sink you in, then 'Magnetic Acid Two,' which like all of these was recorded live, is another expertly reduced brew of murkiness with plenty of frayed edges and vintage analog sounds. 'Wanna Show U Acid' is a late-night acid dream and 'Magnetic Acid Four' shuts down slightly more bite. Four timeless backroom cuts, make no mistake.

You can never really pin down what the excellent Emotional Repose label does and that is exactly the sinking behind the title of its superb All Trades show on NTS. The sheer eclecticism of that show is now reflected in this new two-part compilation, also called All Trades, which offers up little morsels of what they do, something like a sonic tasting menu at a fancy restaurant. There is chugging electronic dub from Apiento & Tepper, industrial clatter from Black Bones, cosmic ambient breakbeat from Paperclip Minimiser and blissed out dub from Yamila & SoFa Elsewhere amongst many more highlights.

Emotional Response returns with a second volume of its All Trades compilation which is named after its own NTS show. It is just as vast both in terms of style but also the eras it spans with a mix of dub, new wave, slow motion electronics and plenty in between. Tolouse Low Trax kicks off with the filthy dirty and seriously heavy dub glitch of 'Ossia' to provide an early highlight before the likes of Al Wootton get percussive and tribal with 'Altai' and Hlm38 channels some African Head Charge on another devastating dub cut. Later on, London's Good Block brings a little more light and sunshine with their lovely 'Strong Relax.'

"It's Mick Trouble's Second LP" is 2022s "Doing it for the Kids" - an eloquent exercise in pop perfectionism. "A joyous listen that harks back to the late 70's and especially the golden era of the Television Personalities" (Flying Nun Records, NZ) Mick Trouble's known associates include cult guitar pop outfit My Teenage Stride and cultish short scale guitar pop outfit / Slumberland Records roster members of Jeanines. Mick writes songs about class warfare, Iron Ladies, and Hadrian's Wall. Nobody has seen him in public for several decades, as far as you know. "Filled to the brim with earworm melodies, killer basslines, magic harmonies and lyrics jam-packed with obscure British references sung in a chippy-chappy British accent." (Brooklyn Vegan)

Mozart was a freemason. While still a baby, he was gifted a magic !ute on which he wrote all his tunes. Some of them are still around. Even so, the best way to gift-wrap your head around The Secret Degree, the latest release from Xentos Fray Bentos (guitars, keys, voice) and Ted 'Tebbs' Barrow (circuit-bending, percussion) is to picture it as a town. A town full of pity: Five blocks long, forty miles north of nowhere, with an empty gas station, a closed up diner and the smoking remains of a Freemason's Hall, recently burnt to the ground by a pack of incensed villagers fresh out of a Universal Pictures' Frankenstein. In among the pitted ruins sit Ted and Xentos,plucking and slapping their instruments, busily exploring the folkish blue roots that underpin today's music making and trying to figure out how we got to where we're at. Feel free to roll up one leg of your pants, curl up a sleeve and join them on this nimble trip through an imaginary landscape of coltishly cultivated harmonies, mind-jingling melodies, all tempered by the occasional banshee wail of an untameable circuit. Two Square Why? Indeed. Why not?

Prevously released on the peerless early 80s DIY-avant punk label "Its War Boys", Emotional Response is proud to reissue this genuine 1983 rosetta stone post-punk-disco-dub oddity from one of the few legit unsung pioneers of the UK underground. Recorded in the twilight hours, at the legendary Surrey Sound with Chris Gray at the controls, featuring the arresting vocals of Sara Fancy, This long out of print EP serves as an essential piece of the jigsaw from a sprawling and fascinating back catalogue of Amos. (AKA Xentos Jones, Amos D'eath, L. Voag, Jim Welton, and others....), the playful lunacy and a driving force and behind such heavy hitters of the UK DIY avant-pop squat scene such as Milk From Cheltenham L. Voag The Work, The Fear Merchants, Just Measurers, The Homosexuals... and a bazillion others. This EP collects the 3 original EP tracks, plus the additional previously unreleased studio dub, rescued from an oxide shedding cassette. All remastered with love and consideration, ready for the gen pubs aural consumption, 4 dec. This is essential and rewarding listening. As those of you who know, will appreciate.

Inspired by the pioneering women of the 1st wave punk era and beyond, Emotional Response continues to bring you the sixth volume of their acclaimed TYPICAL GIRLS series. Featuring the finest in current punk, indie, darkwave female fronted music for all corners of the globe.

Opulent dream pop from former SARAH RECORDS alumni.The remarkable nine track debut from USELESS USERS is a lesson in style and eloquence. The band is comprised of former Sarah Records alumni, (members of Action Painting! and Secret Shine, and featuring Even As We Speak). This is sonically adventurous Pop Music, packed with melody, dreamscape swashes and élan. Bold and opulent, and brilliantly constructed, Useless Users are pushing the boundaries of preconception, poised to grasp attention and reward the listener. "Reminiscent of Pulp's Fire Records Years, in both chord choice and vocal delivery" The Quietus "..the odd twist or two along the way." Whispering and Hollering "... a real gem, a moody piece with debts owed to late Sixties psych" A Pessimist Is Never Disappointed RIYL - The Associates, Bowie, Dreampop...FFO The Associates, Bowie, Dreampop, Sarah Records

Queer introspective, political catchy, guitar-driven indie rock. RIYL The Sundays, Wedding Present, Replacements, Sleeper, Sharon Von Etten.The new 7" features the single, 'Romantic' which is a song about struggling to fit in, feeling down and finding comfort in romance. Connecting with someone because you both feel like you don't belong. "I gravitate towards things that bring me down, I always have, at least I know that now. Never forward, I thought all I had was the past. I used to think each birthday would be my last." "I sat inside on the brightest, warmest days. Everything I loved would always run away. Misery taught me everything I knew and then there was you." The B-Side is a cover of the Wedding Present song 'Octopussy" from their 1991 album Seamonsters. David Gedge himself said about the cover "Thanks... nice. Always interesting to hear different interpretations!" "God knows I've always had to fear the worst, but not that time. You brought me home and then you kissed me first. You were all mine." "A celebration of personal freedom" - DIY Magazine "Hekt's solo debut is part self-interrogation and part community offering, serving up tiny bursts of joy and doubt as refuge for anyone navigating a similar path." - Pitchfork "A first-person directness and grunge-schooled contrasting of melody" - Mojo

Emotional Response is delighted to present elsewhere LVI. The 4th of soFa's compilation series, this double LP takes us to the darker side of the elsewhere ouvre, via another 12 artist / 12 track travelogue. With certain future-retro feelings, this is club music for the open minded. An album that roams from dreamy ambient territories to rhythmic patterns - internationalism for the adventurous DJ. Rusty slow-mo bangers and post-industrial synth-wave kidnap the listener to a dystopic and shady wasteland. Elements of ethnic folk, vintage vocoders and Gamelan samples all united on one homogeneous selection. With artists now known to welcoming new brethren, this is an audio trip to leave reality behind. Exotic, hypnotic, tactile, trance-inducing meditations, washed down with a spoonful of magick.

Emotional Response presents Elektronik Body Girl, a musical alter-ego of artist Shelbatra Jashari, with production by soFa elsewhere. Spontaneously born out of 2 souls in an imaginary industrial wasteland of earthly survivors, this Belgo-Albanian postpunk extravaganza is perfectly suited for our unreal times.

Infused with raw attitude and improvisational approach, Shelbatra is an artist, dancer, performer, and singer in search of challenges and expressive forms into new territory, with an individual way in dealing with the ""empowering feminine" and its representation - a vision central to her artistic creation.

Teaming up with Brussels based soFa DJ, they debut an EP of challenging story-telling comes backed with a wonderfully conjured beatdown remix by label associate, Tolouse Low Trax, to act as a seal of dis)approval.

First known as a DJ and selector and then compilation curator of the "elsewhere" series of albums across multiple labels - including Emotional Response Ers042) - soFa recent collaborations as Mameen 3 on Bongo Joe, Cccvvv on Strangelove Music and the highly praised album with Houschyar and Okay Temiz on Second Circle, has established him as a producer of repute in an incredibly short time space.

Taking a production backseat to underpin Jashari's performance, his percussive, atmospheric oeuvre allows her vocals to explore roots in both Kosova and Belgium, molding a focus on the art of "the other" or the outsider. Outside the "normality"", a different energy is heard. Exploring elements of the human body, the human condition and its representation in various "thinking" systems and political contexts, EBG is manifestation in sound and movement.

Emotional Response celebrates it's 10th Anniversary in repressing a label's long held favourite - Jefre Cantu-Ledesma and Alexis Georgopoulos wonderful Fragments Of A Season - coming together perfectly for an album of laconic story-telling and atmospherics.

Over the past decade, Cantu-Ledesma and Georgopoulos have been frequent collaborators. With one another - Jefre's recent ""On The Echoing Green' Mexican Summer), Arp's "The Soft Wave" Smalltown Supersound) and The Alps "Le Voyage" Type) - and with others. Jefre has worked with Grouper aka Liz Harris), filmmaker Paul Clipson and has released music by Harold Budd, Oneohtrix Point Never and Keith Fullerton Whitman on his Root Strata imprint, while Alexis has worked with visual artists Tauba Auerbach and Doug Aitken, scored dance for Merce Cunningham, choreographer Jonah Bokaer and made liminal classical music with Canterbury composer Anthony Moore Frkwys 3 / Rvng Intl.).(Emotional) Especial

In all of their projects, the two have always been masters of atmosphere. Veering between romantic abstraction, filmic ambiguity and suggested narrative, their music draws on personal and collective memory, letting things surface. Fragments Of A Season represents a new and distinct chapter in their ongoing work together, continuing this lineage of understated but resonant work.

Arising from conversations wherein each revealed that they'd been working on tracks with a similar feel in mind, the two quickly realized their songs fit together quite effortlessly. The goal was to do something immediate and spare - most songs simply use an old drum machine and a few chorused guitars, featuring live performances with minimal editing. The result, and indeed the goal of the project, was not to make an album that would simply sounds like what one would expect of the two - there are no modular synths or sequenced basslines, no motorik rhythms or overdriven distortions. Rather, to pursue a tangent of simplicity and clarity.

The result is an album of warmth and cool, sparse but evocative, earthy and luminous, narrative and abstract, taking influence from Les Disques Crepescule and early Cherry Red artists i the duo also cite Eric Rohmer's "A Summer's Tale" and the photography of Luigi Ghirri, whose image graces the cover.

Song titles provide narrative hints. As does New York-based writer Leigh Gallagher's short story enclosed within. Each song finds the story advancing - on the beach ""Marine""); at a discotheque ""Madagascar""); sleeping in the afternoon "Mirror The Sky"). Memory of cobblestone streets and a recent relationship ""Cleo"", "The Streets Are Filled With Rain"). A sense that this temporary idyll will end casts a shadow. Ultimately, for reasons unclear, it does ""Lost Summer"").

There is the sense that a distinct arc has taken place. On some faraway beach, the buildings are white, the skies and sea turquoise. Waves rise and crest. A shaft of light crosses an empty room. A discotheque can be heard in the distance. A mist burns off. Over the course of the ensuing astral summer weeks, an encounter sets the world known previously in relief. Days stretch out and the nights hum.

San Francisco inspired by '80s/'90s indie and shoegaze music. RIYL Lush, Brian Jonestown Massacre, CharlatansFilled with dynamically moving, sparkly, and bright hues that range from golden yellow, sweet rose, infrared, and ultraviolet, the video also focuses on close-up shots of the band members playing the deeply propulsive, lightly abrasive, and dreamily swirling song graced with gently airy vocals.

Cherrystones returns with the second of the "Aged" EPs for Emotional Response. Time propels and so does sound, thus orbiting nuances and motion leads us here, to present whatever maybe or interpreted as. Since the acclaimed Aged Of Bronze EP a symbiotic progress of craft arrives in the aptly titled Aged Of Silver. Again each track is like a coded syntax, unlocking the puzzle to aid a listeners journey and experience, building blocks to a utopian scape in form without form notes and pictures living and residing in the dimensions. Never pandering to trends, his art based on immediacy and the moment, no disposable sub genres that fade as fast as they emerge, transposing and emitting heard and unheard a way to communicate with himself and those that identify. A capsule of touched emotions bearing gifts for those in the present and wishing to be present, a key with keys analogue for Silver Tongues and Brass monkeys living in the shadow of a Scorpian's Tail.

4 Song Ep Of Female Fronted Crash-Pop. Raw, Speedy Indie-Punk Songs With The Edges Softened Out By Bright Melodic Sensibilities And Faint Hints Of Jangle Hiding Just Beneath The Surface Riyl The Shop Assistants, The Primitives, C86 Fuzz Pop, Etc

"Emotional Response celebrates its 50th release with a special limited-edition from label stalwart Roy Of The Ravers. Following 2019’s magnum opus White Sunrise II is the accompanying “Soliel”, where our nom dee plume delves further into his archives of recently rediscovered disks to present an 8-track double pack, cut loud for DJ play.

The music too is more expansive, with the ambient and techno signatures matched with touches of jazz keys, Balearic sampledelica and even acoustic outtakes, all with that Ravers humour included.

The opening cinematic symphonies of The Smell Of Orange Peel and Kliszewicz Klopcic Klim highlight again a side not seen on his more acid / club cuts found on various labels. However, it’s the B side that compounds expectations with the deep house meets techno melodics of City Limits, before the ever-expanding feel-good vibrations of center piece Feathers hooks all. Sometimes a simple groove and catchy vocal sample is all you need to create a classic.

The second half then glides with 14 minutes of house dramatics via Versace 101624, a master of arrangement and beats, preempting the interlude of Clock House’s return. To close, EL-9400’s intense scatter percussion melds with anthemic acid undertones before its 2nd half melts to a choral ambience, leading to the closing acoustic jam dub curiosity My Brother And His Mate and the curtain for another stage in the Roy sagas. "

All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.On The 14 Studio Full Length, Boyacer Mainstay Stewart Anderson Has Hit A Jackpot,With 14 Concise Genre Defining Crashpop Gems. Building On The Critical Acclaim Of 2020s Fan Favourite,"On A Promise", Anderson Is Again Aided And Abetted By The Simpatico Talents Of Christina Riley, (Artsick) And The Melodic Talent Of Sarah Records / Slumberland Era Member Matty Green (Tall Boy / Declining Winter). Stewarts Vocals Are Vitriolic And Pointed, Meshing Perfectly With Christina's. Ms. Riley, Handles The Lead Guitar For Most Of The Album, Ensuring A New Direction On A Well Loved Path. Mattys Presence Assures The Pop Element Shines Through The Trademark Squalling Feedback Bursts. Reflective And Urgent, "Assuaged" Offers Many Highlights. The Instant Rush Of "Tommy Mcneil" Is A Paen To The Delightful Confusions Of A First Crush. "40 Hours" Is The Autobiographical Recollections Of Stewarts Disdain At Working At "National Health Food Chain" During Covid. "Spoils" Champions Art Over Fiscal Rewards. Whilst "Digital Friends" Questions How Many Facebook Friends We Really Need. At 36 Minutes Long, "Assuaged" Contains All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.

Initial Pressing On Blue Vinyl. _"An Alternate Universe Where Brian Eno Produced "Rumours" And Alex Chilton Wrote Songs With Blondie_" San Francisco 5 Piece Latitude Sophomore Album "Mystic Hotline" Builds On The Foundations Of Their Acclaimed 2017 Debut With A Triumphant Foray Into 21st Century Power Pop. Centered Around The Dazzling Vocal Performance Of Amy Fowler, Tight Band Arrangements And Accomplished Delivery, The 10 Tracks Crackle With Proficiency And Elan. _"Effervescent Power Pop Bliss With Infectious Melodies, Jangly Guitars, Sparkling Synths, And More Hooks Than Your Local Bait & Tackle_." Although Often Drawing Comparisons To Such Pop Heavyweights As Blondie, The Nerves, Nick Lowe, And The Pretenders Latitude Are Far From Revivalists, As This Album Testifies. "Mystic Hotline" Reflects The Present Darker Mood Of The Country, Veering From Carefree 60s/70s Pop Into More Angsty 80s Territory. That Sentiment Is Evident In "Damage Control", A Sonic Bristling At A Grotesque New Trump Reality. "Rising" Testifies To The Senselessness Of The Ghost Ship Fire In Oakland, And The Media Blame Game That Followed. Vertical Highway Is A Deceptively Happy Ditty About Death. Those Are Counterbalanced By Songs Like Thursday Is The New Sunday's Praise For Lazy Love And I Love The Radio, A Tribute To The Many Talented Female Musicians In The Bay Area.

Following 2012's acclaimed Red Nail album, machine manipulator, DJ, collector and music auteur, Cherrystones has been consistently working - composing, producing, editing, educating, programming, soundtracking and performing.
Biding time, considering and now ready to present the latest instalment of his journey. After completing the Critical Mass compilation - with part 2 due late 2020 - he left London for Scotland for two years to isolate. An experiment to truly find himself, with no social circle or need to engage, the objective to alchemise and create.
Building an intensive, all analogue studio running to 1/4 & 2 tape, the majority of these recordings are the emotions and moods drawn from this detoxification. The widescream Rave Digger, horror-haus Lavid Grinch show a more expansive Cherrystones. The occult beats of Uhuru Glue lead to the anthem Amaziac, with it's organic AFX rising, before again down to future beats of Silver Soarde and closer, Sethodone Recess Plant.
A musical blacksmith, a magician, conjurer a part of me i knew existed but have never fully spoken to or back to, i saw the sun rise and the clouds swarm, i saw dark settle and as the process speaks for itself they were aged in Bronze, dawn of man-man of dawn.

Emotional Response is delighted to present a special project, a collection of music from Bartosz Kruczynski, recorded for "Selected Media" and presented here as a time-piece of his continuing works. Initially known as one half of sample based project Ptaki (The Very Polish Cut Outs / Transatlantyk), Kruczynski first appeared for Emotional Response as The Phantom for the first series of SchleiBen in 2015. Featuring two works of deep 'fourth world' sounds, they highlighted a shift to more mellow, synthetic and hazy compositions. His break out came, however, when he explored this sound further on his eponymous album Baltic Beat, for the acclaimed Growing Bin Records. This has been augmented with the recent club based music as one half of the wonderful Earth Trax (Rhythm Section International / Phonica Records) project. Here though, Kruczynski returns to the ambient and ethereal - plus a touch of dub techno - to showcase his expansive collaborative work with Polish studio, TVP Culture. Given free artistic license, the 15 'short form' recordings included here were for programming, in the main, on modern Polish Art including the likes of Magdalena Abakanowicz, Miroslaw Balka and Tadeusz Kantor, as well as some international aspects for Enrico Prampolini, Ai Weiwei and Monica Bonvicini. Taken from over 70 episodes the material included recollects imagery, video and memory to present a series of short vignettes that together create one whole. Minimal and hazy ambience (V, VII, VIII, XI, XII) envisages classic melodies and chords and is accompanied by further 'fourth world' pieces (I, II, III, VII, X)) that present an oeuvre that is recognisably the music of Kruczynski, while remaining fresh and perfectly meditative. A counter can be found in the atmospheric dub works (IV, IX, XIV) that hint at echo chamber environs to get infinitely lost in. As an album then, "Selected Media" can be heard as a snapshot to Kruczynski's music journey, a meeting of art and music that is oft overlooked but very much essential.

After the success of the 2 Late 4 Love EP, Roy Of The Ravers returns to Emotional Response with a double LP with a deeper perspective, experimenting in ambient and drone textures, lucid techno travails and acid interludes. Recorded between 1997 and 2017, the album was pieced together over the last six months after Roy's archives were first feared lost and then found. Approached by the label to release a follow up with something more introspective and personal, it was discovered that a recent move to a new studio had led to over 20 years of music being misplaced after it was believed they were mistakenly dropped at a local charity store. However, deep in a box of what were thought to be patch cables were in fact the decades worth of hard drives and here presented, is a sample of those lost recordings. The nature of the music is introspection, eschewing the acid beats and white noise for a personal encounter between man and machine. The orchestral opening of the title track gives way to the submarine beats, pulsing TB303 and gliding hats of Robinson College 10 to set the outlook to come. Even with the scattering A Dim And Distant Past waking lulled senses, the melodies and feel all lead to a pause and reflect rather than jump and shout. This is continued with the haunting drives of Bounce Erec and Oriental X0X-Press; the twisted, warped jams of The Weber Traum Boat Pt.3, Ichi and Roland Corp Labs 05; and the beautiful, heartfelt odes in Sade Lost Theme, The Clock House Pt.2 and closer, Nemesis '01. The album's melodic nature hums and shines as CS (6x8) appears as much a centre piece as a alternative consideration to the acid tinged, club bangs of Roy's releases to date. A surprise package maybe, but in the rolling, word of mouth phenomena that was Emotinium II, all this and more was sensed and so White Sunrise Music II, spreading across 12 songs of contrasting moods, is a further affirmation that there is something good and worthy of exploration.

Emotional Response continue their quest to highlight the finest in current female fronted punk, post-punk, hardcore and indie. Following on from the two previous vibrant volumes of Typical Girls, Emotional Response was quickly presented with a wealth of staggeringly high quality material. Rather than sit on tracks, or exclude material that the world needed to hear, it was feverishly decided to release two new breath-taking volumes simultaneously (Volumes 3 & 4). Essential listening. Features tracks from C.H.E.W., Sick Bags, Alice Bag, Daudyflin, Swann Danger, Warm Bodies, Natterers, Rata Negra, Judy And The Jerks, Macho Boys, Crooked Bangs, Scaredy Snake, and more.