€

F-Spot

F-Spot Funk | Soul 8 Items

Name: Cliff Beach - Confident / Penny Candy
Brand: F-Spot
SKU: 749289v1
Price: 12.99 EUR
Availability: InStock

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F-Spot

Cliff Beach

Confident / Penny Candy

7" | 2020 | US | Original (F-Spot)

12,99 €*

Incl. VAT plus Shipping Costs

Release: 2020 / US – Original

Genre: Organic Grooves

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Cliff Beach has been performing live for more than 15 years in Los Angeles. This DC native teamed up with longtime friends and collaborators, Mestizo Beat, to bring you two sides of pure funk-soul goodness! Side-A features “Confident” which is a powerhouse of a tune. Produced and led by Aquiles Magaña, this collaboration draws on sounds from early 1970’s funk, soul, and R&B. Beach’s vocal reminds us of a young Stevie Wonder that is a perfect summertime jam. “Penny Candy” on the flip is a more swampy New Orleans inspired track. Driven by the piano sounds of Dan Hastie (Orgone) and rhythms of Agustin Magaña, this base glues the whole ensemble under Beach’s boogie funk vocal stylings, to really turn things up!

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Improject

Ground Coffee / Steppin

7" | 2015 | US | Original (F-Spot)

10,99 €*

Incl. VAT plus Shipping Costs

Release: 2015 / US – Original

Genre: Organic Grooves

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Mestizo Beat

Left Behind / I Want You

7" | 2021 | EU | Original (F-Spot)

12,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / EU – Original

Genre: Organic Grooves

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A band who’s been gradually making a dent in the West Coast music scene, Mestizo Beat is pushing forth with a brand new 45 that further expands on their core sound to fuse the old with the new while paying homage to the greats who came before. “Left Behind b/w I Want You” is no exception.

Taking inspirational elements from Roy Ayers, Isaac Hayes, George Benson, Eric B and Rakeem, Mestizo Beat teamed up with longtime friends Jamie Allensworth and Terin Ector to bring a fresh set of vocals and lyrical element to the bands mostly previous instrumental catalog. On Side-A we find “Left Behind”, an original collaboration between Mestizo Beat and Jamie Allensworth (Jungle Fire, Orgone, Night Owls) who’s soulful vocals and wide range takes us strait to those late night after hour jams complete with a Benson inspired guitar solo by Aquiles Magaña and vibraphone additions by Tim Felten (Sure Fire Soul Ensemble). Left Behind’s lyrical elements are about leaving wherever you are in pursuit of something you can't quite explain, but you'll know in your soul when you find it. The song is a constant state of wandering in search of where you're meant to be while the clock keeps ticking adding a sense of urgency. Then, Side-B, hits it hard with a cover of Marvin Gaye’s “I Want You” featuring Terin Ector (Organ, Moswen, Soluzion) on lead and Jamie Allensworth this time providing backup support. While staying close to the original but with added production value and vintage synthesizer strings soaring over top, these two songs together, along with production out of the band’s home studio, Spc#166 in Topanga Canyon, CA, take this record to new heights for a true “double A-side” slab of wax.

Mestizo Beat is a musical group and production team founded by brothers Aquiles and Agustin Magaña. Both songs mixed by Claudio Cueni and mastered by John Golden.

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Mestizo Beat

She's A Rose / Lotsapapa

7" | 2024 | US | Original (F-Spot)

13,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / US – Original

Genre: Organic Grooves

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Blending sounds of early 70s Funk & Soul, Latin-Jazz, and Afrobeat, Mestizo Beat kicks the year off with a heavy dose of new material. First up is “She’s A Rose b/w Lotsapapa,” their next 45, offering two sides of masterful instrumental soul music written & produced by The Magaña Brothers out of their hillside studio, Spc 166 in Topanga, CA. Side A’s “She’s A Rose” takes us back to the golden years of the Blaxploitation film genre and the soundtracks we have grown to love. This song was inspired by the compositional and orchestral arrangements from the greats, such as Curtis Mayfield’s “Superbad,” Johnnie Pate’s “Shaft in Africa,” and Bobby Womack’s “Across 110 Street.” Featuring Tim Felten of Surefire Soul Ensemble on keys, with horns written and arranged by Jesse Audelo, Mestizo Beat takes the listener on an evolving journey, exploring the mood and cinematic elements of flute, saxophone, and wha’d-out guitar, topped off with a funky drum and percussion break. On the flip, “Lotsapapa” rounds out the B-Side, blending the musical styles of Latin and Nigerian disco-funk into a track that’s perfect for the dancefloor and those late nights out. Written about Bernard “Lotsapapa” Crowe, a notorious drug dealer who survived an attempted murder by Charles Manson, this side is sure to get the body moving with the afro-disco rhythms and chant vocals, dubbed out around a tightly arranged horn section written and arranged by Jesse Audelo and Jason Cressey. “Lotsapapa” features guests Steve Haney from Jungle Fire on Percussion and Cressey of the True Loves on trombone. With each side highlighting the various talents of the ensemble, Mestizo Beat always stays true to their sound and recording techniques. Both tracks are mixed by Sergio Rios at Killion Sound and are featured on the forthcoming LP, Jaraguá, coming mid-2024.

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Night Owls

Ain't That Loving You (Feat. Chris Murray) / Are You Lonely For Me, Baby (Feat. Malik Moore)

7" | 2023 | US | Original (F-Spot)

13,99 €*

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Release: 2023 / US – Original

Genre: Organic Grooves, Reggae & Dancehall

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The White Blinds

Brown Bag / Muddy Water

7" | 2020 | US | Original (F-Spot)

12,99 €*

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Release: 2020 / US – Original

Genre: Organic Grooves

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The White Blinds bring you their latest installment in F-Spot Records Homage 45 Series.A group of musicians who can surely take things up a notch, Michael Duffy, Matt Hornbeck, and Carey Frankdon't disappoint.Side-A features the burning classic Brown Bag by Ivan Boogaloo Joe Jones, with a subtle twist to the arrangement in true White Blinds fashion. Side-B features the all original tune Muddy Water which could have easily been written in the golden years of 60’s soul jazz. A nice mid tempo feel that’s a favorite around here. This tune really stands out andhighlights the songwriting craft of Duffy, Hornbeck, Frank, and instrumental Organ Trio music.

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The White Blinds

Presheatecha!

LP | 2023 | US | Original (F-Spot)

29,99 €*

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Release: 2023 / US – Original

Genre: Organic Grooves

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Since their debut LP in 2018, The White Blinds have been steadily making a mark on the soul-jazz scene by consistently offering a unique style to the classic organ trio format. Building on that foundation, The White Blinds proudly announce their sophomore LP "PRESHEATECHA!" (pronounced pre-she-ate-cha), featuring ten original compositions stretching out even further to blend the familiar elements of soul-jazz with funk, Latin, and reggae undertones. From the body movin' and hip-shaking single "Cal High" to the Jackie Metoo-inspired "Struttin,'' rounded out with the Chester Thompson'esque organ-driven "Bay To L.A.," this LP showcases both strong songwriting and tasteful musicianship from start to finish. With the signature open drum tones of Michael Duffy to the gritty guitar stylings of Matt Hornbeck rounded out with the low-end and soaring melodic passages of organist Carey Frank, The White Blinds hold their own in the ever-evolving world of what it means to be an organ trio. "PRESHEATECHA!" is a step forward, pushing the limits of a group whose music can best be described as instrumental soul-jazz with a backdrop of Los Angeles flair.

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Tim Carman Trio

King Comfy

LP | 2023 | US | Original (F-Spot)

29,99 €*

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Release: 2023 / US – Original

Genre: Organic Grooves

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From the first notes of King Comfy, Tim Carman Trio play jazz like it was supposed to be played: hot, sweaty, and a damn good time. Recorded in one day on the floor of The Record Co. in Boston MA, this LP opens up the door to what jazz is really all about. “Jazz doesn’t have to be so academic. It can be a party. It doesn’t have to be about playing a million complicated notes that only schooled musicians would enjoy. I went in focusing on groove, sound, and simplicity,” says bandleader/ drummer Tim Carman (ga-20). That’s exactly what the listener gets from this trio: straightforward grooves with a sound that blows the roof off the joint. Drawing inspiration from notables such as Big John Patton, Brother Jack McDuff, Babyface Willette, and Freddie Roach, they open the door to a very special party that we’re all invited to. In fact, it’s a ten-track jazz party that’s swinging, upbeat, and funky as hell. Consisting of eight original songs and two covers, the entire record itself gives off a live feel. Tim Carman Trio could be playing at Club Mozambique, The Lighthouse, The Cliche Lounge, The Front Room, or any jazz club on the circuit during the late sixties or early seventies, but they’re playing in your living room right here in the present day, and you’ve got a front row seat. On this record, as with their freshman Keylime LP, the trio did not rehearse before the sessions. They would figure out a tune and cut it in one or two takes. It’s about the process, old and new. TC3 does a top-notch job of preserving a style while adding their own feel from start to finish. With Tim Carman on drums, Ken Clark on organ, and Steve Fell on guitar, these three accomplished musicians have done more than release a jazz record, finding and perfecting a formula that most can not even buy. They’ve put together an homage to the true essence of great jazz music, one that the aforementioned greats would be proud of. King Comfy pays respect to the past and is a real jazz party, just like it should be.

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