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Farhot
Farhot - Stealing From Cats
Farhot
Stealing From Cats
LP | 2024 | EU | Original (Kabul Fire)
25,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-05-31
Like a thief in the night, and almost 4 for years after his critically acclaimed full-length album Kabul Fire Vol 2, beat virtuoso Farhot has returned to the (crime) scene with his latest all-instrumental record "stealing from cats".

While on his last LP, he took listeners on a journey to his birthplace Kabul, he is now taking them along as he goes out stealing sounds from fellow musicians (label mates) and dusty Jazz archives and. Reminiscent of that time when Blue Note invited Madlib into their catacombs to create the seminal "Shades of Blue" LP, this slow-paced record sees Farhot eclectically fusing Jazz samples with downtempo, instrumental hip-hop art. From the hazy, chopped vocal samples of the intro tune "selfish" to the dreamy closer "they need me", this 12-song masterpiece is as much an homage to the virtuosity of Jazz cats like Silvan Strauss as it is to the fine art of sampling that Farhot cheekily calls stealing.
Farhot - Kabul Fire Volume 2
Farhot
Kabul Fire Volume 2
LP | 2021 | EU | Original (Kabul Fire)
21,99 €*
Release: 2021 / EU – Original
Genre: Hip Hop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Seven years after the release of his first solo album Kabul Fire Vol. 1, Hamburg-based producer Farhot is now taking listeners on a journey to his biographical roots with the follow up Kabul Fire Vol. 2. While the previous album already included references to his Afghan homeland, this 13-track album completely centers around the country from which his family had to flee when he was still a kid – musically, but also thematically through the selection of samples and quotes. For the sound of this project, the beat nerd went on memory lane to his family roots in the Middle East, digging up the sounds of his childhood. He also embraced the classic Golden Era sound of hip hop in the 90s, the music of his adolescence. The result: organic hip hop beats with elaborate and dreamy melodies, infused with elements from traditional Afghan music that take you to the dusty streets of Kabul. Artfully hand-crafted and intricately arranged with loads of love for details – just like the carpets on the cover of the album. aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa This project, for which Farhot teamed up with some long-term friends and collaborators like Nneka, Juju Rogers or Maverick Sabre, will be released on his own label Kabul Fire Records. a
Farhot - Nowroz 1401
Farhot
Nowroz 1401
7" | 2022 | EU | Original (Kabul Fire)
16,99 €*
Release: 2022 / EU – Original
Genre: Hip Hop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
In celebration of the Persianate new year usually taking place on March 21st Afghan-German producer artist Farhot announces his follow up project “Nowroz 1401” which translates into “New Year 1401” – the number marking the year according to the solar calendar which is used in countries like Afghanistan and Iran. While Nowroz is being celebrated in several additional regions like Azerbaijan, Kazakhstan or Kirgizstan and partly also in Pakistan, Syria, Tajikistan, Georgia and Turkey – this 3-Track EP pays tribute to Afghan contemporary artists like singer-songwriter Calid, London based Elaha Saroor and rapper Khan all while referencing the golden era of Afghan psychedelic pop most prominently represented by Ahmad Zahir samples – and with that marking this special release as a contribution to preserving Afghan culture and tradition while Afghanistan’s recent brutal occupation by the Taliban continue to threaten and erase Afghan artistic tradition. Further “Nowroz 1401” was born out of the urgent feeling to uphold and celebrate an essential tradition of Persianate cultures so that the following generations of diaspora children don’t lose access to their cultural heritage while not being able to live or visit their countries of origin, where such holidays are institutionalized and therefore experienced as a community festivity.
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