Fat Beats HHV Records 45 Items

Richmond Hill, the highly anticipated follow up to Masta Ace and Marco Polo's Breukelen Story, is inspired by Marco's childhood in the titular neighborhood, a small town in Ontario, just outside of Toronto. Between interstitials about Marco's passion for hip-hop and cartoons, his struggle with addiction, and the support of his parents, Marco Polo and Masta Ace tackle the issues of the day head-on with clarity, the rapper using his decades-worth of rapping experience to slice through the producer's warm soul samples and crisp percussion. A cinematic journey that explores how the past echoes through the present, the album welcomes guest appearances from notable names from all eras of rap history, including Inspectah Deck, Coast Contra, Blu, Che Noir, Speech of Arrested Development, Masta Ace's longtime collaborators Stricklin and Wordsworth, and many more.

Originally released on Fat Beats Records in 2009, El Michels Affair’s landmark album “Enter the 37th Chamber” is celebrating its 15th Anniversary in 2024. Featuring reinterpretations of hip hop anthems from the Wu-Tang Clan, the album took stripped-down, raw hip hop bangers and flipped them into richly-arranged instrumentals. Cover versions of tracks such as “C.R.E.A.M.” and “Can It All Be So Simple” instantly sounded as vintage as the records that RZA had sampled to create the originals, with the familiar melodies and driving rhythms elevated by expertly-arranged horns and strings. The gritty and bottom-heavy style of these analog recordings—dubbed “Cinematic Soul”—has been both widely celebrated and often imitated. El Michels Affair namesake Leon Michels has since gone on to produce for and collaborate with artists as diverse as Adele, Black Thought, Lana Del Rey, and The Carters (Beyonce & Jay-Z). Now 15 years from its initial release, “Enter the 37th Chamber” has proven to be one of the true classic instrumental albums of its era, every bit as enduring as the music it had meant to pay homage to.

Off of the backs of the 2006 release a pair of 7-inch singles called the Shaolin Series, El Michels Affair would eventually drop the LP “Enter the 37th Chamber” in 2009, which covered classics by the Wu-Tang Clan. To commemorate the 15th anniversary of the landmark full-length, Fat Beats Records is not only re-releasing the original 45s in the Shaolin Series, but will be adding to the series with choice cuts from the LP. First up is “Shimmy Shimmy Ya,” a hauntingly unforgettable take on ODB’s classic single, with blaring horns and a chorus of children to sing the iconic hook. The b-side features a darker, moodier interpretation of Raekwon’s “Incarcerated Scarfaces,” perfectly representing El Michels Affair’s slow-riding style dubbed “Cinematic Soul.”

Repress as black vinyl! The world moves faster than ever these days, and even in the digital age, things can always be counted on to go in cycles. Despite all of the advances in computer recording technology, home studios, and electronic instruments, there is a flourishing interest in analog recording techniques and in recreating the mood and sound of vintage soul records. With one foot in the past but their eyes firmly set on the future, El Michels Affair are among the leaders of a resurgent funk & soul movement from New York City that’s sweeping both the music community and the charts.

Led by saxophonist/organist Leon Michels and producer/engineer Jeff Silverman, El Michels Affair began as a loose collaboration of session musicians (including members of top-selling acts Sharon Jones & the Dap Kings, the Budos Band, and Antibalas) that looked to blend some of the vibrant quality of soundtrack records with the recording aesthetic of early reggae, and the rawness of 60's rock--they called it 'Cinematic Soul.' This delicate balance was evident on their 2005 debut album Sounding Out the City, which earned critical acclaim and acted as the inaugural full-length release for Michels and Silverman’s burgeoning label Truth & Soul (also the moniker for the duo as a production team).

The buzz generated from the album and a series of moderately successful 7” vinyl singles from Truth & Soul led to an invitation by Toyota’s Scion division for El Michels Affair to accompany the rapper Raekwon of Wu-Tang Clan for a promotional concert. As avid Wu-Tang fans, not only were the band leaders thrilled with the opportunity, but Michels found that the ‘Cinematic Soul’ sound was consistent with the moods of RZA’s gritty soundscapes on the classic Wu-Tang releases. The concert was such as success, El Michels Affair went oan to play several more concerts nationwide backing Raekwon and other members of the Clan, and the shows led to the recording of two smash 7” singles featuring instrumental reinterpretations of the Wu-Tang classiac songs “C.R.E.A.M.” and “Bring Da Ruckus.” The singles combined to sell an extraordinary amount of over 7,000 units worldwide, and their success led to a contract in 2007 with indie hip hop powerhouse Fat Beats Records to record an entire album of Wu-Tang Clan interpolations entitled Enter the 37th Chamber.

Since the contract was inked, a worldwide explosion of retro soul led by Amy Winehouse, Mark Ronson, and Sharon Jones and the Dap-Kings has transformed the pop music landscape, and the Truth & Soul production duo have been in strong demand, recording with everyone from breakthrough Grammy-nominated artist Adele to punk rock innovator Iggy Pop. They’ve been commissioned for official remixes of Amy Winehouse and Dinah Washington (for the popular Verve Remixed series), and produced for Australian multi-platinum acts Jet and Gabriella Cilmi.

Despite the eclectic group of clients for the Truth & Soul production company, El Michels Affair continued to build an audience within the hip hop community. A track from Sounding out the City was sampled for Ghostface Killah’s 2007 track “Shakey Dog Lolita,” and a horn part written and performed by Michels (for Menahan Street Band) was famously lifted for Jay-Z’s smash single “Roc Boys.” Truth & Soul also worked in the studio on original productions with multi-platinum producer Just Blaze (T.I.’s “Live Your Life,” Jay-Z, Usher).

With their increasing presence behind the scenes in the industry, El Michels Affair looks to have their status as recording artists rise significantly in 2009. With the release of their finally-completed album Enter the 37th Chamber, they can finally step out of the shadows of the retro-soul trend and establish their status as one of the most exciting and versatile bands in modern recorded music.

Produced by Ill Bill & DJ Lethal … a bit more raaaaaaaaaw shit, as Bill explains!

In 2006, the slight buzz of a Brooklyn band called El Michels Affair started to sound a bit more like a swarm of killer bees when their instrumental rendition of Wu-Tang Clan’s “C.R.E.A.M.” was released as a 7” vinyl single. The band’s namesake Leon Michels and his production partner Jeff Silverman dropped the single on their boutique label called Truth & Soul, and it created such commotion that it would spawn an entire album of Wu-based covers. In honor of the 15th anniversary of that LP— “Enter The 37th Chamber”—the single is now getting its first vinyl repress in years. “C.R.E.A.M.” is featured on Side A, with its prominent guitars and powerful horns complementing the signature baseline and unforgettable piano hook that practically defined an era of New York hip hop. The B-side “Glaciers of Ice” offers a deeper, melancholic interpretation of the hard-driving “Cuban Linx” banger, with a mood consistent to the A-side, as the drums take a comfortable backseat to the melodic guitars and punchy horn lines. Originally released in 2009, El Michels Affair’s “Enter The 37th Chamber” LP on Fat Beats Records is celebrating its 15th Anniversary in 2024.

On 2007’s “Nostalgia,” a memorable track off Marco Polo’s album, Port Authority, chemistry between Polo and guest MC Masta Ace is easily heard and felt. What was a quick one-off collab was not only a reminder of Masta Ace’s timelessness, but it was also the impetus for a larger, more fleshed out concept between the Toronto beatsmith Polo and the legendary MC. The pair since formed a duo and the result is a powerfully evenhanded project, A Breukelen Story.

In 2018 we find hip-hop’s storied journeyman, Masta Ace, at the helm of another sharp, tightly wrought project. He’s traversed hip-hop’s ever-changing landscape for nearly three decades, navigating different eras while expanding his already extensive catalogue. From his formative work with the legendary Juice Crew, to a bombastically renowned stint with Delicious Vinyl, it’s hard to find a more humble master of ceremony than Ace—even harder is finding another figure whose work is equally embraced on both coasts, East and West, as well as abroad.

Despite amassing 7 solo albums, 5 collaborative projects and countless additional one-offs, Ace is still trying to show and prove, still moving the needle forward for himself, his fans, and his career. Says Ace: “My goal on A Breukelen Story was to do more lyrical stuff. I’ve done a lot of concept songs, and a lot of topical records, but I made a point to put a couple straight rhyming joints on here to remind dudes I can still do this.”

“I met Masta Ace for the first time while interning at Cutting Room studios in Manhattan,” says Marco Polo, longtime Canadian producer whose exploration of samples and boom-bap aesthetics certainly suite his moniker. “Ace came in for a session in the studio years and I introduced myself and gave him a beat CD.” While Polo was a young intern on the rise, he quickly worked the situation to his advantage, eventually producing for giants he grew up admiring— Kool G Rap, Large Professor, Scarface, Sean Price, Black Thought, Talib Kweli, to name a few.

Polo is not new to forming quality collabs with others in the art form, with notable stints on the aforementioned Port Authority as well as it’s follow up, PA2, and others like 2016’s work with young MC, A-F-R-O, fittingly titled A-F-R-O Polo. Yet out of Polo’s previous collaborative efforts, this one stands out and is a bit more special, according to Polo: “Ace does not like to write random songs, its usually conceptual and topical,” he says. “But we do have some straight spitting joints on A Breukelen Story which is what makes this album possibly the most diverse of all of my collaborative albums.”

The random meeting and a beat CD resultantly birthed A Breukelen Story, a collaborative release between the venerable veteran and an incredibly detailed and prolific producer. 14 tracks with pronounced guests (Pharoahe Monch on “The Fight Song” for example) all strewn together through Ace’s signature skits and interludes that frame the music and while telling the story of Polo manifesting his vision of being an NY transplant via Toronto while pursuing his dream of being a renowned record producer. Other guests range from younger MCs like Marlon Craft to spry OGs like Lil Fame (of M.O.P.), to Smif ‘n’ Wessun, to Styles P (of the Lox) Polo’s pastiche style boom-bap is the drum-driven centerpiece that perfectly couches Masta Ace’s thoughtful stanzas and vivid storytelling for this effusive Brooklyn narrative. – David Ma

HHV Exclusive, limited to 500 copies.

Masta Ace joins forces with the metal faced MF Doom for Son of Yvonne, a highly personal concept album that celebrates the life and legacy of Ace’s recently departed Mother. Like his 2004 landmark Disposable Arts, Son of Yvonne is meticulously constructed with stories, settings, and characters that resonate with flesh and bone humanity. Interstitial vignettes provide a thematic backbone to the experience, and each track complements and completes the previous to form a narrative whole: a sometimes visceral, sometimes nostalgic slice of Ace’s young life in Brownsville, Brooklyn.

Entirely underscored by MF Doom’s iconic Special Herbs instrumentals, Son of Yvonne features the Juice Crew general Big Daddy Kane, newcomers Pav Bundy (The Bundies), Reggie B and even MF Doom on the mic. It’s Masta Ace’s no frills flow, however, that looms largest above the dusty samples and digger loops that define Doom’s production. Ace’s photo-realistic rhymes about stick-up kids, spraycan artists and wack emcees add extra gravity to his already celebrated reputation as “truly an under-appreciated rap veteran and underground luminary” (Allmusic Guide). Like Eminem recalls in his 2008 autobiography The Way I Am, “Masta Ace had amazing storytelling skills. His thoughts were so vivid.”

Mt. Marci is the 8th studio album from legendary emcee / producer Roc Marciano. This new album is in conjunction with Josue Thomas of The Gallery Dept, and without question is a must have for the true music / Roc Marciano fan.

This is Art That Kills.

Mista Sinista officially started DJing in 1986 and joined the X-Men in 1992. They later became the X-ecutioners and released two albums. Mista Sinista toured the world several times with the X-ecutioners and was a tour DJ for Common, Beatnuts, Joe Fatal and Lauryn Hill just to name a few. Some of his album credits include The Beatnuts Street Level LP and Common’s Resurrection LP. His work was also highlighted on Fat Joe’s sophomore release, Jealous One’s Envy. He continues to perform worldwide and is featured on The Rewind with DJ Safire which airs weekly on Beatminerz Radio. Mista Sinista’s debut LP is a mix of well-produced tracks along with live turntablism. The project features emcees Mr. VooDoo, Ill Bill, Vinnie Paz, The One Chadio, U.G. & The former MC Jean Grae to name a few. This album also features Rugged One, Q-Bert, The Cut Lieutenant, Ace & Rob Swift. Production credits on the project include Mista Sinista, Steve Dee, Nick Wiz, Statick, Eitan Noyze, Cee da Cuban & DJ Safire.

After scoring a surprise hit in 2006’s red-hot 7” funk market with their cover of “C.R.E.A.M.,” El Michels Affair quickly turned around another smash 7” double-single of re-imagined takes of the Wu-Tang Clan. “Duel of the Iron Mics” sees the hypnotic piano hook of the “Liquid Swords”-classic elevated to intriguing heights with dramatic strings and Catch the blast of a hype version on the b-side, where “Bring Da Ruckus” is brought to life in imaginative ways not hinted at on the bulletproof original. The raw sample stabs and sub-bass of the stripped-down Wu-Tang stunner are replaced with mind-bending bass notes, and the re-played organ hook turned way up. Both of these tracks would eventually feature prominently on El Michels Affair’s landmark LP “Enter the 37th Chamber,” celebrating its 15th Anniversary in 2024.

New York rapper Your Old Droog and Atlanta rapper/producer Tha God Fahim present their latest collaboration in Tha Wolf of Wall Street. While Fahim trades in brass-tacks metaphors, Droog leans more toward punchlines and pop culture-laden double-entendre. Like any effective duo, their contrasting styles dovetail seamlessly on their new EP Tha Wolf on Wall St. The entire project is an assured slice of underground rap, but the pair’s compatibility shines brightest on the title track. Fahim and Droog move back and forth like co-stars on a long-running cable drama, and Fahim’s production provides a more serene mirror reflection. Fahim laces each of the EP’s eight tracks with sedate loops, splitting the difference between his and Droog’s clashing styles.

The debut finale album from the original Lyrical supergroup Hrsmn - Kurupt from Dogg Pound, Canibus, Killah Priest, Ras Kass have finally formed like Voltron to give The Culture 'The Last Ride. Real Hip Hop is Back!

Mt. Marci is the 8th studio album from legendary emcee / producer Roc Marciano. This new album is in conjunction with Josue Thomas of The Gallery Dept, and without question is a must have for the true music / Roc Marciano fan.

This is Art That Kills.

Black Friday Record Store Day 2020 Release. RSD Limited Run / Regional Focus. Limitation: 1000 copies. A single LP release of Magnetic Fields’ recent digital and singles box set project. This LP contains an entirely exclusive track, 'The Witches Fly' and is exclusive for RSD Black Friday.

Roc Marciano is known for his bars, but with "Pimpstrumentals" he brings 17 instrumentals all highlighting his signature boom bap style and incomparable grit.

Jamo Gang consists of LA legend Ras Kass, NYC veteran emcee El Gant and J57 on production. The trio’s debut album “Walking with Lions” is set to be released on April 10, 2020 via Fat Beats Records. The album features DJ Premier, Slug from Atmosphere, Sid Wilson from Slipknot, Sick Jacken from Psycho Realm & Slaine from La Coka Nostra. J57 handled all of the production except for “The 1st Time” which was produced by living legend, DJ Premier. The “Walking with Lions” LP embodies head-nodder boom-bap infused with big sounding, lush soundscapes as Ras Kass & El Gant command the listener’s attention speaking on subject matter ranging from school shootings to what life would be like with a nuke arriving in 38 minutes.

It’s been four years since La Coka Nostra released their sophomore album, “Masters Of The Dark Arts”, (the group's first project without Everlast was also their most critically acclaimed project featured collaborations with Vinnie Paz, Sean Price & production from DJ Premier and Statik Selektah) and the music industry has changed considerably in that time. Always known for tackling controversial topic matter, the group’s new album, “To Thine Own Self Be True”, finds them once again in torch bearing mode, addressing subjects that most artists shy away from. “This album was created during a time of unique and individual transformation for each member of the group” Ill Bill stated. “Speaking for myself, it’s been a heavy last couple of years. It’s definitely the most personal record we’ve made under the La Coka banner and while we’re still making music that’s hard as fuck, there’s a maturity to this latest batch of songs that makes it different from a lot of the older stuff. I notice the biggest reactions come from the songs our listeners can personally relate to and we needed to make a record like this right now, not only for the fans, but for ourselves. I got a lot off my chest on this one. Making music can be extremely therapeutic and making “To Thine Own Self Be True” was a rebirth and a re-ignition for me.”
While DJ Lethal continues to oversee the production end of “To Thine Own Self Be True”, the group also enlisted Statik Selektah, Marco Polo, Salam Wreck (D-12, Obie Trice, Proof, B-Real, Tha Dogg Pound) & ChumZilla (from the Demigodz) and get vocal contributions from extended family members such as Vinnie Paz, Apathy, Q-Unique, Sick Jacken, SKAM2 & Rite Hook.

Instrumental versions to Elzhi's (Slum Village) tribute to Nas "Illmatic" performed by Chicago funk band Will Sessions. Limited edition vinyl with free mp3 download card.

Masta Ace joins forces with the metal faced MF Doom for Son of Yvonne, a highly personal concept album that celebrates the life and legacy of Ace’s recently departed Mother. Like his 2004 landmark Disposable Arts, Son of Yvonne is meticulously constructed with stories, settings, and characters that resonate with flesh and bone humanity. Interstitial vignettes provide a thematic backbone to the experience, and each track complements and completes the previous to form a narrative whole: a sometimes visceral, sometimes nostalgic slice of Ace’s young life in Brownsville, Brooklyn.

Entirely underscored by MF Doom’s iconic Special Herbs instrumentals, Son of Yvonne features the Juice Crew general Big Daddy Kane, new comers Pav Bundy (The Bundies), Reggie B and even MF Doom on the mic. It’s Masta Ace’s no frills flow, however, that looms largest above the dusty samples and digger loops that define Doom’s production. Ace’s photo-realistic rhymes about stick-up kids, spraycan artists and wack emcees add extra gravity to his already celebrated reputation as “truly an under-appreciated rap veteran and underground luminary” (Allmusic Guide). Like Eminem recalls in his 2008 autobiography The Way I Am, “Masta Ace had amazing storytelling skills. His thoughts were so vivid.”

White vinyl

Embracing his career path as an emcee/entertainer, Crimapple returns with his latest solo effort, El Cantante, which serves as an ode to Hector Lavoe and The Fania Era of salsa music's profound storytelling. Although devoid of any guest appearances, Crime is joined by a supporting cast of praise-worthy producers throughout the project whom include Bohemia Lynch (Westside Gunn), Michaelangelo (Avenue, Vel the Wonder) as well as his frequent collaborator, Buck Dudley, among others. And while there’s tracks that borrow aesthetics akin to latin music—such as the syncopated rhythm patterns on “Tuesday,” or the looping pan flute heard on “Out the Way”—you’ll still find the archetypal soundscapes that have defined Crime’s discography. These include the soulful/zone-inducing loops on tracks like the album opener, “My Song,” as well as “Together,” “Encore,” and “Precious.” And then there’s the chest-pounding bangers like “Cosos,” where Crime lyrically remains in his bag with unrelenting, braggadocious rhymes: “You cheesecake, rappers know I get on this shit and eat great / Get better at any take and drop on anyone’s release date” All in all, El Cantante is a self realization of sorts as the New Jersey emcee shares his current life perspectives as he touches on what it’s like to be considered a hip-hop legend by many, while also reflecting on the path that brought him to this point in his career.

Embracing his career path as an emcee/entertainer, Crimapple returns with his latest solo effort, El Cantante, which serves as an ode to Hector Lavoe and The Fania Era of salsa music's profound storytelling.

Although devoid of any guest appearances, Crime is joined by a supporting cast of praise-worthy producers throughout the project whom include Bohemia Lynch (Westside Gunn), Michaelangelo (Avenue, Vel the Wonder) as well as his frequent collaborator, Buck Dudley, among others. And while there’s tracks that borrow aesthetics akin to latin music—such as the syncopated rhythm patterns on “Tuesday,” or the looping pan flute heard on “Out the Way”—you’ll still find the archetypal soundscapes that have defined Crime’s discography. These include the soulful/zone-inducing loops on tracks like the album opener, “My Song,” as well as “Together,” “Encore,” and “Precious.” And then there’s the chest-pounding bangers like “Cosos,” where Crime lyrically remains in his bag with unrelenting, braggadocious rhymes: “You cheesecake, rappers know I get on this shit and eat great / Get better at any take and drop on anyone’s release date”.

All in all, El Cantante is a self realization of sorts as the New Jersey emcee shares his current life perspectives as he touches on what it’s like to be considered a hip-hop legend by many, while also reflecting on the path that brought him to this point in his career.

D.I.T.C. member and acclaimed NYC-based production legend, Buckwild returns with the latest installment of his notable instrumental series, Essential Beats (Vol. 3).

Comprised of 14 new tracks, Buck continues to show and prove why he has remained amongst the game’s most accredited hip-hop producers since the early ‘90s, earning him platinum status with credits alongside the likes of Notorious B.I.G., Black Rob, Jay-Z, O.C., Big L, Fat Joe, Diddy, Big Pun and many, many more.

Essential beats (Vol. 3) is limited to just 300 units worldwide, and is out through Buckwild’s Still Diggin Music imprint in partnership with Fat Beats.

Golden wax!

Marci Enterprises LLC in partnership with Fat Beats are pleased to release the instrumental version of Roc Marciano’s eighth studio LP, Mt. Marci. The album is in conjunction with Josue Thomas of The Gallery Dept, and is a must have for the Roc Marci aficionado.

Crimeapple readies another classic by way of his newest album, ’Sancocho,’ with advance single “Throw the Rice” dropping on 11/5. With go-to producer Buck Dudley back in the chair for this track, Crimeapple invites RLX and Primo Profit to share the mic atop the dark, trippy production and dirty, slamming drums. Upcoming album includes production from Ignorancia Sophisticada, Michaelangelo, Zoomo, Good Food, Brown13, Teyo, and Futurewaves.

th1rt3en is what you would get If Led Zeppelin and Kendrick Lamar had a baby and raised it in Jamaica, Queens. The gritty production coupled with live instrumentation and exquisite lyricism creates a unique yet familiar sound that has been tried before but hasn’t ever reached this level of artistry. The brainchild of legendary emcee Pharoahe Monch, who is joined by Jack White drummer Daru Jones and guitarist Marcus Machado (winner of the 2014 Rolling Stone magazine’s Next Young Gun), th1rt3en is aggressive, abrasive, often irreverent and fearless with their examination of the world today.

th1rt3eN is what you would get If Led Zeppelin and Kendrick Lamar had a baby and raised it in Jamaica, Queens. The gritty production coupled with live instrumentation and exquisite lyricism creates a unique yet familiar sound that has been tried before but hasn’t ever reached this level of artistry.

The brainchild of legendary emcee Pharoahe Monch, who is joined by Jack White drummer Daru Jones and guitarist Marcus Machado (winner of the 2014 Rolling Stone magazine’s Next Young Gun), th1rt3en is aggressive, abrasive, often irreverent and fearless with their examination of the world today.

Vangarde's 11 songs represent the culmination of not only what this year has wrought, but also the talents of Lif and Bangas, an emcee-producer duo built for this. And you can hear that for yourself as soon as the second track, "Shelter in Place," blasts its way into your speakers. From the driving production to Lif and Blacastan's bars, the single embodies the raw, visceral feel of the entire LP. It carries through to the previously leaked "Basquiat," the stirring and gripping posse cut "8 Minutes 46 Seconds," and the highly personal "Now is Only Now," in which Lif explains how he wrote most of his lyrics secluded from his wife and young son due to the pandemic.

What makes Vangarde so impactful, however, is that it doesn't beat you over the head with the same sound or approach. Lif and his guests may tackle subjects related to oppression and corruption throughout the record, but it's done through nuance. The same goes for Bangas' stellar production, which maintains the momentum of his vocal counterparts. It's no surprise then that the two speak so highly of each other, with Bangas referring to Lif as a "storyteller and a reporter," and Lif noting that he was saving the name "Vangarde" for a project with an "elite producer."

A toast to victories and killing enemies with more success. ‘Mátalos Con Más Éxitos’ is a bottle of expensive champagne to pop in the face of the opposition. With Buck Dudley at the helm of production and Crimeapple providing the narrative for a celebration of more life and more wins.

Features DJ Premier, Slug from Atmosphere, Sid Wilson from Slipknot, Sick Jacken & Slaine from La Coka Nostra. Jamo Gang consists of hip-hop legend Ras Kass, El Gant with J57 on the production.

Jamo Gang consists of LA legend Ras Kass, NYC veteran emcee El Gant and J57 on production. The trio’s debut album Walking with Lions is set to be released on April 10, 2020 via Fat Beats Records. The album features DJ Premier, Slug from Atmosphere, Sid Wilson from Slipknot, Sick Jacken from Psycho Realm & Slaine from La Coka Nostra. J57 handled all of the production except for “The 1st Time” which was produced by living legend, DJ Premier. Walking with Lions embodies head-nodder boom-bap infused with big sounding, lush soundscapes as Ras Kass & El Gant command the listener’s attention speaking on subject matter ranging from school shootings to what life would be like with a nuke arriving in 38 minutes.

After releasing music for 25 years, and with the passing of this past decade, Fat Beats is revisiting a few of their classic releases with special limited edition 7"s.

The first 3 feature music from Roc Marciano's Marcberg (2009, Fat Beats Records), Black Milk's AOTY (2010, Fat Beats Records) and Will Sessions' Elmatic Instrumentals (2011, Fat Beats Records)

Brownout’s legendary status as a “Funk Powerhouse” (Stereogum) is a reputation well deserved. The band of musicians have an impressive resume performing with Prince (RIP), GZA of the Wu-Tang Clan, Bernie Worrell (RIP), and accolades from Ozzy Osbourne for their Brownout Presents: Brown Sabbath project. The latter helped grab the attention of Fat Beats Records, who worked with the band to release the critically acclaimed Public Enemy instrumentals project Fear of A Brown Planet in 2018. The Austin 9-piece is back with their first full length album of original music in over 8 years. The album, aptly titled, Berlin Sessions (out March 6, 2020 on Fat Beats) was produced by Steve Berlin of Los Lobos and is the first with lead singer Alex Marrero, whom they originally collaborated with on their wildly successful Brown Sabbath records. Berlin Sessions finds the group merging a multitude of styles, from rock to psych and of course the Latin Funk and Breakbeat on which they have built their sixteen-year career and reputation as Austin's premier party-starters. NPR recently featured the band on their heralded “Tiny Desk Concert” series, performing songs off the new album. NPR described the diversity of the band, stating, “One of the things you need to know about this band is that they can change traditions or genres almost on a dime. The core members dip into soul, Latin funk, a form of Peruvian cumbia called chicha, and funk covers of both Black Sabbath and Public Enemy. What each configuration has in common is the almost telepathic bond the band has developed after 15 years of working stages across the country. As you can see on the video, it's so infectious that Prince once used them for a while as a back-up band.”

Nearly four years and a number of solo projects later, Detroit’s Clear Soul Forces are back with their most impressive release to date. Still is what happens when four proven artists continue to hone their craft and find their collective flow. At 11 tracks deep, this album eschews trends and instead provides timeless, straight-up dope Hip-Hop.

Speaking on why Still sounds so organic and cohesively produced, group member Noveliss says, “Everyone’s growth has made the creative process easier.” He adds that CSF may have been a team before, but each member had to prove himself individually. “Now, we and the world know what’s up, and it’s all about bouncing off each other and being a unit on every song.”

That sense of true teamwork and partnership is heard and felt on each track, from the neck-snapping opening track “Blaow (feat. DJ Odilon)” through to album closer “Don’t Stop” that serves up a wild burner-to-banger beat-switch. Other instant highlights include “Hit Me Now,” which Noveless says features “all of the random things that describe CSF,” and L.A.Z.’s favorite track “They Shootin’,” which is also the album’s lead single.

Those tracks, and the majority of the album, were produced by rapper-producer Ilajide, who complements his CSF brothers with beats primed for verses bursting with clever bravado, video game references, and head-spinning wordplay. Still is golden era Boom bap for the modern age, and it’s delivered through a lens that’s wholly unique to CSF. It’s also one of integrity, because there’s no fluff or superficial window dressing here—simply some of the best hip-hop you’ll hear this year.

Fresh off the success of their latest album ‘Fear of A Brown Planet’, Brownout hit back with a limited Gold 7" featuring album highlight "Trackstar The DJ To The Edge of Panic", backed by a scorching non-album cut "She Watches Channel Zero". 2 Public Enemy classics brought to life by the tightest and funkiest band on the road today!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Nearly 15 years later, their collaborative effort receives the deluxe reissue treatment in a full color 2XLP with full album instrumentals. Includes production from Pete Rock, Diamond D and DJ Revolution. Guest features include Jaysaun, Masta Ace, Diamond D, and also features Pete Rock rapping. In 2004, veteran MC Edo G and legendary producer Pete Rock combined
for a golden era classic, My Own Worst Enemy. Nearly 15 years later, their collaborative effort receives the deluxe reissue treatment.

Another friday dedicated to the black gold!

An 8-piece outfit formed ten years ago by members of Grammy Awardwinning Latin revival orchestra Grupo Fantasma, Brownout has evolved into a musical force all its own. After garnering their third Austin Music Award last year, the band has continued to produce music that is unflinchingly progressive, while evoking the classic influences of artists such asWAR, Cymande and Funkadelic. They’ve performed at events including Bonnaroo, High Sierra Music Festival, Pickathon, FFFFest, Bear Creek Music Festival, Utopia Festival and Pachanga Fest, while regularly touring the U.S. Brownout’s also served as a highly in-demand backing band for artists including Prince, Daniel Johnston, GZA and Bernie Worrell.

This 45 features two cuts from their latest release, Over The Covers, on limited edition gold vinyl

/ the aftermath / arrogant feat. Substantial, Tonedeff, Pack FM & Rise

Record Store Day, Limited Edition, Picture Disc, close to VG+

Fatbeats Test Press Exclusive, limited to 10 numbered copies (01/10)

Still sealed. Tiny wear.

CRIMEAPPLE readies another classic by way of his newest album, ’Sancocho,’ with advance single “Throw the Rice” dropping on 11/5. With go-to producer Buck Dudley back in the chair for this track, CRIMEAPPLE invites RLX and Primo Profit to share the mic atop the dark, trippy production and dirty, slamming drums. Upcoming album includes production from Ignorancia Sophisticada, Michaelangelo, Zoomo, Good Food, Brown13, Teyo, and Futurewave.