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Father/Daughter HHV Records 3 Items

HHV Records 3 Vinyl, CD & Tape 3 Used Vinyl 1
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Anjimile - Giver Taker Maroon Vinyl Edition
Anjimile
Giver Taker Maroon Vinyl Edition
LP | 2020 | EU | Original (Father/Daughter)
17,54 €* 26,99 € -35%
Incl. VAT plus Shipping Costs
Release: 2020 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. Giver Taker is confident, intentional and introspective. Anjimile Chithambo (they/them, he/him) wrote much of the album while in treatment for drug and alcohol abuse, as well as while in the process of living more fully as a nonbinary trans person. Loss hovers over the album, whose songs grieve for lost friends ("Giver Taker") and family members ("1978") along with lost selves ("Maker," "Baby No More," "In Your Eyes.") But here, grief yields an opening: a chance for new growth. Each song on the album is its own micro-journey, adding up to a transformative epic cycle created in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman. "1978" and "Maker" both begin as Sufjan Stevens-esque pastoral ballads with Chithambo's mesmerizing voice foregrounded against minimal instrumentation and swell into the realm of the majestic through the addition of warm, steady instrumentation (informed by the mix of 80's pop and African music Chithambo's Malawi-born parents played around the house) and harmonies by Bowe. "In Your Eyes" starts out hushed and builds to a crescendo via a mighty chorus inspired by none other than the Lion King. The allusion is fitting: each song encapsulates a heroic voyage, walked alone until accompanied by kindred souls. The choirs present throughout are equally deliberate. Chithambo grew up as a choir boy himself, and several songs (notably "Maker") grasp not only towards reconciliation between his trans identity and his parents' strong religious beliefs, but towards reclaiming his trans identity as an essential part of his own spirituality.
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Vagabon - Infinite Worlds
Vagabon
Infinite Worlds
LP | 2017 | US | Original (Father/Daughter)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 2017 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
Metalic silver vinyl edition!
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S. Raekwon - Steven Opaque Bone Vinyl Edition
S. Raekwon
Steven Opaque Bone Vinyl Edition
LP | 2024 | US | Original (Father/Daughter)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-05-03
About S. Raekwon & Steven"Steven is the sound of me holding a mirror up to and critically reflecting on who I am:the good, the bad, the ugly. It's about trying to understand the multitudes within me." -S. RaekwonSteven Raekwon Reynolds performs as S. Raekwon, but his second LP is simply calledSteven. Across ten tracks of furious and subtly strumming guitars, plodding bass riffs,and whispering revelations, S. Raekwon's newest album strips back sonic and personallayers to present his most vulnerable, yet authentic self.Born in Buffalo and now based in the East Village of New York City, Steven wrote,produced, engineered, and mixed everything on the record, in addition to playing everyinstrument except the drums. He packed up a rental car with all his gear and returned tohis fiancée's parents' home in Southern Illinois, where they rode out the pandemic andwhere he recorded half of Where I'm at Now. The house proved to be a nontraditionalrecording space, but one that provided plenty of physical space as well as spiritual roomfor experimentation.Steven and drummer Mario Malachi, longtime friends since their days at college inCleveland, Ohio, spent a week in July 2023 transforming the living room into a makeshiftstudio, rearranging furniture, sitting face-to-face in front of a mic, and taping songsin single takes. It was a new way of working together, with no demoing or pre-production;Mario hadn't even heard the songs before getting there, which created a sense ofspontaneity and improvisation.Where his debut explored his past - longing for a connection to his father and the Blackside of his family and wrestling with his identity while being raised in a household by asingle, white mother - Steven looks inward. Steven is loosely structured in three parts:Part 1 is fast and energetic, exploring the concepts of rage, anger, jealousy. Part 2 is slowand dynamic, with themes of ugliness, disappointment, embarrassment. Part 3 is somethinggentler, a moment of contentment and...
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