Folk 1157 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Shukai)

Cukor Bila Smert'

46,99 €*

2LP | 2023 | Original (RCA International)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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Luke Combs

Gettin' Old

Release: 2023 / Original

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Everland)

Boban Petrovic

Zur

LP | 2023 | EU | Original (Habibi Funk)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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First time repressed after the original release in 1981. Prices of original copies in good condition going up to 500 euros. Boban Petrović is a legend of Belgrade's sophisticated disco funk scene from the late 70s and early 80s. The ŽUR album is one of the the holy grails of disco music releases on a global level. Original copies in good condition rise up to 500 euro on the market. ŽUR represents the essence of underground club life in Belgrade from the late 70s, when the album was created. The quality of this trust is confirmed by the fact that Boban Petrovic's music is still actively listened to today, not just anywhere, but at the finest club events. High end production and extremely authentic arrangements outside the mold of classic disco music, and lyrics that literally convey the vibe of his already jet-set lifestyle in Belgrade at the time. Shortly after his musical career, Boban Petrovic became a businessman of the conscious class, and along the way he also wrote two books describing the time when the album ZUR was created. The album was carefully remastered by grammy nominated sound engineer Jessica Thomson.

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Roger Fakhr

East Of Any Place

Bakirköy Akil Hastanesi'nde Remastered Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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"East of Any Place,” out December 1st via Habibi Funk, is a treasure trove of songs discovered alongside Rogér Fakhr's acclaimed 2021 album, "Fine Anyway." These tracks, hidden for decades and only passed between a handful of people, offer a glimpse into Rogér’s musical genius and the vibrant scene of Lebanon during a period marked by civil war and social upheaval. This release serves as a companion to "Fine Anyway," feat studio tracks that didn't make it into the previous album.

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Zen

LP | 2023 | EU | Original (Zel Zele)

37,99 €*

Holy Tongue / Beatrice Dillon / Lamin Fofana / Labour

Release: 2023 / EU – Original

Genre: Rock & Indie

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Zel Zele is thrilled to announce the first-time vinyl issue of Turkish improv band ZeN"s iconic album "Bakirköy Akil Hastanesi"nde". Performed live in Istanbul"s Bakirköy Psychiatric Hospital for an audience of patients, doctors and visitors, this exceptional recording offers an entrancing blend of krautrock, psychedelic and free anatolian sounds. Perhaps one of the most unusual albums of Turkey"s underground musichistory, "Bakirköy Akil Hastanesi"nde" is a testament to improvisation in its purest form. Originally released in 1999 in cassette and CD, this co-release with Ada Müzik brings the album back into the spotlight:

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Dey Sey / 2020 / Niary Ngorong / Etu Keur

2x12" | 2023 | UK | Original (Honest Jon's)

23,39 €* 25,99 € -10%

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 2023 / UK – Original

Genre: Rock & Indie

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Four dazzling, extended engagements with mbalax master-drumming.

The contribution from Holy Tongue is chase-the-devil steppers — thumping, clangorous, reverberating — super-charged with energy and atmosphere. From the off drummer Valentina Magaletti detonates a hard rain of small bombs, rounds of fire, ticking fuses. Musical co-ordinates are somewhere between classic On-U Sound crew like African Head Charge, The Mothmen, and Creation Rebel, and the experimental funk of the Pop Group and 23 Skidoo, at their funkiest. Thrillingly, the two dubs are increasingly deranged.

Adjusting the same wavelengths as her superb Workaround LP, Beatrice Dillon plays spaced-out, abstract synth-work against the bodily physicality of the ancient, shifting mbalax rhythms. The music is poised, mindful, tentative; but also limber, fleet, and magical.

Phantasmagorical and efflorescent, Lamin Fofana’s one-two is simply stunning. Both excursions are wide-open, beautiful, epic, and propulsive — the first mix is banging and headlong, the second more syncopated and serpentine — teeming with freshly sublime, funkdafied updates on Jon Hassell’s Fourth World possible musics.

The two parts of LABOUR’s Etu Keur Gui engage the same sequence of drum patterns (called bakks) from different perspectives. The duo performed portions of this piece at the opening ceremony of the Dakar Biennial in 2022, at the Grand National Theater, with thirty sabar players from the family of Doudou Ndiaye Rose. This Wolof phrase for the inner-court of a home — a meeting-place — doubles here as a metaphor for inner space on a metaphysical level; and Pan Sonic, Muslimgauze, Zoviet France, early Shackleton… all ghost across the threshold.

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Tapestry: Koto & The Occident Hillside

LP | 1976 | EU | Reissue (Cinedelic)

LP | 2023 | EU | Original (Mama Bird Recording Co.)

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Haley Heynderickx

I Need To Start A Garden

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

43,99 €*

Javelin Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Southern Star Coke Bottle Clear Vinyl Edition

Brent Cobb

LP | 2023 | EU | Original (Ol' Buddy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1990 | EU | Original (Wewantsounds)

Nagat

Eyoun El Alb

33,99 €*

Release: 1990 / EU – Original

Genre: Rock & Indie

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First-ever Vinyl Release OF Cult 1980 Cassette-only Album BY Egyptian Singer Nagat EL Saghira, Curated AND Annotated BY Disco Arabesquo. Includes Production BY Egyptian Funk Legend Hany Shenouda
Following the highly-acclaimed "Sharayet El Disco" compilation, Wewantsounds is delighted to team up with Disco Arabesquo for the reissue of Nagat El Seghira's cult 1980 album "Eyoun El Alb"
Originally released only on cassette on the Egyptian label Soutelphan, the album has since become a sought-after classic on the Arabic groove scene and this is the first time it is released on vinyl. Consisting of four tracks, the album features two tracks produced by Hany Shenouda whose group Al Massrieen is a reference on the Arabic disco funk scene.
Remastered for vinyl by Colorsound Studio in Paris, the album features the original cassette artwork plus a two page colour insert featuring liner notes by Disco Arabesquo.
When it comes to Arabic Divas, Oum Kalthoum, Fairuz and Warda usually take the lead in the poll list. But in her native Egypt, singer Nagat Al Saghira comes very close to this triumvirate. Born in Cairo in 1938, Nagat began singing when she was still a child gaining her stage name "El-Saghira" ("the young one") at this occasion as she started giving concerts at the age of seven, pushed by her father, the famed calligrapher Muhamad Hosny (Nagat's half-sister is the renowned actress Soad Hosny).
Nagat quickly rose to fame in the late forties and became an essential part of classic period of Arabic music, interpreting songs by such titans as Mohamed Abdel Wahab, Baligh Hamdy and Kamal Al Taweel. She also sang the works of Syrian poet Nizar Qabbani whom she introduced to a mainstream audience. Nagat started singing shorter songs but then upgraded to longer ones, often performing/recording them live as it was the trend in the 60s and 70s.
One such song is "Eyoun El Alb" ("Eyes of the Heart") which makes up the whole of Side 1 of the original cassette. Written by Mohamed El Mougy and Abd al-Rahman al-Abdouni, Eyoun El Alb is a love song made up of several distinct sections enhancing Nagat's hypnotic singing, accompanied by a percussion-heavy, traditional Egyptian orchestra.
Side 2 is the "diggers" groovier side featuring two floaters,"Bahlam Ma'ak" ("I Dream with You") and "Ana Basha El Bahr" ("I Adore The Sea") produced by cult Egyptian musician and producer Hany Shenouda, whose albums with his group Al Massrieen are highly sought after on the Arabic funk and Disco scene. One Al Massrieen track features on the "Sharayet el Disco" set compiled by Disco Arabesquo who notes that "Hany Shenouda had made waves with his new musical style that weaved in western funk and disco sounds into Egyptian music"
Both tracks feature an infectious slow-burning groove and incorporate funk influences with fat bass and lines of synth and clavinet that adds a funky tone to Nagat's soft singing. The third track "Fakra" ("Do You Remember") brings the best of both world with a syncopated rhythm and arrangements that are slightly more traditional than the Shenouda-produced tracks.
Originally released in Egypt on Cassette in 1980 on the venerable Soutlephan label, the album is now making its vinyl debut on Wewantsounds annotated by Disco Arabesquo and remastered for vinyl by Colorsound Studio in Paris for the joy of Arabic funk and Global beats worldwide.

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Hillbillies In Hell: Wake Me Up! Brimstone And Beauty From The Nashville Pulpit (1952-1974)

LP | 2023 | Original (Iron Mountain Analogue Research)

Transilvania Smile (1994)

Release: 2023 / Original

Genre: Rock & Indie

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* SEE Dan Johnson spy Four Horsemen Riding Fast! * Hear Rhys Evans catch THE Devil Train! * Witness The Revelators Quartet and the great power of the Atom Bomb! * Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! * Full dynamic range 2023 remasters direct from the first-generation analogue master tapes! * Limited to 666 copies! * 222 (randomly inserted) ‘Armageddon Red’ LPs / 222 (randomly inserted) ‘Soul Apocalypse’ Splatter LPs / 222 (randomly inserted) ‘Purgatory Black’ Black LPs! Raw Revelations for Rapturous Times... In this era of tumult and strife, shadow and light...take these seeds and let them grow. Apocalyptic Visions and Luciferian Combat, Armageddon Fever Dreams and Biblical Torments, Restless Redemptions and Ultimate Resurrections. Some collected from the acclaimed and out-of-print 'Hillbillies In Hell' series, some newly unearthed into the light of day, some burning with Evangelistic passion, some bountiful with the beauty and peace of the Final Light - all presented in this all-new volume. Spiritual Sleeper Awake! This world is but a kingdom of veils... Years in the making – ‘Hillbillies In Hell: Wake Me Up!' is your Good Book through the uncanny valley of the End Times - a dusty clutch of Hellfire Preachers, Satanic Traps and Tests, Diabolic Jousts, Backwoods Mountain Messiahs, Plagues and Pestilence, the Creator's Smite and God's Blazing Light. A deep catacomb of marginal 45s - some of these sides may be familiar, some are impossibly rare and are reissued here for the very first time. All for your proselytic listening pleasure.

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Svitlana Nianio

12" | 2023 | EU | Original (Shukai)

Blackgrass: From West Virginia To 125th St

Release: 2023 / EU – Original

Genre: Rock & Indie

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(First official release) Original soundtrack for the dance-theatre performance 'Transilvania Smile' by Svitlana Nianio recorded in phantonstudio, Cologne, 1994-1995This album is one of the most personal and insightful works of Svitlana Nianio from the 90s, which you can now get to know in its original form and sound.

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Swamp Dogg

LP | 2024 | EU | Original (Oh Boy - Thirty Tigers)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Drag City)

Lee Underwood

California Sigh

42,99 €*

LP | 2024 | US | Original (Cris Jacobs)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-06-28

Drag City is excited to present the first ever vinyl pressing of guitarist Lee Underwood"s under-sung 1988 acoustic guitar opus, California Sigh.Guitarist Lee Underwood"s syncretic blend of jazz, folk, and blues was a tremendous force behind Tim Buckley"s genre-stretching late 60s/early 70s music - but his 1988 acoustic guitar opus California Sigh has remained a unsung footnote to his story. Until now! This first time vinyl-edition reveals Lee"s free-floating acoustic moods, with synths and co-production from ambient avatar Steve Roach, as a soulful work of tranquility and transcendence.In the years following the release of California Sigh, Lee wrote and recorded two solo piano CDs, Phantom Light and Gathering Light. Additionally, he wrote Blue Melody: Tim Buckley Remembered, a memoir of their time together, as well as three books of poems, Timewinds (2010), Diamondfire (2016) and Into Light (Poetic Matrix Press, 2021). He continues to live in Northern California.

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Cris Jacobs

One Of These Days

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Live At Record Plant Los Angeles 1974

Steely Dan

LP | 2024 | EU (Whp)

Twice As Nice And Half The Price

Release: 2024 / EU

Genre: Rock & Indie

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Donald Fagen and Walter Becker are two of the most sophisticated minds in the American Pop idiom. Originally broadcast live on Kmet FM, the famous Record Plant Studio concert was part of the 1974 promotional tour for the band's third album "Pretzel Logic". In front of a small audience and backed by a stellar band featuring classy session players like drummer Jeff Porcaro and keyboardist Michael Mc Donald, Fagen and Becker deliver immaculate versions of classic songs including "Do it Again", "Rikki Don't Lose That Number", and "Reelin' In The Years'' and other gems like "Bodhisattva", and "The Boston Rag".

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Heron

2LP | 1971 | EU (Trading Places)

LP | 2024 | EU | Original (Transgressive)

Release: 1971 / EU

Genre: Rock & Indie

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Formed in suburban Maidenhead by singer Tony Pook, guitarist/pianist Roy Apps and guitarist Robert Collins, Heron solidified when Collins was replaced by uitarist/mandolin player GT Moore. After a debut album recorded at the Pook family farm, specially priced double LP Twice As Nice And Half The Price achieved a fuller sound with guitarist Mike Cooper, bassist Mike Finesilver, drummer Terry Gittins and guitarist Willie Boazman. The epic set sounds absolutely brilliant from start to finish, with strong vocal harmonies, intricate guitar interplay and excellent musical communication. Arguably Heron at their absolute best!

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Kokoko!

Butu Red

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Agogo)

Opez

Social Limbo

LP | 1998 | UK | Reissue (UMR)

Release: 2023 / EU – Original

Genre: Rock & Indie

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A collection of eleven dreamy, rough, abundant instrumental songs which have the guts to subsist and survive the fluidity of our times. With his melodies Massi Amadori tells the nostalgia and melancholy of a lived, loved and consumed Italy.

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Willie Nelson

Teatro

Release: 1998 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Edgewater Music)

Silverada

Release: 2024 / US – Original

Genre: Rock & Indie

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The Bayan Mongol Variety Group

LP | 1980 | EU | Reissue (Everland Psych)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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2LP | 2024 | US | Original (Broken Bow)

Lainey Wilson

Whirlwind

40,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Guitars Cadillacs Etc. Etc.

Dwight Yoakam

LP | 2016 | EU | Reissue (RhIno)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Hillbilly Deluxe Clear Vinyl Edition

Dwight Yoakam

LP | 2024 | EU | Original (RhIno)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Turtle Bay)

Sweet Megg

Bluer Than Blue

Release: 2024 / US – Original

Genre: Rock & Indie

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The Steel Fringe EP Colored Vinyl Edition

Steel Fringe

12" | 2024 | US | Original (Curation)

LP | 2024 | US | Original (Righteous Babe)

Release: 2024 / US – Original

Genre: Rock & Indie

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Steel Fringe's dreamy country rock blends lazy twanged-out guitars and ethereal vocals, painting vivid landscapes of the Cascades. New on Curation Records, their psychedelic soundscapes capture the essence of the untamed West, invoking a sense of wanderlust and reverence for the rugged beauty of the region.

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Ani Difranco

Unprecedented Sh!t

37,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

Duane Eddy

LP | 1966 | US | Reissue (Sundazed)

LP | 2023 | EU | Original (Birthday Cake)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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Leith Ross

Motherwell

Release: 2023 / EU – Original

Genre: Rock & Indie

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Shotgun Willie Atlantic 75 Series

Picture
Coming Soon

Willie Nelson

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

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LP | 2023 | UK | Original (Platform 23)

Ethniques Psychedliques

21,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Platform 23 reunites once more with Vox Man Records to dig deep into their archives and shine a new light on. In the past they have done some mega well loved Alternative Funk compilations which got the label off to a fine start and now they dig into an array of cult cassette releases to bring us treasure from Audiologie N-4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. This is music from the avant-garde and post punk scenes that draws on wave, spoken word, dark dub and industrial for its eerie yet alluring charms, all with a real edge. Ethnic, idiosyncratic and psyched out, this is another great overview.

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America Dream Reserve 2023 Edition

2LP | 2023 | EU | Original (Smiling C)

35,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2023 edition with new artwork and sleeve. Come with insert/liner notes.

"Welcome to the America Dream Reserve, home to husband & wife duos, pub legends, one-man-bands, preachers’ sons, and country-lounge entertainers..."

About: America Dream Reserve is a home for kindred souls. An hour-long journey into the world of lo-fi drumcomputer folk, disco-pop-lounge, haunting ballads, obscure vanity pressings, and synthesized string ensembles. A collaborative compilation between Charles Bals, creator of the inimitable Club Meduse, and Smiling C.

Compiled by: Charles Bals & Henry Jones.

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The Endless Coloured Way: The Songs Of Nick Drake Grey Vinyl Edition

2LP+7" | 2023 | UK | Original (Chrysalis)

47,99 €*

LP | 2022 | US | Original (Empire)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

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Pat Green

Carry On

21,99 €*

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 2022 / US – Original

Genre: Rock & Indie

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Carry On, issued in 2000, is Pat Green's third album and his last before signing to Universal Republic. One can hear transition in the sound of this record, and traces of Nashville's mighty presence in the production, but this is still very much a Texas record. Carry On is a more mature and artfully rendered collection than anything Green had released before.

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Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | WW | Original (Ossi Müzik)

Pop Folk From Anatolia

20,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 1984 | WW | Reissue (Esen Müzik)

Müslüm Gürses

Yaranamadim

Release: 1984 / WW – Reissue

Genre: Rock & Indie

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Baris Manco & Les Mistigris

Kizilciklar Oldu Mu EP

12" | 2009 | WW | Reissue (Coskun Plak)

19,99 €*

Release: 2009 / WW – Reissue

Genre: Rock & Indie

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12" | 2024 | WW | Original (Emre)

Baris Manco

Egri Egri Dogru Dogru EP

19,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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Cowboy Carter Black Vinyl Edition w/ Seamsplit

Beyonce

2LP | 2024 | EU | Original (Sony)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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LP | 2024 | EU | Original (Universal)

Enzo Avitabile

Salvamm'o Munno

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Road Well Travelled Vinyl Edition

Allan Taylor

LP | 2024 | EU | Original (Stockfisch)

32,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Storma)

Felicia Sjögren

Hulda

LP | 2024 | UK | Original (Riot Season)

Release: 2023 / EU – Original

Genre: Rock & Indie, Classical Music

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"This album is written and recorded on a reed organ with two manuals and pedals. The instrument was built by Alfred Cedergren who was a reed organ builder 1870–1925 in Vänge on the island Gotland, Sweden. During this period of time Hulda Veström lived in the same village. When Hulda was 14 years old she left her mother and sisters to travel to her father in Los Angeles. In spring 1912 she boarded the Titanic together with her aunt, who was also named Hulda. There is a picture of the two Huldas in the wooden chapel in Vänge where the Cedergren instruments today are gathered. In 2019 Felicia Sjögren moved to Vänge and the chapel with reed organs became her closest neighbor. Over time she got to know the instruments and stories of the village. When she decided to write music on one of the organs she knew she was going to dedicate it to Hulda, a teenage girl 100 years into space and time of this very place. Hulda is also the name of one of the few women prophets in the Bible, appearing in the Old Testament with warnings of the doomsday. The album is written and recorded in the chapel by Felicia Sjögren."

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Mahti

Musiikki 3

And Then I Wrote 180g Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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They’re back! This time the Finnish seers Mahti venture even deeper into the unknown on their third release Musiikki 3, assisted by the creativity of English musicians Richard Dawson and Sally Pilkington.

Limited Mirage Blue/green Marble Colored Vinyl LP With Download Code. Non-returnable.

The music reaches for space and roots at the same time bringing forth Mr. Dawson's earthy guitars and angelic voice while Ms. Pilkington weaves ethereal layerings with her synths and joins occasionally the choir.

Hannu Saha conjures ancient Karelian spirits with his kantele while Muumu, Lehtibabba and Mätky mesmerize the listener with their unique mix of electro, rock and noise.

The end result is an album full of Musiikki unlike you've never heard before!

“These ancient musicians played their ‘mahti’… and the sound they produced was called ‘musiikki’”

Hannu Saha - string kanteles ,Tomi Leppänen - sequencer/drum brain/synthesizers , Jussi Lehtisalo - noise/vocals, Teemu Elo - guitar/synthesizers, Richard Dawson - guitar/vocals , Sally Pilkington - keyboards/vocals

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Willie Nelson

2LP | 2022 | US | Reissue (Analogue Productions)

75,99 €*

Release: 2022 / US – Reissue

Genre: Rock & Indie

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LP | 2019 | US | Reissue (Palilalia)

Bill Orcutt

Odds Aginst Tomorrow

Ballaké Sissoko & Derek Gripper

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After two LPs and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest LP, Odds Against Tomorrow. Taking its title from Robert Wise 's 1959 film noir, Odds Against Tomorrow retrofits familiar folk/blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion of the territory charted by Bill Orcutt, his eponymous 2017 studio electric debut, although it's certainly that. With its nods to existing musics, half-step fluctuations, and near-songwriter-ly manipulations of tension/release, Odds Against Tomorrow is a rock record—almost. Clearly and simply recorded through a clattering Fender Twin in Orcutt's living room and lovingly mixed by Bay Area neighbor and pedal-steel savant Chuck Johnson, no one would mistake it for any era's radio fodder, yet the precision of its technique and the swaying Child-ballad logic of its gentler improvisations comfortably seats it between John Mayall and Richard Thompson in your Ikea Kallax... Odds Against Tomorrow challenges contemporary solo guitar practice in a way that simultaneously nullifies hazy dreams of folk purity and establishes a new high-water mark for blues-rock reconstruction."—Tom Carter

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LP | 2024 | UK | Original (Matsuli)

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kora’s most innovative modern exponent bathes in communion with a re-imagined classical guitar, unveiling a new and previously unsuspected musical universe. In a meeting between instruments, not traditions, these maestros emerge from quite different and distant musical worlds. Ballaké Sissoko’s kora tradition and lineage traverse the once powerful West African empire known as Kaabu. South African Derek Gripper’s roots are in European classical guitar but infused with a unique jeli music mastery that takes guitar’s modern history in a captivating new direction.

But we are not hearing these traditions in dialogue: these masters meet on the sonic groundings of the kora, instrument of the griots, resonant vessel of the sacred and profane, sound carrier of history and wisdom. Through two decades of commitment and study, it is to this terrain that Gripper brings his guitar to meet its multi-stringed cousin.

The two men do not share a spoken language, but if it is true that music speaks universally, then they were already involved in profound dialogue long before they met for the series of London concerts which yielded this recording session – a session which matches deep communion with sparkling improvisation, which pushes a living tradition into brand new sonic spaces, and opens a live and direct channel of communication between kora and guitar. In the complex web of theme and variations spun by Sissoko’s twenty-two strings and Gripper’s six, a new African string theory is elaborated.

“Musically we tested each other,” says Sissoko, explaining that the most magical aspect of their encounters are spontaneity. “We have the mastery of our instruments, the technique and a good ear. Derek is very curious, that’s very important.”

“He’s just such a good listener,” says Gripper about Sissoko. “It’s not what he plays, it’s how he plays it. He’s an amazing interpreter, the prime master of timbre.”

Recording by Taylor Pollock at Platoon Studios, London. Mixed, edited and produced by Derek Gripper. Mastered by Murray Anderson at Milestone Studios, Cape Town. Produced for vinyl by Chris Albertyn and Matt Temple at Matsuli Music. Mastered for vinyl and lacquers cut by Frank Merritt at The Carvery, London. Vinyl pressed at Pallas GmbH, Germany. Sleeve notes by Francis Gooding, French translation by Paulo Goncalves. Cover design by Toby Attwell at Twoshoes, Cape Town.

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Johnny Cash

At Folsom Prison

84,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-06-28

LP | 2024 | US | Original (Mercury Nashville)

Terri Clark

Greatest Hits: 1994-2004

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 1972 | EU (Life Goes On)

Magic Carpet

Cowboy Carter Backcover Variant 1 Beads

Release: 1972 / EU

Genre: Rock & Indie

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The North London-based group Magic Carpet released their first album in 1972, bringing together elements of folk and rural psychedelia, altogether with a strong middle-eastern flavor. The music of Jim Alford, Clem Alford, Keshav Sathe and singer/guitar player Alisha Sufit still retain a fascinating charme, providing a still standing template for future global beat fusion.

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Beyonce

CD | 2024 | EU | Original (Sony)

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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My Greatest Revenge: Flamenco Recordings, 1904-1938

LP | 2023 | UK | Reissue (Death Is Not The End)

Mary Lattimore And Walt Mcclements

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Death Is Not The End presents a limited LP pressing of their collection of haunted, brooding flamenco recordings taken from the early 1900s through to the late 1930s. Focussing in on the cante jondo (or "deep song") style, seen as the original manifestation of flamenco singing - from which other elements emerged, such as dancing and playing - this survey captures and documents tracks from the form's earliest recorded stars.

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Rain On The Road Black Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

Duane Eddy Does Bob Dylan Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Mary Lattimore and Walt McClements are two of contemporary music"s most renowned innovators. Each has managed to expand the perception of their instrument"s capabilities. Lattimore inventive harp processing and looping has brought the instrument to a new audience. Her prolific run of celestial solo albums and evocative film scores have redefined the instrument in the modern consciousness. Her genre-agnostic collaborations include work with Kurt Vile, Steve Gunn, Jeff Zeigler, Meg Baird, and Thurston Moore. McClements, who tours as a member of Weyes Blood, is an acclaimed composer in his own right, sculpting glacial atmospherics from the accordion. The Los Angeles based duo became quick friends on overlapping tours, sharing both a drive to push the sonic possibilities of their instruments and roots in North Carolina. Mary Lattimore and Walt McClements debut collaboration Rain on the Road blossomed out of that time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements" apartment during a rainy December in LA, Rain on the Road unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on "Stolen Bells" that glisten like lights on wet pavement, or the stately piano figures on "The Top of Thomas Street"; their pastoral pieces manage to paint vivid images.

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Duane Eddy

LP | 1965 | US | Reissue (Sundazed)

The Water Is The Shovel Of The Shore

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Shovel Dance Collective

2LP | 2022 | UK | Reissue (Memorials Of Distinction / Double Dare)

LP | 2024 | US | Original (Feeding Tube)

Release: 2022 / UK – Reissue

Genre: Rock & Indie

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The latest release from nine-piece folk group Shovel Dance Collective, orbiting around the concept of water. Combining on-site documentation of traditional songs, folk tunes and field recordings in long-form sound-collages. The results lie somewhere between folk music, music concrete and acoustic ecology. Released collaboratively by Memorials of Distinction and Double Dare.

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Joseph Allred

Folk Guitar

Release: 2024 / US – Original

Genre: Rock & Indie

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88 Maestro Giora Feidman Blue Vinyl Edition

Giora Feidman

LP | 2024 | EU | Original (BuschFunk)

67,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live From Paris Solid White Vinyl Edition

Young Fathers

10" | 2023 | UK | Original (Ninja Tune)

12,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Danaya)

Sahra Halgan

Hiddo Dhawr

LP | 2023 | EU | Original (Türküola)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sahra Halgan is an iconic artist from Somaliland, a country in the Horn of Africa that has been independent since 1991 but is unrecognised by the international community. During the 1980s, when she is involved in the terrible war against the dictatorship, she earns the nickname "Halgan", the fighter, and her songs win the hearts of an entire people forever. Exiled to France, she starts her group in Lyon with Aymeric Krol, Maël Salètes and Régis Monte. Her third album is the fruit of a sincere search for authenticity and innovation, an unprecedented alliance between Somali song and original rock, thus enriching the most unexpected landscapes of the world music scene with her inspiration. It's called ‘Hiddo Dhawr’ (‘Preserve Culture’), which is also the name of the cultural centre that Sahra founded in 2013 in Hargeisa.

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Baris Manco & Cem Karaca

2 Büyükler

27,54 €* 28,99 € -5%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Life Goes On)

Ananda Shankar

Sa-Re-Ga Machan

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Via Parigi)

Évohé Bègue

Bégayer

LP | 2013 | US | Reissue (Now-Again)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The "evohé" is the song of the Bacchants during the carnival. It is a bloody and humorous song that humiliates everything. In Euripides' work, the evohé is screamed when the city of Thebes is torn apart by fever and masquerade. Everyone laughs and sings, the maenads set the city on fire, masks pierce and disfigure the inhabitants, and Agave eats the head of King Pentheus, her son.

One cannot explain what this song is; one would need to describe the flip side of the sung, its extremity. Perhaps one cannot even hear it... most likely, the song has already affected us before crossing the threshold of our lucidity. It wells up... It glides over memory; one cannot know its melody, there are no lyrics, no notation, no tradition, no learning... no university of the sung abyss can be established. The orgy of matter is sovereign and incommunicable; the song it gives birth to is always alien, foolish, and lost; it is a sung panic. -Pan's panic, offering a pack of blind dogs to Artemis and suggesting, in passing, to send them hunting in her debauchery. The dogs of naked nature run like mad at an impossible speed, devouring every creature they scent in the wind, consuming all flesh within their reach. One can imagine that the pack reappears invariably in too assertive human affairs, facing certainties against which its wildness imposes itself more violently than against anything else. For example: when we are a bit pleased with ourselves, sensing the impression of having composed, of having imposed our order on the order of matter... immediately, it seems we can hear them barking in the distance. We freeze, we listen, we would prefer to believe it's hallucinations. But no. It is indeed the order of matter returning to express itself with the dogs. Order pours over us, the carnival imposes itself, and while the dogs eat our heads, they offer to admit that the foundation of our order was all soft, all foolish and spongy, all decomposed, that the decomposed order from below, the sincerity of matter, had never ceased to be orgiastic. When the dogs devour us, it's because Pan has brought back the mud. He has ladled a large serving of material broth back onto us; he has made all things copulate again. One imagines a song that is not at all solemn but belongs to a kind of cold and sacred-less mystique; it is the grip of the sovereign jester. An apparently disorderly and boldly stammering song that sees itself overturned and enjoys it...

French Chanson, Noise, echoes of music from faraway and long ago, modified radio transistors and other old electronic gear… After releasing several sets of raw, almost entirely improvised direct-to-tape recordings duplicated by hand in a workshop on the border of the Bauges mountain chain, the Bégayer Trio made new friends. Orphans without a home, they were welcomed like brothers by the Parisian label Le Saule, spotted by the chic Geneva-based Bongo Joe Records, and thus were able to devote a year to the making of their debut album, “Terrain à mire. Une maison rétive. Contrainte par le toit.”

Co-produced by the two families mentioned above, the album was a first beam in the musical structure laid by this trio of Alpine fellows: what they sought was the most exact form of mutt-itude, a nomadic journey through intentionally scrambled ancient musical signs by way of French, Italian and Arabic song, gleefully following René Char’s aphorism, later borrowed and translated by Hannah Arendt as “Our inheritance was left to us by no testament.”

Bégayer’s mission– in the name of those without tradition, the rejects of a culture of scarcity born in the twilight of popular customs amidst the screams of Noise on village squares and in the flow of digital swarms– is to create a hitherto unknown genre of hybrid gypsy rhapsody. The culture of scarcity can be experiences as a kind of cruel joy, an occasion to bridge the unsteady interpretation of ancient practices with contemporary experiments and build upon singular variations and excess. Up to now, every stutter-song intended to produce a joyful though disquieting object whose obstinacy and cruel simplicity triggered a disturbance, a distancing, a studied thing that stares right back at us.

Now the trio has become a quintet working towards a new kind of concert : with no beginning and no end, in which concert-time and quotidian time merge in order to deliberately drain of any autonomy the temporality of performance. Through the vocals, the homemade percussion and numerous strange instruments, two immutable musical activities will be celebrated and brought to bear on each other: the song of the people, whose cry of hunger and togetherness breaks through the barrier between art and life – and the art of performance explored as communal effort to describe our times.

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Witch

Lukombo Vibes

Redsetter Eco-Mix Colored Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Archival reissue of the Afro-prog-psych Zamrock masterpiece Presented For The First Time Ever In An Aged Copper Green Pressing The entirety of WITCH’s fourth album, restored and remastered from master tapes, and presented as an archival reissue in an aged copper green vinyl pressing. WITCH’s musical arc is contained to a five year span and, in retrospect, it is a logical one. The band’s fourth album - recorded after the band toured with Osibisa - makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. It is the most "afro-rock" of WITCH’s oeuvre.

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Memorial

LP | 2024 | Original (Real Kind)

Release: 2024 / Original

Genre: Rock & Indie

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Alla Fiera Dell'est Record Store Day 2024 Edition

Angelo Branduardi

2LP | 1976 | EU | Reissue (Universal)

43,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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El Dorado Gold Vinyl Edition

Gizmo Varillas

LP | 2024 | EU | Original (Big Lake Music)

28,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Princess Of Bossa Nova! Deluxe Record Store Day 2024 Edition

Sylvia Telles

2LP | 2024 | EU | Original (Poppydisc)

45,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Drive & Cry Black Vinyl Edition

Emily Nenni

LP | 2024 | US | Original (New West)

Room 41 Orange Swirl Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Emily Nenni has written a follow-up to 2022’s critically acclaimed record, On The Ranch. Her debut album garnered her much success and introduced her to a devoted audience of music fans who celebrate the traditional side of country music while embracing the modern indie aesthetic that comes with that nod to the past. While writing her latest record, Drive & Cry, Nenni looked in the rearview mirror for inspiration but kept focus on the sound that she has become known for. “This is the first record I have completely written on my own. I spent a good bit of solitary time ruminating on things that had happened over the last year or two. Rethinking what I’m doing, how I’m doing it, who with, even in just the everyday. Change is hard but also such a gift.”

Nenni worked with producer John James Tourville (The Deslondes, Sunny War) to broaden her sound and bring in nuance to the recording. The record was engineered by Jake Davis and mixed by Matt Ross-Spang in Memphis, TN. The resulting recording is a matured country sound that focuses on the fun and the tears that come with all changes in life.

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Paul Cauthen

LP | 2019 | US | Reissue (Lightning Rod)

33,99 €*

7" | 2024 | EU | Original (Stroom)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Cauthen first earned his reputation as a fire-breathing truth teller with the acclaimed roots rock band Sons of Fathers, but it wasn’t until the 2016 release of his solo debut, ‘My Gospel,’ that he truly tapped into the full depth of his prodigious talents. Rolling Stone called the album “a triple-barreled blast of Texas country, soul and holy-roller rockabilly delivered by a big-voiced crooner,” while Vice Noisey dubbed it “a somber reminder of how lucky we are to be alive,” and Texas Monthly raved that Cauthen “sound[s] like the Highwaymen all rolled into one: he’s got Willie’s phrasing, Johnny’s haggard quiver, Kristofferson’s knack for storytelling, and Waylon’s baritone.” The album landed on a slew of Best Of lists at the year’s end and earned Cauthen dates with Elle King, Margo Price, Billy Joe Shaver, and Cody Jinks, along with festival appearances from Austin City Limits and Pickathon to Stagecoach and Tumbleweed. He followed it up two years later with ‘Have Mercy,’ an EP that prompted Rolling Stoneto dub him “one of the most fascinating, and eccentric, new voices in country music” and NPR’s Ann Powers to proclaim it “the year of Paul Cauthen.”

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W.A.T.

A Letter To My Love

15,99 €*

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 2024 / EU – Original

Genre: Rock & Indie

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It's never too late to celebrate love.

"I could climb every mountain. Cross the mighty sea. Refuse water from the fountain. To have you here with me. And I know I'll endure it. I'll be waiting at your gate." A liminal love message between Ad & Frankie from W.A.T.. Both folk country'ish songs made in the mid 80's"

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Fotheringay

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fotheringay is the self-titled album by the group formed by Sandy Denny after she left Fairport Convention in 1969, and was the group’s only contemporaneous release. It was recorded in 1970 with former Eclection member and Denny’s future husband Trevor Lucas, with Gerry Conway, Jerry Donahue, and Pat Donaldson. The album includes five Sandy Denny compositions (one of which was co-written with Lucas), one song by Lucas, as well as one traditional song and two cover versions: Bob Dylan’s “Too Much of Nothing” and Gordon Lightfoot’s “The Way I Feel”.

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Jan Dukes De Grey

Sorcerers

25,49 €* 29,99 € -15%

The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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This incredibly rare release predates their more widely-known second album, Mice and Rats in the Loft. This is superb psych-folk dated 1969. The Jan Dukes De Grey started out as a duo of two multi-instrumentalists, Michael Bairstow and Derek Noy, who stood midway between Tyrannosaurus Rex and Jethro Tull with very short all-acoustic songs with strange lyrics. Similar to early Incredible String Band or Mark Fry, with a touch of Comus weirdness. A mixture of trippy and stoned songs and instrumentals with eastern feel. A unique album. One of the most brilliant acoustic experiments of folk-psych-prog rock ever.

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Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

73,99 €*

Broke Again Record Store Day 2024 Red Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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Bob Frank

LP | 1972 | US | Reissue (Real Gone Music)

56,99 €*

Heirloom Clear Vinyl Edtion

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Originally released in 1972 on Vanguard Records, Bob Frank’s self-titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it thru a pot-smoked haze and the infusion of Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records), he recorded one of Bob Frank’s songs “Wild Bill Jones.” But despite the Dickinson/Memphis connection, Bob Frank’s only LP for Vanguard became a forgotten, hard to find relic - until Light in the Attic reissued it to great acclaim in 2014. Now, from Real Gone comes more 1972 Vanguard Bob Frank recordings (all previously unreleased studio songs) coupled with a live set from the Old Quarter in Houston 1973 (the first-ever vintage live Bob Frank recordings to be released). Includes an insert with extensive liner notes detailing Frank’s career self-sabotage by Pat Thomas and the director of the documentary Within A Few Degrees: A Little Gest of Bob Frank, Isaac Pingree. 20 tracks, all unreleased, pressed on stems ‘n’ seeds “marijuana” vinyl.

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Lisa Ullén

LP | 2024 | EU | Original (Fönstret)

LP | 2024 | EU | Original (Discreet Music)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Heirloom is the first Lisa Ullén solo recording to appear on LP and exploits the two-sided nature of the physical format with two variations of the same three-part suite, exploring what it means to be ‘in between’ — be it genre, method or identity. The combination of Ullén’s deft control, patience and unconventional technique makes ‘Heirloom’ a sublime, ravishing listen.

The LP is pressed on clear vinyl in an edition of 300 copies and housed with a photo of the small box of the possessions she brought with her from South Korea to Sweden as a young adoptee.

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Arv & Miljö

Jorden Först

2LP | 2024 | EU | Original (Meriuba)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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An emotionally charged and bizarrely evocative look at radical environmental advocacy groups, mainly Earth First! and Earth Liberation Front, channeled through the memories of the Swedish Plogbill-movement and their actions throughout the early 90's. Monologue, snippets of interview segments, protest songs and site recordings are mixed up with the rather raw kosmische synth music Arv & Miljö has explored during the last couple of years. The result is a mesmerizing and multi-faceted audio collage; charmingly disorienting and chaotic but also harmonic and oddly soothing. Ultimately, Jorden Först is not so much about a certain cause or organization as it is about dedication, passion and the spirit of change. Originally released as a very limited CDr on Förfall in 2021, Jorden Först was quickly hailed as one of the absolute highlights in the vast Arv & Miljö discography among the ones that heard it. The recording was extended and slightly reworked and remixed for vinyl in July 2022. Edition of 500 copies, printed on brown kraftboard covers with insert. Mastered by Lasse Marhaug. Discreet Music 17.

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Mama Sissoko

Live

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Outside Music)

Abigail Lapell

Anniversary

Release: 2024 / US – Original

Genre: Rock & Indie

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Award-winning Toronto songwriter and multi-instrumentalist Abigail Lapell returns with "Anniversary", an evocative collection of original love songs. Produced with Great Lake Swimmers’ Tony Dekker, the album was recorded at 200-year-old St Mark’s Church in Niagara-on-the-Lake, Ontario. Dekker helped shape the sessions’ spooky, resonant sound and also lent his voice to a couple of spellbinding duets.

Lapell’s deft lyrics jostle with love song tropes, grappling with love’s finitude and the irony of how codependency and longing are revered in popular music. A ghost story is woven through the album: waltzing in the dusty barroom country of “Blue Blaze,” buried in the superstitious lyrical streak of “Rattlesnake” and audible in a wheezing organ as it shuts down at the end of “Footsteps.” Still, "Anniversary" emerges as an earnest celebration of commitment. Earworms like “Anniversary Song” and “Someone Like You” showcase intricately layered harmonies, while closer “Stars” affirms that there’s no place the speaker would rather be than with the one she loves.

Dekker and Lapell assembled a stellar cast of musicians to support Lapell’s powerhouse vocals, piano, harmonica and signature fingerstyle guitar. The core band includes Dan Fortin on bass, Jake Oelrichs on drums, and Tania Gill on the church’s piano, harpsichord and organ. Rounding out the ensemble’s sensitive orchestral arrangements are Rebecca Hennessy (trumpet), Rachael Cardiello (viola), Michael Davidson (marimba and vibraphone) and Joe Lapinsky (pedal steel), who also engineered and mixed the record.

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CD | 2024 | EU | Original (Efficient Space)

Someone Like Me

17,99 €*

2LP | 2012 | EU | Reissue (Mercury)

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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Jake Bugg

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Dylan Golden Aycock & Joshua Massad

Two Improvisations

LP | 2024 | US | Original (Scissor Tail Editions)

Release: 2024 / US – Original

Genre: Rock & Indie

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“The first full length LP by Joshua Massad and Dylan Aycock. Massad is a tabla player living in India and studying under Zakir Hussain. Massad and Aycock came together in Tulsa to record live at the legendary Church Studio which was founded by Leon Russell in the ’70s. Over a few nights they captured some moments in the studio before it came under new ownership and just before Joshua moved to India.

“Aycock improvising on 12-string with Massad accompanying tabla and sitar. A flowing river of sound, a meeting of the minds. The little touches that Dylan’s brother Jesse Aycock adds (bits of synth) really sweeten the deal as well. Track two recorded in Leon Russell’s legendary Church Studio.” —Aquarium Drunkyard

“Track one is an improvisation recorded at the home of Joshua Massad’s friend who he was house sitting for and invited me to come play. When I showed up the door was open and he was deep in practice so no words were spoken. I set up a mic and just started playing. We played for forty-five minutes straight and the twenty mins of the first track was culled from that moment. We clicked immediately and that was the first time we ever played together. Joshua is studying and teaching in India now where he’s been since 2019.”

—Dylan Golden Aycock

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Maria Somerville

All My People

LP | 2019 | EU | Reissue

It's So Hard To Tell Who's Going To Love You The Best

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Big tip! Revised 8 track version of Maria Somerville's much lorded debut album. Features and additonal cut 'Lakes' - a 5+ minute blown out instrumental record live on tour in 2019.

" Stirring and beautiful songs, with a consistent optimism underlying even the murkiest of moments."

Recorded in Connemara and Dublin. Mixed by Brendan Jenkinson. Mastered by The Bastard.

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Karen Dalton

LP | 1969 | EU | Reissue (Light In The Attic)

34,99 €*

Enzo Carella Grandi Successi Blue Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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Enzo Carella

2LP | 2024 | EU | Original (RCA)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Curb)

Sawyer Brown

Desperado Troubadours

Release: 2024 / Original

Genre: Rock & Indie

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3LP | 2018 | EU | Original (One Little Independent)

Ruby Throat

Stone Dress

Release: 2018 / EU – Original

Genre: Rock & Indie

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Twilight Record Store Day 2024 Edition

Yoko Maeno

LP | 2024 | JP | Original (Nippon Columbia)

37,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Trail Of Flowers Transparent Blue Vinyl Edition

Sierra Ferrell

LP | 2024 | Original (Concord)

Release: 2024 / Original

Genre: Rock & Indie

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Greatest Hits Red Vinyl Edition

Justin Moore

LP | 2024 | US | Original (Valory)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Lolipop)

Jordan Jones

And I You

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Cooking Vinyl)

Sam Lee

Songdreaming

Release: 2024 / Original

Genre: Rock & Indie

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Cold Sea Sea Glass Vinyl Edition

Iosin Leech

LP | 2024 | US | Original (Outside)