Folk 3211 Items

Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Go to Item

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

48,99 €*

Ladaniva Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

Go to Item

Ladaniva

LP | 2023 | EU | Original (Jiguli)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Habibi Funk)

Ahmed Ben Ali

Subhana

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sababa 5 / Yurika Hanashima

Kokoro Black Vinyl Edition

LP | 2024 | EU | Original (Batov)

Keep Me On Your Mind / See You Free Pink & Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-05

Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerising new sound on "Kokoro", Sababa 5 and Yurika"s collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs.

Go to Item

Bonny Light Horseman

2LP | 2024 | US | Original (Jagjaguwar)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-07

LP | 2024 | JP | Original (Sony Music Japan)

Isao Suzuki

Blow Up

45,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-28

LP | 2024 | US | Original (Cris Jacobs)

Cris Jacobs

One Of These Days

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-07

Magnificent Sounds Records

A Chant About The Beauty Of The Moon At Night: Hawaiian Steel Guitar Masters 1913-1921

LP | 2022 | US | Original (Magnificent Sounds)

LP | 2024 | JP | Original (Sony Music Japan)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

A collection of rare original recordings, unheard for over a century, of captivating Hawaiian steel guitar music that influenced the first generation of Delta blues and country artists, changing the sound of music forever. Ghostly transmissions from paradise, beamed across time from a lost century, carefully remastered and restored with extensive historical notes & rare photos.

Predating the craze for kitschy Westernized “hot” Hawaiian music, the raw recordings here represent the original sounds of the Hawaiian islands that took America by storm in the early years of the 20th century. In 1893 the native Hawaiian monarchy was overthrown by US-backed business interests. Fleeing a repressive regime that even banned the Hawaiian language itself, hundreds of native Hawaiian musicians emigrated to the United States. In a few short years they had conquered America, as audiences flocked by the millions to hear native Hawaiian musicians perform anti-colonial protest songs of Hawaiian independence while playing a unique new Hawaiian invention: the steel guitar.

By 1916 Hawaiian music was the bestselling genre of recorded music in United States. From the biggest cities to the most isolated rural towns, millions of Americans flocked to see touring Hawaiian steel guitarists perform using never-before-seen sliding techniques that produced strange new sounds which audiences found electrifying. It was in some of these isolated Southern towns that pioneering black musicians like Leadbelly, Son House, and Tampa Red first heard Hawaiian guitarists playing steel guitar and began to imitate their slide techniques, bringing a new style of guitar playing to bear on blues music and changing the sound of America forever.

While to Western ears these songs sound jovial and romantic, they also carry other layers of meaning. By celebrating the Hawaiian language, landscape, and people, the music gave voice to a resistance against the white colonial interests that had seized the Hawaiian government. Other songs openly critical of the regime and called for the restoration of native rule, and many were even written by the deposed royal family. Just beneath the surface of these beautiful melodies that spoke of soft waves, warm breezes, and moonlight were political messages about colonialism and white supremacy that resonated deeply with Hawaiian listeners.

Too often, indigenous stories are written out of American history, particularly when it comes to music. This release seeks to bring new attention to the groundbreaking contributions of pioneering Hawaiian artists to the sound of American popular music, as well as transport listeners back to a now-forgotten period of American history when millions of Americans, of every color and walk of life, were obsessed with the innovative, stridently-political, deeply-evocative sounds of native Hawaiian steel guitar music.

All of these tracks have been lovingly restored from original 78rpm releases. Most of them have been unissued in any format since their original release over 100 years ago.

Go to Item

Hidefumi Toki

Toki

45,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-28

Bonnie Prince Billy & Salsburg, Nathan & Trotter, Tyler

Hear The Children Sing The Evidence

LP | 2024 | Original (No Quarter)

Indecision Black Vinyl Editoin

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

When Nathan Salsburg's daughter was a baby, he often sang her to sleep ina rocking chair. At one point, he remembered a song he had taught himselfas a teenager: "The Evidence" by Lungfish, the Maryland band who coined asingular brand of post-punk in the 90s and 00s. Salsburg realized he could playthe guitar part with one hand, singing while holding Talya in his other arm. Though theoriginal version of "The Evidence" is only five minutes long, it's essentiallya repetitive mantra, so Salsburg could extend it as long...

Go to Item

Franka Oroza

7" | 2024 | FI | Original (Timmion)

11,99 €*

Amatssou White Vinyl Edition

Release: 2024 / FI – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

The musical Oroza bloodline just seems to keep pumping soul music from Finland for the world to hear. Now it's time for Franka to step to the stage and she comes out from the gate swinging with a sublime beat ballad "Indecision". Backed by the faithful Timmion Records house band Cold Diamond & Mink, Franka's folk jazzy vocal stylings seep into fertile ground.Building from the intro drum roll to the rootsy organ-led groove Franka jumps on the beat with a Joni Mitchell twist and it's immediately apparent that we're in for a treat. The vocal glides effortlessly between firm and delicate tones, perfectly underlining the lyrical content. Franka takes her time in setting the scene, holding a veil before the fact that we're actually listening to a love song.If all you're looking for is good songwriting with a soulful backbeat, with Franka Oroza you'll get a unique voice to boot. This is another sure shot for all fans of independent downtempo soul from the Timmion stable.

Go to Item

Tinariwen

LP | 2023 | EU | Original (Wedge)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amatssou Black Vinyl Edition

Tinariwen

LP | 2023 | EU | Original (Wedge)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nancy Sinatra & Lee Hazlewood

Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

LP | 2023 | EU | Original (Forager)

Child Of Nature

American IV: The Man Comes Around

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A further exercise in musical curation, Child Of Nature is our latest sonic confluence of self-released tracks from the loners, hippies and outsiders of the 70s and early 80s. A collection of privately pressed music, able to breathe and be created free from the constraints of heavy handed commercialism, yielding a pure vision of artistic expression. Child Of Nature features ten songs of brooding soft rock and psychedelic folk steeped in melancholia. Some ache for better times or past lovers, while others seek spiritual fulfillment or social progress.

A compilation to evoke the raw and unobstructed, to summon the occult, to fundamentally conjure a vivid portrait of our untamed natural environment. Recorded on the north coast of California, Luellen Reese’s ethereal “Silvery Waterfalls” drifts and swirls with electric guitar as her unearthly vocals transcend across a seven minute opus, fit for the golden age of labels like 4AD or Dedicated. “The flowers are dancing just for you …”, Reggie Russell croons over glistening Key Of Creek’s title track “Child Of Nature”, evoking a utopian world of natural harmony free from the present day realities of industrial decay.

Tap into your inner primal being, to embrace wholeheartedly, with frivolity and without reserve, your own child of nature.

Go to Item

Johnny Cash

2LP | 2002 | EU | Reissue (Universal)

38,99 €*

LP | 1995 | EU | Reissue (Wewantsounds)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of this classic produced by Rick Rubin on 180 gram vinyl

Go to Item

Fairuz

Kifak Inta

33,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wewantsounds is delighted to reissue Fairuz"s classic album "Kifak Inta" produced by her son Ziad Rahbani in the late 80"s and only released on cassette and CD in 1991. Composed and arranged by Rahbani, who had already produced "Wahdon" (1979) and "Maarifti Feek" (1987), "Kifak Inta" features his usual blend of Jazz, funk and Arabic music, spiced up with Brazilian influences serving Fairuz"s beautiful voice. The album successfully pursue the path that made "Wahdon" and "Maarifti Feek" such in-demand albums, modernising the sound of the Lebanese Diva with contemporary arrangements. It is the first time "Kifak Inta" is released on vinyl, retaining the original cassette artwork. The album - curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes (Fr/En) - has been newly remastered by Colorsound Studio in Paris.

Go to Item

Padang Moonrise: The Birth Of The Modern Indonesian Recording Industry 1955-1969

2LP+7" | 2022 | UK | Original (Soundway)

Derya Yildirim & Grup Simsek

Release: 2022 / UK – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Padang Moonrise is the story of modern Indonesian music that emerged underneath the volcanoes of Java and Sumatra. Java, the most populous island in the archipelago of over 17,000 islands and 1300 distinct ethnic groups, and its capital city Jakarta, was where most of the post-colonial national identity, politics, administration and music production was centred. Traditional songs from Java, Sumatra, Bali and beyond were re-imagined by a small group of state-sponsored musicians that also composed and arranged new music. These songs aimed at consolidating a geographically disparate country with a new language and new ideas of national character. This compilation brings together a handful of these recordings that combine elements of regional popular music, Islamic Gambus, Javanese & Balinese Gamelan and Kroncong, with jazz, Afro-Latin music & instrumentation, and vocal harmonies influenced by banned American doo-wop and rock & roll. The results are a unique blend of styles that have remained mostly insulated from the world outside of Indonesia until a recent worldwide resurgence in the interest of recorded music of all forms has shone a new light on these nearly forgotten recordings. 27 tracks compiled by Miles Cleret, on double vinyl with bonus 7”, housed in gatefold sleeve with extended liner notes.

Go to Item

Dost 2

LP | 2022 | EU | Original (Bongo Joe)

23,99 €*

Chantal Acda & Eric Thielemans

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Derya Yildirim and Grup Simsek are back with their third album Dost 2, the second of a two part series following 2021"s highly acclaimed Dost 1. The eight-track release sees Turkish singer, baglama player and multi- instrumentalist Derya Yildirim and her international band of brothers and sisters continue their psychedelic journey, meandering through Anatolian folk music and poetry with their electrifying grooves, while also delving into their own lives and personal experiences.

Go to Item

Koyaanisqatsi

LP | 2022 | EU | Original (Sub Rosa)

19,99 €*

LP | 2019 | EU | Reissue (Sub Rosa)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose a new score for »Koyaanisqatsi«, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece. Slow deep electric waves, lonely synths in sonic desert landscapes, rhythmic pulses, transporting drums and bells, and deeply longing sounds and voices make up the audible fundamentals of this imagined, neo shamanic, ritualistic music to accompany the Earth as it keeps on supporting our post human frenetics even today.

Go to Item

Bill Laswell

City Of Light

LP | 2022 | EU | Original (Son Of Davy)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

City Of Light is the sixth solo album by American composer Bill Laswell, released on July 29, 1997. While it may appear an anachronism in his catalog, fans of Bill Laswell will find City Of Light an extension of ideas he has explored throughout his career. His strong interest in Eastern music and religion resulted in this 1997 collaboration with Janet Rienstra. Part sacred, spoken word, part meditative soundscape, City Of Light takes as its inspiration the holy region of Banaras, India. Said to belong to Shiva, Banaras also contains the Ganges river: a place sought by Hindus for their cremation. Surrounding the texts is some of the most compelling music this genre has produced featuring Trilok Gurtu on tablas, Coil (Peter Christopherson & John Balance) on electronics, sound collages by Tetsu Inoue and vocals provided by Lori Carson.

Go to Item

Charley Crockett

Man From Waco

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Entering Heaven Alive Detroit Denim Colored Vinyl Edition

Jack White

LP | 2022 | US | Original (Third Man)

LP | 1978 | EU | Reissue (Habibi Funk)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records.

Go to Item

Ferkat Al Ard

Oghneya

Baris Manco & Kurtalan Ekspres

Release: 1978 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An absolutely legendary album from Lebanon by Issam Hajali’s group Ferkat Al Ard, “Oghneya” stands out as one of the great musical gems of the Arab world. A groundbreaking release from 1978 that represents the meeting point of Arab, jazz, folk and Brazilian styles with the talent of Ziad Rahbani, who did the albums arrangements. Filled with a variety of sounds and genres, from Baroque Pop to Psych-Folk to flashes of Bossa Nova, Tropicalia and MPB, “Oghneya” is like if Arthur Verocai took a trip to Beirut in the 70’s to record an album.

Go to Item

Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

LP | 1989 | TR | Reissue (Mega Müzik)

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

Go to Item

Erkin Koray

Fesuphanallah

Nancy Sinatra & Lee Hazlewood

Release: 1989 / TR – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the compilation of singles during the first half of 1970s. Erkin Koray is one of the greatest musician (singer, songwriter and electric guitar master) of Turkish Rock Scene in 1970s. The album has totally psychedelic, acid Rock sound. You will never remain unconcerned when you first hear the killer and groovy guitar sound of him.

Go to Item

Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

9,99 €*

Florist Deep Purple Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Florist

LP | 2022 | US | Original (Double Double Whammy)

33,99 €*

Baligh Hamdi & Magid Khan

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Florist" is the self-titled fourth full length record from upstate NY based indie folk band, Florist. "Florist" is the follow up to 2019's critically acclaimed "Emily Alone", and is the strongest album of the band's decade-long career; an immersive work that conveys the magic of the earth and of family, and the whole of the band's heart. For all of June of 2019, amid a hot and rainy summer, Emily Sprague (guitar, synth, vocals), Jonnie Baker (guitar, synth, sampling, bass, saxophone, vocals), Rick Spataro (bass, piano, synth, vocals) and Felix Walworth (percussion, synth, guitar, vocals) convened in a rented house in the Hudson Valley, to live and work together. It was the first time the quartet recorded that way, and for that long. "In the past we'd meet up for a couple of days, or one day here and there," Sprague recalls. "Living together for a month is a really big part of why the arrangements are the way they are, and also why the instrumentals are such a huge part of the record." The result is 19 tracks that feel like the culmination of a decade-long journey, their fourth full-length album, but the first deserving of a self-titled designation. "We called it Florist because this is not just my songs with a backing band," Sprague explains. "It's a practice. It's a collaboration. It's our one life. These are my best friends and the music is the way that it is because of that."

Go to Item

Indo-Arabic Variations

LP | 2022 | EU | Original (Altercat)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Unique fusion of the Indian and Egyptian music cultures devised by Baligh Hamdi, the most prominent of all modern composers in the Arab-speaking world. Hamdi, who penned dozens of hit compositions for Umm Kulthum, Abdel Halim Hafez, Warda and Sabah amongst others, also shaped the future of Arabic music in a way that's difficult to overestimate. Directed by Hamdi, the renowned Indian sitar player Magid Khan joins the Egyptian musicians of Abdel Halim Hafez's orchestra in re-reading some of Hamdi's compositions from a new perspective – here sitar and tabla dance together with arghoul, ney and other Arabic instruments. An east-meets-east masterpiece in which Hamdi once again pushed the boundaries of Arabic music in his tireless quest for a broader, more global reach.

Go to Item

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Age Of Miracles Record Store Day 2022 Pink Marbled Vinyl Edition

Chuck Prophet

LP | 2004 | US | Reissue (New West)

23,99 €*

Bells, Boots And Shambles Neon Green Vinyl Edition

Release: 2004 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 2700 copies.

Age of Miracles is now on vinyl for the first time outside of a limited German release in 2004. On this postmodern roots plunge, Chuck Prophet dove deeper into pastiche song structures, adding lighter strings, heavier guitar licks, and more restless romanticism. His beats, however, remained as thick as they were organic, his voice occluded in a raspy filter. Prophet continues to make records that sound like none other on the loosely defined alt-country scene--lush, elliptical, inventive, moody, and deeply, even eloquently, grooved. This limited edition release will be pressed on pink marbled vinyl. This release is being manufactured at MPO in France. Mastered for vinyl by Jason NeSmith - Chase Park. This release is limited to 4,000 copies worldwide.

Side A 1.) Automatic Blues 2.) Age of Miracles 3.) You Did (Bomp Shobby Dooby Bomp) 4.) Smallest Man In The World 5.) Just To See You Smile 6.) West Memphis Moon

Side B 1.) You've Got Me Where You Want Me 2.) Pin A Rose On Me 3.) Heavy Duty 4.) Monkey In The Middle 5.) Solid Gold

Go to Item

Spirogyra

LP | 1973 | EU | Reissue (Klimt)

The Age Of Aquarius Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An essential dark progressive folk re-issue. Initially formed by duo Martin Cockerham and Mark Francis in Bolton in 1968, the band expanded when Cockerham was a student in Canterbury at the end of 1969. In 1973 the band recorded their third album, released on Polydor Records. By this time Spirogyra had become a core of Martin Cockerham (guitar, vocals) and Barbara Gaskin (lead vocals) with Steve Borrill (bass) and guest musicians Dave Mattacks (drums), Julian Cusack (violin, keyboards), Henry Lowther (trumpet), John Boyce (cello), Stan Sulzman (flute) and Steve Ashley (whistle).

Go to Item

Yin Yin

LP | 2022 | EU | Original (Glitterbeat)

Tape | 2022 | EU | Original (Iriai-A)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Yīn Yīn hop and bound along, being whisked up by the pure joy of their experimentation, unafraid to see how far from home it takes them...eccentric, boundary-bashing, genre-melding groove.” – The Line of Best Fit

Funk and disco beats. Electro experimentation. Global retro vibes. A shimmering, cinematic sweep.

The Dutch band YĪN YĪN’s dazzling second album dives even deeper into dance floor propulsion and space travel atmospherics than their lauded debut The Rabbit that Hunts Tigers (2019).

While there is an expanded sonic richness on the new album as samples, drum computers and otherworldly synthesizers intertwine with the band’s taut playing, more than anything The Age of Aquarius is a simple, direct appeal to dance. The record’s groove manifesto can be put down to YĪN YĪN’s experiences on the road, where the positive energies picked up from their audiences fed back into a sound that increasingly “kept people moving.”

Go to Item

Tacita Trjj

Meeting On Purpose

13,99 €*

LP | 2014 | EU | Reissue (Emotional Rescue)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-07

Trjj, Trjj & Trjj again - we can't get enough of this artist's stuff here. TIP!

Go to Item

Javier Bergia

Eclipse 2022 Repress

12" | 2022 | EU | Reissue (Smiling C)

Release: 2014 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Emotional Rescue celebrates its 10th Anniversary with a repress of one of its most cherished reissues, in the first ever collection of works from Spanish song writer Javier Bergia. As a member of Finas Africae his name is finally coming to prominence, now with this selection of his music from 1985 to today, the depths of his acoustic, folk and balearic writing can be heard. Born in Madrid to a family steeped in both classical and Spanish traditional music, Javier 's mastery of guitar, percussion, voice, poetry and composition is drawn from both this grounding and upon his lifelong musical inquisitiveness'. Since 1980 he has been an integral part of the ancient music group 'Atrium Musicae', while in 1984 he founded, with Juan Alberto Arteche and Luis Delgado, the groundbreaking group 'Finis Africae' as a sonic investigation into a fusion of diverse ethnic musical forms incorporating both indigenous instruments and electronic elements. As a solo artist, his career blossomed when, in 1985, he recorded his first LP, the acclaimed 'Recoletos' and with Luis Delgado he recorded the now classic album 'La Fl or De Piedra' under the name Ishinohana Erc025). Today Javier is active, participating in the Sephardic music groups 'Halilem' and 'Alquibla', as well as diverse alternative chamber music groups, as well as working around as composer, arranger and producer and appears regularly with Manolo HH on Radio Nacional de Espana.

Go to Item

Careless Hands

When Dreams Slip Through

LP | 1975 | EU | Reissue (Dialogo)

Release: 2022 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Inimate British pop for fans of Spike, The Cleaners From Venus, Felt, Durutti Column, Black Ark Studios and Aladdin. Charming lost tapes from the early ‘80s, treasured only by family members until now.

"Jim and I met at university in Liverpool in nineteen seventy-five and immediately began making music together. We both had rooms in the same big Victorian house in the centre of town and our evenings were spent hanging out in the nightclubs of Toxteth, like Dutch Eddie's where the DJ played Trinidadian music all night long.

Liverpool has always been somewhere with its own distinctive culture, poetry, and music. In the nineteen seventies it was absolutely magical. The city was still bathed in the afterglow of the Beatles and there was a kind of creative anarchy about the place. There was this band called Death Kit who used to put on multi-media events with people in fancy dress and random bits of theatre. We'd turn up completely out of our heads and it felt like we were deconstructing ourselves as individuals.

After we left college, Jim began living in Cambridge and I returned to London where I'd grown up, but our musical relationship continued. We knew people who were making commercial sounds and having success with them but that wasn't what we wanted to do. We performed occasionally, albeit very erratically, mostly as a duo but sometimes with other musicians.

What we were really interested in was musical exploration. Jim built a studio in his back garden, bought some multi-track recording equipment, and began experimenting. We wanted to produce something that was just for ourselves. We were undoubtedly very naïve but naivety and innocence were hallmarks of that time.

In my childhood, I'd been fascinated with the story of Aladdin. Now that fascination began to be reflected in the music we were making. Here was a story about a boy who transforms his world and enters the magical realm. That seemed to be exactly what was happening to me. For all sorts of reasons, I hadn't particularly enjoyed my childhood but now I had managed to step out of the everyday reality, to find a place where I belonged and where I had a kind of power.

The name we used for the band came from a song recorded in 1949 by a singer called Mel Torme. There's a line in that song that goes, "Careless Hands don't care when dreams slip through." That seemed appropriate since dreams were part of the territory we were exploring.

I had got married immediately after leaving college and by now I had a daughter who was afraid to go to sleep at night. She wanted me to be present in her dreams with her. That became the inspiration for a period during which Jim and I tried to recreate the shifting landscape of the night-time imagination.

Unfortunately, the choice of name turned out to be horribly prophetic when in a freak accident Jim fell into a lake and was drowned. It seemed to me that for some time, he had not been paying enough attention to his own life. So I wasn't exactly surprised when I heard the news but I was completely devastated. After Jim's death, I put away his guitar and never played again. I went on to make a career as a novelist.

Most of the recordings we produced were lost over the years. A bunch of master tapes was accidentally thrown into a dumpster and others were left in the attic of a house I lived in at some time during the nineteen nineties. This album has been pieced together from fragments that somehow survived the cull."

- Brian Keaney November 2020

Go to Item

Piero Umiliani

Continente Nero

LP | 1974 | Reissue (Wewantsounds)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

Go to Item

Omar Khorshid

Giant + Guitar

7" | 2021 | US | Original (Third Man)

Release: 1974 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cult Classic LP BY Legendary Egyptian Guitarist Omar Khorshid, First Released ON THE Label 'voice OF Lebanon' IN 1974 AND Reissued Here ON Vinyl FOR THE First Time With Original Artwork AND Remastered Audio Plus NEW Liner Notes BY DJ Ernesto Chahoud.

Wewantsounds is delighted to announce the reissue of Omar Khorshid's highly sought after instrumental album 'Giant + Guitar' originally released in 1974 in Lebanon and recorded at Polysound Studio by famed Lebanese engineer Nabil Moumtaz. The album features Khorshid's unique electric guitar sound mixed with arabic melodies over superb psych arrangements. The album has been newly remastered and comes with the original 'Voice of Lebanon' artwork and a 2 page insert featuring liner notes by DJ Ernesto Chahoud. Wewantsounds' series of Arabic music reissues are curated by Mario Choueiry from Institut du Monde Arabe in Paris. Omar Khorshid's life, if short (he died age 36 in a road accident), was extraordinary. Blessed with a great talent for music, the Egyptian musician and actor became one of the best guitarists of the Arab World accompanying the greatest stars of the 60s and 70s, including Oum Kalthoum, Abdel Halim Hafez and Farid El Atrache. To avoid the political troubles of the time in Egypt, and to fulfil his artistic ambitions, Khorshid moved to Beirut in Lebanon in 1973 and started recording a string of superb albums experimenting with Oriental music. ?He recorded for several labels including Voice of Lebanon, one of the key Lebanese labels of the time. He released his first album 'Giant + Guitar' for the label in 1974 and it was an instantly popular in the Arab world. The album, which has a great ample sound, was recorded at the Polysound studios overseen by engineer Nabil Moumtaz. The front cover sees Khorshid on his motorcycle in the busy street of Hamra, one of the most vibrant Beirut neighbourhoods where he was playing most nights in residence. (The album was also released internationally as 'Rhythms from the Orient' with a different artwork focusing on belly dance) The sound of the album is both bold and accessible displaying Khorshid's unique guitar sound, accompanied by a small band mixing traditional and modern fuzzed up arrangements. The mesmerizing opening track, 'Rakset El Fadaa', composed by Lebanese musician Nour Al Mallah, is a perfect example of Khorshid's artistry. Starting with a long, hypnotic guitar intro, it then speeds up with the backing of a groovy organ, Oriental percussion and the psych sound of an early synthesizer to great effect. The album continues on the same mode blending traditional Oriental music with inventive arrangements as showcased by the Mohamed Abdel Wahab standard 'Leilet Hob' popularised by Oum Kalthoum, which sees Khorshid and his musicians shifting pace several times over eight minutes. One of the peaks of the album in terms of sonic experiments is undoubtedly Korshid's own composition, 'Taqassim Sanat Alfein', with Khorshid's superb guitar in full bloom accompanied by a few touches of synth. A truly innovative album which pushed the boundaries of Oriental music at the time, 'Giant + Guitar' has gained in stature over the years and has become highly sought after by many DJs and collectors. A hugely important album which Wewantsounds is happy to reintroduce to the international audience for the first time since the 70s

Go to Item

Bob Dylan

Blind Willie McTell

10,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1976 | EU | Reissue (Wewantsounds)

Warda

Khalik Hena

Be Right Back Red Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cult Classic BY Often-sampled Arabic Diva Warda Recorded IN 1973 With Full Egyptian Orchestra ON THE Label Soutelphan. Reissued ON Vinyl FOR THE First Time, With Remastered Audio, Original Artwork AND TWO Page Insert With NEW Introduction

Wewantsounds is delighted to reissue 'Khalik Hena' recorded 1973 by legendary Arabic Diva Warda who has been sampled by Jay Z and J Dilla. The album recorded in public mixes traditional Arabic music with a tinge of 70s grooves. Here Warda delivers a hypnotic performance backed by her full-size orchestra featuring those unparalleled Arabic strings that made recordings by Oum Khalthoum, Farid El Atrache and Abdel Halim Hafez so famous. 'Khalik Hena' is one of her all-time classics, written by legendary composer Baligh Hamdi and the audio has been newly remastered. This release features the LP original artwork with a 2 page insert featuring a new introduction by Mario Choueiry from Institut du Monde Arabe who curates Wewantsounds' Arabic series of reissues.

Warda is one of the undisputed divas of the Arab world. Born in the Paris suburb from an Algerian Father and a Lebanese mother, she was discovered at 11 by Ahmed Hachlaf, Pathe Marconi's heads of A&R specialising in Arabic music. having honed her singing skills at her father's cabaret in the Latin Quarter, the Tam-Tam (for Tunisia - Algeria - Morocco) she quickly found recognition in the Arabic music circles.

The family relocated to Beirut in the late 50s after the police found arms in her father's cabaret destined to the political group fighting for Algeria's independence and was swiftly discovered there by an Egyptian film producer who brought her to Cairo to record and play in his films. From there, her career took a meteoric rise and she became a star working with Egyptian such stars as Abdel Halim Hafez and composer Mohammed Abdel Wahab.

However, in the early 60s a traditional marriage in Algeria stopped her career for a decade to be a housewife until Algerian President Boumediene asked her to perform for the 10th anniversary of the Nation's independence in 1972. This was an epiphany and after a divorce she was back to Egypt for a triumphant comeback.

'Khalik Hena' recorded in public in 1973 dates back to these glory days. Teaming up with her new husband, legendary composer Baligh Hamdi, she recorded a string of classic albums - hypnotic tour-de-forces stretching over two sides in an almost trance-like mode, enhancing Warda's powerful vocal and ability to mesmerise audiences. Blending traditional and modern instrumentations (electric guitar, organ), the music is both complex and groovy, 'Khalik Hena' is one of her best LPs, sought after by Arabic diggers and collectors alike. An undisputed classic of Arabic Music, which Wewantsounds is glad to reissue on vinyl for the first time since the 70s.

Go to Item

Jorja Smith

LP | 2021 | EU | Original (Membran)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Universal)

Bobby Womack

The Poet

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (30m)

This Is Tehran

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bennesbeh Labokra ... Chou?

Ziad Rahbani

LP | 1978 | EU | Reissue (Wewantsounds)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wewantsounds is delighted to announce the reissue of Ziad Rahbani's cult album, "Bennesbeh Labokra...Chou?" released in Lebanon only and mixing arabic music with Jazz, Bossa Nova and other western influences. Hailed as an absolute classic, the album is the soundtrack to his eponymous play and has been highly sought-after by DJs and collectors around the world. Curated by Lebanese-born music expert Mario Choueiry from Institut du Monde Arabe in Paris, the album is reissued on vinyl for the first time since 1978, featuring original gatefold sleeve, remastered audio and a 2 page insert with a new introduction by Choueiry. When Ziad Rahbani released "Bennesbeh Labokra... Chou?" he was only 22 years old. He had started to make an impression on the Lebanese cultural scene a few years before, while still a teenager, composing and releasing albums under his own name. Born into an illustrious musical family - his mother is the legendary Lebanese Diva Fairuz and his father, Assi Rahbani, was a renowned composer and part of one of the most famous Lebanese groups, The Rahbani Brothers - Ziad quickly gained exposure as a gifted composer and producer. When his father fell ill in the mid 70s, he took over as Fairuz's producer which led to a fruitful collaboration starting with the 1979 album "Wahdon." ?Highly influenced by other genres of music, Rahbani had started bringing modern western influences to traditional arabic music. 1978 saw the release of two key albums by the young musician, the Disco 12-inch "Abu Ali" which went on to become one of the most sought-after Arabic albums on the international DJ scene and "Bennesbeh Labokra... Chou?" which follows "Abu Ali" closely in many diggers' want-list. ?A soundtrack to Rahbani's eponymous play, the album "Bennesbeh Labokra… Chou?" gathers all the musical interludes heard during the play, a social diatribe about the Beirut society underlining the difficulties of living in the tense social and political climate of the Lebanese civil war. Written by and starring Rahbani, the play follows the everyday life and problems of a young couple running a cafe in the heart of Beirut. The play underlying Rahbani's leftist sensitivity was an immense success and the album was released the same year (the complete play was also released over three LPs). ?"Bennesbeh Labokra… Chou?" is a skilful blend of Arabic music and Bossa-nova ("First Introduction" - the recurring theme of the album), groove with the funky beat of "Second Introduction" and the jazz vibe of "Variation 3" and "Variation 4." It's also interesting to hear an early version of "Al Bosta" which would grace Fairuz's 1979 album "Wahdon" in a faster, funkier version also produced by Rahbani." ?with a knack for cinematic orchestrations reminiscent of Lalo Schifrin, Ziad Rahbani also brings more complex arrangements to the album on such tracks as "Variation 5" making the album such a rich listening. Undoubtedly one of the most important albums recorded in the Middle East which Wewantsounds is glad to reissue in its full glory with remastered audio and original artwork.

Go to Item

LP | 2021 | EU | Original (Türküola / Arsivplak)

Pop Hits 12

Afrique Victime Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Turkish disco pop funk sound compilation album. Great soul-pop and disco-funk with amazing moog organ, keyboards/synths, bass, rhythm and wah guitars.. This compilation has the unique sound in Turkish Disco-Funk music with influences of soul, jazz, pop, rock and beats. Turkish instruments with great disco tunes and great female & male vocals.

Go to Item

Mdou Moctar

LP | 2021 | EU | Original (Matador)

7" | 1975 | EU | Reissue (Türküola / Arsivplak)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Back in October, Artist To Watch alum Mdou Moctar returned with a new song called “Chismiten.” The song accompanied news that the virtuosic Tuareg guitarist had signed to Matador, with a promise of a new album on the way. Today Moctar’s back with the official announcement: That new album is called Afrique Victime, and it’s out in May. Turns out “Chismiten” is the album’s opener, and along with today’s the announcement Moctar’s shared another new song called “Tala Tannam.” “‘Tala Tannam’ means your tears,” Moctar said in a statement. “It is another love song of which I’m very fond.”

“While the song talks about love, we wanted to show the love between friendships and the love of Niger,” Moctar’s bassist Mikey Coltun added. “The video includes friends and family — in the Tuareg community in villages around Niamey as well as Hausa people from villages in the Dosso region.”

Part of Moctar’s rise to prominence in the West was thanks to his searing, psychedelic style of guitar-playing. Afrique Victime promises more of that.

Go to Item

Arif Sag & Zafer Dilek

Golden (Altin Baglama)

14,99 €*

Halimem Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.

Go to Item

Erkin Koray

LP | 2020 | EU | Original (Pharaway Sounds)

LP | 2020 | EU | Original (Son Of Davy)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pharaway Sounds proudly presents a compilation dedicated to Erkin Koray, the father of Anatolian Rock / Turkish Psych. "Halimem" includes rare single & cassette only tracks (mostly from 1970-72 plus three killer ones from 1987!!).

Go to Item

Charley Crockett

Welcome To Hard Times

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1975 | EU | Reissue (Warner Bros.)

Neil Young & Crazy Horse

Zuma

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1983 | EU | Reissue (Be With)

Victor Cavini

Japan

LP | 2019 | EU | Original (3eme Bureau)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983. Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness! Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occassional contemporary twist.

Go to Item

Roberto Fonseca

Yesun

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1975 | EU | Reissue (Right Track)

Fairuz

Mais El Rim

Alexander ''Skip'' Spence

Release: 1975 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

Go to Item

Andoaragain Record Store Day 2019 Edition

3LP | 2019 | US | Original (Modern Harmonic)

64,99 €*

LP | 2010 | EU | Reissue (Warner)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.

Go to Item

Zaz

Release: 2010 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1966 | UK | Reissue (The state51 Conspiracy)

Donovan

Sunshine Superman

18,99 €*

Heart Of Saturday Nigh Remastered Edition

Release: 1966 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Donovan Philips Leitch is a Scottish singer-songwriter and guitarist who in the 1960s developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He emerged from the British folk scene and reached fame in the UK in early 1965 before replicating this in the US the following year, baring the fruits of the blossoming, successful, and eventually long collaboration with record producer Mickie Most.

Go to Item

Tom Waits

LP | 1974 | EU | Reissue (Anti)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | EU | Original (Pharaway Sounds)

Beyaz Kelebekler

Köln Session 1976

21,99 €*

LP | 2017 | US | Original (P.W. Elverum & Sun)

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.

Go to Item

Mount Eerie

A Crow Looked At Me

27,99 €*

LP | 2017 | EU | Original (Matador)

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A new Mount Eerie album unlike anything else in the Mount Eerie or Microphones back catalog. Eleven stark songs about basic deep grief, loss, real death, love, significance and non-significance, reality. Nothing wise or learned, just the described experience of living through unimaginable domestic obliteration, with names and dates.

contains: 11 songs, 42 minutes, very nice sounding vinyl, foil stamped front and back covers, heavy old style gatefold tip-on jacket with special Neenah “Slide” paper as the inner liner, silver on black, all the lyrics, double sided art poster, free download card

Go to Item

Julien Baker

Turn Out The Lights

Release: 2017 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | UK | Reissue (Outernational Sounds)

Shankar Jaikishan

Raga Jazz Style

2LP | 2017 | US | Original (Intervention)

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail.

Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent.

Go to Item

Judee Sill

Heart Food

76,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Trinity Session 200g Vinyl Edition

Cowboy Junkies

2LP | 2016 | US | Original (Analogue Productions)

Release: 2016 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cowboy Junkies recorded this spectacular LP as a 'live‘ event Nov. 27, 1987 at the Church of the Holy Trinity in Toronto. It was recorded with a digital R-Dat and using only a Calrec Ambisonic Microphone.
Yes, this is a digital recording. True to our company principles, Analogue Productions in almost all cases reissues recordings only where the analog master tape is available. However, there are rare exceptions that whether digitally recorded or otherwise, a recording is so outstanding it's worthy of the highest quality vinyl reissue.
Featuring the sultry voice of Margo Timmins, the precise musicianship of her brothers Peter (on drums) and Michael (on guitar), and bassist Alan Anton, "The Trinity Session“ is a spare, evocative, countrified-rock classic. First released in late 1988, The Trinity Session was named 'Album of the Year‘ by The Los Angeles Times and The New York Times described it as »a quiet, special record that challenges traditional music.« Rolling Stone declared the album to be »as important as it its inspiring.«
Today, it remains much more than a snapshot of a single day's work captured on tape. So for this deluxe Analogue Productions reissue, we pulled out all the stops. Starting with new mastering from the original session digital tapes by the original recording engineer, Peter Moore. And lacquer cutting by Ryan K. Smith at Sterling Sound.
Next, we kicked up the packaging and content several notches. You're holding a heavyweight old-style tip-on Stoughton Printing jacket, and it has brand-new liner notes by author and music editor Jason Schneider. The liner notes share space with additional recording session photos, inside and on the back cover. Additionally, the cover has been redesigned to remove the lettering and photo distortion originally applied and make it appear as the musicians/artist originally intended. Lastly, this sonic treasure has been pressed on 200g vinyl at Quality Record Pressings, maker of the world's finest LPs, with stampers plated by master plating technician Gary Salstrom.
The inspired reworking of both "Blue Moon" and "Working On A Building" reveal the Timmins family to be talented interpreters and insightful neo-traditionalists. Mixing the ambitious songwriting of Margo and Michael Timmins with subdued covers of Lou Reed's "Sweet Jane" and Hank Williams' "I'm So Lonesome I Could Cry," "The Trinity Session“ is an exquisite collection that holds up quite well under repeated listenings.
»The ambient buzz of Toronto's Church of the Holy Trinity, where the Junkies recorded the album around one microphone, colors every song, reinforcing the live setting and generating vinyl intimacy even on CD. It's as if the church itself was an instrument, one that Junkies could play pretty well. It allows Margo Timmins' voice to fill your field of vision, simultaneously soothing and unsettling, while her brother Michael's guitar rumbles through the songs, a little louder and sharper than anticipated.« — Pitchfork

Go to Item

The Monsters Burn In Hell

LP+CD | 2016 | EU | Original (Voodoo Rhythm)

17,99 €*

2LP | 1966 | EU | Reissue (Legacy)

Release: 2016 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A variety of Voodoo Rhythm artists pay tribute to The
Monsters! Featured acts include Urban Junior, King Automatic,
The Devils, Roy And The Devils Motorcycle, Delaney Davidson,
The Seniles, Rolando Bruno, Sudden Infant and others.

Go to Item

Bob Dylan

Blonde On Blonde

Acoustic Live 200g Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram pressing!

Go to Item

Nils Lofgren

2LP | 2015 | US | Original (Analogue Productions)

2LP | 2015 | UK | Original (Honest Jon's)

Release: 2015 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Guitarist and singer-songwriter Nils Lofgren in 1997 released a small treasure for longtime fans. "Acoustic Live" captures Lofgren alone in front of an appreciative audience, knocking out such favorites as "You", "No Mercy" and "Keith Don't Go", plus six new songs. Even with the new songs, there are no real revelations, only a selection of little gems that will put a smile on your face as you listen.
Along with his work as a solo artist, Lofgren has marked more than 25 years as a member of Bruce Springsteen & The E Street Band as well as a former member of Crazy Horse and Grin. Lofgren joined Neil Young's band in 1968 at age 17, playing piano on the album "After The Gold Rush". Lofgren would maintain a close musical relationship with Young, appearing on his "Tonight's The Night" album and tour among others. He was also briefly a member of Crazy Horse, appearing on their 1971 LP and contributing songs to their catalogue. From '71 to '74 Lofgren was active in Grin, the band he founded in '69. Solo albums and tours followed every year through the 1970s as Lofgren established himself as a top guitarist and live performer earning the respect and acclaim of his peers. Bruce Springsteen made the call in 1984 and Lofgren joined the E-Street Band for the "Born In The USA" tour. Lofgren was an instant hit with Springsteens fans through his playing and vibrant on stage persona. Lofgren remains a stalwart of the E-Street Band to the present day.
»"Acoustic Live" is an interesting and charming album from Nils Lofgren in 1997 as he follow on in the Unplugged tradition that became popular in the 1990s. It was actually recorded at The Barns Of Wolftrap, Vienna in Virginia on January 18th, 1997.« — bestlivealbums.com

Go to Item

Maki Asakawa

27,99 €*

G. Rag & Die Landlergeschwister

Release: 2015 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A stunning survey of the 1970s heyday of this great Japanese singer and countercultural icon. Deep-indigo, dead-of-night enka, folk and blues, inhaling Billie Holiday and Nina Simone down to the bone. A traditional waltz abuts Nico-style incantation; defamiliarised versions of Oscar Brown Jr and Bessie Smith collide with big-band experiments alongside Shuji Terayama; a sitar-led psychedelic wig-out runs into a killer excursion in modal, spiritual jazz. Existentialism and noir, mystery and allure, hurt and hauteur. With excellent notes by Alan Cummings and the fabulous photographs of Hitoshi Jin Tamura. Hotly recommended.

Go to Item

Der Räuber Und Der Prinz

7" | 2015 | EU | Original (Gutfeeling)

10,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2015 | EU | Original (Loose Music)

Sturgill Simpson

High Top Mountain

Release: 2015 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2015 | EU | Original (Türküola)

Selda

Yuh Yuh

LP | 2014 | UK | Reissue (RHINO)

Release: 2015 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of German cassette release as vinyl after nearly 40 years. The songs are from the various singles and the debut LP. The title song 'Yuh Yuh' is from Selda's 1977 'Dostum Dostum'/'Yuh Yuh' single. Most of the songs are performed with the Anatolian Rock super group Dadaslar who are known for their works with Ersen. The group consists of Fehiman Ugurdemir (guitars and synthesizer, former Cem Karaca & Kardaslar guitarist), Ozkan Ugur ((bass, former Baris Manço guitarist) and Mehmet Gözüpek (former drummer of Bunalim) and creates a powerful groove with their psychedelic arrangements.

Go to Item

Joni Mitchell

Hejira

30,99 €*

Sufjan Stevens Invites You To: Come On Feel The Illinoise

Release: 2014 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Released in 1976 Hejira is the 8th studio album from legendary Canadian singer-songwriter Joni Mitchell. The title word hejira is a transliteration of the Arabic word ‘hijra’ meaning journey which was a big inspiration for the album, as Mitchell said “the whole 'Hejira' album was really inspired... I wrote the album while traveling cross-country by myself and there is this restless feeling throughout it... The sweet loneliness of solitary travel."
Although the album was not as commercially successful as its predecessors it has been widely critically acclaimed and recognized as one of the high water marks of Mitchell’s illustrious career, with special mention to the support of Jaco Pastorious’s distinctive fretless bass.

Go to Item

Sufjan Stevens

2LP | 2005 | US | Reissue (Asthmatic Kitty)

33,99 €*

LP | 2014 | US | Original (Pharaway Sounds)

Release: 2005 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Like the self-proclaimed “Spiderman” who climbed Chicago’s Sears Tower with no harness, Sufjan Stevens scales dusty prairies, steel factories, and two hundred years of history in the second installment of his 50 State Project, “ILLINOIS”, a 22-track anthematic tone poem to The Prairie State.

An engrossing musical road trip, “Illinois” takes you through ghost towns, grain mills, hospital rooms, and the City of Broad Shoulders, with guest appearances by a poet, a president, a serial murderer, UFOs, Superman, the goat that cursed the Cubs, and Decatur’s famous Chickenmobile. Sufjan weaves variegated musical styles (jazz, funk, pop, folk, and Rodgers and Hammerstein-like flourishes) and the textures of 25 instruments into a tapestry of persons and places famous, infamous, iconic and anonymous. Invoking the muse of poet Carl Sandburg, “Illinois” ushers in trumpets on parade, string quartets, female choruses and ambient piano scales arranged around Stevens’ emerging falsetto.

Go to Item

Edip Akbayram

Jerry Garcia & David Grisman

Release: 2014 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Edip Akbayram’s a frail guy who spent his childhood unable to walk, but once he grew up he was on Istanbul TV in a whitey-fro and knee length colored robes. Akbayram’s voice is big & open, and it took him all across Turkey at the height of Anatolian psychedelia. This 1st album collects precious singles from 1972-74, with dark melodies that descend in loose spirals, seemingly forever. Tunes taken from mystic Sufi poets who played the ba?lama, but retrofitted with hard plowing electric bass lines, funky drums, fuzz-wah guitars and keyboards. Remastered sound, insert / booklet with photos and liner notes by Angela Sawyer (Weirdo Records).

Go to Item

2LP | 2014 | US | Original (Mobile Fidelity)

LP | 2012 | EU | Original (Columbia)

Release: 2014 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

Go to Item

Leonard Cohen

Old Ideas

Release: 2012 / EU – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2011 | US | Original (Manifesto)

Tom Waits

The Early Years Volume 1

Release: 2011 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2008 | EU | Reissue (4AD)

Bon Iver

For Emma, Forever Ago

LP | 2024 | EU | Original (Discreet Music)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wisconsin artist Bon Iver's debut release. One of the most loved records of 2008!

Go to Item

Demeters Döttrar

Søndag I Spejlet

23,99 €*

LP | 2024 | EU | Original (Los Guayabo Brothers)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-05-31

Demeters Döttrar is the new trio of Ida Skibsted Cramer, Charlott Malmenholt and Astrid Øster Mortensen. Søndag I Spejlet was mainly recorded in Gamlestaden, Gothenburg between 2022 and 2023 and consists of 8 tracks that lies somewhere in between 90's lo-fi experimental bedroom music and brash text-sound compositions channeled through the ever-inspiring cassette underground.

Listening to Demeters Döttrar is like stepping into a parallel universe; a tiny unexplored corner with paper-thin walls or a very delicate bubble that is about to burst any moment. The instrumentation is sparse and mainly consists of guitar, vocals, prepared tapes and occasional harmonica. The recurrence of rain in different forms throughout the recording almost functions as a percussive backbone at times, the one thing except for the sound of the actual room that sort of keeps it all together.

With one foot in Sweden and one foot in Denmark, the group is utilizing both countries' language in an uncompromising and peculiarly alluring way. The almost brutal intimacy brings the more mellow Deux Filles moments to mind, though music wise this owes more to Un, early Charalambides and at times groups like Dadamah. A daring, major statement and one of the most beautiful, strange and other-worldly debut albums we heard in quite a while.

Mastered by Lasse Marhaug. Gloss laminated covers, comes with insert. Edition of 500 copies.

Go to Item

Los Guayabo Brothers

Psychotropical

30,99 €*

LP | 1974 | JP | Reissue (P-Vine)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

PsychoTropical' is a true musical journey that skillfully blends traditional Latin American sounds with modern and psychedelic touches. The tracks are both catchy and contemplative, offering a harmonic and rhythmic richness that will take you to unexplored musical horizons. Here's a broad spectrum of the topics addressed: firstly, the simple and wild party (La Conjuntivitis). the sadly familiar crackdowns since 2020 during festive demonstrations in Toulouse (Folkloriptica). social issues such as modern slavery (La Cumbia Libertaria) or the Colombian armed conflict (Fango). Los Guayabo Brothers approach their Colombian identity in a more introspective way (Origins) and also evoke their adopted French culture (El Francer).

Go to Item

Picture
Coming Soon

Mulatu Astatke

Ethio Jazz

36,99 €*

Guitars Cadillacs Etc. Etc.

Release: 1974 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-13

"Ethio Jazz" is an album released by the Ethiopian master musician Mulatu Astatke in 1974 on his homeland Ethiopia's Amha Records. It stands as a milestone not only in his career but also in the history of contemporary Ethiopian music, continuing to shine brightly. With melancholic melodies played by wind instruments, a polyrhythmic rhythm section creating robust waves, sultry vibes from the vibraphone, and smoky organ tones, the album is enveloped in the sounds of jazz inherited from the States. This work, where various musical elements are miraculously fused in perfect balance, undoubtedly reigns at the pinnacle of Ethio Jazz, showcasing Mulatu's ambitious creativity in seeking out new sounds.

Go to Item

Dwight Yoakam

LP | 2016 | EU | Reissue (RhIno)

31,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-07

Opens The Seven Gates Of Transcendental Consciousness Colored Vinyl Edition

Master Wilburn Burchette

LP | 1972 | US | Reissue (Numero Group)

32,99 €*

Cowboy Carter Backcover Variant 4 Cowboy Hat

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-14

Opaque Red Vinyl.California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.

Go to Item

Beyonce

CD | 2024 | EU | Original (Sony)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | EU | Original (Elmir)

Farid El Atarche

The Early Years

The Words Don't Fit The Picture Translucent Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Singer, actor and musician Farid El Atrache, born on October 19, 1910 in Soueïda, Syria, and died on December 26, 1974 in Beirut, Lebanon, is considered the greatest singer of the Arab world. A virtuoso of the oud, his timeless work, rich in hundreds of compositions, is recognized the world over. The present selection is devoted to the master's early works recorded in the 1930s-1940s.

Go to Item

Willie Nelson

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL

Go to Item

My Greatest Revenge: Flamenco Recordings, 1904-1938

LP | 2023 | UK | Reissue (Death Is Not The End)

30,99 €*

The Flying Burrito Brothers

Release: 2023 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Death Is Not The End presents a limited LP pressing of their collection of haunted, brooding flamenco recordings taken from the early 1900s through to the late 1930s. Focussing in on the cante jondo (or "deep song") style, seen as the original manifestation of flamenco singing - from which other elements emerged, such as dancing and playing - this survey captures and documents tracks from the form's earliest recorded stars.

Go to Item

Bluegrass Special: Live In Amsterdam 1972 Record Store Day 2024 Edition

2LP | 2024 | US | Original (Planetworks)

53,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Brooklyn Side Record Store Day 2024 Orange Vinyl Edition

Bottle Rockets

2LP | 1994 | US | Reissue (Real Gone Music)

73,99 €*

Release: 1994 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Bottle Rockets’ 1994 record The Brooklyn Side ranks right up there with Uncle Tupelo’s Anodyne in the pantheon of alt country albums…yet it has Never come out on vinyl. We’ve hooked up with original producer Eric “Roscoe” Ambel and mastering engineer Scott Hull to score the original tapes and create an all-analog release of this legendary record…but we didn’t stop there. We’ve also added six bonus tracks to flesh out this 2LP Expanded Edition, winding up with the track that started it all, Brian Henneman’s “Indianapolis.” Reissued with the full consent and cooperation of the band, this 30th anniversary release stands as one of our biggest Real Gone coups. Flame orange vinyl limited to 1500 copies worldwide, for Record Store Day 2024.

Go to Item

12" | 2023 | EU | Original (Bongo Joe)

Maghreb K7 Club Volume 2

14,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cold Sea Sea Glass Vinyl Edition

Iosin Leech

LP | 2024 | US | Original (Outside)

27,99 €*

Emahoy Tsege Mariam Gebru

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Beside Trawbreaga Bay, in Co. Donegal, on the north coast of Ireland, in an old schoolhouse, with a suitcase full of hired recording gear, Oisin Leech strums gently on an acoustic guitar and watches the tide pull the water away from the ancient inlet. The thickness of Oisin’s voice soothes the room as the sound waves bounce around in the land where his ancestors still live and still wander.

With a musical history that led Leech from the street punk bands of yesteryear through an ongoing stint with folk duo The Lost Brothers, he found himself for the first time working on songs to sing alone. In his mind, the songs became imagined vignette films playing behind closed, guitar eyes. After writing nearly 40 new songs in this fashion, Leech wrote “October Sun” which would become the foundation for his debut solo record, Cold Sea.

Cold Sea was produced by guitarist/songwriter Steve Gunn. Leech dreamt of making the record in Donegal Ireland, a county significant to him because it is the home of his ancestors. Pitching this idea to Gunn sparked the first of several serendipities circling the Cold Sea sessions - Gunn had always wanted to visit Donegal to connect with his own familial roots in the region.

Cold Sea is perhaps most notable for its tremendous warmth. Each song was recorded in a few takes and adorned gently with synthesizers and guitar from Gunn. Several songs feature contributions on the upright bass by Bob Dylan band stalwart Tony Garnier. M. Ward plays guitar on October Sun and there are strings by Roisín McGrory and bouzouki by the legendary Dónal Lunny throughout. It is a friendship record but even at its most collaborative, Cold Sea remains centered around the humble acoustic guitar and wool blanket vocals of Leech.

Go to Item

Jerusalem

LP | 2023 | US | Original (Mississippi)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | EU | Original (Elmir)

Malik Adouane

After Raï Party