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Frank Bretschneider Downbeat | Electronica | Leftfield 3 Items

Electronic & Dance 3 Downbeat | Electronica | Leftfield 3
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Reset all Filters No Used Vinyl Frank Bretschneider
Frank Bretschneider - Abtasten_halten
Frank Bretschneider
Abtasten_halten
LP | 2020 | EU | Original (Faitiche)
18,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Faitiche presents a new album by Frank Bretschneider. "abtasten_halten" was made as part of the raster.labor installation first presented at CTM Festival in 2019. It is perhaps the most radical work in Bretschneider's distinctive oeuvre: "abtasten halten" is a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations - all random, without repetition. The album resembles a meditation on infinite rhythmic variation. It is Frank Bretschneider's first release on Faitiche.
Frank Bretschneider - Plastik / Mechanik
Frank Bretschneider
Plastik / Mechanik
12" | 2018 | EU | Original (Shitkatapult)
10,99 €*
Release: 2018 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It moves, it sings. ...but does it swing? Anyway, it represents the soundtrack of my life, my musical influences: some San Francisco psychedelia, some London underground, some Berlin school (old & new). Krautrock from Cologne & New York minimalism. A shot of Detroit grit, a bit of Moscow dust, a splash of Paris charm? Who knows.
Frank Bretschneider - Curve
Frank Bretschneider
Curve
2LP | 2023 | EU | Original (Keplar)
32,29 €* 33,99 € -5%
Release: 2023 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Keplar releases a vinyl reissue of 2001’s »Curve,« the second album released by Frank Bretschneider on Mille Plateaux under his real name. »Curve« saw him pick up on the underlying concept of 1999’s »Rand,« but gave his explorations of the sonic and stylistic range of electronic music notably more space and time to unfold. Merging compositional minimalism with sonic complexity, the eight tracks display an affinity for the production techniques of dub music, which had already been a major reference point for Bretschneider’s work before. Its subtle grooves, especially in the rhythmically charged pieces towards the end of the album, also nod at the dance music-inspired work of contemporaries such as SND or Vladislav Delay. Produced during a prolific time for Bretschneider, who had previously co-run the Rastermusic label and was at that time still active under his Komet moniker, he considers »Curve« to be a crucial album in his discography. Bretschneider was an important figure in the 1980s Karl-Marx-Stadt (Chemnitz) scene and released his first solo experiments with electronic music through his own klangFarBe tape label as early as 1985. Throughout the 1990s, he was part of projects such as Produkt and Tol and also released solo albums as Komet on Rastermusic, which he had co-founded in 1995 together with Olaf Bender a.k.a. Byetone. At the turn of the millennium, he gradually started releasing more solo records under his real name. After 1999’s »Rand,« followed »Rausch« on 12k—with whose owner Taylor Deupree he would collaborate for 2002’s »Balance,« reissued in 2020 by Keplar—in the following year and, finally, »Curve.« Produced after he had moved to Berlin, Bretschneider used a Clavia Nord Modular as his primary sound source and the Logic DAW to modulate and synchronise the sounds, adding only drum loops to some tracks in the second half of the album. »Curve« is a record that is hard to pigeonhole and thus an archetypical Bretschneider album: marked by a meticulous attention to detail, infinitely playful, and fully dedicated to pushing the envelope of electronic music. It is no wonder that it left a lasting mark on the international scene for adventurous electronic music.
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