Funk | Soul Preorder 240 Items

Known as a long-time member of The Notwist and various other bands/projects (Alien Ensemble, AMEO, jersey, Ditty etc.), Berlin-based drummer/composer Andi Haberl has also worked with My Brightest Diamond, Till Brönner, Owen Pallet, and Kurt Rosenwinkel, to name a few. "I Can See Our House From Here" is his first solo offering.it"s about finding a personal frequency, an overlapping of sounds and samples, an open space that mirrors and extends whatever frequencies felt right at different points in time.

Out on STY TRU BTS, ‘Sarang /사랑’ is the latest album offering from South Africa’smulti-hyphenate star Sio. Presenting 11 heart-felt and deeply personal tracks, Sio presents ‘Sarang /사랑’, an album packed with impeccable storytelling and soul-stirring lyricism. Unveiling a vulnerability like never before, Sio’s latest project is a joint venture between herself and long-time collaborator, producer Daev Martian. Stand out tracks include ‘Twilight’, a celebration of the journey that is life where Sio invites listeners to delve into introspection and legacy. Neo-soul erupts into Amapiano on ‘No Lymyt’, while closing track ‘Hey Lover’ is finally given the spotlight 16 years after its inception. Featuring two interludes, Sio’s spoken-word glides over soundscapes, further drawing you into her poetic magic

Next up in Mr Bongo's Groove Merchant Records reissue series, sees an outing for a much-loved and heavily sampled funk/soul/blues album by Junior Parker. Originally issued under the title The Outside Man on Capitol Records in 1970 with an alternative cover, this reissue replicates the Groove Merchant release titled Love Ain't Nothin' But A Business Goin' On featuring the car cover released in 1971.

The Mississippi-born, Memphis-based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971.

Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker’s trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).

The album also features three Beatles cover versions in the form of ‘Taxman’, ‘Lady Madonna’ and ‘Tomorrow Never Knows’. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped-out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.

As shown with Cypress Hill’s use of ‘Taxman’, since the ‘70s Parker’s legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.

A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker’s Love Ain't Nothin' But A Business Goin' On is a superb example of the early ‘70s crossover funk/soul sound.

Next up in Mr Bongo's Groove Merchant Records reissue series, sees an outing for a much-loved and heavily sampled funk/soul/blues album by Junior Parker. Originally issued under the title The Outside Man on Capitol Records in 1970 with an alternative cover, this reissue replicates the Groove Merchant release titled Love Ain't Nothin' But A Business Goin' On featuring the car cover released in 1971.

The Mississippi-born, Memphis-based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971.

Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker’s trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).

The album also features three Beatles cover versions in the form of ‘Taxman’, ‘Lady Madonna’ and ‘Tomorrow Never Knows’. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped-out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.

As shown with Cypress Hill’s use of ‘Taxman’, since the ‘70s Parker’s legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.

A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker’s Love Ain't Nothin' But A Business Goin' On is a superb example of the early ‘70s crossover funk/soul sound.

Known for her powerful vocals, dynamic stage presence, and diverse musical influences, LA-based soul and funk singer Nikka Costa returns from a musical career break with future-forward disco-inspired sounds on ‘Dirty Disco’.

The lyric “Everyone is welcome, everyone’s an Avatar” denotes a place where anyone can go to be themselves and let their freak flag fly! and sets the tone for her disco and soul fused, progressive album, which is recorded with and produced by Justin Stanley (Prince, Jamie Lidell, Beck etc). Along with the talents of versatile musicians such as Brandon Coleman (Kamasi Washington, Thundercat, Donald Glover, Flying Lotus), Greg Phillinganes (Michael Jackson, Stevie Wonder) and Kaveh Rastegar (John Legend, Beck), Nikka Costa invites you to immerse yourself in her “Dirty Disco” world.

“Dirty Disco is about a place anyone can go to be themselves and let their freak flag fly! It’s about a place where no one is looking, no one cares what you're doing or what you're into. It could be a disco, but it could also be another planet or headspace or vibe. It's dark and sparkly, blue and purple. Gritty, raw and sexy. Whatever you want it to be.” - Nikka Costa

Featuring two fabulous Northern Soul sides available for the first time on 7-inch vinyl, exclusively from Charly Records. Recorded circa 1966 in Chicago for George and Ernie Leaner’s m-pac! label.

The definitive collection of Lee Moses’ legendary non-album tracks available together for the first time
Contains three previously unreleased songs, plus the Southern soul classic "Bad Girl” (both versions)
Remastered audio
LP housed in a deluxe Kraft board jacket with insert
CD housed in a tube pocket digipak with booklet
Digital mockups are not an exact representation of the colors After reissuing his much sought-after Time and Place LP, many questions still remained (Lee was a mysterious man!) – but the one asked most was, “where’s “Bad Girl”?!” Not included on his lone LP, “Bad Girl” is an undisputed Southern soul classic – arguably the song Lee Moses’ legacy rests on. While we may never know all we wish we knew about the man behind the music, we can finally complete the picture of his work. You know – the tunes! And what tunes they are.

How Much Longer Must I Wait? Singles & Rarities 1965-1972 collects all of Lee Moses’ non-album singles and B-sides, plus three never-released tracks together for the first time ever. Most of the material here pre-dates 1971’s Time and Place, reflecting his initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer Johnny Brantley. As for the unreleased recordings – much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. Essential listening for anyone with a heart.

qu’s debut album where did the sun go? presents his sonic transformation from a producer to a producer artist in his own right, not only engineering beats, but writing songs, arranging instrumentation and directing his own vision onto a full length album. where did the sun go? features prominent artists like Jay Prince (uk) and Serious Klein (ger), emerging artists Josh Kye (uk) and Malaya (us) as well as Kabul Fire artists agajon and Ninja Kidsoul. on 15 tracks qu proves his versatility in creating an alternative sound that is inspired by the music traditions of hiphop, rnb & jazz.

New 2024 reissue. From the LP 'Melody of Life' (Cat 2614).

Exactly the same as the original pressing but the cat on the label has yellow eyes as opposed to red.

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

Little is known about Norman Feels…but we do know that he was an underground soul sensation in the 1970s. He released two classic albums on Just Sunshine Records (the label that was also responsible for putting out milestone recordings by artists like Betty Davis, Karen Dalton and Arica). Over the years, Norman’s songs have been sampled by renowned acts from the likes of Ghostface Killah, Nas and Kanye West.

The sound his songs emit reminds of the classic soul coming out of New Jersey at the time, but it just has that extra thing going for it…something alternative and exceptional. This made for an excellent match with the ‘Just Sunshine’ label that released both of his albums. Just like his labelmate Betty Davis, Norman Feels was an artist that was hard to typecast and compare with his contemporaries/peers…this makes Norman’s work very interesting and worth every soul/funk connoisseur’s time.

In 1973 Norman Feels released his self-titled debut album which has become a much sought after funk/soul classic. Behind Norman’s floating (and extremely soulful) voice hides a dark and almost psychedelic instrumentation that makes this album particularly unique. The recordings have been beautifully arranged by David Van De Pitte (who is world-famous for the arrangements heard on Marvin Gaye’s ‘What’s Going On’) and topped off by Sal Scaltro’s slick production work.

Next to Norman Feels’ fascinating writing skills and trademark voice, on this album you’ll find complicated (and at times brooding) compositions that takes the listener on a dreamy musical journey filled with themes about struggle, relationships and social commentary. Love, beauty and sadness is lingering in every track on this album…all of this makes his self-titled debut a total ‘must-have’ album that begs for a special place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1973 on Just Sunshine Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies). This reissue comes packaged in a gatefold jacket complete with the original 1973 artwork, photographs and lyrics.

This is the 2020 repress. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse Mouzon and renowned organist Webster Lewis to bassist Paul Jackson, reedman Bennie Maupin and the master percussionist Bill Summers, the legendary performers crafted amazingly good vocal versions of Herbie / Headhunters jazz-funk.

Following a big indemand of my productions 2010 on CD & 2016 on VINYL,
this lovely LP was repressed again with another cover. This unreleased album is a project by Henry Horne from archive tapes recorded during 1982+1984

Well before Shuggie Otis cut his debut album, musicianship and performance had long been a part of his life. The son of rhythm and blues legend Johnny Otis, Shuggie learned to play guitar as early as the age of two, and performed professionally with his father's band at eleven. Throughout his long and illustrious career he'd performed on records for the likes of Frank Zappa, Al Kooper, Etta James, and George Duke, to name a few. In spite of all this,widespread mainstream success eluded Shuggie for much of his career. His most famous release to date is his 1974 album Inspiration/Information, which would experience new resurgent life in the 2000s. Those willing to dig a little deeper however, would discover hidden gold in his earlier releases, especially in the album directly before Inspiration/Information, his sophomore 1971 release Freedom Flight. As with his debut, Freedom Flight was produced by Shuggie's father Johnny Otis, and built upon the distinct sounds of his debut album: lush, baroque, string section arrangements, paired with hard funk rhythms, and funky blues melodies, with the majority of the instruments once again performed by Shuggie himself. The album also features backing from premium session greats like George Duke and Aynsley Dunbar, and the track "Strawberry Letter 23" which became a monster hit for The Brothers Johnson 3 years later. Freedom Flight is a treasure of deft, technical skill, and virtuosic composition.

After the success of the Joy compilation album, MTMU’s reissue imprint ‘Music Take Me Back’ now brings us the 12” version including a DJ friendly extended version of Gospel anthem 'The Time Is Right, pressed on a full side. The b-side holds the equally strong 'He’ll Make Everything Alright' as well as a beautiful ballad taken from Joy’s first album in 1979, previously not included in the compilation.

Gospel meets Modern Soul & Boogie on this second never before released LP containing unreleased songs & demos from the vaults of Atlanta, Georgia based group Tomorrows Wish led by vocalist Lester Carr (who now travels with the Tams) & backed by Mary Spencer & Kimberlyn Williams They recorded several R&B singles in the 1970s that never saw the light of day. In the 1980’s, they went on to record a full gospel album under Glory Bound Records. Shortly after, the group disbanded & never recorded or released anything again until now. “On My Mind” contains a ensemble arranged by producer Emanuel Campbell (of Emandolynn Music) & backed by guitarist, Harry Case (known for his highly sought out after LP “In A Mood”) as well as keyboardist: Oliver Wells & bassist: Ricky Keller (both of fusion group Life Force fame).

140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.

Rose in the Dark 12" Deluxe Vinyl with artwork.

Previously unreleased soul nugget from the the 1970's Richmond VA scene, two very mellow tunes full of cosmic organ lines, floating choruses and gentle vocal harmonies. If it's on Plut, it ain't a boot!

A Detroit resident, William Odell Hughes is a much-loved street educated singer-songwriter and music composer. As a regular passenger riding to work on the Detroit East Side bus route in the early eighties, he met jazz pianist Pamela Wise who also rode the bus to work every day and who he noticed was always reading music. Pamela told him about saxophonist, clarinetist, and producer Wendell Harrison (founder of the legendary Tribe collective and a regular collaborator of Pamela Wise). She introduced Odell to Wendell, who was impressed with William’s compositions and felt that it would be a great project for release on his WenHa record label.

Hughes and Harrison began producing and recording the album to be called “Cruisin”featuring musical arrangements by both Wendell Harrison and Pamela Wise. This album (released in 1981) was the first recording for Hughes and the beginning of a long musical journey that continues to this day. Cruisin’ features an all-star line-up that includes Andrew Gibson (The Counts), Pamela Wise (Tribe) and award-winning Detroit Jazz icon Wendell Harrison...all doing their bit and making this a monster of an album!

William Odell Hughes’ debut album has all the best characteristics of an 80s album: it’s filled with funky playful beats and has excellent soulful honey-dipped vocals. On Cruisin’ the listener is treated to both mellow soul sounds and electrifying disco boogie (that’ll make even the shyest of club goers want to get up and dance) and Wendell Harrison’s instantly recognizable flute-playing and synth pads give the record a warm, relaxed groove. Prepare yourself for funky vibes, cool soothing feet-tapping rhythms, fantastic interplays on vocal tempos...all backed by a beautiful array of soulful synthesized and cosmic music.

References to universal awareness are plentiful throughout and the spirituality of The Tribe remains a constant undertone; a gentle reminder of WenHa’s roots. With a sound like this, it’s no wonder that this album has long been considered a grail for crate diggers around the world. All of the above makes this incredible record both timeless and as relevant today as it was back when it was initially released.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this rare funk & soul album (original copies go for large amounts on the second-hand market) originally released in 1981 on WenHa records. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip. This vinyl edition also features the original photography by acclaimed British photographer Brian Smith known for his work with artists such as Screamin’ Jay Hawkins, Howlin’ Wolf, Chuck Berry and John Lee Hooker.

In 1973, Davis would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. Davis showcased her fiercely unique talent and features such gems as “If I’m In Luck I Might Get Picked Up” and “Game Is My Middle Name.” The album Betty Davis was recorded with Sly & The Family Stone’s rhythm section, sharply produced by Sly Stone drummer Greg Errico, and featured backing vocals from Sylvester and the Pointer Sisters.

Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

Limited Pressing of the1974 album. Includes an Insert with lyrics and photos. Features Swamp DOGG's original liner notes as well as brand new ones .

Three German instrumental talents - Chris Haertel, David Nesselhauf, Julian Gutjahr - make up The Drawbars, whom together describe their music as 'off jazz'. Following up their prior outing for Basel's BurningSole, on which two instrumental originals stuck out like raw thrums, their latest is an unexpected curveball in the form of a standout rare groove version of Billie Eilish's modern classic 'Bad Guy'. Riffing of its madhouse hooks by way of a watery high electric keyboard part, the essence of the track pairs timely well the Northern-soulful form of breaks, fills and bass jaunts. The B, 'Smokes & Mirrors', returns to OG songwriting and hears electric glisses and portamento synths dance across sultry, incense-filled rhythmatic rooms and navy-noted blueses.

Three German instrumental talents - Chris Haertel, David Nesselhauf, Julian Gutjahr - make up The Drawbars, whom together describe their music as 'off jazz'. Following up their prior outing for Basel's BurningSole, on which two instrumental originals stuck out like raw thrums, their latest is an unexpected curveball in the form of a standout rare groove version of Billie Eilish's modern classic 'Bad Guy'. Riffing of its madhouse hooks by way of a watery high electric keyboard part, the essence of the track pairs timely well the Northern-soulful form of breaks, fills and bass jaunts. The B, 'Smokes & Mirrors', returns to OG songwriting and hears electric glisses and portamento synths dance across sultry, incense-filled rhythmatic rooms and navy-noted blueses.

With the help of Emandolynn Music, Soul Direction Records have licensed these three stunning Philly Soul tracks for a 7” vinyl release. Previously only available in digital format only we believe that showcasing all 3 tracks together was the perfect package. This being the way it was meant to be released.

Up-and-coming Fukuoka-based SSW Momoko Iwasaki's Japanese R&B masterpiece is now available on 7"! The grooveman Spot Remix of Side B evolves into a more sophisticated neo-soul!

MuchaMuchaM, an Asian exotic band based in Fukuoka, has been unveiled in March 2024 with the release of their first 7inch album and a digital album. This album, "Qantikala," has been attracting attention not only in Japan but also overseas. Although all the songs are instrumental, the "soulful" guitar tone evokes a sense of nostalgia and takes the listener on a journey to the seaside of Okinawa, the hustle and bustle of Bangkok, or the jungles of Malay Island.

“I’ll Keep Loving You” and “No Use Hidin’” are the final demos from the group Class of ‘78, which is the 7-piece band that predated the duo of McKenzie and Gardiner. It showcases a more loose live group feel on these two unearthed cuts recorded in 1982. “I’ll Keep Loving You” and “No Use Hidin’” are proper boogie-funk era tunes: both are spacey upbeat love songs with elements of disco, funk, lounge, and new wave.

To change your mood or mental state - change your Vibration A fragment from the Kyballion has deeply resonated with the band in recent years. Everything is mental, as Above so Below. Balthvs deeply believes in these tenets, and their manifestation is through music. Melodies that try to resonate deep within and generate a different type of Vibration. From the psychedelic experience arises a more balanced lifestyle, and from arduous and uncertain times arises the desire to have inner peace of mind. Music is medicine for the soul and the trio plays this music to wind down, relax, and be more present. It's music from the 21st century, a time when the world has deeply connected to one another via the digital realm, cultures are now free from geographic boundaries, they influence, mesh, and collide with one another. Turkish melodies meet Latin rhythms, from instrumental tunes to Spanish and English lyrics. The band freely takes from all corners of the world, and it reflects on the global audience they have slowly amassed in the past 4 years. Third Vibration is a celebration of life; a deep respect for the power of music.

First time on vinyl is an infectious feel-good 'Give My Love' from In Dat Groove & Lee Wilson originally released digital format-only by DJ Spen’s Unquantize Recordings. L’Amour Disco Remix pays homage to the classic R&B-meets-disco-meets-house sound, while the flip side features DJ Spen Rework version that is Soulful House to the core, both impeccably executed and ready to make you and your crew groove heavy. Dippin’ approved!

The latest Paris DJs release is a kinda Library Funk album, produced by Grant Phabao with the help of friends Frank Biyong (Massak), RacecaR and Sake Smith (Seun Kuti, Les Frères Smith). The album is released as a 300 copies only limited edition LP, with a download code to access three exclusive, unreleased Paris DJs Soundsystem mixes, which were part of the creative process…

Way back in 2012 we were asked to do the George Clinton website, the kind of job you're proud to be offered. We were told we should work with a specific graphic guy from France, named Ben Hito. We thought "well another designer who never produced web images" but we contacted him anyway. He sent a handful of Amazing banners, totally on-point with pure P-Funk colors. So we asked him to do a few visuals for our Paris DJs' label releases. Very soon, we handed him the keys to all Paris DJs imagery. Carte Blanche. For 12 years now he's created more than 200 visuals for Paris DJs. With him we put out 45s, LPs, CD boxsets, CDs, T-shirts, stickers, magazines, flyers and even some beach towels.

Most of the time, Ben Hito has been illustrating our music. With the artists names, the titles and the tracks themselves for inspiration.

When we did our Afro, Funk & Hip Hop boxset compilations, he only had the titles and the music genres, for him to create something. Then we would publish the artwork and ask people to send music that would fit the specific theme and its visual interpretation. The results looked so cool, many artists wanted to be on those compilations and sent music our way.

Last year's "Le Son de la Ville Lumière" releases were quite something too. We only told Ben Hito we had a trilogy of Paris DJs compilation to put out, volumes 1, 2 and 3. The sleeves he designed are nothing short of extraordinary. Some of his most beautiful work ever. The music, a blend of reggae, funk, afrobeat and hip hop, is pure gold. We felt we had reached new heights.

Always on the path of re-invention, for this new Grant Phabao LP we tried something completely new. It was Ben Hito who contacted us with a poster he had drawn. He asked us to create a "luxurious, arabic-themed" music mix to illustrate his image. We tried to gather some contemporary productions with a musical arabic twist but failed. So we tried to go into the old school stuff, but what we had amassed we found out 'everybody' knew already. So we went in a totally different direction, and opted to construct a mix of instrumental, psychedelic grooves, from current artists, released on a vinyl 45 (7 inch), which we physically had in our collection. Many constraints but we had so many tunes on that precious little vinyl format, that we ended up cooking 3 one hour-long mixes, called "Magic Kingdom - Volumes 1, 2 & 3".

Strangely, we never had so much feedback on any of the 500 mixes we published on the Paris DJs podcast those last 15 years, than we had with this new trilogy, even though nearly nobody heard it, besides a happy few at the store, or at a special summer outdoor unannounced gig. Djouls prepared the selection of 45s and Grant Phabao did the mixing and mastering. At some point the latter said "I can do an album of instrumental tunes like those". To which the former replied "It's a good idea, and we already have a Ben Hito artwork for it that we never really used". And this is how Grant Phabao went into his studio and produced a brand new LP inspired by those 3 hours of magic psychedelic contemporary grooves, which themselves were inspired by a visual from poster artist Ben Hito! Of course this is purely dialoguing between our own selves, but doing things totally from the end was an incredible experience for us.

For fans of Brownout, The Cactus Channel, Calibro 35, El Michels Affair, Kelly Finnigan, Greg Foat, Serge Gainsbourg, Karate Boogaloo, Shawn Lee, Ocote Soul Sounds, Misha Panfilov, The Poets of Rhythm, Adrian Quesada, Skinshape, The Sorcerers, The Soul Surfers, Surprise Chef, The Traffic…

Reissue of seminal HDH release from Detroit born vocalist Freda Payne Released in 1970 on the Motown break off label Holland Dozier Holland a partnership between former Motown songwriters Eddie and Brian Holland and Lamont Dozier Band of Gold was a huge commercial success for the label

Features the classic singles Unhooked Generation and Band of Gold a single that sold over 2 million copies and became a gold record

Textbook female vocal soul with a post Motown sound signature, the most commercially successful and widely recognised album that Freda Payne ever released

Repressed on 140 g Gold vinyl as part of the Demon Music Group HDH reissue series with an obi strip and a printed inner, featuring a new liner note from Soul Trilogy author Stewart Cosgrove

Newly remastered audio from Phil Kinrade at AIR studios

Reissued for the first time on limited gold vinyl

Extra Soul Perception proudly unveils a new collaboration between two of the most captivating artists from the future soul and R&B scene. "Undercover Lover" is the culmination of three years of an organic creative partnership between Jamma-Dee and Qendresa - one that has manifested itself just in time to soundtrack summer in LA and London; their respective homes.
Following Jamma-Dee's celebrated debut album, "Perceptions," and Qendresa's recent midnight soul bomb, "2 Much", "Undercover Lover" is a highly anticipated release that emerges as an effortlessly smooth summer anthem.
The genesis of "Undercover Lover" was Jamma-Dee's irresistibly heavy beat, which underpins an intricate mirage of interlocking rhythms and textures, with the eclecticism that has cemented the producer as a mainstay of the West Coast soul-funk scene. Qendresa's songwriting prowess shines through in seamless hooks and vocal melodies that flow effortlessly over the production with bold and uncompromising energy. Gary Gritness's live bassline, introduced during an impromptu studio session, injects a deep groove into the track.
At the engineering helm, K15's expertise further elevates the record with a resonating richness and vitality. An instrumental version on the B-side allows listeners to experience the production and bassline on a deeper level.
The resulting sound is a collaborative effort that transcends borders and genres, delivering a record that is as heartfelt as it is infectious.
"Undercover Lover" stands as a testament to the power of collaboration and creativity, embodyingExtra Soul Perception's mission to facilitate transformative musical exchanges between artists worldwide.
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About Extra Soul Perception:
Extra Soul Perception is an artist development program that operates as a label, music agency, event curator, and producer of international musical residencies. With a mission to facilitate artistic collaboration across borders, Extra Soul Perception has garnered acclaim for its innovative approach to fostering creativity and diversity within the music industry.

Hailing from the West side of St. Louis, Missouri, Mikahl Anthony"s sonic roots spread far across the global Alt-Soul / Hip-Hop scene. A highly sought- after multidisciplinary artist (who has collaborated with the likes of Mick Jenkins, Chance The Rapper, Joey Purp, Smino & more), as well as being a founding member of Chicago"s THEMpeople collective, he now prepares to unveil his masterful full-length debut "MUSE" via R&S Records.

To say that The Sinseers play oldies would be a misnomer. Fronted by bandleader and son of East Los Angeles Joey Quiniones, the group has quietly chipped away at the sounds of R&B and soul for the last half-decade. Quinones and his crew have continuously created a distinctive vibe that explores all aspects of a timeless genre, bringing together their interpretation of music through an unmistakable modern lens.With their most recent effort, the aptly titled Sinseerly Yours (Colemine 2023), the band recorded most of the album live in the studio. With Quinones on vocals and keys, vocalist Adriana Flores, Christopher Manjarrez on bass, Francisco Floreson on guitar, Bryan Ponce on guitar and vocals, Luis Carpio on drums and vocals, saxophonists Eric Johnson and Steve Surman, and Jose Luis Jimenez on trombone, The Sinseers achieves their most fully realized sound to date.All of the album's stunning tracks were recorded in a converted studio space in Rialto, California, known as Second Hand Sounds. The converted studio space, which used to be a dentist's office, allowed the group to experiment with their sound like never before - this time, the group managed to take a series of big swings, only to emerge with a fuller, more pronounced version of themselves. Despite those new strides, the band remains wholly committed to its sonic aesthetic while injecting its brand of vibrant 21st-century cool.Of course, the group has never been the type to shy away from their influences as they expertly toggle between 60s pop vis-à-vie early Beatles records to obscure dancehall Jamaican tunes - all fully extrapolated and reinterpreted through modern Chicano soul sound that the group has built their everlasting repertoire on.Quinones and bandmates have continued to apply what they've learned from their previous releases and their relentless touring schedule throughout the country. It's clear here that the work is paying off, putting to practice their musical chops thoroughly with all members expertly honing their sound. The m...

Whatitdo Archive Group's 'Palace Of A Thousand Sounds' – Pop Matters' best library record of 2023 – gets a super limited edition reissue on clear yellow marble vinyl. 300 copies only, instant collector's item.

Boogie and funk don Tim Tucker hails from Northern Cali and is half of the Love Cryme duo. He has been digging in his vaults to offer up two songs for this limited new vinyl release on Trusechool and they have both been reworked by Knoe1. First up is the brilliantly blissed-out boogie and retro synth work of 'U Cant Run' complete with a sultry vocal that soon gets under the skin. 'Disco Lights' (Knoe1 rework) then keeps it deep and smoochy with jumbled disco percussion and noodling jazz chords all topped off with some superb synth work. Two real gems here, then, on a mad-limited 7".

Straight Outta Soul N Palms, more soulful re-edits for the discerning ear.

"Something Amazing" is a love song about finding magic in the everyday moments of a relationship. An ode to 90’s r&b, best heard with the windows down and someone you love in the passenger side. Inspired by the warm, super sunny feeling of Lucy Pearl, SAULT, and Moonchild, this Relyae produced track for Ariel is a love song about the time after you fall in love. That calm complete feeling you get when you really trust and connect with someone. This is RnB/Soul/Pop singer Ariel's Mello Music Group debut.

This electric compilation features Sorg who showcases his house inspiration, Zerolex Trio who continues their journey into the world of jazz-infused club music, Kopow who blends kenyan trap with silky beats by collaborating with Killer Bas, and Flow-er who engages in a funk-imbued discussion. As an exclusive combination of unique and exciting artists, Los Cumbabas will fit perfectly in your summer playlist. It's also an opportunity for the label to unveil Pierre Chiffonnier, our flagship project, involving the sweet melodies of the young duo Poligone.

The "Piranha Gundan" was established in 1975 by Toei actors. The actors, who support the Toei production by playing roles in movies and TV dramas, naturally gathered for booze ups. Masaru Shiga, a member of the group, named them "Piranha Kai" with a dream to one day playing main roles in movies.

The gang benefited from the positive publicity generated by Takuzo Kawatani and Hideo Murota's appearance in the drama "Zenryaku Ofukuro-sama," broadcast from October 1975. This gradually brought the other corps members to the attention of the public. The release of "Violent Panic: The Big Crash" and "A Savage Beast Goes Mad" (both released in 1976), in which corps actors played major roles, contributed to the continued growth of the Piranha Gundan boom. In 1977, the movie "The Smart Aleck Ten" was released, starring all members.

This album was released in April 1977. Folk singer Kan Mikami, who was also active as an actor, conceived the idea of producing a Piranha Gundan record at a party with Tsunehiko Watase. With the exception of M-2 "Mura Uta ~Washashiranbushi~" and M-4 "Ore (Re-o)," 11 songs were written and composed by Kan Mikami. The album was arranged by Jun Sato and Ryuichi Sakamoto, who also played keyboards. Other musicians who contributed to the album include Shuichi Murakami, Tetsuro Kashibuchi, Tsugitoshi Goto, Nobu Saito, and others.

The 7inch single that marks the opening of Nautilus' new project in 2024 is now available! It features Nautilus' cover of Des'ree's "Life" featuring Emi Tawata on vocals, and Stevie Wonder's "Master Blaster (Jammin'). The project opens with a soulful cover of Des'ree's "Life," featuring Emi Tawata, a close friend of the band who also made a splash with her cover of Terri Walker's "Caught Up. The flip side is an instrumental cover of Stevie Wonder's "Master Blaster (Jammin')," which is arranged with a sense of speed while maintaining the splendor of the original. Nautilus will tour Germany again this year, as they did last year, and expect to see them in 2024 as one of the future leaders of rare groove.

City Pop / Reggae singer "Natsu Summer" releases new album in 2024! Produced by Cunimondo Takiguchi from Ryusenkei. Natsu Summer's latest release is a blend of danceable lovers' rock and soothing city pop, with ama-piano rhythms and steppers. Produced by Cunimondo Takiguchi of Ryusenkei, the album is not just reggae or city pop, but also throws out some new ideas. The cover of a hidden Japanese Lovers Rock song from the 90's, which is not easily released on record due to rights issues, is sure to attract attention!

Scoring the lives of small-time players, pimps, junkies, and prostitutes lurking around his simultaneously blessed and cursed existence, Wee mastermind Norman Whiteside lived in an entirely different Columbus than Capsoul's Bill Moss or Prix's Clem Price. Alternating between Stevie Wonder's dreamy soul and Sly Stone's druggy groove, You Can Fly On My Aeroplane bypasses Whiteside's everyday gritty street life reality, focusing instead on the airy sounds of fantasy and masquerade. Smooth, sexy, and synthy, You Can Fly On My Aeroplane is a peerless and sprawling psychedelic soul concept album and a sure'fire panty soaker to boot.

R&B singer Yazmin had two albums to her credit in the 90s, released the lost album "A Scent Of Flowers" in 1993 but it's hard to find because it was released scandinavian edition vinyl only at that time, and P-vine has taken the opportunity to reissue it in analogue form for the first time. The album features 13 tracks, including Roy Ayers' 'Everybody Loves The Sunshine' which was well received when released as a single in 2021, a cover of The Emotions' "Best Of My Love', , and the club classic Ray Charles' remake of 'Let Me Take Over'.

Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl