Galaxy Sound HHV Records 19 Items

$1 Bin Breaks: Sakura (Edit) by Odetta / On The Hill (Edit) by Oliver Sain / Enchanted Lady (Edit) by Milt Jackson With The Ray Brown Big Band b/w Survival (Edit) by Annette Peacock / Sunrise (Edit) by The Originals / A Few More Kisses To Go (Edit) by Issac Hayes / Go On & Cry (Edit) by Les McCann | Galaxy Sound Company — Gsc45-041 | Very special hot-off-the-test-presses donut via the always on-point @galaxy_sound_company crew. This will be number 41 in their cop-on-site 45 series, set to be released in 2024. This time out we are treated to 7 “$1 Bin Breaks” &, as with many in the Gsc45 series, these are the sources of some of your fav hip-hop jams.

Side A: 1) “Sakura” by Odetta; Sampled in “Tried By 12” by The East Flatbush Posse

2) “On The Hill” by Oliver Sain; Sampled in “Tell Me” by Pete Rock & C.L. Smooth, “Day One” by D.I.T.C., “Young G’s” by Puff Daddy, The Notorious B.I.G., Jay-Z & Kelly Price

3) “Enchanted Lady” by Milt Jackson With The Ray Brown Big Band; Sampled in “Dinnit” by De La Soul, “Escape” & “Carmel City” by Pete Rock & C.L. Smooth, & “Ijuswannachill“ by Large Professor

Side B: 1) “Survival” by Annette Peacock; Sampled in “Braggin' Writes” by J-Live, “Rules We Live By” by Lord Finesse, “Scientists of Sound” by Brand Nubian, “Kunta Fly Shit “by Ghostface Killah, “Video Game” by J Dilla

2) “Sunrise” by The Originals; Sampled in “Accepte Mon Concept” by 2 Bal 2 Neg' & “Guess Who’s Back” by Scarface, Jay-Z & Beanie Sigel

3) “A Few More Kisses To Go” by Issac Hayes; Sampled in “Tonight's Da Night” by Redman, “Ain't No Fun (If the Homies Can't Have None)” by Snoop Dogg, “Rough Life” by Shabba Ranks, “Is There a Heaven 4 a Gangsta?” by Master P, “B-Cuz I Got a Girl” by Nate Dogg, “The Life” by Alicia Keys

4) “Go On & Cry” by Les McCann; Sampled in “Tha Next Episode” by Snoop Dogg & Dr. Dre, “Runnin' Wit No Breaks" by Warren G, “No Pain” by Lords of the Underground

Kaito, an out cold skater as well, has a couple of self-releases you can find on his Bandcamp page, which are solid & sound at home alongside his pop’s ( Todd Osborn) Ghostly International releases. This 7” EP outing spins at 33 1/3 to pack in as much as GSC can squeeze in & is straight up beatloverz heaven. What is impressive, for this old timer, is how clearly deep Kaito’s musical knowledge goes. He clearly has learned well from his father & all the good music he certainly has had at his fingertips. From Madlib to Os Mutantes to Fela Kuti to J Dilla & other artists who were not afraid to dig deep & unearth beats & melodies to tickle your fancy, Kaito’s tastes are as refined as anyone in the game. I know a number of the original source materials that comprise each track, but that I leave to you to dig out for yourself. Here I encourage you to open your eardrums & listen deep with your fav pair of headphones & let each track wash over you. From straight forward head-nodding hip-hop thumpers to beautiful Brazilian femme fatale vocals that lure you into the loop, to a Afrobeat driver that’ll break ya neck, to a mellow, soulful MPC hopper that will lovingly recall a Arlo Parks joint, to then closes out with a synth-laden spaced-out dreamy loop to end credits.

Free Soul 1969 The groove is heavy too ñ and a popular hip hop sample ñ but really itís all about Klemmerís blisteringly intense, stream of consciousness freak-out. Been sampled over 16x from INI to Ed O G & Da Bulldogs to Kurious, Akinyele, Dred Scott to name a few. Klemmer just wyles out on the sax keep that Psychedelic funk moving!! Up Above the Rock Edit 1968 You wonít find too many jazz songs that start with a drum break, but then this is probably one of the better jazz/soul hybrids Iíve heard in some time. Produced by Richard Evans this song is a perfect display of acoustic jazz funk with Ron Carter & Grady Tate filling out the Rhythm section. Dance Floor classic!!!

Hey Joyce (BlackCash & Theo Edit) by Lou Courtney b/w Soupy (BlackCash & Theo Edit) by Maggie Thrett | Galaxy Sound Co. — Gsc45-36 If you know, you know. & I know many of you have been digging for the very rare donut “Hey Joyce” by Lou Courtney. Even if you first heard it back in the day via #CutChemist & #DJShadow, this gem has long been popular amongst #raregroove dancers & dusty-fingered hip-hop DJs/beat-makers. “Hey Joyce” is a rare 1967 single from soul man Lou Courtney. Featuring a rasping, impassioned lead vocal from Courtney, sweet female backing vocals & the kind of semi-stomping beat that's so beloved by Northern Soul heads. In 1991, Main Source sampled it on their track “He Got So Much Soul (He Don't Need No Music)”. & thanks to the fine folks at @galaxy_sound_company you can cop it all for yourself.

On the flip, we have another lost funk jam, “Soupy” by Maggie Thrett, that has been sampled by #PrincePaul & #DeLaSoul for 1989’s “Jenifa Taught Me (Derwin's Revenge)”. Black Cash & Theo do the track right with a proper edit that'll put smiles on faces all across the dance floor. Like the A-side, “Soupy” is also a fave of Cut Chemist & DJ Shadow, as evidenced by their live sets & sample of it for their 2008 track “Fused Of Course”. As with all GSC45s, another true must-have treat & 45-crate essential.

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!! New Year SpringSS release for 2022.

Side A. Red Clay, Jazz Guitar version sampled all time classic by A Tribe Called Quest. SIde B. Peaceful Sundown sample by Jay DIlla ,De La Soul Jay Dilla Used these samples a few times for a few solo projects..

File under Funk, Soul, Hip Hop Breaks, Samples Series

Footin’ It by George Benson b/w The Harlem Buck Strut by Les McCann | Galaxy Sound Co. — Gsc45-037 | Master grade edit kings & beat makers Black Cash & Theo AKA Thelonious Beats have a vast catalogue of essential sounds & much of it comes on their Galaxy Sound Co home label. We are now up to number 37, &, like its predecessors, is crate-essential heaters. Their latest donut is a remastered & limited 7" pressing of two glorious jazz-funk nuggets that any DJ worth their weight in vinyl will want in their crates.

Side A’s “Footin’ It” by #GeorgeBenson is a serious treat for me. It is taken from Benson’s 5th studio LP from 1968, “The Shape Of Things To Come”. It was his first album for A&M Records & his first album to be produced by Creed Taylor, who would remain his producer until 1976. The track features #jazz legends Stan Webb on flute & Herbie Hancock on piano. While I knew the track from my dad’s record collection, I lovingly am taken back to DJ Neil Armstrong who’s highly-coveted mixtape/CDR “2Original” mashed it & extended the break with Diamond D & The Psychotic Neurotics’ “Freestyle (Yo, That’s That Shit)” who sampled the track in 1992. Still grooves me to this day.

Side B’s “The Harlem Buck Strut” is taken from pianist Les McCann’s 1973 #jazzfunk LP “Layers”. The LP was a groundbreaking jazz-synth record that was unlike any other McCann had made. Aside from a 3-man percussion section & electric bassist Jimmy Rowser, the LP & track are entirely electronic, one of the first jazz albums with such an emphasis. The track is truly forward-looking & ahead of its time, & clearly why it resonated with so many artists as a source to sample. Heads will recall it being lifted for Pete Rock & C.L. (“The Main Ingredient” 1994) & Funkdoobiest (“Rock On” 1994). But the best, for me, was Massive Attack’s “Teardrop” & “Bullet Boy”.

Strictlybutters is a music lover, DJ, skateboarder, cyclist, and sneakerhead. He is also a dad with a full-time career, who somehow still manages to go cratedigging on his lunchbreaks. Strictlybutters fully embraces that Danny Tanner "Full House" lifestyle and comes from the same small town that gave us Lyman Woodard. When he is not doing yardwork, making dinner for his daughter, or detailing his Jeep, he is upstairs in his lab making beats, cutting up the 1200's, or listening to music. Strictlybutters is meticulous in everything he does. Although he has been buying records since the early '80s and beat digging since '91, every record that he owns is a gem. His choice of weapon is the Mpc3000, Mpc2000xl, and Sp-303, and he only uses original pressings when making beats. He has also been skating and landing tricks consistently for nearly 30 years, has a half dozen rare '80s BMX cruisers that he rides no matter the weather, as well as a massive collection of kicks. Strictlybutters' love for hip hop began like most people his age who grew up outside of the vicinity of NYC... after seeing "Beat Street" and "Breakin'", he was hooked. He was heavy into breakdancing in '83-'84 and began listening to The Boogie's "Saturday Night Fresh" hip hop/electro show on 107.1FM-Saginaw. In '89, he started listening to the "Cultural Vibe" hip hop show on 88.9FM-Lansing, and it cannot be understated just how important this show was to him throughout the '90s. Also, throughout the '90s and even to this day, Strictlybutters would drive all over Michigan to hit up numerous record spots. If the record excursion took place on a Friday, it was a guarantee that he would end up in Detroit. Every Friday night between '95-'00, you could always find Strictlybutters somewhere in the crowd at St. Andrew's Hall while House Shoes and others would DJ. In the late '90s, Strictlybutters began to hang out with the Starving Artists Crew and would eventually become one of their DJ's. He provided scratches on their first 12" single in ’01 (“Four Square”), and on their "Up Pops The Sac" album in ’03 (“Intro”, “The Kick Clap”, “Up Pops The Sac”, and “96 West Ferry”). It was the time that he spent with the Starving Artists Crew that got him interested in making beats. Ever since '03, Strictlybutters has been making classic '90s hip hop beats for the fun of it, with no intention of ever doing anything with them… until now. In ‘20, he worked with Shepard Fairey (obey) and contributed a couple of Strictlybutters beats that were used in multiple promo spots for the New Deal x Shepard Fairey skateboard collection. And in ’21, Strictlybutters will be releasing his first 7” single on the Galaxy Sound Co. label, with more to come in the future!

Side A. Reuban Wilson "We're are in love" sample flip sets the tone for Nas Memory Lane (Sittin' in Da Park) sampled and chopped by 1 only. DJ Premier sampled multiple elements from Wilson’s original composition, including the organ, percussion and distinctive wordless backing vocals. The seldom-sampled track is now irrevocably tied to this classic East Coast jam. Galaxy crew decided to give it a Re mastered rinse, chop up the intro break to back to life for 45 fans to appreciate.

Side B. Valdez In The Country by Donny Hathaway Re mastered Re edited . Sampled by Madlib back in 2010

Side A. Re Mastered and Re 1967 -You Don't have to worry Lost classic , sampled by so many.. 50cent, Common, Wu Tang , Royce 5'9 Such killer vocals right out of the gate. If you are not familiar with this song its gonna flip your wig!!! Must Have !!!

Side B. Bohannon - 1973 Save Their souls Remastered Re edited Sampled by Jay z, Large Professor, Musiq Soul child, Craig Mack, Jay Dilla , Primo, Pete Rock.. Funk-filled tune timeless classic..

Richard Evans bass player and arranger blazes Jazz Funk intro, really sets it off from Original Foster Sylvers version very hot tune !!! Side B. You're Gonna Need ME Dionne Warwick .1973 Monster of Pysch Soul tune
Written by Holland - Dozier- Holland Studios arranged by Mckinley Jackson you can hear that RAW DETROIT FUZZ FUNK Sound. Dilla aka Jay Dee brought to the light of day after he flipped it on his Famous Donuts album (STOP) back in 2006 Well that history we already know! Wu-Tang's Clap from THE W album (2000) as bonus track!

Lovely Is Today (Edit) by Eddie Harris b/w September 13 (Edit) by Deodato | Galaxy Sound Co. — GSC4540, test pressing | Hot off the presses via the always-on-point @galaxy_sound_company crew. This will mark number 40 in the GSC45 series. Every release has been stellar, elevating it to the rarified “buy-it-on-site” status. If you love hip-hop, broken beats & top-class edits, anything w/ their stamp on it — you know it’s going to be top notch. They’ve got a bottomless discography full of that good ish, & here comes another addition to the cannon in the form of a pair of glorious jazz-funk nuggets.

Side A is an edit of “Lovely Is Today” by Eddie Harris, which is taken from his brilliant 68 soul-jazz LP “Plug Me In”. Chicagoan Harris pioneered the usage of amplified electric Varitone saxophones. It features a stellar line-up: Ron Carter (bass), Haywood Henry (baritone sax), Jodie Christian (piano), Garnet Brown (trombone), James Bossy (trumpet), Grady Tate & Richard Smith on drums, &, of course, Harris on tenor sax. Here the edit trims off the intro noise & extends the breaks recalling hip-hop songs it sampled: “2 Deep” by Gang Starr, “Intro” by Mobb Deep, “It Ain’t Hard To Tell (The Stink Mix)” by Nas, “What’s My Name Yo?” by MC Lyte, among others.

Side B is an edit of “September 13” by Deodato, taken from his self-titled jazz-funk 73 LP. Deodato, aka Eumir Deodato De Almeida, is a Brazilian artist known for his range of production work for Kool & The Gang to Björk, as well as TV & film scores & collabs w/ Milton Nascimento, Ithamara Koorax & Marcos Valle. Heads will know this one as the source for heaters like “In The House” by Pete Rock & C.L. Smooth, “Park Joint” by Camp Lo, “Epoca” by Gotan Project, “Don’t U Know” by DJ Rels aka Madlib & “Track 13” on Beat CD #2 by J Dilla.

Passion Play by The Sugarhill Gang b/w Who Is She (And What Is She to You) by Madeline | Galaxy Sound Co. — GSC35039, Number 39 delivers 2 sweet soulful remastered edits for all the real heads out there.

Side A’s “Passion Play” by The is taken from the Englewood, NJ disco/R&B/hip-hop band’s self-titled 1980 LP The 3 were assembled into a group by producer Sylvia Robinson, who founded Sugar Hill Records with her husband, record producer Joe Robinson. The song features background vocals of funk/soul band Positive Force. Unlike some of the best songs by The Sugarhill Gang, “Passion Play” failed to make it to the charts. However, its impact on the music scene is immense seeing multiple artists sample it, especially the bassline. Some of the songs that have sampled “Passion Play” include “Devil’s Shoestring” by Metal Fingers, “We Can” by Kerri Chandler, “Lower the Boom” by The Treacherous Three, “We’re Ready” by Dominant Force, “Havin’ Fun” by Large Professor, & “No/Yes” by Queen Latifah.

Side B’s “Who Is She (And What Is She to You)” is taken from Madelaine’s sole 1978 album “Who Is She” (Chi Sound Records – CH-LA863H). It is a soul-jazz cover of the classic Bill Withers track & this version has been sampled and reintroduced to a new audience by a variety of hip hop artists, most notably by Mos Def (“Life Is Real”, 2004) & Timbaland & Justin Timberlake (“Carry Out”, 2009). The track hits with a strong Chicago soul pedigree – thanks to arrangements from Johnny Pate & production from the great Carl Davis. In anyone else's hands Madelaine might sound more like an adult contemporary singer – but Pate's grooves & Davis' polish really swing things into all the right territory – similar to the same sophisticated soul vibe of Carl's own Chi-Soul projects

Loud & Clear / N.O.R.E (Buttas Remix) b/w Cherry Blossoms (Love Notes Mix) by Strictlybutters | Galaxy Sound Co. – GSC 45-038 | Summer time vibes are here & @galaxy_sound_company is back at it with another sure-shot #hiphop donut via @strictlybutters. I got my hands on an advance copy of a limited-run test pressing & it is cut loud! Ya know ya will be boomin’ in ya, boomin’ in ya, boomin’ this in ya jeep!

Galaxy Sound Co. started taking these occasional fire #hiphopinstrumental interlude breaks from their 45 edit series to shine light on the Michigan skateboarder, cyclist, sneaker-head & bedroom b-boy beat maker Strictlybutters. With the 38th donut in the GSC 45 series, he is making his 3rd appearance on the label & it is another banger.

Side A1’s “Loud & Clear” is a straight-up, warm-up boom-bap banger. It effortlessly, teases along by MC royalty with a sweet soulful piano riff rolling along MPC delights. A joyful crowd is weaved through a familiar GWJ break calling you do get up & get down. A2’s “N.O.R.E. (Buttas Remix)” teases with a buttery-soul laced rework of with a snippet from Noreaga’s “SuperThug”. The only fault here being SB only gives us a taste at just over a minute long. More please.

Side B’s “Cherry Blossoms (Love Notes Mix)” is a killer joint in the vein of 90s hip-hop love jams, with the core sample being one of my fav sweet soul songs from Detroit, 1969’s “Maybe So Maybe No” by the New Holidays (Soulhawk Records 1008). SB lets this beat breathe to perfection, rolling fa-la-la-la’s that slide into a sexy outro.

PBS Nights (Star Hustler) b/w Turn. It. Up. by Strictly Butters | Gsc45-34 Galaxy Sound Co. | Even better, I love it when the always on-point @galaxy_sound_company takes a surprising turn from the edit game to drop another sure shot by Michigan beat maestro @strictlybutters. It’s the second release on GSC by the Owosso, MI skateboarder, cyclist & sneaker-head. He is a deep digging vinyl head, dad, & brilliant bedroom beat maker & now gifts us with another super sweet pair of hip-hop instrumentals. Side A’s “P.B.S.” recalls a 70s Public Broadcast Service afternoon with my babysitter aka the TV. Rolling piano & warpy keyboards over a tight drum break was a perfect soundtrack for me while walking my Detroit streets on a sunny afternoon. The vibe comes correct. Side B “Turn It Up“ bounces effortlessly and simply to do what Strictly Butters says, the sweet soul guitar riff will force you to turn the knob up to 11. So whatcha waitin’ for son?

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!!