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Hanky Panky

Hanky Panky Rock & Indie 7 Items

Name: Summer Suns - Eulalie
Brand: Hanky Panky
SKU: 987216v1
Price: 20.99 EUR
Availability: InStock

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Reset all Filters No Used Vinyl Hanky Panky

Summer Suns

Eulalie

LP | 2013 | EU | Reissue (Hanky Panky)

20,99 €*

Incl. VAT plus Shipping Costs

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Folk rock / power pop band THE Summer Suns formed in Perth, Western Australia in 1986 as one off project to release Kim Williams’ songs “Honeypearl” & “Rachel Anne”. The popularity of the single saw The Summer Suns become a more permanent fixture in the Perth scene, 1986 – 1996, releasing records on most of the world’s best indie labels including Easter, Waterfront, Bus Stop, Parasol, Spring & Get Hip.

Although plying his songwriting trade in other bands and other genres, Williams never entirely gave up on his love for melodic music. After some time playing sadcore then garage rock he formed THE Love Letters with Katherine Browne, playing music very much like The Summer Suns unplugged.

In 2013 with a stockpile of tunes he began working simultaneously on a new Summer Suns album and a Love Letters album with different versions of some songs to appear on both records. With Williams playing most of the instruments and producing the recordings, time took its toll. Katherine Browne quit to concentrate on her real career leaving Williams to decide what to do with the two projects. With about 30 recordings to choose from he decided to edit it down to a single project under THE Summer Suns banner. Thus Eulalie was born & self released in a limited vinyl edition of 100 copies, each numbered and with a unique vinyl colour and photo taken by Kim. With literally no publicity at all the album quickly sold out.

With demand for this now impossible to find folk rock / power pop LP increasing over the years, Hanky Panky Records is set to reissue it in a limited edition of 250 copies with improved detailed cover and 2 bonus tracks!

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Jack Nitzsche

The Arranger As Superman: The Reprise & WB Years 1963-1969

LP | 2022 | EU | Original (Hanky Panky)

29,99 €*

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Release: 2022 / EU – Original

Genre: Rock & Indie

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By the late summer of 1963, Reprise Records — the independent record label founded by Frank Sinatra three years earlier — had run into a few financial difficulties, partly because the label hadn't produced any major chart hits, and was purchased by Warner Bros. Morris "Mo" Ostin, Reprise's vice-president and general manager, had brought in "whiz kid" producer Jimmy Bowen in 1963. Bowen's main job, at least in the beginning, was to produce hits for some of the younger Reprise acts, including a brand-new recording artist, arranger/producer Jack Nitzsche. Those Bowen-produced Reprise singles, released under Jack Nitzsche's own name between July 1963 and October 1965, were compiled together for the first time and released by Hanky Panky Records on “The Reprise Singles 1963-1965.” The focus of this new collection is the work of Jack Nitzsche as arranger and producer for those hopeful Reprise acts, from 1963 to 1969. The number of records supervised, one way or another, by Nitzsche in this time - not only for the Reprise and Warner Bros. labels, but for myriad others -- is simply amazing. Many of them were assembled for the first time by Ken Barnes for a legendary interview with Nitzsche in the Winter ‘76/77 issue of Who Put the Bomp! magazine, entitled “The Arranger As Superman.” The aim of the compilers for this specific collection was to include some of the harder-to-find titles from Nitzsche's Warner/Reprise legacy, along with a few favorites and must-haves, with track-by-track annotation by Barnes himself. Most of the selections feature the talents of the Wrecking Crew regulars as backing musicians, as Nitzsche applies his magic to songs written by David Gates, Ellie Greenwich, Carole King and Gerry Goffin, P.F. Sloan and Steve Barri, Sharon Sheeley and Jackie DeShannon, Sonny Bono, Hal David and Burt Bacharach, Randy Newman, Harry Nilsson and the Everly Brothers themselves, among others! The amount of talent in the grooves is staggering, encompassing the decade’s forever-changing musical landscape.

Eighteen tracks, from harder-to-find titles to must-haves, some of them unavailable since their original release! Four-page insert includes notes and track-by-track annotation by Ken Barnes, with rare photographs and ephemera.

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The Holy Mackerel

Love For Everyone: The Reprise Mono Singles & More

LP | 2022 | EU | Original (Hanky Panky)

29,99 €*

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Release: 2022 / EU – Original

Genre: Rock & Indie

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Paul Williams

So Many People: The Reprise Mono Singles & More

LP | 2022 | EU | Original (Hanky Panky)

29,99 €*

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Release: 2022 / EU – Original

Genre: Rock & Indie

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Paul Williams co-authored some of the best-known, best-loved and biggest-selling pop hits of the 20th century, among them “We’ve Only Just Begun,” “Rainy Days And Mondays,” “The Rainbow Connection,” and “Evergreen.” His compositions have been recorded by artists ranging from The Carpenters to Frank Sinatra, Barbra Streisand to Three Dog Night, Johnny Mathis to The Monkees, plus thousands of others. In addition, his 1970 solo debut, Someday Man, (reissued in 2010 by Now Sounds [crnow 22]) is coveted by many record collectors as one of the essential albums of the “sunshine pop” genre. There are very few albums that seem to define the genre in which they are created, yet simultaneously defy classification; records whose beauty reveals itself in new and exhilarating ways with each listening and feature their creators at the peak of their game. It’s a rare LP that makes the listener think and feel and laugh and cry, all within the short and sweet space of 30 minutes, making one beg the question “Is the 80-minute length of a compact disc a boon, or a bane?” Countless rock critics continue to hail the few deserving but obvious albums that have managed to achieve all of these artistic criteria: The Beach Boys’ Pet Sounds, Love’s Forever Changes, Marvin Gaye’s What’s Goin’ On . . . To my mind, Paul Williams’ Someday Man belongs right up there with them. This first-time-on-vinyl compilation collects all of the bonus tracks from the 2010 Now Sounds expanded edition CD of the Someday Man LP. Included in this collection are Williams’ four mono single sides; two “sessions” tracks which provide great insight into how producer Roger Nichols and the studio musicians crafted the final recordings; two demos; and four instrumental mixes. The full-colour four-page insert features rare, unpublished photos and in-depth liner notes featuring the participation of Paul Williams, Roger Nichols, and others. Also includes sessionography and studio musician info. All audio sourced from the original Reprise master tapes. Coproduced, designed, and annotated by Now Sounds’ Steve Stanley.

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The Silos

Cuba 35th Anniversary Special Edition

2LP | 1987 | EU | Reissue (Hanky Panky)

34,99 €*

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Release: 1987 / EU – Reissue

Genre: Rock & Indie

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The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the Rolling Stone magazine critics' poll in 1987 after the release of Cuba. The album has since been considered a stone-cold classic, being hugely influential in the so-called Americana or alternative country scene that followed in its wake. “Cuba is one of those albums that has become a kind of talisman among true music fans. Because you know that Cuba exists inside everyone, and this extraordinary album can take you there. It's a journey filled with longing and loss, warmth and wonder”. (Anthony DeCurtis) This gatefold double LP 35th anniversary special edition, includes the additional album The Bird Album Live On Kcrw. Recorded on April 18, 1990, shortly after the release of their self-titled third album for RCA Records, The Silos performed about 75 minutes of music for the Snap alternative music radio program. Broadcast on Kcrw in Santa Monica, California, near Los Angeles, it features versions of all but one song from that third album. Both of the singer-songwriter-guitarists from the band's early days, Walter Salas-Humara and Bob Rupe, were in the line-up for this broadcast which also included Graham Maby on bass, Brian Doherty on Drums, and Kenny Margolis on Keyboard. Salas-Humara’s legacy would seem secure; his name is on 24 albums, his Horse Paintings hang in homes and galleries around the world, and his WaltersDogs portraits even appeared in the film “Get Him to the Greek” (Nicholas Stoller, 20210). but he’s hardly ready to call it a day: The Silos have a new album out now called Family and are currently touring the world.

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Anders & Poncia

The Anders & Poncia Album

LP | 1969 | EU | Reissue (Hanky Panky)

22,99 €*

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Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Honeybus

Under The Silent Tree: Gentle Sounds With Strings And Things At The Bbc 1967-1973

2LP | 2023 | EU | Original (Hanky Panky)

33,29 €* 36,99 € -10%

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Release: 2023 / EU – Original

Genre: Rock & Indie

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Over the course of their stop-start five years together, Honeybus ventured into the BBC studios on a dozen occasions, leaving a catalogue of recordings that mirrored their latest releases as well as offering up a fascinating alternate history. The songs that make up 1970’s much-loved “almost didn’t happen” Story album (reissued by Hanky Panky/Mapache in 2018, along with the rest of the group’s output) began appearing as early as the summer of 1968. The likes of ‘Scarlet Lady’, ‘Black Mourning Band’ and ‘Under The Silent Tree’ appear almost fully-formed, played as ensemble pieces, suggesting that their album counterparts were captured quickly and without fuss during snatched studio sessions throughout late 1968 and 1969. They also demonstrate Honeybus’s often overlooked skills as a live unit – BBC sessions notoriously allowed little scope for re-takes or overdubbing; you went in and you laid it down while the men in white coats watched the clock. Thrilling as it is to finally hear these alternate versions of familiar Honeybus cornerstones, it’s the surfeit of otherwise unrecorded material that’s the most startling revelation here. Under The Silent Tree: Gentle Sounds With Strings And Things At The BBC 1967-1973 presents no less than 10 unique Honeybus songs (plus a further four on the CD version only) that virtually constitute an entire second album’s worth of unheard material. We find ourselves in a kind of musical hall of mirrors, revealing in a whole new perspective on one of the last great cult pop groups of the ’60s, where every track offers a fresh outlook, a fresh thrill, a fresh sound. With strings and things.

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