Hip Hop 231 Items

Only 1 per customer! Limited double blue-colored vinyl LP pressing. Celebrating the 20th Anniversary of Grammy-award, multi-platinum artist Jill Scott's debut album, Who Is Jill Scott? Who Is Jill Scott? Words and Sounds Vol. 1 is the debut album by the R&B-soul singer-songwriter, originally released in 2000 The album was nominated for Best R&B Album at the 2001 Grammy Awards, whereas "Gettin' in the Way", "A Long Walk", and "He Loves Me (Lyzel in E Flat)" were nominated for Best Female R&B Vocal Performance in 2001, 2002, and 2003, respectively. The album has been listed as one of the best albums of the 2000s by Slant Magazine.

The long awaited Jorun PMC album is finally here!

For the first time on 7inch, 45 RPM vinyl, FlipNJay Records presents, “Superstar Pt. Zero” by the superstar himself, K-os. A record tailor made for DJs from a recommendation from another Canadian legend, Starting From Scratch , “Superstar” features kHeaven from Heaven rapping and singing over the Pal Joey house classic “Hot Music.” Together with the video, an homage to Herb Alpert’s “North On South Street”, featuring some of Canada’s best b-boys and b-girls and house dancers, this track transcended dance circles world wide and has aged like a fine wine.

In collaborating with FlipNJay records releasing his classics onto 7 inch, K-os decided to celebrate by combining the first release with his newest music to date - “supernovas” produced by long time hometown homies Mstrkft!

Zum 10. Jubiläum erscheint am 21. Oktober das Album „good kid, m.A.A.d city“ von Kendrick Lamar erneut.

Das Album enthält Gastauftritte von Drake, Dr. Dre, Jay Rock, Anna Wise und MC Echt und erzählt die Geschichte von Lamars Erfahrungen als Teenager in den drogenverseuchten Straßen und dem Bandenleben seiner Heimatstadt Compton.

Das Album wurde 2014 für vier Grammys nominiert, darunter für das Album des Jahres. Zudem enthält „good kid, m.A.A.d city“ die erfolgreichen Singles "The Recipe", "Swimming Pools (Drank)", "Backseat Freestyle", "Poetic Justice" und "Bitch, Don't Kill My Vibe".

Das Album ist als 1CD und 2LP auf 180g gepresst erhältlich und als 2LP in rot

KidCutUp from L.A., Trackstar the Dj from St. Louis and Grzly Adams from Berlin connected through the mutual love for Hip Hop. 3 different Timezones and one goal - Make timeless shit!!!

After sending mixes back and fourth for quite a while here is the final Mixtape.

Yes you heard it right, we decided to make an actual Tape.

Artwork & Design by Skor82

Limited edition on red vinyl!

Red double vinyl with gatefold tip-on case-wrapped jacket, 12” photo insert, printed labels and dust sleeves.

Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early `90s rap group whose work still goes criminally under-appreciated to this day. Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining - Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single "What A N*gga Know", the slippery, bass-driven "Get U Now", and the album's title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw - many times both, concurrently - the tracks gave the MC's the springboard they needed to express themselves clearly. Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X - now the sole remaining member of the group - was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album's provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards.

Gatefold cover with price tag.

At a blink and you’ll miss it runtime of 15 minutes, the 5 tracks, all easily distinguishable, focus on vibe and feel over technicality which producer Morriarchi has previously displayed in ‘Friend Come To Me To Be Saved’. Our emcee on this joint is one who you may recognise from past collaborations with kindred spirits MachHommy, Fly Anakin and Liv.e. This, coupled with projects produced by one of the underground scene’s top beatmakers ohbliv, has made Koncept somewhat of a household name in the US rap discussion. Here Koncept Jack$on’s naturally jazzy, off beat style of spitting plays right into the very capable hands of Morriarchi, who uses features from Kayana, Capriisun and Pertrelli as more than just a hook or a verse, but as another form of instrumentation. Such as Koncept Jack$on’s form of rap commands, these are tracks which will uncover more with every listen, so require, as much as they demand, multiple replays. Kayana’s vocals act as strings to Koncept’s keys in ‘A Toa$t’, just as CAPRIISUN’s high pitched darts play as a moog synth to accompany Koncept’s mid-range rhythmic rumblings in ‘Window Fit’; geographical separation apart, this is a thoroughly cohesive album.

Kool Keith Is The Most Legendary Trailblazer Of Hip Hop Music. With Characters Spanning From Dr. Octagon To Tashan Dorsett To Black Elvis To Dr. Dooom, Keith Is Always Delivering Realness, Spectacles In Word And Sound, And Creating New Worlds With His Many Auras. Scorn Is The Electronic Beat Project Of Acclaimed Exnapalm Death Drummer Mick Harris, The Dark Lord Of Ambient Dub. Mick Harris' Prolific Ventures Across Numerous Projects Include Painkiller (With John Zorn And Bill Laswell), Quoit, Lull, Monrella, And Many More. Submerged Is The King Of Underground Drum N Bass DJs, Having Pioneered The Scene For The Hard Sound From Astana To Sao Paulo To Kiev To Brooklyn. He Is The Founder Of Galactic Enterprise That Is Ohm Resistance. Distortion Is A Collaborative Single With Some Of The 100% Certified Dopest Kool Keith Verses. He Is Tuned Into His Co-Authors, Dropping Lines About "Power Sources, Mediterranean Bosses", Going "52 States, European, Worldwide", Discussing "More Power To Explore", And Knowing How To "Stick My Hand Out The Speaker And Reach Y'all". A Massive Energy Liftoff Occurs As Keith Joins His Multiverse With That Of The Ohm Resistance Artists.Mick Harris' Instantly Recognizable Bludgeoning Beat Carries The Weight, As He Trades Off Bass Blast Duties With The Organic Overdriven Bassline Of Submerged. A Warning Shot Fired In Advance Of Scorn's Album, "The Only Place", This Single Adds The Missing Element To Scorn That Brings Out The Richness And Flavor Of Mick Harris Behind The Mixing Desk. "I'm So Happy To Be Working With A Great Voice - I Could Do More Of, It Adds Another Dynamic To Scorn." Says Harris. Submerged Explains His Usual Streak Of Unusual Luck - "I Had A Bassline I Had Written And Wanted To Send To Mick Harris For Scorn. When The Opportunity Came To Work With Kool Keith, Mick Made His Beat, And My Riff Fit Exactly - So We Coordinated The Forces To Put This Record Together". With Kool Keith Being One Of The Most-Named Influences By Many Of The Ohm Resistance Artists, His Arriv...

Extended edit of Letherette's Woop Baby which has gained virality on Instagram (600k plus reels) and Tik Tok (15.3k posts) as well as extensive syncs (hbo, Starbucks) with the original version gaining 7m+ streams across DSPs
A limited edition 7" single physical release is to follow in the coming weeks.

1999 Reissue. Promotional copy. Sticker on label.

On his new album, Samurai, Lupe retreats inward to give fans one of his most personal albums in his deep catalog. “I sometimes get tagged by my fans as not doing personal records,” Lupe says, “but I always tell people there's me in there if you listen closely enough. This album is one of my more personal records to date. It's not a full biography, but my personal experiences are tied up in all of my music. A lot of the records are me. Some are from the POV of a character. and some are me. The album weaves things from my life as an artist, touching on things other artists go through.” The narrative follows a battle rapper through various moments in his career, starting with how they honed their battle rap skills, following their career through different moments. Musically, the new album finds Lupe delighting in the simple pleasures of assembling assonant syllables into playful and poignant narratives. The 8-track album is smooth, yet cerebral, brimming with ideas, but always radiating Lupe’s pure love for the art of emceeing and committing himself as a servant of the rap game. The album was produced in full by longtime collaborator and friend, Soundtrakk (“Superstar,” “Kick, Push,” “HipHop Saved My Life”), their second time linking up on a full album after 2022’s DRILL MUSIC IN ZION, and is also the first time Lupe, Trakk, and longtime manager Charles “Chill” Patton were in the studio together since Patton’s release from prison in 2023. “It felt great to be back in the studio again as a family,” Lupe says. It’s the first time they’d worked together in the studio since Lupe’s seminal album, The Cool in 2005. “The word ‘samurai’ means to serve,” Lupe says on the album’s title. “My relationship to that word has always meant that you need to be at the service of other people, either in the overall community, or in this instance, the rap community at large that I’ve been a part of for years. You have some duty, some purpose to serve. The title alone is very important to me. Before rap even, martial arts was my whole life, and it still plays a huge role in my life. The album is me, but also inspired by a quote I heard from one of my favorite artists. The overall themes of the album speak to the constant fight and the battle one goes through being in the entertainment industry. Some of the things we need to defend.”

On his new album, Samurai, Lupe retreats inward to give fans one of his most personal albums in his deep catalog. “I sometimes get tagged by my fans as not doing personal records,” Lupe says, “but I always tell people there's me in there if you listen closely enough. This album is one of my more personal records to date. It's not a full biography, but my personal experiences are tied up in all of my music. A lot of the records are me. Some are from the POV of a character. and some are me. The album weaves things from my life as an artist, touching on things other artists go through.” The narrative follows a battle rapper through various moments in his career, starting with how they honed their battle rap skills, following their career through different moments. Musically, the new album finds Lupe delighting in the simple pleasures of assembling assonant syllables into playful and poignant narratives. The 8-track album is smooth, yet cerebral, brimming with ideas, but always radiating Lupe’s pure love for the art of emceeing and committing himself as a servant of the rap game. The album was produced in full by longtime collaborator and friend, Soundtrakk (“Superstar,” “Kick, Push,” “HipHop Saved My Life”), their second time linking up on a full album after 2022’s DRILL MUSIC IN ZION, and is also the first time Lupe, Trakk, and longtime manager Charles “Chill” Patton were in the studio together since Patton’s release from prison in 2023. “It felt great to be back in the studio again as a family,” Lupe says. It’s the first time they’d worked together in the studio since Lupe’s seminal album, The Cool in 2005. “The word ‘samurai’ means to serve,” Lupe says on the album’s title. “My relationship to that word has always meant that you need to be at the service of other people, either in the overall community, or in this instance, the rap community at large that I’ve been a part of for years. You have some duty, some purpose to serve. The title alone is very important to me. Before rap even, martial arts was my whole life, and it still plays a huge role in my life. The album is me, but also inspired by a quote I heard from one of my favorite artists. The overall themes of the album speak to the constant fight and the battle one goes through being in the entertainment industry. Some of the things we need to defend.”

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Vinyl with scuffs and hairlines. Cover with seam split on spine.

10th anniversary deluxe edition of Mac Miller's second studio album Watching Movies with the Sound Off on galaxy vinyl. Includes a bonus 10" zoetrope picture disc. 2LP 180g Galaxy Color in Gatefold, Picture-10", Artprint, Box

Vinyl with many scuffs and hairlines

Marv Won is a Detroit musical alchemist – a street poet laureate entrenched in the battle rap scene, as well as a cinematic world class producer as capable of channeling Dr. Dre as Donald Goines. Marv breaks new ground with his first Mello Music Group album “I’m Fine, Thanks For Asking” - a soul-baring endeavor, that weaves tales of struggle and triumph, drawing inspiration from his storied life in the Motor City.

As one of the most esteemed battle rappers, Marv Won brings a lyrical ferocity to his unapologetically raw and heartfelt rhymes. This album collaboration with Mello Music Group marks a pivotal moment in his career, showcasing a seamless fusion of his word play and production. The album, featuring collaborations with Quelle Chris, Elzhi, Freeway, Rapper Big Pooh of Little Brother and more, cements Marv Won's status in the rap game. Marv Won's storytelling transcends mere verses, painting vivid portraits of life in the D. Over ten self-produced tracks Marv showcases his ability behind the boards with tracks that blend epic orchestration and Joe Louis drums that hit like Tommy Hearns.

Cover with saw cut

Not to be confused with Snax.

It's at the very beginning of MF Doom's career that Moar interested himself in the sound of the late artist. He quickly became a big fan of Doom's instrumental projects Special Herbs. This new beat tape is a tribute to his use of samples. Take note that even the name of the tracks have been changed, will you find out what are the originals?

It got away! The hounds are back on the leash for another session, as Montel makes a bid for better days with this all-out charm offensive of serenades, blissed up patter and emotional blackmail, Palmer-style.

The result is 12 tracks steeped in mind games, romance power plays and neurotoxin rollercoasters, with additional bonus strategies to dissociate with minimum dignity. Big up Kiwi’s Kiosk..

First part of an ongoing series of singles featuring some of the globes finest. x 2 tracks produced by Morriarchi Side A will be available to stream but Side B is vinyl only.

US import. Must have classic! Brand new pressing made in Czech Republic for the US market leading to high import prices. But it's worth every cent. Briliant album