House | Deep House 13622 Items

Release: 1994 / Reissue

Genre: Electronic & Dance

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Louie Vega, Radio Slave & Todd Edwards

Nervous Records 30 Years Part 1

4LP | 2021 | EU | Original (Nervous)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

Published: 3RD September 2021

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Sound Exhibitions Records Box Vol. 3

3x12" | 2021 | IT | Original (Sound Exhibitions)

LP | 2024 | US | Original (Sound Signature)

Release: 2021 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record 1 is missing! Only 3 records. In box.

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Specter

Brutus

2LP | 2023 | EU | Original (Rnc Music)

Release: 2024 / US – Original

Genre: Electronic & Dance

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All music by Andres Specter Ordonez Illustration by Sean Linn Graphics by Thomas Xu 2023 Whobody Publishing BMI

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Gabin

Release: 2023 / EU – Original

Genre: Electronic & Dance

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4LP | 2021 | EU | Original (AVA. RECORDS)

10 Yahre

42,39 €* 52,99 € -20%

2LP | 2022 | EU | Original (3am)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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AVA. Records celebrates its 10th anniversary with 52 artists. “10 Yahre” is a 4LP compilation housing 22 tracks, a printed 30 pages magazine and a mixed CD. All wrapped in a custom made silkscreen sleeve, also including a textile keychain and stickers. Sonically spanning from ambient to techno, 10 Yahre carries new and exclusive material, all woven around the label’s decade focus on dance floor culture, started 2011 in Cologne, Germany. The 4LP vinyl includes music by: Am Kinem, Andy Hart, Axel Boman, Cinthie, Damiano von Erckert, Dman, Dogpatrol, форм, Jürgen Ratan, Jus-Ed, Lauer, Lowtec, Move D, Paingel, Paradise Grey, Retrogott, Robi, Ron Trent, Sinoesin, Tito Wun, U-I, Will Saul and Wolfey. The mixed version of the entire compilation is contributed by Sally C. The full color magazin and video includes works by: Alina Bader, Andy Kassier, Angel, Anna Beil, Ata Macias, Bailey Keogh, Damiano von Erckert, Dirk Jeans & Lou de Bètoly, Funkycan, Guido, Jana Marei, Jana Maria Dohmann, Joana Pratschke, Johannes Wohnseifer, Juri Bader, Kuchenbaum, Manuel Fischer, Maria Sécio, Martin Fengel & Public Possession, Mathias Schmitt, Maximilian Schweizer, Michael Satter, Naum Hirsl, Nicolas Wenz, Peter Wolff, Rein Vollenga, Rucksack Leer, Stelan Mergenthaler, Suzanne Caroline de Carrasco, Twit One and Yves Taron Harouche Compiled by Juri Bader and Damiano von Erckert, mastered by Enyang Urbiks. Design and concept by DVE 1989.

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Al Bradley

Little Treasures

12" | 2012 | NO | Original (Wania)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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3am Recordings brings you its debut album, from label boss Al Bradley. While it would be much easier to get some huge name in for this who is previously unrelated to 3am, it was never going to be like that here. Staying true to the ethos of the label, it was important that this milestone was a reflection of the label and what it has always stood for. The move back to vinyl in 2015 has firmly planted the label back in its place as one of the UK's most consistent for house music, retaining its value of working with artists who have been involved with the label over its 19-year history, or who have been firm supporters of 3am during its time. Over the 9 cuts there are a variety of vibes, 'Little Treasures' aims to cover a selection of sounds that represent Al's influences & styles, having been buying records since the mid-80s & playing vinyl as DJ since he got his decks in 1991. The past is important as it represents where we started, the future is equally important, as it's the area of the unknown & we have to embrace it... Covering deep house, dub techno, broken beats, raw machine funk, beatless ambience & more, the album is one that is dancefloor-aimed, but works beyond that area too. With support from the likes of Placid (We're Going Deep), Carlo Gambino (We_R_House), Lolu Menayed (Rawtrax), Lars Behrenroth (Deeper Shades of House), Loz Goddard (Oath), James Reid (Sonet), Moodymanc (2020Vision) & many more, the album reaches right across the spectrum of electronic music.

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DJ Sotofett

Pulehouse

Release: 2012 / NO – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2007 | US | Original (DFA)

LCD Soundsystem

Sound Of Silver

LP | 2024 | Original (Swear Down Music)

Release: 2007 / US – Original

Genre: Electronic & Dance

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the latest effort by James Murphy the head of DFA under the moniker of LCD Soundsystem ... 9 tracks

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House Gospel Choir

Love Is The Message

Release: 2024 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-09

Dedicated To The Island Soundwalk & Music For Saunter Magazine Record Store Day 2024 Edition

Kaoru Inoue

LP | 2024 | JP | Original (Deep Ground)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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NO Us/canada. “Dedicated to the Island -soundwalk & music for Saunter magazine-” is a new album by Kaoru Inoue, a Japanese DJ/music producer also known as Chari Chari.

Initially released as a CD supplement to Saunter Magazine 06 “Yakushima 2023” issue, and through a new process, its vinyl record will be released for the first time on Record Store DAY 2024.

A gem of nine organic, electronic, balearic, and ambient techno tracks including “Mizukumi”, “Nagareru”, and “Hoshifuru” produced based on field recordings made in Yakushima Island.

180 gram audiophile weight black vinyl with a printed double-sided insert, RSD limited edition.

................................

Since being astonished by Yakushima Island when I first visited in 2002 for Final Drop’s recording, this was my 4th visit. The plan was to conduct field recordings and receive the coverage. I was reading “Introduction to Field Recording” written by Eisuke Yanagisawa, a book that had been the conversation topic among musicians around me, and I accepted the offer without a second thought as I was purely motivated by the idea of going back to Yakushima. However, it became an even more special project for me, as I eventually produced music from it.

“Soundscape”, a concept proposed by Canadian composer Murray Schafer in the 60s encompassed many ideas and matters, and the most interesting of which was its educational aspect: to discern the creativity of attentively listening to the environment and the action of soundwalking as its practice. I believe this trip was a perfect example of this. The music that was sounding faintly as I entered deep in the mountains and the environmental sound of Yakushima is the basis of this album.

(Kaoru Inoue)

*Excerpt from Saunter Magazine 06 “Yakushima 2023” issue*

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2LP | 2023 | EU | Original (Use Vinyl)

I Ragazzi Del Columbus

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2003 | FR | Original (Not On Label)

Rod Baksteen

Stolen Soul / House Ya!

41,64 €* 48,99 € -15%

2LP | 2022 | UK | Original (Nervous)

Release: 2003 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Writing on label sticker. Limited edition.

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Timmy Regisford

Source Of House

Gerd Janson, Mood Ii Swing & Armand Van Helden

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Timmy Regisford’s discography reads like a virtual timeline in the evolution of House. He’s been a central force since the genre first began in shaping the sound and helping it to become the worldwide cultural phenomenon it is today. Recently inspired by the afro-centric musical movements that have become increasing popular, he has gone back into the lab and created a collection of songs that are destined to move the genre once again.

Highlights of this essential double pack vinyl collection include “Good Morning,” which is an homage to his legendary Shelter parties that always last deep into the morning hours, “Hamballla” which features an inspired vocal performance from future star Toshi and the memorable “Hotel Cali” amongst many others.

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Nervous Records 30 Years Part 2 Black Vinyl Edition

4LP | 2021 | EU | Reissue (Nervous)

12" | 2001 | US | Original (Plastic City America)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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Ashtar Afterhours

Body Music

12" | 2007 | DE | Original (Astrodisco)

Release: 2001 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

few paper scuffs. Label cover.

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Temponauta

Get Up EP

Release: 2007 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Vinyl is close to NM.

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12" | 2018 | DE | Original (Steyoyoke)

Couple Affair 04

12" | 1996 | US | Original (Sounds.)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Wamdue Kids

Ocean Between Us

Drone Logic - 10th Anniversary Edition White Vinyl Edition

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Close to VG. Original pressing!

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Daniel Avery

2LP | 2023 | Original (Because Music)

2LP | 2002 | DE | Original (STIR15)

Release: 2023 / Original

Genre: Electronic & Dance

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BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.

"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.

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Marvin Dash

Model Turned Programmer

LP | 2023 | EU | Original (Bomba Dischi)

Release: 2002 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Pop X

Anal House

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2014 | IT | Original (Life And Death)

Tale Of Us & Vaal

Concor EP

Release: 2014 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

The New Sound Of The Venezuelan Gozadera Colored 25th Anniversary Edition

Los Amigos Invisibles

2LP | 2023 | EU | Original (Luaka Bop)

Behind The Groove Present Victor Simonelli The Early Years Volume 2

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Anniversary Edition 2xLP in 25th-Anniversary-Pot-At-The-End-Of-The-Rainbow Gold, in a gatefold jacket.When Los Amigos Invisibles first released "The New Sound" - exactly a quarter of a century ago!) - it was the ultimate party album. Time has passed, but the party has kept on- and this party music, full of non- stop funked out grooves - traveling through house, funk, acid jazz, and bossa nova, to name a few musical avenues - is a journey deep into the pants of rhythm. (We won"t even mention the old sound of the Venezuelan Gozadera).

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Victor Simonelli

2LP | 2023 | UK | Original (Unknwn)

12" | 2018 | FR | Original (Prisma)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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In the words of Bill Brewster - DJ History

‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ/producer delivered a string of underground club hits during the city’s early ’90s house boom.’

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol

Launching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 & 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and Ez-al, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.

Victor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage & Zanzibar/Wbls/Kiss FM respectively.

Revered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on Wbls, Wktu and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.

Graduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his Wbls/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.

In the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.

DJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall & Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M&S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.

In the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 & 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.

Behind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound. With Victor Simonelli Live in the UK on Sunday April 30th, please go to www.behindthegroove.co.uk for all the latest news and features.

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Nico Laa

40.6782° N 73.9442° W

45 RPM | 2005 | UK | Original (Modern Love)

Release: 2018 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Purple vinyl.

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Claro Intelecto

Patience

Release: 2005 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1998 | US | Original (Frictional)

Shake

...Waiting For Russell

Release: 1998 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2009 | IT | Original (Persistencebit)

Franco Cangelli

Raw Emotion

Release: 2009 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2020 | DE | Original (Public Possession)

Wolfram

Automatic Dub 2

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Few slight paper scuffs.

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2LP | 2023 | EU | Original (NTS)

Amapiano Now

Release: 2023 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Preorder shipping from 2024-07-12

2LP Gatefold release of the celebrated Amapiano Now compilation from NTS. Showcasing some of the most notable South African artists from the centre of the scene, from DBN Gogo to Vigro Deep, Mr JazziQ to Kamo Mphela. Whether lengthy hypnotic instrumentals with jazz indebted key solos or rugged township productions, Amapiano Now is a celebration of this essential sound and a document of the evolution of post-apartheid club sonics. Curated by Shannen SP & Joe Cotch, with NTS.

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The Sound Of Twin Town Part One

3x12" | 2022 | EU | Original (Twin Town Production)

Music Components White Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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As a tribute to the 20th anniversary of the music label Twin Town Production (*11 Sept 2001), Nicolas Molina and Stachy.DJ presented "The Sound of Twin Town: Tribute Mix Pt. I", a personal selection of remastered music from the catalog of the first decade. An eclectic mix of Soulful House, Chillout, D&B, Acid Jazz, IDM, Dubstep and Breaks takes the listener on a journey through time to the musical roots of the label until the dawn of the second era of digital mania. Now this compilation package offers homelisteners and DJs all the remastered tracks of the DJ-Mix in full length on vinyl. The package can either be opened only on the outer edge to access the vinyls, or it can be sliced on all sides to flip through the entire story. Don’t handle with care! The entire case study on the artwork will still be published in the fall of 2022 by Manuel Wesely himself.

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Arnaud Rebotini

2LP | 2022 | UK | Original (Diggers Factory / Blackstrobe)

12" | 2010 | BE | Original (La Musique Fait La Force)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Limitierte Reissue auf weißem Doppelvinyl des ersten Albums von Arnaud Rebotini (Black Strobe) unter eigenem Namen. Der vollständig auf emblematischen Keyboards (TR 909, TR 808, SH 101, Juno 60, Korg Monopoly) komponierte Klassiker aus 2008 sollte das Markenzeichen des Rebotini-Sounds werden, der ihn in eine Reihe mit Produzentenlegenden wie Carl Craig einreiht.

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Tensnake

Coma Cat

Trevor Miller & A Guy Called Gerald

Release: 2010 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Label cover.
Writing on labels.

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Trip City (Book + Vinyl)

12"+Book | 2021 | EU | Original (Velocity Press)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Book and vinyl will be in a special black Trip City tote bag exclusive to shops. Originally published in 1989, the book went on to sell 12,000 copies in a year before going out of print and becoming an underground cult classic. Includes a new introduction from author Trevor Miller and a foreword by Carl Loben (DJ Magazine). The book’s original soundtrack by A Guy Called Gerald is also being reissued and all five tracks will be available on vinyl for the first time.

In the summer of 1989, when Trevor Miller’s Trip City was first released with a five-track cassette EP by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn’t really been explored since Tom Wolfe’s The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as “the acid house novel” and an underground literary landmark.

But for 2021, Trip City is back and the original soundtrack by A Guy Called Gerald is also being reissued and all five tracks will be available on vinyl for the first time. The Trip City soundtrack on vinyl is only available as a bundle with the book in a special Trip City tote bag.

“I remember back in the 80s, in my hometown, Tony Wilson (of Factory Records fame) was fond of calling Shaun Ryder the WB Yeats of his day. In that vein, whether or not I like to see myself in the canon of Anthony Burgess and Clockwork Orange - with these five tracks, A Guy Called Gerald feels very much like the Ludwig Van to my Alex DeLarge.” Trevor Miller

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12" | 2015 | GR | Original (Nous)

Ethos Series 2

Release: 2015 / GR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

10" | 2009 | DE | Original (Sushitech)

Anonym

Chelsea

12" | 1999 | BE | Original ([PIAS])

Release: 2009 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

White vinyl.

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Inner City

Good Life (Buena Vida)

Release: 1999 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Small sticker on friont cover.

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2LP | 2016 | DE | Original (Stil Vor Talent)

10 Years Stil Vor Talent

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Nite Life (The Armand Van Helden Remix)

Kim English

12" | 1994 | US | Original (Nervous)

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2011 | UK | Original (Third Ear)

Wbeeza

Bagwag EP

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2x12" | 1994 | US | Original (Dance Mania)

Parris Mitchell

Life In The Underground

Warten Borgmann Edits III

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Close to NM!

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Warten Borgmann

12" | 2015 | DE | Original (Eclipser Chaser)

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 1999 | US | Original (KDJ)

Andrés

Material World

2x12" | 1997 | CA | Original (Stickman)

Release: 1999 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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The Stickmen

Afterhours

Dreamer's Blue's / Lost Angel

Release: 1997 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with creasing and small stickers.

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Theo Parrish

12" | 2001 | UK | Original (Music Is...)

Acid House & Medusas: Chicago 1987-1992

Release: 2001 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with many scuffs and hairlines, close to VG

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Scrappy

2xLP | 2024 | EU | Original (Still Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-07-05

3x12" | 2011 | DE | Original (Mojuba)

Stereociti

Kawasaki

4LP | 2024 | US | Original (Michigander)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Original cover is missing!

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Brian Kage

Timeless Times

12" | 1991 | NL | Original (Lower East Side)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Michigander is a techno, house, and dance label created by Detroit DJ & Producer Brian Kage. It was initially established to showcase how faces and places in Michigan have played a role in influencing Brian's music. Well into double digits now, the label bossman steps up to the plate with a project of a lifetime; four slabs of vinyl filled to the outer grooves with authentic D Town techno and deep house that will floor you. Brian Kage is a staple on the Detroit techno and house scene and has consistently pushed the boundaries of electronic music. With a career marked by acclaimed releases and collaborations, Kage's sound is a testament to the rich musical heritage of Detroit. He’s released on Planet-E, Craigie Knowes, We Play House, Fxhe, Berettamusic, and of course his own label Michigander. His productions are known for their depth, soul, and technical prowess, making him a respected figure in the global electronic community. ‘Timeless Times’, is a masterful blend of classic house rhythms with the distinct edge of Detroit techno. Through this ambitious 19-track collection, Kage weaves a sonic tapestry through emotional landscapes, marked by ambient, and personal nostalgic vignettes that evoke a sense of timeless musical exploration. Although this is his first solo album, he was not alone on this sonic adventure. You will hear exciting collaborations between Kage and Mr. V, Milton Jackson, Jon Dixon, OB Ignitt, Luke Hess, Taho, Mesha Monique, RBJ, plus more surprises. ‘Timeless Times’ is not just an album, it's an auditory experience that encapsulates the very spirit of Detroit's electronic music scene and the beautiful state of Michigan.

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Pallas

A Taste Of Ulysses

Release: 1991 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, closer to VG+. Cover with light ring wear on the back.

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12" | 2012 | FR | Original (My Love Is Underground)

Mliu09

12" | 1990 | BE | Original (Buzz)

Release: 2012 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Lost Entity

Sounds Of Tomorrow

Release: 1990 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Barbra Streisand 3" Limited Edition Box Set

Stokyo x Duck Sauce

3" | 2023 | Original (Stokyo)

Release: 2023 / Original

Genre: Electronic & Dance

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2LP | 1995 | EU | Reissue (Sticky Buttons)

Dennis Mpale

Paying My Bills

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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Label Text "When one of South Africa’s most sought after trumpet players steps forward after a career alongside the very best in the International jazz scene, you know it’s going to be a special record. Dennis Mpale was one of South Africa's heavyweights. You’ll find his name springing up on every important South African jazz record and billing since the 1960’s. Chris McGregor’s iconic Jazz/The African Sound LP, Abdullah Ibrahim’s Dollar Brand, Barney Rachabane in the highly influential ensemble Roots, and early work in house bands appearing alongside Nick Moyake in The Soul jazz Men to name just a few. His trumpet playing had character, an extension of the body and amplifier of that great South African sound. Leaving South Africa during Apartheid as a strong supporter and member of the ANC, Dennis made London his home, joining the newly established SA Jazz scene and standing in solidarity against the oppressions back in Africa. Moving between London and South Africa during the 70’s and 80’s It wasn’t till the early 1990’s when Dennis finally settled again to make his biggest transition to solo artist, redefining his Jazz past and putting a heavy kwaito infused house slammer on the agenda. 1994s ‘Paying My Bills’ (a title maybe more appropriate now than it ever has been) is a mighty jazz kwaito house effort: From the heavy synth beat and

Gorgeous floating solo opener of ‘Paying My Bills’, to the highly infectious vocal phrasing on thumping house anthem ‘Take My Time’. Paying My Bills takes the sensibilities of a jazz maestro and pairs it with one of South Africa’s biggest producers Peter ‘Hitman’ Moticoe, creating the perfect recipe for a certified summer slammer.

Having previously only ever been released on CD, this is the first ever vinyl pressing of the album (hazy early test pressings lurk on a small number of lucky shelves). Vinyl mastering is handled by The Carvery’s very own Frank Merritt here in London, with the resulting tracks generously split over 2 discs to fully appreciate the swampy heavy dub bass drolls for full dancefloor effect. It’s loud and punchy and makes space for those glorious trumpet improvisations while keeping the synth refrains and heavy bass thumping. Early plays include resident NTS DJ’s and a feature on Palms Trax Radio 1 residency with surely more support to follow. "

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2x12" | 2010 | US | Original (Ultimix)

Ultimix 157

Release: 2010 / US – Original

Genre: Hip Hop, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1995 | US | Original (Relief)

Trackhead Steve

Gone Madd

39,59 €* 43,99 € -10%

Metamorfosi The Remix Collection

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Orange Transparent Vinyl.
Ships in a label sleeve.

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Joseph Capriati

3LP | 2022 | EU | Original (Redimension)

12" | 2000 | DE | Original (Lo-Fi Stereo)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Joseph Capriati is to release a selection of remixes of his epic 2020 album Metamorfosi. They arrive on limited edition triple vinyl on April 29th 2022 on his Redimension Music label, and feature the likes of DJ Stingray, Frank Wiedemann & Toto Chiavetta, Steve Rachmad, Dave Clarke, Carl Cox, Francois K, Masters at Work and more.

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Pink Elln

Moscas Muertas

12" | 1997 | NL | Original (Basic Beat)

Release: 2000 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

few paper scuffs

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Fruit Loops

Dance, Dance, Dance

Release: 1997 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1993 | US | Original (Goldtone)

Jovonn

The Goldhouse EP

Release: 1993 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

And Then It Was My Turn...

Mike Grant

12" | 2001 | US | Original (Moods & Grooves)

LP | 1997 | EU | Reissue (System Of Object)

Release: 2001 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines. Writing on labels

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Gagarin

Last House On The Left EP

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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For its second release, System of Objects is proud to welcome another British artist: Graham Dowdal aka Gagarin and his debut eponymous album. This 90s ambient techno hidden gem was released as a CD on Graham’s own imprint, Geo Records, in 1997. The album is on par with the genre’s masterpieces such as Sun Electric, Sandoz and Locust, and truly showcases Gagarin ingenious work. Here he explores a wide range of tempos from dark trance-infused techno to melodic ambient bliss, and lush intricate downtempo to intelligent extraterrestrial jungle. This is really a one of a kind discovery, albums like this don’t pop up every day.

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Pional

12" | 2011 | DE | Original (Permanent Vacation)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2x12" | 2024 | UK | Original (Wtr)

Masrahiya

Shkoon

New Erotica Collection Durante Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Berlin, 20 August 2023 – In a world where music serves as a gateway to explore the intricate dance between reality and imagination, Shkoon, the innovative germany-syrian musical group, presents their newest single, "Al-Furat." This release is a captivating addition to their upcoming album, a collection that masterfully blurs the lines between the tangible and the ethereal. Its the first single of their 10 Track Album being released on 16st of November followed by a big concert tour. "Al-Furat" is not merely a song; it's a satirical exploration of life's complex game. With a wink to the audience, the song invites listeners to look beyond its surface and decipher the layers of meaning hidden within. At the heart of it, "Al-Furat" beckons the audience to find what resonates with them, to uncover the deeper messages that lie beneath the harmonies and rhythms. A Harmonious Blend of Emotions Crafted with a touch of irony, "Al-Furat" humorously contrasts the declarations of love for one's homeland with the journey of Ameen, the protagonist, as he navigates the game-like challenges to reach France. It's a juxtaposition of joy and sorrow, presented through cheerful melodies and thought-provoking lyrics. This blend of emotions adds depth to the song, making it not just a musical piece but a thought-provoking experience.

Blurring the Boundaries Shkoon doesn't stop at melodies and lyrics; they expertly play with boundaries. The video showcases Thorben crossing borders with a French baguette, a clever visual metaphor that challenges stereotypes. The inclusion of French demonstrations further blurs the lines between art and reality. It's a deliberate move that asks the audience to question their perceptions and assumptions.

Art with a Message As with their previous works, Shkoon's "Al-Furat" carries a hidden message—a critique and commentary on societal norms and expectations. It's a call to look beyond the surface, to recognize the dual nature of art as both entertainment and a mirror to society. Shkoon's ability to weave such messages into their work is a testament to their artistry and depth.

The Album After Rima (2019) some singles, EP’s and their touching live album “firaq” (2022) Shkoon is coming up with another concept album “Masrahiya” which is arabic and stands for theater play. Shkoon created a strong message again, with a diverse piece of art combined with an album concert tour.

This play 'Masrahiya' delves deep into the blurred boundaries between reality and fiction, where the lines of truth and imagination intertwine like a mesmerizing dance. As the three captivating chapters unfold, tragedy, politics, and irony are seamlessly woven together, creating a tapestry of emotions that leaves the audience spellbound.

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System Olympia

LP | 2023 | EU | Reissue (Okay Nature)

Release: 2023 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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All your favorite System Olympia songs in one vinyl record. Tip!

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David Guetta

Just A Little More Love

2LP (Plgflintl)

Genre: Electronic & Dance

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12" | 1992 | IT | Original (DFC)

Sonido Espacial

Boom

38,24 €* 44,99 € -15%

2LP | 2022 | EU | Original (Virgin)

Release: 1992 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Close to VG! Writing on label sticker.

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Mall Grab

What I Breathe

LP | 2022 | US | Original (Love Injection)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Double 180gm vinyl LP pressing. What I Breathe is the debut album from Mall Grab (AKA Jordon Alexander). The Australia-born, London-based powerhouse reaches within to create the most comprehensive demonstration of his style to date - loudly defining the raw energy that has become synonymous with the moniker. Even with a stack of very well-received projects already under his belt, What I Breathe can be seen as the first deep breath in and a fierce and deeply personal declaration of what's to come for Mall Grab.

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Barbie Bertisch

Prelude

12" | 1996 | US | Original (Prescription)

Release: 2022 / US – Original

Genre: Electronic & Dance

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“I’m closing a chapter in my life,” Barbie Bertisch says to me from a park bench in Greenpoint, “I spent the last four years working towards gaining confidence around my ideas and my creative perspective. This feels like a culmination of that process” The “this,” in question is Bertisch’s debut record Prelude, a collection of eleven songs that chronicle 5 years of Bertisch’s life. The legendary musician Anna Domino describes the record best: “[Prelude is a record of] layers and depths. The melting phases and soaring distances.”

Raised in Buenos Aires and Miami, Bertisch has called New York home for most of her adult life. When she started piecing together Prelude, she was in her Brooklyn kitchen. It was early quarantine. Stuck at home instead of DJing at clubs, she found the space to parse through the archives. What she previously considered unworthy of attention in the era of distractions, finally made sense as a whole once all the noise was turned down. Compiling a list of songs in various states of completion, Bertisch dreamed up an album, a chronicle in growth and healing frustrations of the past, an honest account of someone trying to find her own voice. That in and of itself was a journey. It took years for Bertisch to accept that she was an artist. “I felt like I was surrounded by men who ruled every space. I constantly felt like I had to ask permission to enter, always around bands but never the girl in the band” she says.

Prelude is an introspective record. It explores all of the valences of being and feeling. Some songs are chaotic and choppy. Others are soft and searching. There is rage and innocence, and moments of forced stillness, like capturing the aftermath of panic attacks, as in “After The Storm”. Bertisch also focuses on rhythm, bass guitar being her main instrument, and no stranger to the power of the beat. The record also draws on influences as varied as Kaitlyn Aurelia Smith, Cocteau Twins, Berlin School, and pioneering producer François Kevorkian. Both sonically and conceptually, Prelude is a portrait of who Bertisch is as a person.“Is This What You Wanted?” is fiery, a pointed provocation to domineering figures from her past. It’s full of strobing, strident synths, and heady lines of bass. It gives off the same vibe as a fire alarm, as a big room dance track that subverts your expectations of what it means to dance in a sea of bodies. “28,” the record’s opening track is more peaceful. It’s all languid keyboard arpeggios with the occasional flourish of a cascading synth effect.

Since most of the songs already existed in some form or another, Bertisch’s job on Prelude was to refine and reimagine music that had previously been private. She spent time rearranging, rewriting, adding elements newly available to her, such as the saxophone, and pushing the limits of the rough mixes to mold the universe she envisioned. Along the way, Bertisch grew more excited about her abilities as a musician. The resulting record is one that is inherently confident.

Prelude is also a homespun release. It’s coming out on Bertisch’s own label, Love Injection Records, which she runs with her partner Paul Raffaele. The two also DJ and make zines under the name, which started in 2015. Love Injection is a love letter to New York. Prelude is a word of encouragement to those struggling with self-actualization. The record was mixed by Justin Van Der Volgen and mastered by Walter Coelho. Love Injection Records holds the remix tradition in high regard, and they’ve enlisted reworks by some of Barbie’s favorite producers. It’s all a labor of love for Bertisch. Prelude is her: Barbie the musician.

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Konfusion Kidzz

Stresskill

2x12" | 2020 | EU | Original (Aus Music)

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Price tag on label sticker.

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Cinthie

Skylines - City Lights

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Triangulo Bundle Dixon & Trikk Rework

Keope

LP+7" | 2020 | EU | Original (Bigamo)

Raw Cuts # 3 / Raw Cuts # 4

Release: 2020 / EU – Original

Genre: Electronic & Dance

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This limited edition bundle of Keope's 'Triangulo' contains the original LP as well as a 7" with versions from Trikk and Dixon that have only been released digitally before. The versions will be available exclusively on the 7" and it will not be available separately.

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Motor City Drum Ensemble

12" | 2008 | NL | Original (MCDE)

Release: 2008 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Billy Love & Theo Parrish

Melloghettomental

2x12" | 2009 | US | Original (Sound Signature)

12" | 2015 | DE | Original (12Records)

Release: 2009 / US – Original

Genre: Electronic & Dance

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“So I called Bill since we hadn’t recorded in a while. He came by and I started playing ideas for him and these four happened that day. Full length coming.” - Theo Parrish says so and also produced and arranged it!

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Paul Deepnlow Moore

From Alpha To Gemini

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2011 | DE | Original (Exploited)

Homework

Hudson Square EP

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of small scratches

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12" | 2017 | DE | Original (Parquet)

Parquet Most Wanted EP 8

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2013 | US (Not On Label (Glenn Underground))

Glenn Underground

Classiques Volume One

Release: 2013 / US

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

What I Breathe White Vinyl Edition

Mall Grab

2LP | 2022 | EU | Original (Virgin)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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3LP | 2023 | Original (Public Possession)

On & On

4LP | 2023 | Original (Perlon)

Release: 2023 / Original

Genre: Electronic & Dance

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Public Possession turns 10. What holds it all together?
Comedy & Rhythm. Find us in between the sun and the moon. Onward, forward, don’t step backward.
The source is everywhere.
• Where (Who) Am I? An angel with an UFO.
• Toot, Toot, Beep, Beep....
• Maintain a child’s mind
• Listen, talk, see
• Archaeology (dig it)
• WOW (curiosity)
• Easy & Difficult
• Mix It Up
• Soft Education
• Love Unlimited
We are not doing this alone.
The biggest thank you goes to the P.P. Team & all label artists.
To many more years!!

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Villalobos

Alcachofa

2x12" | 2023 | UK | Original (Openers)

Release: 2023 / Original

Genre: Electronic & Dance

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Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“.

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Amtrac

Extra Time

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Snowboarding In Argentina 25th Anniversary Edition

Swayzak

3LP | 1998 | EU | Reissue (Lapsus Perennial Series)

2LP | 2022 | DE | Original (Boysnoize)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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Dance music has always been grounded in a sense of place. Chicago, Detroit, London, Berlin--a zip code can tell you as much about the music as the year it was made. But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak's Snowboarding in Argentina is one such record. The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations--mostly bedrooms--around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne. That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen. On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then, after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin's Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that's how DIY electronic music worked in those days.) The album itself appeared in 1998 on London's Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn't quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher. A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of '90s production are available--the music's almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw--but there's nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines' limitations, never eclipses their musical or emotional essence. Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus' Perennial Series edition unites, for the first time, all the album's tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it's the chance to hear a beloved album as never before. And for newcomers, it's the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.

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Boys Noize

+/-

37,99 €* 39,99 € -5%

LP | 2021 | US | Original (Mahogani Music)

Release: 2022 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Includes original inner sleeves.
Records are close to NM.

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Andres (DJ Dez)

Andres V

37,59 €* 46,99 € -20%

Release: 2021 / US – Original

Genre: Electronic & Dance

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Only 1 per customer!

At long last: Andres returns to Mahogani Music with dope new LP with a full picture sleeve. All done with his trademark production finesse, the album feature 8 soul drenched and funk heavy house tracks .

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Ulyap Songs: Beyond Circassian Tradition

LP+Book | 2024 | EU | Original (FLEE)

37,49 €* 49,99 € -25%

2x12" | 2022 | UK | Original (Tresor / BMG)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Flee new issue tries to document a Caucasian musical phenomenon mixing criminal songs, Adygean culture & post-soviet society; and features original recordings of traditional songs, and contemporary reinterpretations by a selected line-up of electronic-esque producers: Emmanuelle Parrenin & Colin Johnco, Misha Sultan, Zongamin, Minami Deutsch, Valentina Goncharova, Simone Aubert, Ben Wheeler... Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism. This publication reflects on a music phenomenon involving talented female and male musicians, performing in lively (and sometimes festive) social dynamics. It does so by revealing important songs of the repertoire on the one hand, inviting original artists to experiment with Ulyap songs on the other. Built around an important work of documentation on this genre mixing criminal songs, Adygean culture and lyrics related to post-Soviet society, the book and record (available separately or as part of a bundle) include essays, archive and contemporary photographs as well as three art commissions questioning this original phenomenon from various point of views. Written in English and Russian, the book encompasses a dozen contributions. Musically, the double LP conists of rare and unpublished archives as well as recordings made by Flee, Ored recordings and Nikita Rasskazov over the last years in various locations of the Caucasus. These original celebration and drinking songs performed by group of professional and amateur musicians alike have been used as a creative fabric by sonic sound artists and musicians.

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Waajeed

Memoirs Of Hi-Tech Jazz

Stay Underground. Stay Raw.

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Inspired by revolutionary efforts against oppressive hegemonies in Detroit, and in Black locales around the world, Memoirs of Hi-Tech Jazz is a sound score evocative of that resistance. It is also a reminder that although violence and injustice looms, it is not the only story: we are much more than what oppresses us. The album celebrates Black leisure and play; the mundane joys that persist in spite of the depleting realities of the world.

Movement, and the very mobility of the car specifically is integral to Memoirs of Hi Tech Jazz. Timed perfectly to match the duration of a round trip drive from Underground Music Academy in the North End, to Detroit’s island park, Belle Isle - the album is undoubtedly best experienced while driving.

That journey signifies the transition from labor to pleasure: from the neighborhood of the Techno Museum in North End to an outdoor park that has long been a destination for Black Detroiters to cookout, park their boats, play spades, and listen to local music.

Memoirs of Hi-Tech Jazz embodies the feeling this place engenders—a reprieve from the midwestern work ethic, and a reminder to ground in the pleasures of your body and the land.

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Sebastian Gummersbach

12" | 2017 | DE | Original (Raw Soul)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2x12" | 2021 | US | Original (Sound Signature)

Theo Parrish

Smile

Release: 2021 / US – Original

Genre: Electronic & Dance

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12" | 2010 | DE | Original (Haunt)

Horror Inc.

Aurore

12" | 2007 | DE | Reissue (Playhouse Back Up)

Release: 2010 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl and cover are close to NM.

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Losoul

Open Door

12" | 2013 | UK | Original (Baalsaal)

Release: 2007 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

2007 Reissue on Playhouse Back Up! Close to VG+

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Fjaak

Mind Games EP

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Straight Coffee For George

Swimming In A Fish Tank

12" | 1992 | US | Original (Majammy)

Release: 1992 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

3LP | 1998 | DE | Original (Save The Vinyl)

Save The Vinyl - History

Brothers G.R.Y.M. (Too Poetic, Brainstorm & E#)

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Small sticker on cover.
Includes original inner sleeves and poster.

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Ghetto Repaired Young Minds EP (1989-1992)

LP | 2017 | UK | Original (Chopped Herring)