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Hozac

Hozac HHV Records 17 Items

Name: Tim Hinely & Friends - Where The Wild Gigs Were
Brand: Hozac
SKU: 892252v1
Price: 35.99 EUR
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Tim Hinely & Friends

Where The Wild Gigs Were

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When Tim from Dagger Zine approached us about his book idea covering long-loved "spaces" held sacred for countless music fans, we knew it was a great project to get behind, Similar in its community effort to our last book release (The White Label Promo Preservation Society), Hinely organized an incredible list of contributors from all stripes of the underground music spectrum, each waxing their own warm recollections of wild nights seeing life-changing bands and/or terrible bathroom experiences. Chock full of photos, original newspaper ads, flyers, and long-lost monthly calendars of the pre-Internet age, Where The Wild Gigs Were illustrates how important these sacred spaces really are, and how much it's noticeable when we can't actually be AT these homes-away-from-home, spread all across the USA. From Stache's in Columbus, OH to Flynn's Ocean 71 in Miami, FL (the 'CBGB's on the beach'), back to The Brewery in Lansing MI (complete with previously unpublished Stooges photos!), to City Gardens in Trenton, NJ (staffed by Comedy Dentral's Jon Stewart) to Peter Aaron's sordid details on the mob-run Jockey Club in Newport, KY, you won't find many dull moments as each page bleeds into the next, oozing with recollections of blurry good times and endless excitement before the world changed, as we know it. Includes a foreword by Byron Coley and an afterword by Tesco VEE. 235 pages, paperback. First edition of 500 copies.

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Joey Seeman & Chris Potash

Punk Under The Sun: Ounk And New Wave In South Florida

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The first book to chronicle the alternative music, art, and club scenes of a particularly amazing time and place: the 1980s in South Florida. Comprehensive in its approach, Punk Under the Sun documents the bands, venues, galleries, and scenesters who started and sustained the groundswell of activity that made Miami and nearby beaches a progressive hotspot, setting the stage for South Florida to become the international cultural destination it is today. Authors Joey Seeman and Chris Potash were there, participating in and documenting the first, second, and subsequent waves of musicians, indie labels, DJs, retail stores, publications, and players who came together to create a unique cultural moment and movement in South Florida history. This essential document of a powerfully expressive decade features never-before-seen photographs by Jill Kahn, Debbie Baylis Sunshine, Laurie Alaimo, and others, plus dozens of fliers, posters, and other souvenirs from that heady time. Punk Under the Sun includes a discography of 1980s albums and singles, along with an 11-page index that’s a valuable Who’s Who of people and places that created South Florida’s alternative culture. First edition of 600 copies. 224 pages.

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Burnt Envelope

I'm Immature: The Singles Vol. Ii

LP | 2023 | US | Original (Hozac)

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Release: 2023 / US – Original

Genre: Rock & Indie

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There really isn’t much you can do to prepare yourself for something as profound as Burnt Envelope. Punk this “pure” has to be fake these days, or does it? We stumbled upon this band (or is it high concept performance art?) the old fashioned way, on a podcast while being quarantined for a global pandemic, and its charm and impressively brazen lack of luster wiggled its way deep inside the Hozac brain trust, big time. Starring the eternally optimistic Anthony Pasquarosa (formerly of Weeping Bong Band, Frozen Corn, Gluebag, etc), the Burnt Envelope concept is very easy to swallow, and impossible not to immediately heave back up. If there was a “ballet” for sloptastic stoner-sweat exercise routines, this would be the Swan Lake. And Burnt Envelope would probably end up drowning in that lake, because you, my dear, are indeed “Stuck in this World.” If you’ve been curious about Ancestry.com and the like, “23 and Me” will be the song that gets you through the rest of 2023 with a spring in your step, a smile on your face, and a shot in your eye. “I’m A Chameleon Parts 1&2” are some of the most ambitious tracks ever released on this label, a seriously hypnotic soured mash of “Sister Ray” and Randy Savage/Mean Gene Okerlundisms that will cast a heavy spell, only to crack your wits out with a Maggots-esque “Nothing To Do” that will leave you dizzy and drooling. Set up as singles across the dehumanizing entire LP, every two tracks is in essence a “single” and quickly sears your fingers/toes and brain/ass simultaneously. Burnt Envelope is the modern national treasure you never knew we had, a brilliant barrage of slop punk perfection and black humor that shows we’ve still got a long way to go with “evolution,” and a nasty reminder of the beauty of a perfectly fried guitar solo. Will this immaturity get old any time soon? Not as long as baby shit stinks it won’t, and this incredible LP will give you the courage you need to tackle tomorrow’s hurdles, at least in your brain. Don’t worry, we won’t let many people get copies of this, we promise. People in stone houses shouldn’t thrown glass as it just gets everywhere, and it’s a huge mess to clean up….

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Sal Maida / Mitchell Cohen & Friends

The White Label Promo Preservation Society: 100 Flop Albums You Need To Know

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HoZac Books is proud to present The White Label Promo Preservation Society: 100 Flop Albums You Ought to Know, written and compiled by Sal Maida and Mitchell Cohen, who have recruited for their “society” a gang of esteemed music obsessives: musicians, label executives, and journalists who chose favorite albums from the 1960s and 1970s to rave about and expound upon. The only criterion was that the albums never made the top 100 on Billboard’s LP Top 200 (although in a few cases, they did quite well on the R&B or country chart). The selection ranges from east coast vocal-group harmony to punk and metal, from superstars like The Who and the Beach Boys to virtual unknowns. As Sal and Mitchell write in the book’s introduction, “These are the albums you might not read about, except here. No one needs to tell you why Pet Sounds, Revolver or Blonde On Blonde are essential parts of any decent record collection, or guide you towards classics – or even somewhat lesser efforts – by the Rolling Stones, Chuck Berry or the Jimi Hendrix Experience. Or which Pink Floyd album is indispensable (hint: the debut; you can stop right there). Although we have strong opinions about pantheon artists like Led Zeppelin and Marvin Gaye, and are happy to share those views with anyone in earshot, that isn’t what this book is about. We aren’t here to challenge or endorse rock orthodoxy. Neither is the mission to, once again, assert the brilliance of Skip Spence’s Oar, of such artists as Nick Drake, Big Star, and the Velvet Underground, whose influence, despite the lack of any commercial success in their time, has been thoroughly – one might even say exhaustively – documented elsewhere.” To tell help this story, Sal and Mitchell called on an impressive team of guest essayists: Lenny Kaye, Russ Titelman, Amy Rigby, Brian Koppelman, Dennis Diken, Bebe Buell, Jim Farber, Susan Whitall, Steve Shelley, Phil King, Ira Robbins, Billy Altman, Marshall Crenshaw, Peter Holsapple, Wreckless Eric, Peter Keepnews, Miriam Linna, Joe McEwen, and a cast of dozens.

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Marty Perez

Kill A Punk For Rock & Roll - Photographs 1976-2019

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Marty Perez is a Chicago-based photographer who has been documenting the parallels between the worlds of underground rock as well as some of the biggest stars of pop music, from 1976 to the present. This is the first collection of his images from the last five decades of rock’n roll decadence, from the wild, unhinged crowds of unruly and footloose teenagers to the incredible juxtaposition of both house-hold names with the sub-obscure underground bands that didn’t see the bright lights as close, yet still hold that certain magic of the era."—Jim De Rogatis

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Jeff Drake

Guilty! My Life As A Member Of The Joneses: A Heroin Addict, A Bank Robber, And A Federal Inmate

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Jeff Drake has led an extraordinary life... and believe me, that’s a vast understatement. I say this with confidence, because we’ve known each other for four decades. His band the Joneses, co-founded with skateboard champion Steve Olson, was the shining light of the 1980’s Southern California underground rock scene, ages before the term ‘alternative music’ was bandied about by MTV and rock critics. The Joneses were the damn bomb. A louche, sloppy, outlaw amalgam of punk, pop and Don’t Give A Fuck attitude, they played thrashy, trashy rock’n roll that owed as much to The New York Dolls as it did to the Rolling Stones. Jeff’s songwriting was pure, catchy pop, even though the lyrics were riddled with sex and drug references. It was as though he mixed up a potion from the blood and brain cells of Little Richard and The Ramones, came up with a perfect formula, ingested it, and made his own unique creation. The Joneses’ live shows were off the hook, as were their off-stage antics. Though neither of us can remember the exact moment we met, we became fast friends in 1983. We hung out constantly back then and he was a regular at my infamous punk rock crash pad, Disgraceland. Hollywood in the 1980’s was an ungentrified wasteland; the streets were ruled by delinquent twenty-somethings, most of whom were in bands. My own band The Screaming Sirens played numerous times with the Joneses. During the time, the Joneses were being courted by a number of major labels, though the record execs were absolutely clueless and cautious back then. If one of them would’ve taken a gamble, Jeff would’ve become a huge star. Instead, living out his own song ‘Criminals,’ he robbed a bank to feed his heroin habit. On a personal note: in the course of my life I’ve somehow known seven bank robbers, but hands down, Jeff is my favorite.There’s so much more to his story though, as you’ll see in the following pages. It’s a confessional told in a direct, honest, engaging way, in his own words with a touch of dark humor; it’s exactly the way he speaks in real life. You, dear reader, will be extremely happy that Jeff didn’t join the 27 Club, the coterie of rock stars who passed away at that young age. Luckily, he’s still with us to tell his own personal story of sin and redemption. After all, what could possibly be more subversively rock’n roll than living to tell all the salacious details?”—Pleasant Gehman, March, 2022.

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The Rubs

Dust

LP | 2022 | US | Original (Hozac)

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Release: 2022 / US – Original

Genre: Rock & Indie

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Oh how we’ve missed THE Rubs, let us count the ways! One of the finest of Chicago’s last wave of rock’n roll resuscitation of the late 2010s, who uprooted the whole project for greener pastures in Kansas City, MO, yet still continues to churn forth incredible hooks by the bucketload, no matter where they land. Here we have the anxiously awaited third long-player, still entirely written, composed, and performed by the one-man-army that is Joey Rubbish, and still creating those invigorating waves of euphoria you’ve come to know and love from this essential hit-machine. After settling into a new living situation in a new city, the hits just kept pouring out, and as the dust settled after several reconfigurations over the next years, the Dust LP finally took its final, gleaming form, as the LP you have here. Another knockout collection of pristine pop bangers laced with mesmerizing guitar and/or sizzling mellotron solos, woven into impossibly contagious harmonies that should effectively put the CDC on high alert.

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The Revelons

1977-82

LP | 2022 | US | Original (Hozac)

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Release: 2022 / US – Original

Genre: Rock & Indie

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Available on vinyl for the first time anywhere, THE Revelons are known to punk prevaricators one of best “lost bands” of the Cbgb era who simply released one earth-moving 7” single on Ork Records in 1979, didn’t get signed to a major, and shuffled back into the shadows of an ever-growing scene. Fronted by Gregory LEE Pickard, the band dug into the trenches of New York City’s seedy Bowery life and were frequent players alongside most of the top-tier punk bands of the time, becoming mainstays at not only Cbgb but Mudd Club, Danceteria, Hurrah’s and Max’s as well as incorporating a rotating cast of members that, at times featured Richard Lloyd of Television and JAY DEE Dougherty of THE Patti Smith Group in the lineup. Incorporating a brash and aggressive pop sound with a vicious edge, The Revelons teetered between Television-like sparkling minimal artistic flourishes, but with more raw & primitive delivery. To which, they solidified their street-level prowess with a tenderized toughness not many other bands could match. The Revelons also were pretty hard to pigeonhole sound-wise then as they are now, with Talking Heads comparisons generally falling short, but there were some genuine Doo Wop moments that sneak in as well, showing their deeper roots to the NYC of days long past. But the real crime here is that this previously unreleased collection of recordings has never appeared in the vinyl LP format, as it surely would have escalated The Revelons’ profile much higher in the timeline of New York Punk, and in the minds of rock’n roll historians across the globe. Its a fully-realized album overloaded with massive cuts that’s sadly been forgotten for far too long, so of course, we felt like it was our responsibility to make that happen, and we hope you enjoy this instant-classic album of 1977-82 material from one of New York City’s overlooked gems.

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Adam Roth And His Band Of Men

OST Down The Shore

LP | 1981 | US | Reissue (Hozac)

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Release: 1981 / US – Reissue

Genre: Pop

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It’s with extreme pleasure that we unleash the only true document from Adam ROTH’s underground music. Since discovering the endless joy that the 1981 film Down The Shore demonstrated we made it our mission to track down Adam and get this amazing LP back out into the world. Unfortunately Adam passed away far too young and left us in 2015, but before that tragic event, we got the wheels in motion for this project. Recorded as part of a DIY film soundtrack for the top-tier Down The Shore (aka Beach House), Adam Roth and his brother Charles formed a pickup band based around scenes from the amazing teen trash film. The resulting LP is one of the best of the era, a truly knockout album of pure Power Pop prowess, and until now, nearly impossible to find. Adam’s longtime pal and comedian/actor Denis Leary even co-wrote one of the tracks included here, and Adam later was the music director for his TV series Rescue Me. Adam also was known for working on the film To Die For, starring Matt Dillon…who Roth had taught to play guitar for his role in 1983’s classic Rumble Fish. So many crazy connections, and such an incredible album AND film! This year’s 40th anniversary remaster sounds crisp & deadly, and featured new liner notes on the insane film & LP project from Adam’s brother Charles Roth, detailing how their manager ended up dumping the majority of the original LPs in junk stores after a disagreement, where they disappeared quickly into the ether. RIP Adam Roth: 1958-2015

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Soursob

LP | 2021 | US | Original (Hozac)

23,99 €*

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Release: 2021 / US – Original

Genre: Rock & Indie

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We’re excited to announce the debut LP from Glasgow’s Soursob this month, a viciously minimal 3-piece that does so much with so little, yet packs such a powerful punch you won’t soon forget. A bass-driven groove holds these songs in an awesome aggressive limbo between the lush, heavy-noise of the post C-86 sound and the brash early 90s invigoration of riot grrrl noise. Like nothing we’ve ever encountered, their anger toward simple modern pleasures is just short of breath-taking, dragging everything you hold sacred into their pit of resilience. Thick accents drizzle over thick blocks of drastic fuzz as each song bleeds effortlessly into the next, encompassing some of the catchiest choruses this side of Dolly Mixture, yet with a sinister darker underpinning, all tied into their increasingly hypnotic bass lines. With the three members of Soursob originating from Glasgow, Lithuania, and Australia, they are currently in limbo post-pandemic, but with the immediate impact of this crushingly infectious new LP, they hope to be bashing it out in front of live crowds again soon. Such an impressively confident collection of songs here, and your fleeting taste for craft beer, cocaine, mass transit, watching TV on a cell phone, and Berlin in general, is very much “on the line” with these sublime and profound revelations. One these teeth sink in, you won’t believe how you’ve lived this long without the prickling & sickening throb of Soursob!

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14th Wish

I Gotta Get Rid Of You

7" | 2020 | US | Original (Hozac)

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Release: 2020 / US – Original

Genre: Rock & Indie

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I’m not living my life so good, tell me, how about you?’ What can we really say about 14th Wish, how did this band even exist? This record and band were Completely unknown up until the last couple of years, when we were approached by a notorious record fiend who was looking for more info after our official release of David Peel’s King of Punk LP. Here we have a band with no paper trail, zero online search results, and released in a tiny quantity on Orange Records in 1980, right alongside the first GG Allin and Eddie Criss Group LPs. But instead of a stylized gutter glam workout with a hot-shot studio guitarist, 14th Wish trip over themselves with a snotty/sloppy amateurism that veers farther into the beloved ‘Killed By Death’ arena, with it’s sweltering TAPEWORM-style lead guitar freak-outs.
Fronted by the mysterious figure known as Halo Peace, both 14th Wish tracks offer a refreshing mid-tempo crud-punk slop-take on the sounds swirling around the drain of the Lower East Side at the end of the 1970s. Although both tracks aren’t lightning fast, their instant ominous catchiness and absolutely sordid and squalorous guitar tone suggests a more murderous background, as well. Mention of this record just drew blanks across from the board, from all of the rare punk record dealers, to the most avid international collectors, and even NYC scene members from the time. Never even turned up in a Mike Bastarache Want List! And of course, the internet was no help either. Was this really one that Everyone missed? Recommended If You Like: Tapeworm, GG Allin & the Jabbers, Freestone, The Trend, Mentally Ill, The Gears, Killed By Death compilations.”

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Trampoline Team

LP | 2019 | US | Original (Hozac)

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Release: 2019 / US – Original

Genre: Rock & Indie

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Disco Junk

Underage Punk

7" | 2019 | US | Original (Hozac)

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Release: 2019 / US – Original

Genre: Rock & Indie

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Screaming Urge

Buy

LP | 1980 | US | Reissue (Hozac)

31,99 €*

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Release: 1980 / US – Reissue

Genre: Rock & Indie

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Homework' was an earth-shaker the first time I heard it. Blasting off the sketchy Cd-r on the Hyped2Death volume of Homework Volume 1: American DIY R-T, it defined frantic punked-out power pop from the Midwest. In such great company on those comps, sometimes the tracks seemed to seep into each other, yet Screaming Urge seemed to consistently dig itself deeper, standing out and don’t forget, they named their entire Series after that invigorating cut! Columbus, Ohio, in the late 1970s had an incredible cast of characters running around Mr. Brown’s, Crazy Mama’s and such. Tommy Jay, Mike Rep, Ron House, Jim Shepherd, Nudge, it must have just been a brown leather fever dream! 'Released' on Mike Rep’s New Age label in 1980, the 'Homework' single is pure American DIY punk gold that really checks all the boxes. Overbearing parents, teenage frustration, beer, everything you’d want in a punchy underground would-be hit. Later the same year they released their powerhouse debut LP BUY, (aka The Blue Album) on Garner Records, which has sadly been out-of-print for 43 years, until now. Packaged together with the 'Homework' 7” tracks and freshly remastered, this Ohio Punk milestone is finally available again."—

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