International Hip Hop Vinyl 465 Items

Soundtrack album "El Mundo o Nada"
Mc: Djione is a.k.a pronounced GeeOne or Donnie
Accompanied on the beats by his blood brother K-Ba, and other brodas like Skr78, Fs, HrenBeatz, and himself as co-producer on some instrumentals.
In the collaborations or featurings his brother from Sangre K-Ba appears, his broda in MNR - Mike Mic and Billy Alkes or Al Roc, in the scratch cuts Djione is making his first sounds in practices on turntables and of course also Dj could not be missing Zeack, other good friends taking the mic well are placed in some tracks, they are: Kage, Fs, Peet Kalibre, Liriko Fame, Tek Development (Man of Booom), among some.
Record 2010-16 // Mix Mastering 2017-Mani Man. // Edited 2018 // VINYL and Digital Published 2022 for El mundo o nada (Original motion picutures soundtrack)
Art Work by Reeb One.

Yo-Sea and HIYADAM’s single “Dreaming City” was a summer hit in 2020 - a relief to many spending a lot of their days propped up against walls, dreaming of the outside. The light, crisp star-gazing production of the a-side enveloped by Yo-Sea’s bouncing R&B vocals link up with HIYADAM’s style in natural harmony. Ever the collaborator to expand his horizons, the b-side of this 7” features a joint single with Taeyoung Boy on “ON Mission” where together they flex their trap intuitions, and call out to Travis Scott fans from the shores of Japan.

The new project, produced by Djar One and Kesta AKA Kool Kest, is a bundle of 2 limited edition items:
a 45 single with the two highlighted tracks, "Cheer Song" and "Let me wander", and the 10 tracks CD album !!!
The bundle has only 200 copies

The work of Malcolm R & Waseem started with “Peace, Love, Unity and having Fun”, the Hip-Hop motto according to Krs-One. Malcolm R, involved in the social processes of his country of origin (Chile), moved to Munich Germany to pursue better education. By participating in Munich’s Rap scene he got to know Waseem and DasDing (DSDNG), a collective of Mc’s, Dj’s, B-Boys/Girls. Waseem, also an activist, invited Malcolm R to join the collective marking the starting point of their first projects together. From that moment on their common work flourished with the necessary spirit and resources to produce their first professional work in the form of “The Motherland EP”, which refers to the search for justice and to the roots of these two Afro-Latinamerican MC’s. Malcolm R & Waseem also feature some local and international musicians/activists, giving this project a wider spectrum to the perspective of people looking for a better future - in their motherland or as immigrants.

The work of Malcolm R & Waseem started with “Peace, Love, Unity and having Fun”, the Hip-Hop motto according to Krs-One. Malcolm R, involved in the social processes of his country of origin (Chile), moved to Munich Germany to pursue better education. By participating in Munich’s Rap scene he got to know Waseem and DasDing (DSDNG), a collective of Mc’s, Dj’s, B-Boys/Girls. Waseem, also an activist, invited Malcolm R to join the collective marking the starting point of their first projects together. From that moment on their common work flourished with the necessary spirit and resources to produce their first professional work in the form of “The Motherland EP”, which refers to the search for justice and to the roots of these two Afro-Latinamerican MC’s. Malcolm R & Waseem also feature some local and international musicians/activists, giving this project a wider spectrum to the perspective of people looking for a better future - in their motherland or as immigrants.

The work of Malcolm R & Waseem started with “Peace, Love, Unity and having Fun”, the Hip-Hop motto according to Krs-One. Malcolm R, involved in the social processes of his country of origin (Chile), moved to Munich Germany to pursue better education. By participating in Munich’s Rap scene he got to know Waseem and DasDing (DSDNG), a collective of Mc’s, Dj’s, B-Boys/Girls. Waseem, also an activist, invited Malcolm R to join the collective marking the starting point of their first projects together. From that moment on their common work flourished with the necessary spirit and resources to produce their first professional work in the form of “The Motherland EP”, which refers to the search for justice and to the roots of these two Afro-Latinamerican MC’s. Malcolm R & Waseem also feature some local and international musicians/activists, giving this project a wider spectrum to the perspective of people looking for a better future - in their motherland or as immigrants.

Everyone knows the iconic Hip Hop anthem »Jump Around«. What about giving it the ultimate cover version twist by Japanese Jazz Trio Nautilus plus international artists Luvit from Japan, Flip (Texta) from Austria, Spax from Germany and MC Yinka from Greece who are spitting their rhymes in four different languages over it plus vinyl digger and producer Glueset who edited it to the perfect version? It took more than one year to get this project finished!

The flip side starts with the original version of »Rokucho«, a beautiful traditional Japanese song with dilla-esque beats by experienced Japanese singer Anna Sato and drummer Toshiyuki Sasaki from Nautilus. After that their song gets remixed by Berlin based duo Slick Walk (Merse & DJ Robert Smith) who give it a mysterious chopped up and laid back treatment to full effect.

Kid Sublime returns with his second album on Jazzy Sport with the Dutch Rap album: “Dosty Vingers" ! Kid flexes his lyrical muscles and showcases his skills as an emcee on this double album , backed with his soulful, raw and gritty beats. Lyricaly Kid’s style is witty, playful and alot of bragging and boasting. Talking about his hood De Baarjes in West Amsterdam, staying on the grind , slanging beats for rappers , his lovely wife , tours in Japan , getting paid and his favourite booze. Although most people won’t understand Kid’s lyrics, they sure will feel his vocal delivery and raw beats.

“Dosty Vingers" is an album for the real heads and Hip Hop connaisseurs.

Record includes a download code for the instrumental versions

Sometimes you need to look to the past as much as the future. 'The Overview Effect' by emcee-producer duo Jermiside & The Expert is a vast musical collage of psychedelic soundscapes merged with hip hop’s golden age. A socially conscious psychedelic hip-hop album inspired by Marvin Gaye’s narrative on ‘What’s Going On’ mixed with tripped-out beats reminiscent of Edan’s ‘Beauty & The Beat.’

The production on 'The Overview Effect' takes on late-60s psychedelic folk/rock, viewed through a 90s b-boy mentality of heavy drums and dope breaks. Built with a keen ear for detail, The Expert densely layered his productions with tons of samples, seamlessly weaved together. Swirling strings, sitars, Moogs and crunchy guitars are all present, accompanied by trippy sound effects. “In terms of songwriting, very few songs on this record have a ‘classic song structure’,” says The Expert. “Key influences include bands like The Zombies, The Beach Boys, The Left Banke, and Love’s 1967 cult classic, 'Forever Changes.'”

This album was a way of paying tribute to the artists and music Jermiside & The Expert love, but done in their own way. 'The Overview Effect' is an album that never overstays its welcome and demands repeated listening. “I wanted the songs to have multiple layers, different sections, and intriguing arrangements so there’s something new to discover every time,” adds The Expert.

The carefully crafted collage on the album cover reflects war, greed, injustice, racism, and social ecology. Jermiside’s vivid imagery paints his own picture of a broken world yet one where the power is still in our hands to change it. “I came across a podcast with an astronaut describing his experience in space,” recalls Jermiside. “The feeling was described as ‘the overview effect,’ which is essentially a keen sense of awareness astronauts feel after viewing planet earth from the vantage point of space for the first time.”

Jermiside’s ‘overview effect’ confronts the state of the world we now live in and the struggles we face. This starts on the opening track “I Love You, Still?” with Jermiside questioning his love for his home country. “Black Tears” sees Jermiside and Stik Figa trade experiences about racial challenges and inequalities, while “Bullet shock” deals with police and the use of authority. The album then ends on a positive note with “A Little Love” stating that love conquers all. A closing message in line with the sampled spirit of the 60s.

Jahmal Padmore’s debut solo album, Esparonto, arrives via Telephone Explosion Records on May 28th, 2022. Padmore has been honing his producing, songwriting, and drumming skills since 2007, working with artists like Mstrkrft, The Carps, Just John and Brendan Philip. This extensive studio & collaboration experience has primed Jahmal for a standout debut, one that encompasses the diversity of his past musical work. Esparonto is a stunning collection of ten post-Afropunk R&B tracks that are languid, sexy and wry.

There is an undeniable sense of self-reflection that runs throughout Esperanto. Lyrics about distant regrets, ego detachment, and unconditional self-love are reoccurring, sung through Padmore’s signature lyrical croon. “... I can’t give you the things you need, without forsaking a part of me,” sings Padmore in the chorus of album opener Sorted, perfectly encapsulating the overarching vibe of Esperonto. Guitarist Benja’s foggy haze of abstract jazz chords provide a welcoming and warm atmosphere required for such deep contemplation.

Esperonto kicks it up a notch on the more hip hop-leaning tracks. Operator (ft: Matthew Progress), Ingestion (ft: Keita Juma) and Pretty are all rife with energy, with the latter taking the cake as the song most likely to be stuck in your head for the next 10 months, at least! The classic combination of a sample pack-worthy beat and a massive chorus are at work here. The song begins with the lyrics “I can’t help it if god made me pretty,” setting the hook for a stadium-sized chorus where Padmore proclaims “My ego gets me high/My ego tells me who I really am.” A follower of spiritual guru Ram Dass, Padmore appears to be one step closer to his goal of enlightenment, and is not ashamed of it.

The album closes with “So Cold,'' its most delicate track and a perfect come-down after such tireless self-evaluation. The epic crescendo sees Padmore repeatedly announcing “I’ve lost myself.” It’s clear that he has shed some unnecessary facets of his personality and is ready to move forward. Recording at Telephone Explosion’s Studio Z, the trio of Padmore, Benja and OBGMs drummer/keyboardist Colanthony Humphries began with lengthy jam sessions which eventually became the cores of each track. Padmore plucked the most progressive bass and percussion

elements from the sessions and added samples to create Esperonto’s uniquely live aesthetic. The album was then mixed by Louis Cremades at House Of Balloons (The Weeknd) and mastered by Kevin McPhee at East End Mastering.

Esparonto’s title is drawn from the name of the constructed language that Polish ophthalmologist L.L. Zamenhof created in the late 1800s. On this album, Padmore constructs a musical language all his own, with songs firmly rooted in R&B that expand to include elements of jazz, ambient, house, hip hop and pop. After years of holding space for other artists and productions, Padmore’s thrilling debut is a clear proclamation from an artist who is ready to step out of the shadows and into his own light.