Island HHV Records 288 Items

Woodkid's debut out on Island Records. Nice one!

Milk Cow Blues is the 48th studio album, released in 2000, by American country music singer Willie Nelson. It contains several duets and musical collaborations with artists such as B. B. King and Dr. John. Available for the first time on vinyl. 180-gram 2 LP.

Tracklisting

Side A: 1. Milk Cow Blues 2. Outskirts Of Town 3. Black Night 4. Funny (How Times Slips Away) Side B: 5. Rainy Day Blues 6. Crazy 7. The Thrill Is Gone 8. Wake Me When It's Over Side C: 9. Kansas City 10. Fool's Paradise 11. Ain't Nobody's Business 12. Night Life Side D: 13. Sittin' On Top Of The World 14. Lonely Street 15. Texas Flood

An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

This long awaited soundtrack is finally out on vinyl and comes on double heavyweight 180g vinyl in a gatefold sleeve with artworked inner bags, and an MP3 download card.

“War” is the third studio album by Irish rock band U2. It was produced by Steve Lillywhite, and was released February 1983 on Island Records. The album has come to be regarded as U2's first overtly political album, in part because of songs like "Sunday Bloody Sunday" and "New Year's Day", as well as the title, which stems from the band's perception of the world at the time; Bono stated that "war seemed to be the motif for 1982."
“War” was a commercial success for the band, knocking Michael Jackson's Thriller from the top of the charts to become the band's first number-one album in the UK.

remastered re-issue on heavyweight vinyl incl. liner notes & unseen photos!

In celebration of the40th anniversary of Under A Blood Red Sky(1983), the2023 Record Store Day Black Fridaysees the newly remastered release of the band's iconic live album onlimited edition red vinyl. Consisting of live recordings from three shows on the band'sWar Tour in 1983, the album helped to cement U2's reputation globally as one of the greatest live acts of all time. Featuring legendary live versions of 'Gloria', 'I Will Follow', and 'Sunday Bloody Sunday', the album remains faithful to the original track list, but is newly remastered at the renowned studioBernie Grundman Mastering.

A limited edition, 4-track EP, celebrating the 40th anniversary of U2’s third studio album ‘War’ (1983).The EP features two original studio tracks, both released as singles in 1983, and two reimagined versions from the 2023 U2 album ‘Songs Of Surrender’. On limited edition, 180g heavyweight white vinyl, plus exclusive poster.

The Joshua Tree is the fifth studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 9 March 1987 on Island Records.

Gatefold sleeve with printed inner sleeves.
Includes 12"x12" booklet of lyrics, photographs and credits.
Download voucher.

Cover is close to NM! Limited to 7000 copies.

Limited to 4000 copies worldwide. Celebrating the 40th anniversary of the U2 single “Gloria”, originally released as a single in October 1981, the second single to be taken from the second studio album October. It remains a staple in U2’s live set. This 40th anniversary limited edition EP includes the studio version of “Gloria” plus three live versions from three different decades. • 4-track 12” EP, cut at 45 rpm • Pressed on 180g transparent sun yellow vinyl • Full color gatefold outer sleeve with high gloss finish, featuring portraits of the band • Large poster (600mm x 600mm, folded) with montage of photos from the various live shows across the decades

A 2-track, Record Store Day exclusive commemorating U2’sglobally-acclaimed 40-daterun of their pioneering show'U2:UV Achtung Baby Live At Sphere’in Las Vegas. Featuring a brand-new live performance recording of ‘Atomic City’ captured at theworld’s most cutting-edgevenue, alongside a remix by Mike WiLL Made-It, available for the first time physically. Pressed on transparent limited edition red vinyl and includes a poster