Jakarta Vinyl, CD & Tape 40 Items

Cologne-based, multi-instrumentalist and creative jazz powerhouse Gianni Brezzo keeps the momentum with EP “Filigrani,”

Gianni Brezzo is the jazz affiliated band / studio project headed by
Cologne-based producer & creative maestro Marvin Horsch, whose diverse
musical profile is reflected both in his scene-hopping as well as his creative
output. Besides producing cologne bands like Keshavara, Woman and Xul
Zolar, Gianni has released a number of EP and LP’s since 2017,
culminating most recently with “The Awakening” EP in 2021 on Jakarta
Records. While Gianni’s works are usually instrumental only, “The
Awakening” featured vocal appearances from Berlin/Tel Aviv based singer /
producer J.Lamotta and soul singer Otis Junior from Louisville, Kentucky.
Gianni’s tracks have consistently placed on Editorial Lists including Spotify’s
“State Of Jazz” and “Café / Croissant”, and most recently was synced in an
episode of Gossip Girl for HBO US.
Gianni’s new LP, “Tutto Passa” is a meditation around Marvin’s relationship
to Italian culture, accompanied by research into Italian composers of the
60’s / 70’s such as Piero Umiliani, Stelvio Cipriani, Piero Piccioni and
Armando Trovajoli to more recent work by Sven Wunder. Sonically rich, the
album rides a sonic wave similar to some Matthew Halsall, Surprise Chef,
El Michels Affair and BadBadNotGood all rolled into one beautifully luscious
work. Jakarta is ecstatic to share such a career-defining work.

Ol’ Burger Beats & Vuyo – Norway’s latest dream team in terms of soulful and jazz-vibed HipHop music with thoughtful lyrics and attitude – present their full-length debut album “Dialogue.” via Jakarta Records. Following up on their acclaimed 2020 EP „All Yours“ (2M streams to this day) northern lo-fi patron Ol' Burger Beats and up and coming rapper Vuyo now succeed with the awaited debut LP “Dialogue.” in February 2021 - accompanied by three single-drops and a music video by Ruffmercy.

Since 2014 Oslo-based producer, DJ and record collector Ol' Burger Beats has been releasing music and instrumental HipHop albums steadily, establishing a dedicated following to his heavily jazz- and soul influenced sound. That very own signature sound of his has been likened to many of his personal heroes and taken him to playing Boiler Room shows, collaborating with numerous names of HipHop’s underground such as Quelle Chris, Jeremiah Jae, Illa J or Chester Watson and counting more than 10 records on wax gaining over 40M Spotify streams on his profile to this day.

In 2018 MC Vuyo released his debut EP ‘Home Cooked Meals’ in collaboration with the arts collective North Of., showcasing his abilities as a songwriter and a producer. Besides that the South-African decendant became one of Norway’s most exciting lyricists, continuing his sonic journey by joining forces with Boy Pablo drummer Sigmund Vestrheim and his neo soul group GiddyGang in 2019. However, it should be his collaborations with the certified beat-maker OG Ol’ Burger Beats to become the most fruitful after all.

In the span of a year the two Oles - Ole Vuyo and Ole-Birger - recorded what would become not one but two collaborative projects to be released via Jakarta Records. Now following up on the 1st one - their critically acclaimed, heavily streamed and quickly sold-out debut EP “All Yours”, released in the summer of 2020 - the newly founded tag team present the 2nd one, the full-length album “Dialogue.” An album that has become a left field and conceptual rap album, inspired by spiritual and revolutionary jazz records, sweet soul music and classic New York HipHop, exploring Vuyo’s diaspora experience as well as the youthful hunger of the two creatives inviting the album’s listeners to take part in their Dialogue.

­­­The record’s unique artwork design comes from South African based visual artist and photographer Lunga Ntila - who also happens to be Vuyo’s sister, narrating through the album as she can be heard on the interludes, sharing insights and family business lovingly tying together the album as a whole.

"Singing was always a big passion for me..I was always fascinated at all the acrobatic vocal runs some singers do with their voice. To me it's an athletic thing and I definitely see myself as a vocal athlete..and for that deeper understanding of my voice that I now have I have to thank my vocal coach Betty Lane. She literally helped me to push out the voice that had been waiting there for years, ready to come out, like "John use me, I'm your voice" and It was always a goal of mine to make a project that showcases my singing. I see myself as a singer songwriter first, I just grew up in the generation of rap, so the 2 styles just fused together naturally. I started writing poems around 8 or 9 years old, then songs, and then raps. I eventually put it all together…22 years later...the journey to my heart , through all the ups and downs of my career trying to discover my voice, who I am, all my travels around the globe. It all leads back to Home, in the most literal sense. The house I’m sitting in front of on the video for "Home" is the house my parents brought me home to as a baby. So for me it’s like going back to the original source, the original purpose. That purpose for me is to sing. That's why this album is so special for me...and Calvin made the perfect soundtrack for me to take you on a soulful stroll through my hometown, Detroit Michigan aka Motown. Hope you enjoy! As Dank would say.."Bless up!!!!!!!!""

Illa J

LIT is a snapshot of Bluestaeb und JuJu Rogers' musical endeavors in Fall 2016. Both had a successful 2015 & 2016 with highly acclaimed albums and a European support tour of Oddisee for JuJu Roogers. Both musicians are working on new solo albums and both of them are not happy with having the "boom bap" stamp forced on them. Their perspective is about progression, live music, changing the formula and going new ways. This doesn’t mean that they’re blindly following trends but to question and adapt one’s own formula. In the case of lit it means adding live musicians to the equation, going for a sound that refines the direction they took on their previous releases.

With regard to content, JuJu's raps on the project deals with the important questions of our time. The trend word „lit“ becomes „LIT“, an abbreviation for "lost in translation" and a metaphor for the disconnection from trends of our society in general and hip hop especially. Racism, police brutality, gangsta rapper turning activists while still following a pattern of hate and destruction. Bluestaeb’s productions fluctuates from soulful and smooth to raw and gritty without sounding redundant or interchangeable.

Jakarta Records is proud to present “Les Grandes Vacances” courtesy of Beirut’s Cosmic Analog Ensemble, aka multi-instrumental phenom Charif Megarbane. The LP is an expansive musical odyssey, one that paints a melodic tapestry woven from an eclectic panorama of sonic tools. Funky beats, dreamy melodies + cinematic flair combine to create an experience that transcends time. From vibrant funky energy to introspective moods and library-inspired tunes, “Les Grandes Vacances” captures the essence of past and present, inviting you to indulge in the perfect balance of “groove-stalgia.”

Berlin-based producer, beatmaker, and all-around big papa Suff Daddy returns with an irresistibly-bouncy instrumental long player to herald in the new year, aptly titled “Basically Sober,” releasing on Jakarta Records February 25, 2022.

With great notoriety for his reworks across SoundCloud, London native, K, Le Maestro has forged an undeniable signature sound for himself and has made his way from making beats for himself in his bedroom to having his edits widespread across the internet and garnering popularity in the outside world among DJs and music heads alike and earning his co-signs from i.e. Soulection or House Shoes. Now by the age of 22 K, Le Maestro truly has become a master of his art; fusing between different genres while maintaining the signature knock that his instrumentals provide and is now ready to presents his debut album “whip Music”.

The album’s 1st single „why Can’t WE? - a masterclass in playing with momentum and anticipation, showcasing K’s razor sharp feel for building soundscapes and capturing a 90s R&B/HipHop vibe – got picked up by Apple Music’s “Beatstrumentals” Playlist right away. The carefully curated layers of instrumentation make the track meld together into a laid-back, yet head-banger kind of wave.

The 2nd single “out Late” features US singer Amaria and has become a sonic celebration, marrying modern R&B with old-school funk. The angelic voice of Amaria creates a sensual, intimate setting that sits perfectly within K's production of lush synths, heavy drums and a booming bass line. The song will be accompanied by a full length music video.

The 3rd and final single “backseat” features singer Nápoles and feels like a modern take on 90ies R&B ballad complemented by Nápoles´ gentle vocal delivery, reminding of heavyweights such as H.E.R or 90ies super-group EnVogue with its lush harmonies and the smooth instrumentation, contrasted with another heavy synth bass line. The single will also feature a full-length music video.

The album’s artwork was designed by the artist himself while the record contains a double-sided DIN A2 poster, showing the album cover in black & white on one and an alternate anime cover version on the other side.

Gianni Brezzo - the Jazz affiliated band/studio project, headed by Cologne-based producer, multi-instrumentalist and musical mastermind Marvin Horsch - hereby presents the Jakarta Records debut "The Awakening"; a record not only showcasing Brezzo’s versatile but clearly jazz focused approach and style but also displaying Horsch’s pure talent as a musician and a songwriter whilst perfectly delivering that very own, deeply wonderful melancholy and moody jazz vibes.

„Cool“ is the second album by Otis Junior and Dr.Dundiff on Jakarta Records.

Otis and Dundiff both are originally from Louisville, Kentucky. They only met shortly before they released their first work together. Sometimes musicians take their time to find a formula, to carve out a way in which they create. Not those two. It was an instant creative connection, a artistic bond from the get go which makes them produce classic song after classic song. Otis once summarized their working approach like this: "As with our previous works, the concepts for the songs and album were born from Dundiff presenting me with broad ideas (instrumentals and titles) and allowing me to define them through my own perspective (with lyrics and melodies)“.

Dundiff's organic yet hard hitting productions compliment Otis Junior soulful timbre perfectly. Around 60% of the sounds on the album are played live while 40% are based on samples which shows how the music is created within two different musical birthplaces. the result is too Hip Hop to be Soul and vice versa but it is sitting very well in between these chairs.

When Otis Junior and Dr.Dundiff approach an album production they always try to establish an ongoing theme for the album. Their latest work deals with the concept of „Cool“ and the contemplations about what it means to “be cool” to others versus actually feeling cool, calm, and comfortable in life. Thereafter, the album follows a subtle growth towards the latter. Beginning with an overt contemplation on what it means to be cool, the first half of the album speaks from that insecure perspective. Becoming more sure as the album develops, it ends not with a contemplation on being cool, but whether or not people are perceived accurately at all.

The album’s artwork was done by Simone Cihlar who is also the driving creative force behind Anderson .Paak’s and Tom Misch’s visuals.

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

In 2017, we’ve only caught a few glimpses of what Ivan has been working on, namely the soulful Kaytranada x Kiefer produced loosie “Also” and the jazzy MNDSGN produced single “Young Eye”. As it turns out, these two cuts are a good indication as to what the Oslo based artist has in store for us with his next LP release. On November 10h of this year, Ave presents his sophomore LP “Every Eye”. “Every Eye”, with its symbiosis of different producers, musicians and vocal styles puts Ivan Ave in his own lane. Leaving behind the sample heavy sound he’s gained recognition with, Ivan embarks on his first musical journey free of chopped up jazz, soul and funk records. But it would be an understatement to say that “Every Eye” still has jazz, soul and funk for days. Enlisting musical homies like Fredfades, MNDSGN, DJ Harrison, Kiefer, Kaytranada and Dâm- Funk on the production side, Ivan carves out his path as an ever-growing MC and singer.
All-though “Every Eye” sometimes hovers in a state of weightlessness genre wise, there is no shortage of gravity in Ave’s lyrical universe. Ivan seems to have written this record as his own self help book, dealing with the mechanisms of the mind, the heart, and the world he sees (or doesn’t see).The title “Every Eye” refers to our various angles of view, the ones we choose and the ones we are assigned to. From any point of view, Ivan Ave’s “Every Eye” will be a treat for every ear on its November 10th release
through Jakarta Records.

Ill Camille, LA hip hop's female perspective.

Ill Camille has been a vital member of the LA music scene for some years. Kendrick Lamar used her vocals prominently for the “good kid, m.A.A.d city” track “Sing about me”, she has been working with other TDE artists occasionally and spend a lot of time writing for different projects Terrance Martin was involved with.

At the same time Camille was developing her own material with her fellow peers such as MNDSGN, Iman Omari, DJ Battlecat, Like (Pac Div) Georgia Anne Muldrow & SIR who are all featured on her album “Heirloom” just like TDE co-president Punch. “Heirloom” productions range from smooth, g-funk esque west coast beats to live & organic soulful beats, working as the perfect backdrop for Camille's powerful, intelligent and thought thru lyrics

The album is deeply personal revolving around the issues that mater in her life from friends and family, her role as a woman and the heirloom of her and her surrounding: “I feel like everyone are heirlooms of our mothers and fathers. An heirloom is just something that’s passed down through a family. We get heirlooms in the form of game, encouragement or wise words. I know everyone has an aunt or uncle that’s given them some bars about life in general. I have a village around me that have given me heirlooms in the form of conversations”.

Speakthru, his first album on Jakarta Records, is a testament to the connective power of music. Transcending musical boundaries, Flo managed to bring together a wide range of MCs to feature on his tracks such as LA's own Blu and Co$$ up to Norway's Ivan Ave and London's Barney Artist, including a half-dozen of powerful instrumentals sprinkled in between.

Bluestaeb hooks up with Jakarta for the all new "Rodaquilar" album. Produced, recorded and mixed by Blue, features Blameful Isles on one track.

Reissue with vinyl bonus track "I'm So Happy" taken from Rhythm Section International compilation.

Berlin based HipHop producer S. Fidelity presents his sophomore and full packaged concept album “Fidelity Radio Club” via Jakarta Records.

Four years after his Jakarta Records debut “A Safe Place to Be Naked” S. Fidelity has matured as a producer and as an artist: working and recording in London, Los Angeles, Paris and Johannesburg while building up his Manolo Purple Studios in Berlin with longtime collaborator, labelmate and soul brother Bluestaeb.

In 2021 S. Fidelity finally returns to the main program with his brand new solo album “Fidelity Radio Club” shaped in form of a genre crossing radio show exploring HipHop, R&B, Jazz, House and Funk in all their depths, creating the multi-layered album he always dreamt to do as he orchestrates a stoking line-up of equally talented friends and fellows like Bluestaeb, Melodiesinfonie, Suff Daddy, K, Le Maestro, Àbáse and many more while still delivering that very personal note every classic producer album needs and comes with. Or as the artist himself would put it: “17 different artists, producers and instrumentalists from all over the world helped me to bring this vision to life.”

Suff Daddy (578k monthly listeners on Spotify), is one of the legendary beatmakers who shaped a whole era of bedroom producers. His unique approach and musical understanding sets him apart from all the other fish in the pond. He has released countless genre-defining albums and EP’s over the past 15 years building a loyal fanbase. Suff Daddy's songs have previously been featured in many editorial playlists including Spotify's "Jazz Vibes" (2.1M Likes), "butter" (770k Likes), "Sweet Soul Chillout" (1.2M Likes) and many more.

Introducing "Hair Of The Dog," Suff Daddys musical journey that blends instrumental hip-hop, electronic, and dance genres. This captivating album, produced with his own Suff Style invites listeners to unwind From start to finish. Once again a Suff Daddy album thrives on the pure brilliance of his on way to create music. The album's cover art, masterfully crafted by the renowned painter Mitch (@itsallinsideus, 165k Followers), adds an intriguing visual dimension to the experience. Both artists have known each other for a long time and are currently preparing their audiovisual release- event for August 18th in Berlin. Bringing their art together as a unique experience for their audience.

The phrase "Hair of the dog that bit you" commonly denotes consuming alcohol as a remedy for a hangover, aiming to alleviate its effects. Suff Daddy plans to introduce his own hangover solution, which will be plant-based and devoid of alcohol. Through all of his career he frequently played with alcohol references and now its the perfect timing to release his own hangover cure. Additionally, this endeavor will serve as a social media catalyst for the entire project.

Alexander Flood, one of Australia’s most creative and versatile drummers and bandleaders, forges a new direction in his sound with third outing “Oscillate” – a synthesis of club music and jazz, bringing together Australian & European energies and sonics into an LP that is music for the whole body.

After releasing their debut project “Voyage” in 2022, Tapioca, the Brussels-Kigali-based, Brazil-inspired duo return with LP “Samba em Kigali.” Building on their sound and influence, “Samba em Kigali” is a definitive step up and clear sonic growth for the twosome, whose debut, RA wrote, is "if Anderson Paak. & Marco Valle made a Brazilian pop-funk record.”

Introducing “Psyche Gems”, the Jakarta Records debut LP from LA based Rapper Juicebox & Norwegian producer duo Myeye. Debut LP “Psyche Gems,” a collaborative musical venture sparked by an impromptu Instagram jam session in 2021, is poised to mesmerize audiences. The brainchild of Juicebox, a versatile artist known for his roles as a singer, songwriter, rapper, and one half of the acclaimed group Figmore (with 10.4 Rog), “Psyche Gems” emerged from Juicebox's admiration for Simen Hallset's psych-pop band Gold Celeste (over 20 million Streams on Spotify). After reaching out to Simen, they swiftly connected with Henrik Norbakk, the other half of Myeye, igniting the genesis of the collaborative project. An Instagram jam session in 2021 gave sonic birth to LP “Psyche Gems”. Buttery vocals meet funky, soul-driven beats, meticulously recorded live, then chopped and repurposed to create an experience that transcends sonic definition. From vibrant head-nodding energy to lush beats seamlessly melded with an inimitable vocal delivery, “Psyche Gems” captures the essence of past and present, offering a kaleidoscope snapshot of life reflected through timeless grooves. The album's distinctive sound is characterized by meticulous layering, where each element is meticulously played, chopped, looped, and jammed over until achieving sonic perfection. United by their shared passion for old soul and jazz records, ‘90’s + ‘00’s hip hop, lo-fi indie, and psychedelic music, Juicebox and Myeye seamlessly fuse their diverse influences to craft a musical experience that resonates with listeners on a profound level. "We wanted to create something that inspires, provokes, and sheds light on the truths we all carry inside us," explains Juicebox. "Psyche Gems is more than just an album; it's an infinite journal entry of reflection, a testament to the power of music to illuminate the human experience."

Berlin-based, Casablanca-born multi-instrumental producer and creative tour de force Saib presents his LP “Unwind,” a sunny, tropical-flavored sonic voyage that includes features from Hip Hop OG Masta Ace and Rotterdam producer Ødyssee,

Multi-disciplinary producer and singer J.Lamotta teams up with Japanese beat-scene-monger BudaMunk to present collaborative album “Searching Skies” via Jakarta Records. After the success of her recent releases J.Lamotta (165k monthly listeners on Spotify and more than 10M cumulative streams) is clearly becoming an international name. She keeps this prolific momentum alive with “Searching Skies”, the collaborative album with Tokyo-based producer-mastermind BudaMunk, marking Lamotta’s fourth, and BudaMunk’s first, album to be released with Jakarta Records.

The Longplayer perfectly merges J.Lamotta’s iconic R&B, jazzy-Neo-Soul aesthetics with BudaMunks laid-back, impeccably-imperfect lo-fi hip-hop productions. It’s a well-timed collaboration, as J.Lamotta sees her loyal fanbase growing in Japan, and will be a worthy follow up to her previous Jakarta releases while Tokyo-based heavyweight BudaMunk (40k monthly listeners on Spotify and more than 1.7M cumulative streams) has received cosigns from a number of artists within the hip-hop arena, including Mndsgn, Eloquent, Pink Siifu, Suff Daddy, Kiefer, Swarvy and Lefto, among a host of others. His output is prolific and consistent, including releases on Jazzy Sport and Dogear Records, as well as LA-juggernaut Fat Beats’ “Baker’s Dozen” series; and his notoriety within the Japanese beat-scene is only growing. As Bandcamp’s Max Bell writes of BudaMunk, “it takes years to perfect being this relaxed and this precise”.

The album’s 1st single, “Eyes To The Skies” is set to be released on September 24th alongside stunning visual accompaniments by Tokyo-based film, design and screen-print studio Damn Good Productions and multimedia artist 8mL. The laid-back production, full of warbly keys, pads and the angelic warmth of Lamotta’s voice lets the listener float along as if they’re in the skies themselves. It’s a perfect vibe for the onset of the chillier Autumn weather.

The album’s 2nd single, “Put It Aside” is set to be released on October 15th and will be accompanied by visuals once again provided by Damn Good Productions and 8mL. This second single takes blisteringly swinging percussive elements and melodies that warp into peculiar sounds that defy auditory recognition, yet tingle with familiarity. J.Lamotta’s voice is as sweet as dates, and is the perfect accompaniment to BudaMunk’s lo-fi headiness. The album’s focus track, “Stay”, will be released in conjunction with the album November 5th.

The album’s single-releases and videos will be promoted via the artist’s and the label’s social media channels and will also be featured by music-blog Stereofox entirely, while Tokyo-based label Jazzy Sport will distribute and promote the release throughout Japan.

Multi-disciplinary artist Leon Giseke, known to the international hip-hop and beat scene as Bluestaeb, releases the project of a lifetime with his self-titled album “giseke”. The album merges iconic R&B, funk and hip-hop productions with sharp lyrical contributions by some of 2021’s most promising vocalists. The LP, featuring Mick Jenkins, Ric Wilson, Uno Hype, Jerome Thomas and JuJu Rogers among many other vocalists, instrumentalists and producers, will be released via Berlin-based Jakarta Rec.

Ta-ku & Jakarta Records present 823’s very 1st label sampler featuring a diverse & international Line-Up of Lo-Fi - Producers. After the very successful EP releases of quickly, quickly’s “Over Skies” in mid 2018 (27m spotify-streams) and Please Wait’s “Black & White” in late 2019 (6,4m spotify-streams to this day) Jakarta Records and Ta-ku take their joint label to the next level presenting 823’s very 1st longplayer - a compilation feat. an international line-up of already established as well as up & coming Lo-Fi producers, handpicked and curated by none other than 823 label-head Ta-ku himself. 1st single to be released on 21st of August is „Serenity“ by prolific 27 year old producer eevee (1,5m monthly listeners) from the Netherlands aka „the queen of Lo-Fi“ delivering a loopy and very hypnotic tune w/ quite jazzy horns feeling like watching the sunset on a desert planet like Dune - from outer space. 2nd single will be a double-single, coming on September 11th w/ finnish indie-producer Idealism (2,5m monthly listeners) and his tune “Somehow” – a steady and softened beat w/ colorfull and chilled piano chords – on the one side and Ta-ku’s “Remember Me” - another powerful Lo-Fi anthem by the Australian allrounder and 823 patron - on the flipside. The compilation’s 3rd drop will be a double-single as well featuring 19 year old, US-based self made producer Peachy! (2,6m monthly listeners), delivering his Shanghai inspired, very spheric walk-by tune “Stroll” on one side while Laguna contributes his slowly uplifting but very keen “Lone Rider” on the flipside, catching that specific moment when switching from boredom to euphoria right away. All singles off the compilation will be accompanied by customized visuals from different filmmakers catching the songs’ very own vibes. The compilation’s artwork comes along in its very own and unique 823-style. Worldwide web promotion for this release will be handled and taken care of by Jonathan Kim.

Include A2 sized poster.

J.Lamotta has gone from strength to strength since her 2019 sophomore album “Suzume” (1,2 mio. Spotify-Streams), garnering support from the international music community and touring across Europe and Asia, incl. the iconic Blue Note Tokyo. Now she’s back with her brand new EP entitled “Brand New Choice” moving on from the organic sound of the very successful retro band album “Suzume”, the new EP shows fresh flavors in her music and contains contributions from a variety of producers. Its futuristic R&B sound is achieved through extensive use of synths and up-to-date rhythms and makes it Lamotta’s most contemporary release so far.

The EP’s 1st single “Can't Refuse” already marks that new direction the artist J.Lamotta is going for: while soulful R&B vocal harmonies remain, hard hitting hiphop-drums drive the song forward bringing a new energy to her music accompanied by lyrics reflecting on relationships and sexuality and a music video with J.Lamotta's signature aesthetic at the forefront, “Can’t Refuse” gives an exciting and impressive first taste of the whole “Brand New Choice” EP and what to expect from it.

And while the singer/producer’s previous releases already focused on lyrics and personal delivery “Brand New Choice” follows a similar path but goes even deeper and gets more personal than ever - revealing a liberal, independent and robust thinker using her music to express not only the artist J.Lamotta but the Rotem Alagem too.

The 2nd single “Hope So” - which is also the opener of the EP and will drop on June 12th accompanied by another video shot in Tel Aviv - makes that pretty clear. Dealing with the end of the past, sharing its tears over hard hitting drums and warm synths while honoring the late great Aaliyah and keeping up with that current zeitgeist is what sparks the whole spirit of “Brand New Choice” and the 2020 version of J.Lamotta.

The very tasteful artwork just like the whole visual conception of the record comes from J.Lamotta’s befriended and also Berlin based designer Gabriella Achandinha.

Berlin rapper JuJu Rogers presents his highly anticipated sophomore LP „40 Acres N Sum Mula“ feat Sampa the Great and productions by Farhot (Isaiah Rashad, Talib Kweli), Like (the producer behind Kendrick Lamar’s „Sing About Me”), Crada (Drake, Kid Cudi) and more

After last year’s very successful collaboration “Cool” with Otis Jr. and his standalone project “Muneybeats”, Dr. Dundiff and Jakarta Records team up once more for the beatmaker’s next project called SGJAZZ, a supergroup formed and crafted by Louisville’s finest musicians.
Dr. Dundiff (done different) is a Hip-Hop/Neo-Soul producer based out of Louisville, KY. Producing music since 2010, Dundiff has released a lot of music. Most known for his ongoing collaboration with Otis Junior and their their debut EP “1moment2another” on Jakarta Records receiving wide daytime airplay and recognition from French tastemaker Radio NOVA, as well as 1.500.000 Mio. Streams via Spotify.
SGJAZZ however is a Neo-Soul/Jazz project: All single members and particpants play together as well as they have their own projects. The group spent off days at Dr. Dundiff’s studio in Louisville, KY, playing around and creating the first foundations of the record. Idris Frederick laid down multiple chord progressions over a course of a few days. Dundiff then chopped and arranged these progressions and played drums over them. From there on everyone else wrote their parts to rest of the music. This process was quite quick and efficient and the album was recorded within a few months already. Dundiff then reached out to up and coming vocalists J.Lamotta and longtime collaborator K.Raydio to each write to a song. Though this album is primarily instrumental, these two features further establish the vibe SGJAZZ effortlessly creates.

“A Safe Place to Be Naked” is S.Fidelity’s debut album, which will be released on May 5th via Jakarta Records. It features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in Berlin. Evolving from there the he has also released an EP with Feelin Music in 2014, and “Sidekicks”, a joint project with long-term friend and collaborator Bluestaeb in 2016.
By working with artists like Tru Thoughts singer Harleighblu and label mate JuJu Rogers as well as fellow producers Bluestaeb and Shuffle Jack, his LP “A Safe Place to Be Naked” plays with sampled vocals and even his own voice – often distorted, but still present.
S. Fidelity was born in St. Gallen, Switzerland, mainly works in Berlin and currently resides in London. As a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. S. Fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for Pop culture as a whole. His idea of fresh HipHop references to various genres, including Jazz, Ambient, Disco and Electronica.
The LP contains an A2 poster & metall sticker.

Otis Junior & Dr. Dundiff release the follow up album to their critically acclaimed “Dubplates from Jakarta #5” release.

Otis Junior & Dr. Dundiff have a special bond. They met one year ago at a local R&B contest in Louisville. Dr. Dundiff was the DJ of the night and Otis Junior happened to be the only contestant he had never heard of. He took the stage just playing piano and singing and Dr. Dundiff was so blown away that they ended up in the studio together shortly after. They released their debut EP “1moment2another” on Jakarta Records only very few months after they had first met in early 2016. And it's was widely appreciated with heavy daytime rotation on french gate keeper radio station Nova, many appreciating blog as well as a feature on Radio Nova's “le grand Mix 2016” compilation.
Despite the fact they have not been working together for a long time they managed to create their very own and unique take on hip hop production influenced soul music. While Otis comes from a classic soul background, Dundiff's previous release were classic underground leftfield hip hop records that even had him handle mic duties. “Consider each of us as one hemisphere, the world we create together is new, different, and unexpected.” is how Otis Junior summarizes their approach of bringing their two worlds together musically.
Dundiff's organic yet hard hitting productions compliment Otis Junior soulful timbre perfectly while they were able to perfect their style even further comparing their debut EP to their debut album “Hemispheres”. Dundiff sums this development up: “Otis and I have this mutual agreement that we want to continue pushing our music in different directions. Hemispheres is a perfect embodiment of that approach."

Olivier St.Louis (the artist formerly known as Olivier Daysoul) releases his 2nd EP to start 2017 with some melancholic vibes.

After releasing a collaborative EP with Warp's Bibio, who is also featured as a producer on “Ever since the fall”, this 2nd solo release by the Olivier St.Louis marks the starting point of worldwide liveshow efforts for Olivier 2017. After a successful UK Tour with Laura Mvula, Olivier is getting ready to join AnnenMayKantereit for another Tour in spring 2017 to support his upcoming release “Ever since the fall EP”, out on Jakarta Records in February 2017. Six tracks somewhere in between lo-fi soul, drum computer sounds, warm basslines and funk trenched live compositions. Olivier will also join his partner in crime Oddisee for his “The Iceberg” Wolrd Tour until summer.

Olivier St.Louis went on to receive significant international attention for his work as a featured singer/songwriter back then still under the name Olivier Daysoul. He worked and toured worldwide with various artists including Oddisee, C2C, Onra, Bibio and Hudson Mohawke as such as other producers from the Warp Records family. Despite all of this, Olivier felt something was missing...A true reflection of his own voice and sound. Less bass music, more organic soul, less producer features and more independent unique compositions all by himself.

After a couple of years without a new solo release & makin moves with his
Betty Ford Boys Brenk & Dexter, it was time for Suff Daddy to lay another
egg in the form of a new album entitled „Birdsongs“.
Deeply rooted in the Suff Daddy signature sound, it is also proof of an
evolutionary process. A little less sample chops, a little more synth, a little
less straight hip hop, a little more melody. This doesn’t mean that you won’t
be able to recognize the bird by its call anymore, it’s just a slight change in
tonality.
After extending his stomping grounds to neighboring European countries by
frequently playing international shows, including a London Boiler Room, he
also opened for the mighty Anderson.Paak during his German shows in
early 2016. Suff Daddy also remixed Lion Babe's “Wonder Woman” for
Gilles Peterson Worldwide. He'll also be featured on the next “Spring in
Jakarta“ compilation.
The album features some of the fellow birds Suff Daddy is known to fly
with. Betty Ford Boy's Dexter adds drums and baselines, and Mayer
Hawthorne delivers some vocals.