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Reggae & Dancehall 4 Dub 2
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Reset all Filters No Used Vinyl Jamaican Recordings
Linval Thompson - Trouble & Version / Di Wicked Dem & Version
Linval Thompson
Trouble & Version / Di Wicked Dem & Version
10" | 2023 | UK | Original (Jamaican Recordings)
11,99 €*
Release: 2023 / UK – Original
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-05-03
V.A. - Justice Dub' Rare Dubs 1975-1977
V.A.
Justice Dub' Rare Dubs 1975-1977
12" | 2014 | UK | Reissue (Jamaican Recordings)
16,99 €*
Release: 2014 / UK – Reissue
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The productions of producer Bunny ‘Striker' Lee were so extensive in the early to mid 1970's that labels were created just to handle his ever expanding output. Three labels that came about during this time when dub was king, were Jackpot, Justice and Attack. Here we look at the Justice label and have compiled a collection of some its finest dub cuts.

Justice records was formed in the early 1970's as we stated earlier, as a subsidiary label to handle the ever growing output of Producer and hit maker from Jamaica Bunny ‘Striker' Lee. Bunny worked in all the Jamaican studio's and as an independent operator would licence his product to all the different labels in England and America.

Bunny was at the birth of dub music and worked closely with King Tubby where he stored many of his masters, so Bunny's rhythms were always available for Tubby to work his magic over. Version had hit big around this time and many records were brought for the flip side dub of the vocal cut. The side that was proving so popular at the sound system dances, where the records were tried and tested. So inevitably nearly all Justice record's carried its dub counterpart.

We have compiled what we think are some of the best dubcuts from this label and era. Hope you enjoy the set.
Tappa Zukie - M.P.L.A.
Tappa Zukie
M.P.L.A.
7" | 1976 | EU | Reissue (Jamaican Recordings)
12,99 €*
Release: 1976 / EU – Reissue
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Tappa Zukie’s classic ‘M.P.L.A.' and it’s dub version, originally cut at Channel One studios in 1976. Still sounds as fantastic today.
V.A. - Black Solidarity Version Excursion
V.A.
Black Solidarity Version Excursion
LP | 2023 | EU | Original (Jamaican Recordings)
16,99 €*
Release: 2023 / EU – Original
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
At the beginning of the eighties reggae music became increasingly in tune with what was happening in Kingston’s dance halls… probably more so than at any time since the sound system operators had started to make their own shuffle and boogie recordings in the late fifties. The international audience and the critics were too busy looking for a new Bob Marley to appreciate what was happening downtown and failed to acknowledge that this was a return to the real, raw roots of the music. Brash, confident, young record producers who were totally in tune with the youth audience stepped forward and seized the moment…

Oswald ‘Ossie’ Thomas began his apprenticeship in the music business at the age of

fourteen and served his time as a record salesman for Bunny ‘Striker’ Lee and Winston ‘Niney The Observer’ Holness before moving on to Miss Sonia Pottinger’s Tip Top Records.

“I ended up working in three record stores on Orange Street from 1976 to 1981… Yeah man! Me deh ‘pon me bicycle till I buy my motorcycle! Them days records were coming out left, right and centre… every day!” Ossie Thomas.

It was during his time with Miss Pottinger that Ossie began to produce records for

himself and in 1979 Ossie and Phillip Morgan began the Black Solidarity label based deep in the Kingston ghetto on Delamere Avenue. Phillip initially inspired Ossie to start the label and soon Triston Palma, Phillip Frazer and “a youth named Gary Robertson” joined in although Gary later left for Canada.

The Soul Syndicate rehearsed in the Delamere Avenue area and Tony Chin gave Ossie a cut of a rhythm that he used for Triston Palma’s ‘A Class Girl’… the label’s inaugural release. The record was a sizeable success and paved the way for hit after hit after hit on Black Solidarity. Ossie worked with just about everybody who was anybody during this critical period of the music’s development including vocalists Robert Ffrench, Little John, Sugar Minott, Frankie Paul and most notably Triston Palma.

For this release we have compiled some of the version sides to those releases. Dub still being an integral part of the Reggae Sound System Sound. So sit back and listen to what Black Solidarity, one of the most important and often overlooked labels were bringing to the dance, dubwise, back in those heady 1980’s times.

With grateful thanks to: Paul Coote, Nick Hodgson & Hasse Huss
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