Jazz | Fusion Sale 659 Items

Genre: Organic Grooves

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Klabbes Bank

Bnk

LP (Hoob)

16,99 €* 19,99 € -15%

Genre: Organic Grooves

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Peter Ostroushko

Buddies Of Swing

LP (Red House)

14,69 €* 20,99 € -30%

Genre: Organic Grooves

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Fly Away Record Store Day 2022 Vinyl Edition

Electrified A.G.B.

12" | UK | Reissue (Dome City)

14,39 €* 15,99 € -10%

Release: UK – Reissue

Genre: Organic Grooves

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Anyone got a spare $3000.00? That's what it will cost you for the Only available 12" copy in the world right now and one of the world's holy grail independent Jazz-Funk gems.

"Fly Away" by Electrified A.G.B. (All Girl's Band) is a flawless slice of super-rare New Orleans slinky Jazz-Funk which could have come straight out of a ‘70s Lonnie Liston-Smith or Patrice Rushen session. It's literally that good. Previously stymied by it's extreme rarity, we're proud to finally be able to reissue the 12" on the original Dome City label and finally see this hypnotic and infectious jam reach a wider audience. Expect demand from across the board as there will be much interest in this previously unknown classic.

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LP | US | Original (Star-Tone Records)

A Handful Of Harmony

8,69 €* 28,99 € -70%

LP | US | Original (Angelaco Records Inc.)

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover closer to VG+

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Bob Perna

Music My Way

2,79 €* 7,99 € -65%

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Johnny Parker's Boogie Woogie

Johnny Parker

LP | DE | Original (Dawn Club)

4,79 €* 7,99 € -40%

Gil Fuller & The Monterey Jazz Festival Orchestra Featuring Dizzy Gillespie

Release: DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with signature and inscription on the back.

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LP | US | Original (Pacific Jazz)

4,86 €* 6,95 € -30%

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Release: US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Bob Kindred With Strings, Bob Kindred Quartet

That Kindred Spirit

LP | US | Original (Conawago Records)

8,24 €* 10,99 € -25%

Mike Vax And His Great American Jazz Band

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with cut corner.

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Bertha The Blues

LP | US | Original (Sacramento Jazz Records)

11,99 €* 15,99 € -25%

Jammin' With Gene (Gene Ammons Jam Sessions Vol. 2)

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with cut corner and writing on the back.

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Gene Ammons

LP | US | Reissue (Prestige)

11,19 €* 13,99 € -20%

Illinois Jacquet With Wild Bill Davis

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG+.

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LP | US | Original (Classic Jazz)

5,59 €* 6,99 € -20%

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

"Deadly" Headley Bennett / Ossie Scott

Deadly Headly Bennett Meets The Magnificent Ossie Scott

LP | JM | Original (Gorgon)

31,99 €* 39,99 € -20%

Release: JM – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Sleeve has water damage.

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Dave Holland Trio

Triplicate

CD | DE | Reissue (ECM)

15,99 €* 19,99 € -20%

Release: DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Terje Rypdal / David Darling

Eos

CD | DE | Reissue (ECM)

35,99 €* 44,99 € -20%

Release: DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Terje Rypdal

Descendre

CD | DE | Reissue (ECM)

15,99 €* 19,99 € -20%

Release: DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gerry Mulligan, Shorty Rogers

Modern Sounds

LP | US | Reissue (Capitol)

14,39 €* 17,99 € -20%

2LP | Original (Jazz Re:Freshed)

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back. Vinyl with scuffs and hairlines.

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Daniel Casimir

Boxed In

27,19 €* 31,99 € -15%

Release: Original

Genre: Organic Grooves

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Live At The Knitting Factory · Volume One

CD | DE | Original (Enemy)

3,99 €* 4,99 € -20%

Release: DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

With Songs About "That Kind Of Woman"

Joe Williams

LP | US | Reissue (Forum)

5,09 €* 5,99 € -15%

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Knight Music: George Wallington Plays 5 Originals And 6 Standards

George Wallington

LP | DK | Original (Atlantic)

5,09 €* 5,99 € -15%

Release: DK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Maynard Ferguson Plays Jazz For Dancing

Maynard Ferguson

LP | US | Original (Roulette)

11,89 €* 13,99 € -15%

The Atlanta Allstar Quartet

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US mono pressing. Stamp on back cover.

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Four Of A Kind

LP | US | Original (Antelope)

25,19 €* 27,99 € -10%

LP | US | Reissue (Mainstream)

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Morgana King

With A Taste Of Honey

4,74 €* 4,99 € -5%

Release: US – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Maxine Brown / Margie Anderson

Maxine Brown Sings / Margie Anderson Sings

LP | US | Original (Spin-O-Rama)

4,74 €* 4,99 € -5%

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Earl Hines And His All-Stars

Earl "Fatha" Hines And His All-Stars

LP | US | Reissue (Hall Of Fame)

Charlie Parker & Lennie Trista

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Charlie Parker & L. Tristano

LP (Birds Nest)

20,79 €* 25,99 € -20%

Genre: Organic Grooves

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Helge Lien Trio

Guzuguzu

LP (Ozella Music)

21,59 €* 26,99 € -20%

Genre: Organic Grooves

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Torun Eriksen

Luxury And Waste

LP (Jazzland)

15,74 €* 20,99 € -25%

Genre: Organic Grooves

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Can You Hear Me / When I'm With You

The Groove Connections

7" (Spinout Nuggets)

18,04 €* 18,99 € -5%

Matek Deronjic, Ziga Golob, Krunoslav Levacic

Genre: Organic Grooves

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Limited to 300 copies.The Groove Connection formed in Medway, Kent during the early '90's, amongst the Acid Jazz heyday, playing clubs, pubs and festivals up and down the land with their urban jazz-funk grooves. Theband comprised of usually six to eight members over the years, including Mark 'Bertie' Gilbert, the former (initial) bass player from The Milkshakes, and was originally an instrumental project, withvocals added later giving the band further appeal.Recording/releasing their first CD EP in 1996 (In Full Pursuit), described by Blues & Soul as 'an impressive debut set', The Groove Connection also released a 7" vinyl single in 1998 (What It Is), whichwas produced by respected DJ and percussionist Snowboy. A year later, their first album 'Infiltration' was released. All releases were via their own NeuJaz label.As well as working with Snowboy, the band also supported Jamiroquai twice in 1997 (at Finsbury's Jam in the Park and the Phoenix Festival), as well as playing to a full house at the Jazz Cafe,Camden on many occasions, and the band toured the UK as part of the Messin' Around Jazz Cotech collaboration.In 1999, the band found themselves on the Verve Records' released compilation 'Messin' Around Presents Root Down', alongside Lalo Schifrin, Jimmy Smith, The JBs, and Roy Ayers to name just afew. In 2001 the band recorded, and released their second album 'Back To Brooklyn', introducing vocalist Laura Knight and guest hammond virtuoso Gary Baldwin, a ten-track full-length, CD-onlyrelease. Other tracks were recorded in the same session…Two tracks that didn't make the last album were 'Can You Hear Me' and 'When I'm With You', both vocal filled, and we've decided to capture them onto two continuous 'grooves'.

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Sunrise Sundown

LP | YU | Original (Croatia)

20,99 €* 27,99 € -25%

Release: YU – Original

Genre: Organic Grooves

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LP | 1950 | US | Reissue (Smithsonian Folkways)

Lead Belly

Easy Rider

17,39 €* 28,99 € -40%

Release: 1950 / US – Reissue

Genre: Organic Grooves

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LP | 1954 | US | Original (Starlite)

Frank Comstock

Jazz Lab Volume 1

16,79 €* 20,99 € -20%

LP | 1956 | EU | Reissue (Speakers Corner)

Release: 1954 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: F

Vinyl with a couple of scuffs and hairlines, close to VG+. The cover opens like a book, due top long seam splits on top and bottom spines.

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The Modern Jazz Quartet

Fontessa

23,79 €* 33,99 € -30%

LP | 1956 | US | Original (Emarcy)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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The famous critic and jazz expert Ralph J. Gleason quite rightly mentioned two highly distinctive men in his liner notes – John Donne and Pablo Picasso. Almost four hundred years and a great deal of seawater separate the two exceptional artists from England and Spain. Nevertheless the four black US-Americans who make up the Modern Jazz Quartet bridge the gap between time and continents effortlessly.
And what’s more, blues is also to be heard – and bebop! And evergreens from the Broadway shows of the Thirties too!
In contrast to some of the other rather more dawdling and laid-back MJQ LPs, "Fontessa" offers diversified and intense music. Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson’s blues influence inspired John Lewis perceptibly to forget all about discipline. All seven numbers are true gems. But if you want a special hint, just listen to "Bluesology". Well, perhaps the present author is too much of a Milt Jackson fan. Be that as it may, the music magazine "Rolling Stone" gave this LP a five-star rating!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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Bernard Peiffer

Bernie's Tunes

20,69 €* 22,99 € -10%

Brother Matthew With Eddie Condon's Jazz Band

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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LP | 1956 | US | Original (ABC-Paramount)

8,09 €* 8,99 € -10%

LP | 1956 | US | Original (Clef)

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with sticker

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Count Basie Sextet

The Swinging Count

12,34 €* 12,99 € -5%

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Dick Hyman Trio, Ralph Burns And Leonard Feather And Their Orchestra

The Swinging Seasons

LP | 1956 | US | Original (MGM)

Mobley's Message Black Vinyl Editoin

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with scuffs, hairlines and a deeper scratch on side 2. Cover with seam splits and writing

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Hank Mobley

LP | 1957 | EU | Reissue (SAAR)

24,69 €* 25,99 € -5%

LP | 1958 | US | Reissue (Roulette)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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This is tenor saxophonist Hank Mobley’s first release on the Prestige label, after one previous Blue Note release. Here he is joined by Donald Byrd (trumpet), Barry Harris (piano), Doug Watkins (bass) and Art Taylor (drum) with a guest appearance from Jackie McLean (alto saxophone) on one track.

As one might expected, the program is quite « beboppy », with the band running through bop standards like Bud Powell « Bouncing with Bud », Monk’s « 52nd Street » and Parker’s « Au Privave ».

Mobley’s supremely confident solos are highlights of these tracks and he swings through the rather plain arrangements of « Bouncing with Bud » and « Au Privave » , with exceptional phrasing and melodic finesse, through Byrd’s and Harris’s solos as satisfying as well.

« 52nd Street » is taken at a very quick tempo and has a short horn interlude between the solos.

It’s a small detail but it’s enough to elevate the piece beyond being just a blowing tune. Donald Byrd seems to struggle a little with the tempo, but Mobley and Harris excel. Jackie McLean takes a nice guest solo on « Au Privave » through for the first half of his solo a recording malfunction gives his sax an odd, muted sound.

Byrd sits out for a lovely ballad version of Rodgers’ and Hart’s « Little Girl Blue ». Mobley’s affecting read of the melody manages to recall the sentimentality of the old tenor ballad masters, while maintaining his own tone and distinctive melodic flair. Two Mobley’s originals round out the record with more bebop attitude. « Minor Disturbance » has a catchy melody and somewhat interesting changes but « Alternating Current » has no written melody and instead jumps right into solos and trading from the band.

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Maynard Ferguson

A Message From Newport

10,79 €* 11,99 € -10%

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Milestones Numbered Limited Edition 180G LP SuperVinyl

Miled Davis

LP | 1958 | US | Reissue (Mobile Fidelity Sound Lab)

67,99 €* 84,99 € -20%

The Shape Of Jazz To Come Crystal Clear / Black Marble Vinyl Edition

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.

Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.

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Ornette Coleman

LP | 1959 | EU | Reissue (Second)

18,74 €* 24,99 € -25%

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Coltrane Time Clear Vinyl Edtion

John Coltrane

LP | 1959 | EU | Reissue (Sowing)

21,24 €* 24,99 € -15%

LP | 1959 | US | Original (Jubilee)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Recorded in NYC in 1958 and originally released in 1959 as "The Cecil Taylor Quintet - Hard Driving Jazz" this is in fact the only existing document of the meeting between John Coltrane and Cecil Taylor. Even if caught at an early stage in their career the two masters show great personality and deep respect for each other while trumpeter Kenny Dorham sticks more to his familiar bop idiom. Cordially backed up by Chuck Israel on bass and Louis Hayes, Coltrane swings madly on Taylor's dissonant comping producing a rare, fascinating friction between two worlds. A must for every Coltrane maniac out there.

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Della Reese

And That Reminds Me

7,79 €* 11,99 € -35%

A Profile Of Gerry Mulligan

Release: 1959 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G+, Cover: VG

Vinyl has scuffs and scratches and plays with crackles and background sounds.
Cover has slight storage wear and a few small tears on the front.

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Gerry Mulligan

LP | 1959 | US | Original (Mercury)

11,89 €* 13,99 € -15%

Clark Terry & Orchestra Feat. Paul Gonsalves

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Clark Terry And His Orchestra

LP | 1960 | US | Reissue (Sam)

34,19 €* 35,99 € -5%

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | UK | Reissue (20th Century Masterworks)

Miles Davis

Sketches Of Spain

21,59 €* 23,99 € -10%

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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LP+CD | 1960 | EU | Reissue (Groove Replica)

Bill Evans Trio

Portrait In Jazz

23,19 €* 28,99 € -20%

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Count Basie Orchestra + Neal Hefti

Basie

LP | 1960 | US | Reissue (Roulette)

15,19 €* 15,99 € -5%

LP | 1960 | EU | Reissue (Blue Note)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear and tape

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Tina Brooks

True Blue

27,54 €* 28,99 € -5%

Flute, Brass, Vibes And Percussion

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

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Herbie Mann

LP | 1961 | EU | Reissue (Life Goes On)

20,79 €* 25,99 € -20%

Mel Tormé & Margaret Whiting

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959

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Broadway, Right Now!

LP | 1961 | US | Reissue (Verve)

17,84 €* 20,99 € -15%

George Shearing And The Montgomery Brothers

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with spine damage

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LP | 1961 | US | Original (Jazzland)

9,49 €* 9,99 € -5%

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine

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LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

67,89 €* 96,99 € -30%

Gene Ammons / Sonny Stitt

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Boss Tenors: Straight Ahead From Chicago August 1961

LP | 1962 | US | Original (Verve)

12,79 €* 15,99 € -20%

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1962 | US | Original (Mercury)

Roland Kirk

We Free Kings

13,59 €* 15,99 € -15%

LP | 1962 | US | Original (Charlie Parker)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Vinyl with many scuffs, hairlines and some deeper marks. Cover with seam split on bottom spine, shelf wear and writing on the back.

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Barry Miles

Miles Of Genius

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ray Brown Guest Artist Cannonball Adderley

With The All-Star Big Band

LP | 1962 | US | Original (Verve)

17,09 €* 17,99 € -5%

Frank Frost With The Night Hawks

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines, Cover with seam split

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Hey Boss Man! Clear Vinyl Edtion

LP | 1962 | EU (Destination Moon)

12,99 €* 19,99 € -35%

LP | 1962 | UK | Reissue (Be! Jazz)

Release: 1962 / EU

Genre: Organic Grooves

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"Legendary Sun Records producer Sam Phillips knew talent when he saw it, and when he started up his new Phillips label in the early 1960s, one of the first acts he signed was Frank Frost and his electric Delta blues trio. Now known as one of the greatest harp players of his generation, Frost learned his trade playing with none other than Sonny Boy Williamson and his influence can be heard whenever he blows. Originally released in 1962, Hey, Boss Man! is one of the last great electric blues albums."

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Duke Jordan

Les Liasons Dangereuses

22,09 €* 25,99 € -15%

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Rocks The House Blue Vinyl Edition

Etta James

LP | 1963 | US | Reissue (Jackpot)

28,79 €* 31,99 € -10%

LP | 1963 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Best known for the lush 1961 rendition of the ballad “At Last”– a slow-dance staple at wedding celebrations everywhere,she is also celebrated for having recorded one of the bestlive albums of all time, “Rocks the House.” Recorded in 1963at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording.

Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock’n’roll’s pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched.

Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD. Her powerful version of “Something’s Got a Hold on Me” will shake you. Her impassioned version of “All I Could Do Is Cry,” will break you.

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Miles Davis

Seven Steps To Heaven

72,19 €* 75,99 € -5%

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Conversations With Myself

Bill Evans

LP | 1963 | EU | Reissue (Elemental Music)

24,74 €* 32,99 € -25%

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Rearward)

Sahib Shihab

Summer Dawm 2024 Repress

20,39 €* 23,99 € -15%

LP | 1965 | US | Original (Mainstream)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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Morgana King

Miss Morgana King

7,59 €* 7,99 € -5%

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

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Coleman Hawkins with Orchestra conducted by Frank Hunter

The Hawk And The Hunter

LP | 1965 | US | Original (Mira)

10,44 €* 10,99 € -5%

LP | 1966 | EU | Reissue (Blue Note)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy

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Wayne Shorter

Speak No Evil

32,29 €* 33,99 € -5%

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Count Basie With The Alan Copeland Singers

Basie Swingin' Voices Singin'

LP | 1966 | US | Original (ABC-Paramount)

Release: 1966 / US – Original

Genre: Organic Grooves

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LP | 1966 | US | Original (Limelight)

Oscar Peterson

Blues Etude

13,59 €* 16,99 € -20%

Release: 1966 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: G+, Cover: VG

LP | 1966 | US | Reissue (Riverside)

Cannonball Adderley

Greatest Hits

13,59 €* 15,99 € -15%

LP | 1966 | US | Original (MGM)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Cover with seam splits on top and bottom spines.

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Mamie Lee

Once In A Lifetime

7,64 €* 8,99 € -15%

LP | 1967 | EU (Endless Happiness)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with open seam splits on top and bottom spines. Punch hole.

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John Coltrane

Kulu Sé Mama

20,89 €* 21,99 € -5%

LP | 1967 | US | Original (Mercury)

Release: 1967 / EU

Genre: Organic Grooves

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Reissue for this classic album from '67 on Orange Impulse Rec. Considered to be the last Coltrane's lifetime release it includes the all-time classic "Welcome", as defined by Coltrane himself “the song is that feeling you have when you finally do reach an awareness, an understanding which you have earned through struggle. It is a feeling of peace. A welcome feeling of peace."

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Sarah Vaughan

Sassy Swings Again

13,59 €* 15,99 € -15%

LP | 1967 | US | Original (Reprise)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

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Morgana King

Gemini Changes

4,74 €* 4,99 € -5%

LP | 1967 | US | Reissue (Nature Sounds)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve is closer to VG+.

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Roy Ayers

Stoned Soul Picnic

27,54 €* 28,99 € -5%

Milford Graves / Don Pullen

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the late 1960s, vibraphonist Roy Ayers was among the top young talents in jazz, thriving during a remarkable era for the genre. While Ayers would later become a jazz-funk pioneer and delve heavily into R&B fusions, his third album Stoned Soul Picnic is a masterful showcase of soul-jazz grooves. Produced by Herbie Mann, Stoned Soul Picnic features a memorable Laura Nyro-penned title track, along with an exceptional lineup of musicians, including Gary Bartz, Hubert Laws, Ron Carter, Herbie Hancock, and Grady Tate. Originally released in 1968, this early Roy Ayers classic is now receiving an official reissue via Nature Sounds.

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Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

23,39 €* 25,99 € -10%

Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Ewa Demarczyk

LP | 1967 | EU | Reissue (Warner)

23,79 €* 27,99 € -15%

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Endless Happiness)

Herbie Mann

Glory Of Love

25,49 €* 29,99 € -15%

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set (which has been reissued on CD). Actually the most interesting aspect of the R&B-oriented date (which includes such songs as “Hold on, I’m Comin’,” “House of the Risin’ Sun” and “Unchain My Heart”) is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.

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Jazz For A Sunday Afternoon Volume 3

LP | 1968 | US | Original (Solid State)

9,89 €* 10,99 € -10%

Release: 1968 / US – Original

Genre: Organic Grooves

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Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition

Eric Dolphy

LP | 1968 | EU | Reissue (Culture Factory)

27,29 €* 38,99 € -30%

LP | 1968 | EU | Reissue (Mad About)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.

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Paulo Moura Hepteto

Mensagem

22,49 €* 29,99 € -25%

Speed And Space - The Concept Of Space In Music

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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One of the greatest musicians in the history of Brazilian music. Conductor, composer, arranger, band leader and, without a doubt, one of Brazil's most brilliant sax and flute players.

In 68, Paulo Moura brought together a notable group from the country's jazz and instrumental music to record the album "Mensagem". He walked between African rhythm and American and European avant-garde, transforming the Brazilian soul.

Licensed by Halina Grynberg

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Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

22,49 €* 24,99 € -10%

Les Reed and his Orchestra

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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Love Is All

LP | 1969 | US | Original (London)

7,19 €* 8,99 € -20%

Dexter Gordon & Slide Hampton

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover close to VG+.

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A Day In Copenhagen Black Friday Record Store Day 2023 Sky Blue Vinyl Edition

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

23,79 €* 33,99 € -30%

Bravo Pravo Yellow Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release

With his big, warm, round-toned sound, sophisticated phrasing, and hip quotes, Dexter Gordon was one of the major forces on the tenor saxophone from the mid-1940s until his death in 1990. Gordon was cited by both Sonny Rollins and John Coltrane as a major influence on their playing and is acknowledged as a jazz icon.

The popularity of mainstream jazz was on the decline in the States during the 1960s. The Vietnam war and racial turmoil were in high gear, and many of the music’s top-flight musicians, including Gordon, migrated to Europe in order both to escape and to make a living playing jazz. Gordon eventually settled in Copenhagen, Denmark. During this period, he usually played and recorded backed by a piano trio, but this 1969 recording is different. The usual quartet has been expanded with some of those premiere jazz ‘refugees’, each a major voice on his instrument, assembled for the session.

One of the great modern jazz trombonists, Slide Hampton, is also a composer/arranger of note. The album was a collaborative venture between Gordon and Hampton, and three of the compositions and all the arrangements on the album are his. The classy Jamaican trumpeter Dizzy Reese completes the front line. The rhythm section includes two jazz giants who were Gordon’s constant companions at Copenhagen’s famous Club Montmartre, fellow American expatriate pianist Kenny Drew and the great Danish bassist N-H Örsted-Peterson. The Gordon/Drew pairing is one of the classic horn-/piano matchups in jazz, and has often been compared with the Miles Davis/Red Garland and John Coltrane/McCoy Tyner pairings. Art Taylor, who “helped define the sound of modern drumming”, was brought in from Paris to complete the all-star rhythm section.

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Patty Pravo

LP | 1970 | EU | Reissue (Rca Label)

18,89 €* 26,99 € -30%

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Original (King)

Arthur Prysock

Fly My Love

8,79 €* 10,99 € -20%

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1970 | EU | Reissue (Mad About)

Majoie Hajary

La Passion Selon Judas

26,99 €* 29,99 € -10%

The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.

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Dave Pike

LP | 1970 | US | Reissue (Nature Sounds)

31,34 €* 32,99 € -5%

12" | 1971 | EU (Trading Places)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.

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Atlantic Bridge

I Can't Lie To You

10,49 €* 13,99 € -25%

Junior Walker & The All Stars

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Rainbow Funk

LP | 1971 | US | Original (Soul)

7,59 €* 7,99 € -5%

Release: 1971 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1971 | EU | Reissue (Four Flies)

Giuliano Sorgini

Scappo Per Cantare

25,64 €* 26,99 € -5%

Takesi Inomata & Sound Limited

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

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Innocent Canon Black Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

24,64 €* 28,99 € -15%

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Septet Matchi-Oul

Terremoto

23,79 €* 27,99 € -15%

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?

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Celia

18,39 €* 22,99 € -20%