Jazz | Fusion Vinyl 7 Inch 297 Items

Japanese radio edit single of „Harvest Time / Love Will Find Way“ is a complement to Pharoah Sanders‘ seminal album from 1977 Pharoah.

Two fabulous funky tracks originally released on the award winning album Goma-Laca – Afrobrasilidades in 78 rpm which updated Brazilian Music originally recorded on 78's in the 1920s to the 1950s. With musical direction and arrangements by Letieres Leite, the vocal pyrotechnics of Russo Passapusso and Juçara Marçal masterfully accompanied by double bassist Marcos Paiva, Hercules Gomes on piano, Sergio Machado on drums and percussion master Gabi Guedes. Under the direction of Letieres, the group created with the singers arrangements of jazzy tones over Afro-Bahian rhythms, and everything was recorded live at Estúdio Traquitana, in São Paulo.
The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins!

Currently at work on new compositions that will give shape to a new album scheduled for the fall of 2024, Gerardo Frisina delights our ears with a 45rpm containing two unreleased tracks representing a brief funk digression within his musical journey without, of course, affecting his unmistakable style. “Mystical Funk” and “Spaced Out” skilfully mix “modern funk” elements with electronic influences, creating a unique sonic experience. In both cases, one of the surprising features is the hypnotic, incessant groove, capable of drawing the listener into a sound universe full of cosmic percussion and atmospheres, enhanced by Dennis Coffey-style guitars and by a Deodato-like Fender piano. Once again Gerardo hits the mark: the production is masterful, with a clear attention to details and those typical arrangements that reflect the overall quality of the sound with delicate power.

Everybody Loves THE Sunshine is more than a classic. It is “the” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a Sedsoulciety Recordings 7” vinyl, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

Now that's what we call a remix treatment! Soul Supreme enlists a dream line-up for the official remix of "Taking The Stand." The intro line is all there is to say that this 45 is a no-brainer to cop:"Thes Oneis on the beat,Soul Supremecomposed the suite,the Fudgemunkis about to speak."

As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.

In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.

"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.

"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.

By now, heads surely know that a new record by Soul Supremeis a guaranteed sure shot. Following his acclaimed tributes to A Tribe Called Quest, J Dilla, Mos Def, and more, the new "Dues and Don'ts" b/w "Fraud Fades" 45 features two all-original jazz-funk groovers by the Amsterdam-based keyboardist and producer.

"Adding Soul Supreme releases to the essential crates list has become mandatory and will surely be heavy spins for years to come,"Skeme Richards recently wrote on his Nostalgia King blog. It indeed looks like Soul Supreme's 45s rarely leave record bags, with the likes of DJ Koco,Jazzy Jeff,House Shoes,Skratch Bastid,Rich Medina, and DJ Green Lantern, among others, regularly playing his music in DJ sets around the globe.

This new release takes two highlights from last year's album 'Poetic Justice,' with "Dues and Don'ts" and "Fraud Fades" for the first time available on 45.Jay 'J-Zone' Mumfordgraces both songs with drums, heavily on point as always. The A-side features slow burner "Dues and Don'ts" with its syrupy funk rhythms. The hard-hitting, body-moving "Fraud Fades" on the B-side is the real anthem here—drum breaks galore. Clearly inspired by 60s Blue Note, the brass-heavy 'money-grubbing bad guy theme' concludes with a killer solo byDotan 'Tane' Bergmanon guitar, responded to with a solo by Soul Supreme himself.

With these two heavy hitters, this 45 is bound to never leave your record bag either.

2020. Full On Lockdown: Musician Laurence Mason puts together this off the wall idea meshing together two of his biggest musical heroes, Dave Greenfield of the tough 1970's proto-punk band The Stranglers with the oh so cool 1960's jazz of Dave Brubeck. He puts up his demo on Youtube not really expecting much in the way of feedback. And gets ONE Million hits. And hundreds of requests for a release. Jazz Room Records Head Honcho Paul Murphy says "Do you wanna record that and release it?"."Affirmative!" The result is this grooving Soulful and Funky Jazz version of "Golden Brown".
On the "B" side is a languid and super cool version of "Walking On The Moon", originally by 80's Supergroup The Police.
The first release sold 3000 (!) 7-inch singles and got into the Official Vinyl Singles Top 30. (Yes, there's still such a thing!).
The latest version of the best selling Jazz Room Release. Now in Blue Splatter Vinyl.

Limited to 200 copies, HHV Exclusive, red vinyl.
Heroes Of Limbo rework two hip-hop staples with stunning afrobeat arrangements. Eric B. & Rakim's 'Don't Sweat The Technique' and Pete Rock & C.L. Smooth's 'They Reminisce Over You (T.R.O.Y.)' are stripped to their instrumental essence with polyrhythmic drums and percussions, powered up by a massive big band brass section and going bonkers altogether. A sure shot double-sided winner for all DJs that want to leave their crowd guessing whether they're taken to the streets of New York or to the Shrine in Lagos, Nigeria.

Japanese Jazz'n'Groove-trio Nautilus strikes back again with their first brand new release in 2024 which is a really special one, a label collaboration between Oonops Drops and their Japanese label Urban Discos (Diskunion). If you didn't know, now you know.

About the songs: on the A-side you'll get an incredible cover-version of Yacht Rock classic »Georgy Porgy« by Toto including features by UK-based vocalist and songwriter John Turrell - one half of the founders of Smoove & Turrell as well as German legend Toni-L, one of the founders of rap-formation Advanced Chemistry! On the flipside is found another classic, a sweet cover version of Al Green's »Let's Stay Together«, best known from Quentin Tarantino's movie Pulp Fiction and now new interpretated in Nautilus incomparable way featuring Japanese singer Keyco.

The profits of this release will help us refinancing the tour which is taking place from the 26th July to the 11th August 2024. A new studio album is already in the pressing plant and will be released in a few months, so stay tuned.

Pressed loud and crispy on recycled vinyl. Be quick before they're gone, no re-press!

Paul Murphy: Jazz Room Records. "The first time I heard this I said "I gotta sign it!" as not only was it featured in one of the maddest and most memorable scenes on one of my favorite TV Shows "Severance" from Apple TV, but it's also on one of my favourite albums anyway, "Nation Time" by Joe McPhee."
Takumi Moriya's version Is as funky as it gets and is truly way up there and meeting the high as a kitemark standards of "Defiant Jazz" (What a Niche Genre to be in!) This is going to cause some serious Defiant Jazz Shake on a dancefloor near you! Break out the Maraccas!"
A limited vinyl 45 release and it's release number 30 on Jazz Room Records so ultra special.

The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this producytion by by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records.
Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices.

Multi-talented jazz composer Benny Reid once again realigns with Fat Beats Records for the 7-inch release of an instrumental jazz rendition of, “Shook Ones Pt. II.” The release finds itself three years removed from Benny’s #1 Bilboard charting album, Follow The Leader, a re-imagining of Eric B & Rakim’s classic work. Due to its success and the subsequent collaboration with Rakim, the continued alliance with the indie hip-hop powerhouse was a no-brainer.

The only way to reimagine a classic such as “Shook Ones” is to do so with the utmost care and integrity. Fortunately, Reid found himself immersed in the absolute majesty of the source material, some of which was directly performed by his idols (Herbie Hancock), as well as teachers (Barry Harris). The brilliance of the original record created a dichotomy of sorts. The material is so desirable to replay, but how to do so in order to warrant a rebirth? The answer lied in stretching the boundaries of his acoustic instruments and jazz background. Seven days later, Reid emerged from his solitary examination of Mobb Deep with his breathtaking rendition of “Shook Ones”; a six minute journey consisting of lush sonic landscapes, imaginative twists and turns, and fantastic grooves, all while transforming Havoc and Prodigy’s original lyrics to instrumental melody.

Havoc became aware of Reid’s work and an immediate partnership was formed. He authorized Reid to re-record an entire instrumental cover album of Mobb Deep’s The Infamous - the first of its kind - in an entirely live acoustic, sample free interpolation completely arranged and performed by Reid himself. The result is the appropriately titled, Benny Reid Presents: The Infamous Live.

With the full length offering set to drop top of 2023, Benny is eager to release the limited 7-inch pressing of Shook Ones, Pt. II, + Remixes, which comes equipped with two non-album remixes; Pyrmds Remix and an Extended Jazz Remix.

Alpha RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.
Hakuchu NO Shugeki - Theme by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!

Blindbox set of Vince Guaraldi - 'A Charlie Brown Christmas'

What is a Blind Box?
A Blind Box is a Box or in this case a sleeve with a surprising content, because you don't know which song you will get. It's only one of the four mentioned songs, in any case.

- Christmas is here
- Hark, the Herald angels sing
- Linus & lucy
- Skating

The score for the classic half-hour Christmas TV special "a Charlie Brown Christmas" is a beautiful piece of festive magic. So magic in fact, that it was voted into the Grammy Hall of Fame.

Attention!
Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

The long-awaited repress of the first Radio Maritko 45 “Oriental Shake”, featuring Habibi twist and Alba’s Shake. Exotica and twist mania from the Greek and Italian sixties that shakes all dancefloors! With a brand new layout!

Pantaleon Perez Prado is the younger brother of the “King Of The Manbo” who came in Europe in the 50s and recorded some albums with Unifunk. Taken from “Escandalo” (sceb919lp) “Circle” was written by Mario Rusca and has been performed by some amazing musicians such has Tullio De Piscopo, Hugo Heredia and Pino Presti. “Circle” is a strong track with a killer groove – on the B side we have an unique version edited by Gerardo Frisina

From the same continental cosmic egg that hatched Marc Moulin, Marc Hollander and Belgian synth fusion combo Placebo comes your favourite new Franco-Flemmish pop discovery. COS, where have you been all my life? Compact in name but wide-eyed in nature, it’s understandable how the 70’s band known simply as COS has remained trapped in the tight cracks between pop stardom and prog indulgence where other like minded names like CAN, Zao, Neu! And Egg have managed to squeeze into gaps of your record collection. In presenting one of the band’s most infectious and potentially crossover legible tracks on this exclusive user-friendly 45, COS mastermind Daniel Schell not only breaks an unlikely new format for this lesser-known femme-fronted, electro/jazz fusion/prog pop opera/would-be disco cinematic six-piece but also sends a sonic telegram to a new generation of futurist pop aficionados ready to explore the deep realms of his band’s dense, expansive and consistently rewarding catalogue. Placing the microscope over the central motif of the band’s onomatopoeic 1978 triptych known as Mein Maschine Ist Schön (My Machine Is Beautiful) this very rare proposed single edit from the group’s third album combines the type of warm, brooding, discoid funk and nymphish Morse code vocals that unite fans of Stereolab, Curved Air, Jan Hammer, Emerald Web and Ursula Dudziak not to mention Schell’s own close friends, the aforementioned, Hollander, Moulin and Placebo. A prog rock 45 might sound like a contradiction in terms but with a band like COS you can only expect them to defy convention. Backed here with another deeply conceptual sliced of deep orchestral symphonic psych from Schell’s short-lived FF Boom project from the previous year this suitably compact introduction to your new favourite COSmonauts provide digestible versions of some of Schell’s finest moments and clears the decks for future explorations of a wider musical universe waiting to be explored. Turn on this beautiful machine and let yourself melt into the COSmix.

In the spirit of Mulatu Astatke and Hailu Mergia, the Joel Ricci helmed L.B.'S, close out our Funkways Series of 45's with an homage to Ethio-Jazz with "Of August Countenance" (featuring members of our newly signed VuVuVu) on Side A, and a smoldering laid back smoker of a B-Side, "Gazing Lovingly" dubbed up by none other than Rezin Tooth.

Phenomenal soul/funk 2-sider which has deserved a repress so badly.
"bi-centennial - 1976" has been comped on the fourth volume in the "can YOU Feel IT" compilation series. The flip side, "love ONE Another", was featured on "countdown TO... Soul 2". Now available on a good old 45 RPM single re-issue.

Pianist Junior Mance, a veteran of albums and dates with Dinah Washington and Cannonball Adderley, was offered his own recording date by Norman Granz during a session with Dizzy Gillespie. The result is this 1959 debut album, a bluesy and swinging date with Gillespie’s drummer Lex Humphries and bassist Ray Brown. Highlights include the original “Jubilation” and Cole Porter’s “Love For Sale”.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

‘Happy (Hammond)’ is the second release from London based Funk & Soul outfit the So Much Soul Players (aka Chris Read & Rob Barron), a gritty, instrumental Hammond Funk take on Pharrell Williams’ ubiquitous feel-good Pop/Soul cut ‘Happy’. Harking back to the raw stylings of 60s/70s Funk, this dancefloor oriented rendition of the popular song features driving drums, funky Hammond licks and crunchy, overdriven organ lines galore.

2 undeniable classics on one handy donut!

Hailing from the city of Miami, Fat Produce is the newest name in the game, building on classic soul jazz with a modern twist. Led by two Studio City, CA natives, Addison Rifkind on guitar and Michael Duffy on drums, this duo, alongside upright bass, is a guaranteed head-nodder that breathes new life into the guitar trio format. Fat Produce is proud to release their debut, funk-filled 45, “Sticky Beets b/w SON!” Following the lineage of classic soul jazz songwriting, “Sticky Beets” kicks off side A with a familiar feel, but one that’s uniquely Fat Produce. Taking the language of Idris Muhammad and Clyde Stubblefield, drummer Michael Duffy molded these two icons into his own vocabulary that blends seamlessly with Addison Rifkind's Grant Green, Boogaloo Joe Jones, and George Benson-inspired melodic form. The feel encompasses The JB’s original lineup but with a signature Fat Produce funk. Written during Rifkind’s and Duffy’s weekly rehearsal and writing sessions, “Sticky Beets” is a collaborative effort highlighting their many influences in the classic soul jazz realm. On the flip, side B’s “SON!” takes things up a notch with a swamp funk etude transformed into a bonafide funk banger. This tune emerged from a riff Rifkind was shedding during one writing session. When Duffy heard this line, inspiration struck. He quickly jumped on the kit and asked Rifkind to keep looping it. Duffy then experimented with several Bay-Area-inspired funk grooves, and boom just like that, the A and B sections were born. With the gritty and almost country-funk hook, intricate drum feel, and bouncing upright bass break, “SON!” is a fresh take on what the classic guitar trio can do.

Sealed copy with small seam split!

** First Time ON 45 **
We comped "Natural Life" on one of our "Peace Chant" compilations some time ago. We always felt the need to do a 45 of it so here it is. Some of you may think, well that's an average jazz-funk cut so why on earth are they doing a 45 of it? Well, drop the needle on Part 2 and you will understand.

Flowers’ is an homage to the journey of my first love, the patience it requires, and the pivotal moment I met my wife. It reflects on our memories and tells the story of the comfort I feel in that relationship.” This new single from Jordan Rakei showcases his affecting vocal and ability to reveal his truest feelings, wrapped in his captivating production.

The Sound Of Summer on Acid Jazz - the Humble Souls sampledelic classic ‘Beads Things & Flowers’ gets its first outing on a 7-inch single as part of our new Acid Jazz classics series. A magnificent dance floor classic, ‘Beads Things & Flowers’ is the result of the creative coming together of Simon Anniky - previously of Beats International and Hugh Brooker of the Night Trains and The Hip Joints, an Acid Jazz fixture since its earliest days. Its seamless blend of Mod Jazz samples and tight beats is inspirational. The A-side 7-inch was the hit of our ‘Acid Jazz (Not Jazz)’ compilation last year, whilst the vocal version makes its first ever appearance since its 1991 single release!

ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble.

Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike.

On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds.

Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions

The fact that the treasured recordings left behind by Chicago saxophonist Prince Billy Marge Wright have been unearthed is not overstating the case for spiritual jazz fans. The lost material features mainly keyboard instruments rather than his trademark saxophone, and sounds even more spiritual and free jazz than the classic You Got Dat Wright.

In addition to this, P-vine is releasing his most popular song 'Summer Love' as a single for the first time. The B-side of this single features a rare remix, making this single perfect for DJ use.

Italy's tastiest jazz-funk band is back to what they do best, sharing dreamy summer vibes with this new 2-tracker. Cannelé is a smooth, sun-drenched tribute to this sweet product of the Bordeaux terroir, that doublebass player and former Saint-Émilion employee Fabio Bordignon knows so well. Beautiful string arrangements come to sublimate the track with a highly cinematic feel. On the other side is the final studio version of Qmqs (Quando mai, quando sempre), which is an old italian expression to qualify people that only appear rarely, and always at the same specific occasions. This uplifting disco tune first appeared in its demo and live versions on previous releases Gusto di Luce and Live at Bolle Nardini, and has finally been re-recorded in a clean and groovy dress to be pressed on this 7inch record.

Kenichiro Nishihara's very popular song "my leaving feat. mabanua" is finally available on 7inch! The popular song "my leaving feat. mabanua" from the 4th album "Jazzy Folklore" is finally available on 7inch. The flip side features the Esno Remix, which had not previously been released. In contrast to the original, the electro-oriented remix of this track reveals the unfathomable potential of Kenichiro Nishihara and this song.

Paprika Soul, a unit formed by Alan Barnes and Andrew Spiller, who have made their mark on the UK soul and jazz scene, cover the mellow classic "Summer Madness" with female singer Jacqui Hicks on Side A. The album features a moody, urban vocal jazz mix on Side B, and a mellow, jazzy vocal jazz mix on Side C. The album is available on vinyl for the first time in 2019. Side A is a moody and urban Vocal Jazz Mix, and Side B is a Scirocco Mix with a lyrical guitar solo that evokes a Mediterranean breeze. The smooth and Balearic sound of this superb cover work is intoxicating.