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Keith Hudson Reggae & Dancehall 4 Items

Reggae & Dancehall 4 Roots & Culture 3
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Keith Hudson
Keith Hudson - Rasta Communication In Dub
Keith Hudson
Rasta Communication In Dub
LP | 1978 | UK | Reissue (Greensleeves)
24,99 €*
Release: 1978 / UK – Reissue
Genre: Reggae & Dancehall
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Punch for punch comes the dub companion to the iconic "Rasta Communication" album (GREL5) from 1978. Recorded at Randy's, Channel One & Chalk Farm studios by Clive Chin, Lloyd McKenzie, and Sid Bucknor with Sly & Robbie and members of the Soul Syndicate in full effect. Mixed at King Tubby's studio with engineer Prince Jammy. Keith Hudson aka the 'Dark Prince of Reggae' (born 1946 in Kingston, Jamaica - r.i.p. 14th November 1984 in New York, USA), was a Jamaican reggae artist and record producer. He is known for his influence on the Dub movement.
Keith Hudson - Bloody Eyes Ep
Keith Hudson
Bloody Eyes Ep
12" | 2012 | UK | Original (Greensleeves)
10,99 €*
Release: 2012 / UK – Original
Genre: Reggae & Dancehall
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Keith Hudson - Flesh Of My Skin Blood Of My Blood
Keith Hudson
Flesh Of My Skin Blood Of My Blood
LP | 1974 | EU | Reissue (17 North Parade)
24,99 €*
Release: 1974 / EU – Reissue
Genre: Reggae & Dancehall
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Outstanding re-issue of 1974 roots classic album in expanded and remastered form! - The original 1974 release of Keith Hudson's "Flesh Of My Skin" showcased the enduring strength and pivotal importance of the development of reggae music, Keith Hudson's complete mastery of the genre and the unqualified praise that followed its release was fully justified. This suburb re-master features the original mix available for the first time since the 1974 Mamba pressing and comes with the addition of the 7-inch single only "Darkest Night Version" and the restoration of the lost "My Nocturne" omitted from the 1988 & 2004 remix versions, also includes the previously unreleased "Hunting Version". Liner notes are written by Keith Hudson’s official biographer Vincent Ellis.

Original Quotes: "The most moving, satisfying piece of Jamaican music I've heard since "Catch A Fire" and surpasses that album, this is the album of the year without a doubt" (Carl Gayle, Black Music Magazine)

"One of the best albums to be released this year, it combines strong, heavy rhythms with strong, heavy lyrics" (Chris Lane, Blues And Soul Magazine)

"Flesh Of My Skin" is the most potent reggae performance in a long, long while, a remarkable piece of music". (Let It Rock Magazine)

Packaging: LP vinyl with liner notes printed on the inner sleeve, packed into matt UV finish Sleeve, box lot 25
Keith Hudson - Playing It Cool & Playing It Right
Keith Hudson
Playing It Cool & Playing It Right
LP | 2024 | Original (Week-End)
36,99 €*
Release: 2024 / Original
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition.

In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.

In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.

The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.

43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album.
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