Koryu Budo HHV Records 12 Items

We are proud to receive sci fi techno maestro Orbe onboard with this limited edition four cut vinyl.

This sublime space travel begins with Nanometre, starting in an opaque mood, with all the components filtered and growing from below during the hypnotic arrangement.

Synchburst is the second cut on the main side, with shuffled rhythms surrounded by microscopic percussive details and microdrones. The sequences are spiced with laser beams from time to time interrupting the mantra and bringing dynamics to the dance floor.

B side starts with Capacitance, going gummy and elastic, keeping the elements minimal and playing intelligently with the groove and his usual alien sound palette.

Final cut is Eeprom, an electric soundtrack to non gravity: repetitive, mental and as always full of sonic details that add spice to the illusion of staticity.

Fernando Sanz, also known as Orbe is one of the key producers in the sci-fi techno realm, respected worldwide due to his very personal sound cooked with his incredible modular arsenal.

Le Frigouras is our new EP since a long hiatus, in this four tracker, Perfo delivers a well crafted collection of incisive and precise techno. The track naming the EP starts mercilessly, with most of the elements up from the first bars, progressively spiced with subtle changes and arrangement details. A solid kick and a rumbled bassline provides the basement while panned distorted elements add the spice in the recipe. The result is rugged and funky at the same time, fast paced and hypnotic. Le Filibert is again based on obscure rhythm components, filtered and processed in the beginning and slowly growing as the arrangement grows. Subtle drone action adds tension to the overall feel, obscure and deep. Conceptual reinvents Le Frigouras, slowing down the pace, slowing the punch and focusing on textures and gummy sequences and ambiances. This one is definitely for the mind but can cause some damage on intelligent dancefloors when mixed wisely. On Le Grand Bleu the feeling is dense and profound with a super solid combination of bass and kick coloured with rugged textures and semi hidden bleeps running through the stereo field. A timeless EP out of trends and tendencies, focused on the spirit of what techno should be. Mastering by Dubplates & Mastering Artwork by Clusterhead

We are glad to introduce you to our new full length album, sound designed and arranged by Spanish duo Crime as Service. Their musical output has always been solid and consistent, always offering diverse visions on techno sound. For this particular work they have explored the deepest side of their sound palette, starting with the beatless intro Unlocked, made of subtle drones and field recordings. Next track is Altered Circuits, a bass heavy groove on the first bars soon followed by mechanical components colliding with atmospheres and micro drone. A combination of pressure and deepness. Shadow Crew follows with a continuous sequence over a shuffled beat, the usual textures appear on top of the main synth line spicing the mood, until bleeps and asymmetrical components complete the equation. Zombie Botnet changes the mood drastically, adrenaline goes up and new sonic components add hypnosis to the overall feel as the track goes by. Second slice of plastic opens with Lazarus Group, intense and dark with super effected synth lines running through the stereo field wisely. Darknet Operation, as the title suggests, is opaque and gray but also liquid with water samples appearing randomly along the arrangement. The groove behind is relentless and effective, one more time mixing intensity with mindfulness. Unknown Exploits shares similar feelings as the previous one, a combination of tension and sonic details. Closing the release, Deconstructed Blockchain, aimed directly for the dancefloor with a psychedelic approach on the main sound, constantly mutating and evolving as the minutes go. A solid collection of well-crafted techno tunes, aside from tendencies and hype, made to last.

We continue our sonic adventure with Blovk, producer and sound designer from Madrid, he has refined his musical idea with his peculiar way of understanding techno and electronic music in general. Releasing on labels such as Awry, Subosc, Postdynamic, Subsist, Doppt Zykkler, MainConcept… and his own imprint, Outside Noises. In our XL series we want to showcase every corner of our artists’ sound spectrum. We are not just commited to raw and direct dancefloor weapons, we are also aiming the mind of the listener. To make attemporal electronic music is one of our objectives and this record in particular deserves a place in the list of music to be played loud when all this nightmare finishes. First cut on wax is Of sleep and tears, an emotional title that describes a dronney atmospheric introduction. Beatless, textured, full of resonant details and space wind. Pouring Flesh brings the beat to the scene with a clear bass drum and a shuffled bassline setting the patch to martian synth noises and stereo details, all enclosed in an intelligent structure full of subtle twists and hypnosis. The thinking hand combines synthetic details with precise beats on a progressive arrangement.Elements come into action wisely, pulsating electronic grooves fighting with floaty elements make the recipe. Fluids above the skin open the B side in a darker mood. Heavy sub bass action and profound synthesizer lines setting the mood for what comes next. Shedding machines acts as an ambient interlude in similar coordinates as the first cut in this mini LP. Closing the release Fluent Gods, an electrified mental dance workout using a similar sound palette as the previous ones. Detailed and precise sound design ranging from sharp asymmetrical sequences, ethereal textures and profuse bass frequencies. Music by Blovk, text by Hd Substance

It’s time for the label founders to take control over our spaceship. Clusterhead offers four slices of proper abstract techno for those who know. Release starts with Alteración del orden: a broken kick spiced with elastic synth washes and microdrones sets the pace while the rest of the percussive elements appear softly in the arrangement. The main sequence grows and mutates as minutes go by, reverb and stereo treatment goes heavier until repetition makes the desired effect on the virtual dancefloor. Second cut Resiliencia Incesante again relies on broken kicks and processed synth lines. The BPM rate is higher here and the percussive elements are snapper and tighter. Sounds twist and change over time as the frequency range grows. An industrial ode to obscurity. On the flip side, Automutilación creativa brings us again into oblivion, shuffled grooves obsessive sequences continuously moving and high pitched synthetic drums running through the stereo field. Closing the release we have Notzing on board, still recovering from his amazing experimental work on our label, we give him again the commands of our spaceship to translate his mental obsessions in this superb rework of Automutilación creativa. One more time we push the sound boundaries on behalf of timeless futuristic music in touchable format.

Los ingenieros oníricos se sirven de los artefactos para poder manipular su conciencia y diseñar mundos oníricos por los que viajar. De origen incierto, los artefactos se encuentran dispersos entre planos y han intentado ser rediseñados en nuestro mundo mediante el uso de frecuencias, convirtiéndose en elementos de estudio plenamente funcionales para el ingeniero onírico del plano físico. La correcta correlación de uso entre artefactos permite al onironauta saltar entre los diferentes estados de la experiencia para la formación de universos. El artefacto ​Onirógeno ​es capaz de inducir al sueño. Sirve de puerta de enlace al mundo onírico y está presente en un estado de semi-consciencia. Dicho artefacto esférico, de naturaleza cromada, reproduce de manera cíclica el proceso de encendido de la máquina de sueños por un operador en un espacio ilusorio. El ingeniero sucumbe a un estado aletargado que permite el vínculo con otros artefactos al ser testigo de una de estas reproducciones. El artefacto ​Hipnagogia ​es capaz de provocar alucinaciones visuales de intensidad creciente. Permite formar protomundos inconexos. Es un artefacto propio del plano semi-consciente. Debido a lo efímero de los protomundos formados, el ingeniero es incapaz de controlarlos y dotarlos de sentido. El artefacto ​Efialtes ​es uno de los más inestables y volátiles. Este ente del plano semiconsciente provoca la incapacidad transitoria para realizar movimientos voluntarios durante la transición entre el sueño y la vigilia. Permite al ingeniero crear un canal al plano transitorio. Su presencia o interacción puede darse en los primeros o últimos estadíos. Está muy presente en el mundo semi-consciente y puede ser atraído por el uso de otros artefactos. Emite un zumbido muy característico cuando interacciona. El artefacto ​Proyector,​ ​toroide derivado de Efialtes, solo presente en el plano transitorio. Crea un canal y permite al ingeniero ingresar, precediendo a la separación física, y materializar la consciencia en el nuevo plano. Extracorpóreo ​es un derivado del artefacto Proyector, presente en el plano transitorio y con influencia en el plano físico. Permite a la conciencia materializada del ingeniero comunicarse con los impulsos básicos motrices y órdenes cerebrales del plano físico, traduciendo los diferentes protocolos implicados. El artefacto ​Vacío ​es un espacio unidimensional que interconecta el plano transitorio con el plano onírico. El artefacto ​Arquitecto,​ presente en el plano onírico, forma y diseña espacios acorde con las órdenes del ingeniero onírico en el caso de que el canal de comunicación sea lo suficientemente consciente. Es una pequeña recreación esférica del universo elevado a infinito en forma de fractal. El artefacto ​Escultor,​ de hormigón y presente en el plano onírico, crea las diferentes imágenes e inteligencias que habitan el mundo onírico en construcción. Aunque puede ser controlado, a menudo actúa con un mayor libre albedrío, creando imágenes recurrentes. El artefacto ​Programador,​ de código en cascada y presente en el plano onírico, es la inteligencia encargada de dotar a los mundos oníricos de acontecimientos. El artefacto ​Devoramundos ​es el artefacto más inestable conocido y con mayor rango de influencia entre planos. Destruye el mundo creado como un agujero negro engulle todo a su paso. El artefacto ​Cordón​, de plata y presente en todos los planos, sirve como nexo entre el cuerpo físico y la consciencia materializada. A menudo, debido al influjo de otro artefacto, o a la inestabilidad en el canal creado por correlación, es capaz de obligar a la regresión, clausurando el canal de comunicación. Existe un artefacto Cordón que une cada una de las conciencias proyectadas con sus correspondientes cuerpos así como del cuerpo físico. Se desconoce que ocurre en caso de fisión. El artefacto ​Regreso,​ presente en el plano transitorio-semiconsciente permite al ingeniero recuperar la consciencia y restablecer sus signos vitales.

We are back on wax again with a very special release. It means a great pleasure for us to have one of the pivotal figures of the Madrid underground techno scene on board, Herr Unkle Fon. Some years ago, Madrid clubscene was formed by conventional clubs in conventional locations with conventional opening and closing times and usually, conventional programming. Manuel Cano then founded Utopía Secret Society and things changed forever for the city’s underground nightlife. Now as you may have noticed there is no club scene at all, neither conventional nor illegal, sign of the times. Musically speaking, Manuel started as a guitarist and soon evolved into studio engineer, label owner, club promoter, record shop owner (Ater Cosmo), social agitator… and adventurous character that reflects in his productions all his knowledge of the dancefloor. Jisatsu is a slow paced broken beat surrounded with smooth textures, soon joined by a repetitive synth line that adds the hypnotic component. Genroku Ako follows with a cosmic approach, continuous percussive and synthetic lines run together on a fast BPM exercise obsessive, linear and mental. On the flip side, 47 Ronin uses dreamy stabs over a relentless groove mixing liquidity with tension. Closing the release Shuppatsu is an almost beatless exercise, just with 909 rimshots, toms and snares spiced with ethereal components A timeless futuristic release that can wait on your record bag until things go in better directions. Writen & Produced by Unkle Fon. Distributed by Ready Made. Artwork by Futaba Hayashi.

Our new slice of wax comes this time from outer space made somewhere between unknown galaxies and black holes. The spaceship’s pilot is 30drop, a mysterious alias that has been running its platform 30D for a long while now and is not often seen outside its realm. So it’s an honor for us to have 30drop onboard. For this special occasion 30drop provides six cuts of futuristic techno but with a ravey approach in a time backspin that brings us back to the 90’s via Sci-Fi, reminding in some way of the early UR records, when Mad Mike and Jeff Mills worked together on the soundtrack of the future. This is our first mini LP with 3 cuts per side. The first cut is Brain reset, the short drone intro soon leads to a relentless groove made of repetitive sequences over a fast groove. Intense and obsessive. Mental Understanding brings more minimalistic ingredients, absence of hi hats, just kick drum and synth lines. Brain effervescence showcases the infamous 90’s hoover sound bringing the rave element and 303 acid lines all merged in a lawless and dense mixture. B side opens with Self awareness, starting with ethereal atmospheres, spiced with resonant bleeps and micro drones in a beat-less exercise. Klapaucjusz brings back the 90’s feeling again with analogue arpeggios and melodies, again over a clean groove in a Detroit oriented number. Closing the release, Knowledge, a space odyssey of strings, abstract synth lines and flotation. A work that showcases the skills of this well-seasoned producer that stands apart from any trends, futuristic, atemporal and scientifically crafted. W&P by 30drop Mastered by Dubplates & Mastering. Work art by Fuataba Hayashi Distributed by Ready Made

Sōgi explores death and Japanese funerary rites from an anthropological point of view. This work reflects a contrast between modern and traditional ideas. It is comprised of four different acts: 1. Seppukku Routes the listener’s heart into the last minutes of the mind of a lost person, with no hope, sank in a sea of modern worries and low self-esteem. The piece is a tunnel of anxiety and desperation that ends in a traditional form of suicide. This act should be listened to from a first person perspective. 2. Sōgi Routes the listener’s mind into the funeral rite of the person who committed suicide. Minimal, contemplative and meditative tendencies. The prayers are full of shame and stupefaction after discovering the corpse. The other people cannot explain reasons of why he put an end to his life. This act should be listened to from a third person perspective. 3. Kasō Routes the listener’s body into the deceased’s soul during the cremation process. The sensation of being trapped inside the coffin, entering the furnace, full of culpability and rage about all those who feel shame, disappearing from the physical world. This act should be listened to from a first person perspective. 4. Onryō Routes the listener’s soul into another metaphysical plane. The purgatory itself as an entity, expels the vengeful soul of the deceased person, who blinded by grief, is coming back to a place between the physical and the astral plane. This act is influenced by the sounds and sensations that can be listened to, experienced and felt during an astral projection, when the person is traveling through different planes of reality.

For this special release he provides 8 cuts of advanced techno, from mental and hypnotic to broken and industrial or simply arpeggiated and beatless.

When THE Uncanny Arises starts with No Gender Role an elastic mental exercise with metallic and processed components flying over a solid kick and white noise percussive elements add some hypnotic pads and you have a powerful mind and body tool.

Blue follows in a similar approach, clean drum programming, bleepy synth lines and a progressive arrangement constantly evolving and changing Flipping the vinyl, it’s time for the broken rhythms of Feel and understand combining distorted kicks with gummy sequences again administered in a quite wise structure.

Klonger closes the B side with obsessive metallic hits repeating until madness, a powerful industrial beat for the experienced dj’s out there.

The second vinyl slice begins with Negative One, returning to the martial beat combining a precise drum workout with floaty and liquid components, followed by Anonimo coercitivo exploring the deepest side of techno using textures and drones to spice the relentless beat.

Zero opens the C side, providing a solid distorted groove with metallic details and sci fi interstellar bell like sequences, proper futuristic vibes here.

Saying goodbye, the beatless Nothing To fear, an arpeggiated synth solo reminiscent of the old Berlin School of electronics from the seventies.

A touchable proof of his craftsmanship in the studio by one of the key figures in the European techno scene.